Son of Gotham (2014): A Decent Telling of Damian Wayne’s Origin Story

Son of Gotham posteratm

    “Son of Gotham” is alright. At times this film has moments of greatness only for it to be shot down by bad writing and not developing some of the intriguing characters more. This is a story that really deserved more time than the running time of an hour, which really brings it down the most it in the end. This is a film that is the origin story of Damian Wayne, but in many ways he is the least interesting character in this, and that isn’t completely is his fault, it is the fault of the writers, which I’ll get into deeper into the review.

     The film was directed by Ethan Spaulding and written by Joe R. Lansdale and produced by James Tucker and based on the story “Batman and Son” by Grant Morrison and Andy Kubert.

    The story involves the assassination of Ra’s Al Ghul by his former heir Deathstroke forcing Talia to take her son, who is the son of Bruce Wayne to Gotham City and Batman to escape. It is here Batman must deal with the reality of being a father and Damian must face a world outside of League of Assassins.

The Pros: The Animation – DC animation continues to put out beautiful looking work, and this is no exception. I’d almost say it is worth it just for the character designs as you make take inspiration for your own character work if you are comic artist.

The Soundtrack – The soundtrack is haunting and beautiful and reminded me of McCreary’s “Battlestar Galactica” soundtrack. Fredrick Weidmann did a great job.

The World – The world is cool but underdeveloped. The League of Assassins is huge and going through a civil war between the Ghul’s and Deathstroke and we even get glimpses of this Gotham and Batman.

The Characters – The characters who receive development are pretty great or okay. Sadly not all of them got development but the ones who did are a pro for me.

Slade Wilson / Deathstroke – The apprentice abandoned by his master out for revenge…this is Slade’s arc and it is great as he schools anyone he faces until the very end when he loses to Batman easily and just loses to Damian. I wanted more of this character and why Ra’s didn’t choose him to lead. Thomas Gibson did a great voice acting job.

Dick Grayson / Nightwing – Sean Maher (Dr. Simon from “Firefly”) is my favorite character in this. He has depth and reason for what he does and you get him moving on from Batman. He is a warning and promise for what his future may hold. I like how he clashes with both Batman and Damian too.

Bruce Wayne / Batman – Jason O’Mara is okay but his Batman is like a softer spoken Val Kilmer. I like Val Kilmer but most Batman are a lot better and same goes here. He is good but doesn’t even touch great. I wanted more of his relationship to Talia and further development with Damian, sadly we didn’t get that.

Okay: Ra’s Al Ghul – Ra’s is around for a little bit and dies. We see how much of a zealot he is and also how he is a caring Grandfather but that is about it. He dies way too early and his legacy is never fully explored.

Talia Al Ghul – Talia seeks revenge and gets easily beat by Deathstroke. Wasn’t impressed at all with that, though her relationship to Damian feels real as well as her love for Bruce Wayne. Morena Baccarin does a good job with what little she’s given.

Damian Wayne – Damian is a little too perfect. He hacks Batman’s computer, beats Slade in the final fight and gets over his anger way too quickly. For a guy raised in trauma he’s surprisingly well put together, which just made him feel like a Gary Stu/Mary Sue. He’s the core character and the driver of the narrative so I expected more.

The Cons: Killer Croc – Guy is just a giant monster and gets zero development. Great design but that means nothing when there is zero character behind it.

Doctor Langstrom – Beyond caring for his family we get none of the mad scientist tendencies. Why was he working for Ra’s prior? This is never answered, or how he got connected to Killer Croc. This was a shame as they are both Batman rogues, but this connection never went anywhere.

Deathstroke’s Plan – An army of Man-Bat’s…really? Batman defeated these guys so easily, you think the military is going to be that unprepared that they wouldn’t have some kind of sonar weapon. It was a stupid plan when Ra’s made it and Deathstroke continuing it was a shortfall on his part.

   This was an okay film. It strikes for good but never fully reaches there largely because so many of the characters that would be great in different contexts don’t get the agency and development they deserve. This film aimed high as it was giving us the origins of the one of the most famous Robins, yet I didn’t care about him. He was overpowered and seemed to have no flaws beyond anger that we never got to see him fully face. He was the definition of a Mary Sue/Gary Stu and it took away from the story. I wanted to know more about Deathstroke, Talia and Ra’s but an hour was not long enough to do so and the overall narrative suffered because of it. This is what made the film okay in the end…lack of development, too short of time and Damian’s too perfect tendencies as well as the main’s outside of him not being enough to carry the story. If you like Batman, check it out for sure. DC Animation hasn’t made any bad films I’ve seen yet, but this could have been so much more.

Final Score: 7.4 / 10

“Better Call Saul” Season 2 – Pride, Love and the Different Paths of Corruption

Better Call Saul Season 2 Poster

    “Better Call Saul” is a show that may surpass “Breaking Bad” in the end if it continues to have this level of quality in storytelling and character development. From the minor characters to the big ones I’ve come to care about them in different ways (though not Chuck) and can’t wait to see where their stories go. The major themes this season were the different roads to corruption…ranging from love and wanting to impress another, to pride and all the pros and cons that come with it.

    Vince Gillian and Peter Gould is a truly an amazing storyteller and the way he expresses character and themes and intertwines them so richly is just masterful.

SPOILERS ahead

The story continues Jimmy McGill’s (Bob Odenkirk) path to becoming Saul. This season he becomes a member of his brother Chuck’s (Michael McKean) Law Firm. Things aren’t all they are cracked up to be though…Elsewhere Mike (Jonathan Banks) is pulled deeper into the world of the Cartel.

The Pros: The Cinematography – Arthur Albert continues to shoot beautiful shots in this, especially in regards to the isolation of Chuck, Jimmy and Mike. They are all different types of alone and he uses darkness and light in a space to show this, creating some stunning storytelling.

The Soundtrack – Dave Porter did a great job with a soundtrack, the soundtrack gives  a feeling of desolation but manages to create moments of hope, humor and power within it.

The Writing – Vince Gillian and Peter Gould once again have wrote gold. Whether it is characters, themes or events…they capture the action of it all so well. In this season we truly get how the Saul character came about and by the end can guess what prompts the name change.

The Characters – Gould and Gillian are amazing character writers and the characters are what really drive the action of the show. There are many more “Breaking Bad” cameos but none of them feel shoe-horned in. They fit the story and events and are a part of it.

Lawson – Jim Beaver is fantastic in this! This is his return and we see him helping Mike choose a gun a few times. He plays a guy who loves his weapons and can also be generous with them too. He’s all business yet personable.

The Cartel – The Salamanca family and the Cartel are a fascinating group who we never really fully got to know in “Breaking Bad,” this season explores more of their history and the politics of their organization as Hector is still healthy so we see how he runs his area of the operation.

Leonel and Marco Salamanca – The Twins are back! These two don’t do much but the aura of threat they give off is impossible to get away from. Whether it is showing Mike they could kill his Granddaughter from his pool, or just hanging around as Hector’s bodyguards. You don’t mess with these guys.

Tuco Salamanca – Tuco is back when Nacho contracts Mike to kill him. We see how much this guy scares everyone around him and how everyone knows he’s unstable and crazy. After what went down last season between him and Jimmy it is great to see him in relation to Mike who ends up getting him arrested, though later Hector frees him by having Mike lie to the police.

Hector Salamanca – Mark Margolis is back as Hector and Hector is in his prime with no threats that he knows of. This leads to him walking all over Mike which almost leads to his death, until someone stops Mike from taking the sniper shot. Can’t wait to see how this character ends up in a Wheel Chair.

Nacho Varga  – Michael Mando continues to humanize a character that would be a bit part on any other show. In this we see his main goal was just power and surviving and Tuco going to prison made that possible. He’s in deep with Mike though and has a respect for him even though he sees Mike doesn’t kill and he thinks that is stupid. I don’t see him surviving the series just due to how dangerous the Salamanca’s and the Cartel are.

The Protagonists – The protagonists are really the big drivers of the action and the main protagonists this season are Kim, Mike and Jimmy…each bringing us a different perspective on the choices they make.

Kim Wexler – Gillian and Gould finally know how to write a fully well rounded female character and Rhea Seehorn plays it masterfully. In this we see her go from cautious to finding pride in her work and going Independent with Jimmy. She is also there holding Jimmy in check and reminding him to not leave a trail as she knows Chuck wants to destroy them both for not being under his power.

Mike Ehrmantraut – Mike has been developed so much more in this show versus “Breaking Bad” and I love how it has been handled. We see an ex-cop who goes full mercenary and in the end is ready to kill another, which is one thing we’ve seen him swear off many times this season. Someone stops him from killing Hector and I think it is Gus as he wants a much more complete revenge against the man who wronged him.

Jimmy McGill – This season we see everyone around Jimmy likes him more than Chuck. From Chuck’s wife, to their mother and most of the people at the firm. This envy leads to Jimmy being targeted as well as Jimmy’s own wanting to do his own thing. This season we see how the look of Saul comes around as he’s inspired by a balloon person and begins being a terrible person at the office so they’ll fire him but he can still get the money from the case he brought them. Odenkirk is awesome as we see a man acting from his love of Kim but also his need to do his own thing and be free. I really like Jimmy, in the end it is his love for his brother that may cost him all he’s built…as his brother records him admitting to a felony.

Independence and Agency – Jimmy and Kim represent this best as we Kim sticking with the Firm even as she’s walked all over, while Jimmy seeks a way out and has a hard time accepting them as working together but not partners. He does come to accept it because he loves her, while the Firm keeps trying to take away all she built. This story is a constant dance as we see Jimmy’s extreme agency leads to him illegality and also ability to be manipulated by Chuck, while Kim though she was miserable was in a stable position with money.

What Makes a Good Person? How Do you Measure it? – This is a question the show poses and we see represented in Chuck and Jimmy. Jimmy does a lot of questionable things, but they often lead to good ends and often come from a place of love. Chuck follows the rules and is a manipulator who does everything for pride an ego. They are the inversion of one another’s intentions and through them and other characters this question and measure of the what it means to be “good” is explored.

The Ending – Chuck uses his “condition” to manipulate Jimmy into admitting he changed the papers and replaced them back as we see Chuck will go to any length to bring his brother down.

Okay: Chuck McGill – He isn’t sympathetic, which is a shame as he’s acted really well. More could be done to humanize him I think as I sympathize more with the Salamanca’s than I ever could with Chuck. They are honest in what they are…Chuck is just an awkward sociopath who wants to hurt his brother.

Cliffhanger Ending – If the show was canceled I’d hate this ending, but knowing it probably won’t be i’m okay with the cliffhanger, with the note on Mike’s car saying “Don’t,” and Chuck recording Jimmy’s confession secretly. So much happens and the way they ended it is like a punch in the gut.

This season was nearly perfect! The only things that could have been handled differently were the cliffhanger ending and humanizing Chuck more. all he does is act cruel and manipulative. I get he hates Jimmy but he must have loved him at some point too, or he’d have never got him out of prison. I hope Season 3 will humanize his character more as we see the fallout from the choices made this season. Peter Gould and Vince Gillian are two of my favorite folks in television right now. “Breaking Bad” and “Better Call Saul” are some of the best stories I’ve ever watched and I can’t wait to see what they come up with next.

Final Score: 9.8 / 10

Universe Sandbox 2 – An Early Access Look to a Universe of Infinite Possibilities

Universe Sandbox 2

        Sandbox games are hard ones to pull off. If there aren’t enough possibilities it is easy to get bored…for example I could never get into the Sim City Builders or Train Builders as there weren’t enough possibilities to keep things interesting. Even within ways to destroy a city…it eventually gets boring. What if you could shape the Universe though and have different ways in which you could create life and have it follow the actual laws of our own Universe? This is what makes Universe Sandbox 2 work. You are a God and there is no limit to the possibilities you can make, and the fact that this is Early Access means more updates and possibilities are to come.

     This game was created by Giant Army who also created the first Universe Sandbox, that I plan on checking out as well after this. It is currently available on Steam and is seeking more people to help bring it into it’s final form.

Destruction

   When I was playing what I ended up creating was a giant black hole in the middle of giant Super Nova. It was fantastic, beautiful destruction and was grateful that my friend introduced me to this game. Over the course of this playthrough i added more black holes and Suns to keep the radiating destruction going on. It was so powerful the beautiful music even stopped playing because it was so strong upon the computer. The black hole below is all that remains now as all the remains of the supernovas were eventually sucked into the supermassive black hole that came out of the destruction.

Super Massive Blackhole

     Later on she was playing and myself and another friend were Trickster Gods to her Earth planet that had life in India and Europe but everywhere else had been destroyed by the asteroids circling it. The planet had also been turned to a 90 Degree angle because of all asteroids that had hit it, knocking it off it’s axis…yet still there was life.

     That was until the other friend and I decided to place 3 moons around the planet which turned the planet red and destroyed Earth completely, as well as 2 of the Moons as the debris from the destroyed moons (from the circling asteroids) annihilated all water and life on Earth. It was awesome!

      This is a game that is well worth buying and gives you the chance to be a benevolent creator creating life all over the universe, or creating epic levels of destruction on a galactic scale. This is a game that if you have any love of astronomy and science is worth checking out. The game is still being worked on, as it is Early Access, but even in it’s current form I’d rate it over most games that are similar Sandboxes. You feel the epicness of being God over a Universe and you learn so much by the things that can be done in the Universe you create.

Final Score: 9 / 10

The Dark Knight Rises (2012): A Fantastic Film Exploring the Power of Ideas, Consequences of Lies and Finding Resolution

The Dark Knight Rises

     “The Dark Knight Rises” is the most controversial of “The Dark Knight Trilogy.” This is both because of how people see the villain and some of the story choices that were made in regards to the timeline leading up to the film and some story choices during the film. This is a movie that you’ll enjoy more if you fill in the blanks and take it from the logic of the past films. For this reason for me it is a favorite, though I understand why people hate it, while for me…I enjoy it more than “Batman Begins” as I found the structure for this a lot better and the emotional payoff much more rewarding. This is an ending and a great ending is hard to pull off and I believe this film does it, and I’m also biased in that I loved Bane as a villain…which I know many people did not. This film is about bringing some of the character arcs we have followed the last 2 films to a close and first and foremost it does that, and it does it well, even with all the flaws.

      The film was directed by Christopher Nolan who also wrote and produced it. Jonathan Nolan was one of the co-writers and the other producers were Emma Thomas and Charles Roven.

     The story takes place 8 years after the events of “The Dark Knight” and organized crime has been taken down by Batman (Bruce Wayne) and the Police Department through the Dent Act, formed after Harvey Dent’s death. A lie hides over the city though as the truth behind what Harvey became is hidden by retiring Police Commissioner James Gordon (Gary Oldman) as Bane (Tom Hardy) arrives in Gotham to destroy it forcing Batman out of hiding as he must deal with this new threat and others.

The Pros: Cinematography – Wally Pfister is once again great in casting shots. From the fights with Bane that contrast his strength and power, to the shadows that Batman fights from and Gotham Occupied with the snow showing us a dead city devoid of hope and embracing despair.

The Soundtrack – Zimmer once again creates an amazing score! From the chants of Bane’s theme to the beautiful piano piece for Catwoman that shows the mystery of the character. His score has always succeeded in elevating the story and this is no different as we see Bruce Wayne go from his lowest point of despair to rising beyond the identity of Batman.

Narrative and Pacing – Narrative and pacing are the best they have ever been in the Trilogy. The story never drags and there is a clear ending rather than a bunch of climaxes. The clear beginning, middle and end compliment the story and characters and create a fantastic resolution to the story.

The World – The World is fantastic! This is a world where I don’t believe Batman ever really fully retired…as long as organized crime was around he was fighting and he had to give something for the police to chase at the end of “The Dark Knight.” Just like the League of Shadows will never ever fully go away, neither will Batman as a character or identity others can adopt. Both of these things are ideas and this movie fully captures that. Any person can adopt ideas greater than themselves and use it for good (John Blake taking up the mantel of the Bat) or Bad (Talia and Bane seeking to destroy Gotham to end it’s corruption).

The Characters – The characters continue to be one of the richest parts of the series and what will keep me coming back and even finding inspiration in them for my own writing.

Daggett and Stryver – These two were meant to show the corrupt Business world and that even without organized crime that is with the black market and drugs, Gotham is still just as corrupt…it has just become White Collar. They are fun and they clearly had fun being bad guys and in these roles who were presented as mini-bosses but were just Bane’s patsies as he was the one with the real power all along. They were the ones rules by fear and money.

Jonathan Crane / Scarecrow – Crane is back and when Gotham breaks everyone out of Gotham and Arkham he becomes one of the judges in the Kangaroo Court. This guy is awesome and there is even the chance he escaped in the end. This character is a survivor who embraces the madness in himself and around him.

Lucius Fox – Freeman continues to own this role and is there to help Bruce Wayne heal, from his coming back as Batman to helping Batman save Gotham and giving him hints he survived at the end. Lucius is the stalwart ally who is always there and is the only person not to betray Bruce’s trust.

Alfred – Alfred loses Bruce and learns how important it is to face the truth. He shouldn’t have burned Rachel’s letter about her marrying Harvey Dent as it hit Bruce in the worst place, leading to his being asked to leave…only to return believing Bruce Wayne to be dead. Luckily he finds that Bruce does grow beyond his role as Batman which is what he always wanted. Michael Caine does a great job once again.

Miranda Tate / Talia Al Ghul – Marion Collitard does a good job as Talia. Bane is the great villain (Talia is just good) and I think this is largely because she is too much of the classic League of Shadows. She uses a clean energy generator as a weapon which has bringing people back to their base nature and back to nature…calling back to the eco-terrorist roots of Ra’s Al Ghul and his League. She breaks Batman’s heart too and we learn that she could have truly been a friend and lover and been changed had they met much before this movie. It is the death of her father and his rejection of Bane that inspire her quest and identity as Bane and her had been shown the worst of humanity and saw that in Gotham. It was the pit that needed to be cleaned.

James Gordon – Gordon like Alfred deals with the consequences of the lie in “The Dark Knight.” He loses the trust of his only ally on the police force (Blake) when it is revealed and we see that. He became corrupt and the consequence was Bane faced no resistance from the populace and the populace embraced his revolution to take Gotham apart. He finds resolution though when he learns that he inspired Bruce to become Batman and helped Bruce to heal when he needed it most. We also see him becoming a healer again at the end as he is one of the few leaders left in a city torn apart by war. Gary Oldman truly inhabited this role.

The Dark Knight Rises Catwoman

Selina Kyle / Catwoman – Hathaway is fantastic and is my favorite Catwoman! She is a character who does what she wants but also seeks to become more as she wants freedom which we see she never had due to her financial state and being trapped where she lived and in how she dealt with it by becoming  a thief. She shows virtue though as she comes back to save Gotham and saves Batman from Bane before Bane kills Batman. It is partially thanks to her that Gotham is saved. She becomes a hero and in it finds freedom.

The Dark Knight Rises Bane

Bane – Tom Hardy is awesome in this role! Bane is one of my favorite villains in this series along with Two-Face, the Joker and Scarecrow. He is threatening in both body and how he carries himself and psychologically. His arc is showing his ideals are true, that humanity will destroy itself and to fulfill the League’s quest to destroy Gotham. He gets this perspective from his time in prison and the price that was taken on him for saving Talia from the mob who killed her mother. He loses everything and is stronger for it as all he has to live for is Talia and the ideals of power. It takes Catwoman shooting him with the Batpod. I wanted to spend more time with this character. There is so much depth and threat to this guy and so much unknown, even with all we learn. Like the Joker there is mystery there…and it lends power to the character.

John Blake / Robin – John Blake is my favorite Robin (Robin is actually in his full birth name) he is the orphan who discovers Bruce Wayne is Batman when Bruce visits his orphanage as a kid. This inspires him to become a cop and we see that he is the one with Gordon fighting against the occupation by Bane and having the most success. Joseph Gordon-Levitt is awesome in this role and if more films had been made of him in the role as Batman or Nightwing working with Batman I’d have been there, or read them had they made comics about it. This character has depth and isn’t a punk but an idealist who loses the idealism and goes his own way, becoming the new Batman.

Bruce Wayne / Batman – Bruce Wayne’s arc is moving on from the loss of his parents and Rachel as the truth of both when he loses everything (his company, identity as Batman and being unstoppable, Alfred and Gotham) and after losing everything he finds Bruce again and is able to transcend the Batman identity and grow. Bane breaks him and it is in the breaking that he can heal from the scars he never addressed. The Pit is as much in his mind as it is a physical Pit and it is only in rising from both that he manages to save Gotham and himself. This is Christian Bale at his best as we see his full range of anger, despair, hope and content. This film is the much deserved resolution Bruce has been seeking since he lost his parents so long ago. Now he can be Batman and Bruce Wayne. The world is his and whatever he chooses to do it will no doubt be to help others as before but as a truly healed person, not the broken vigilante he was before.

The Breaking of Batman – This scene is powerful as Bane shows that he inhabits the idea of the League of Shadows and Batman better than Batman. He is the manipulator from the shadows who fights psychologically and physically. He breaks Batman totally and leaves him to suffer while Gotham is destroyed. It is powerful scene as he knows how small Bruce Wayne is in his identity in the end.

Climbing the Pit – The Pit is there to remind Bruce Wayne that he is more than Batman. He had gotten beyond fear and in doing so had nothing to live. In becoming an ideal he had trapped himself inside the ideal. It is only when he leaves room for fear to fail that he rises about it and finds Bruce Wayne again, which is the identity he lost the moment his parents were shot. Climbing the pit is healing both physically and mentally and becoming more than he ever was before.

What Desperation Can Breed / Revolution – Gotham is separated between the extreme rich and extreme poor. This leads to the revolution that Bane incites that leads to the easy occupation of the city and letting the city eat itself before it’s inevitable destruction.

The Cost of Batman’s Victory in “The Dark Knight” – The cost of victory is the occupation and death of Gotham. The mayor and all areas of authority get destroyed over the course of the war. Even though the city is saved from the bomb, the scars Bane left on the city will probably never be healed…which I think is something both Blake, Bruce and Selina realize, which is why they’ll be around to help. They have left the city, but everyone returns to Gotham.

Importance of Truth – Bane is able to so thoroughly break Batman and the city by revealing the truth of Harvey Dent which riles up the city against the rich and authority. There is only a small resistance and the mob turns on itself showing that the lie to save Gotham did nothing as eventually the city did turn on itself. The city’s base self was laid bare.

The Ending / The Power of Ideas and Growing Beyond Self – I felt this was done beautifully. Gordon realizes the child he comforted whose parents were shot (Bruce Wayne) became Batman, his friend and ally. Blake becomes the new Batman as he realizes the structures of Gotham are ones he can’t work with and he sees the corruption that Gordon saw but chose to work within to change and Selina and Bruce transcend their past identities becoming fully free…off the radar and the map and free to be whatever they want to be. Batman becomes Bruce Wayne which can hold both identities and more. Alfred get’s his happy ending finding that Bruce found happiness too.

Okay: The Writing – There are awkward dialogue moments and some extremes that shouldn’t have been in here (Batman having no cartilage in his legs, and his “retirement”), but the strengths of the characters and other moments like any moment with Alfred or the fight with Bane elevate it. So I’m putting it as okay.

The Cons: Talia’s Death – This wasn’t done well. She didn’t have to say anything…we knew her father’s dream was done if the bomb went off.

Dialogue Moments – There are some awkward dialogue moments in this…for example in the finale fight as Batman and Bane stare awkwardly at each other. It is stilted, but once they get fighting it is fine. There are other moments of wooden dialogue too, luckily they are only moments and not consistent.

   This is a film that ends the Trilogy really well. Batman moves on and at the very least becomes International. This film captures the idea behind “Batman Inc.” in many ways as we see him abroad but setting things up for Blake to inherent the mantel of the Bat. Bruce Wayne is both Batman (fixing the Bat Light) and Bruce Wayne (his living openly abroad). This is something he never had in any of the past films. Bruce Wayne was only Batman in the past films as he was unable to live beyond his obsession. It is only in realizing that Gotham will always have problems and need protecting but that can happen and he can live too. He takes Alfred’s advice and stays true to himself. In that way Batman dies so that Bruce Wayne who inhabits both identities can rise and there is something beautiful in that. I get why people hate it, but our heroes shouldn’t stay static. Let Bruce Wayne grow as all characters should so he can be more than just the traumatized child lost in fear. Bruce Wayne deserves better than that and this Trilogy is his story, his growth, his rising.

Final Score: 9.9 / 10

The Dark Knight (2008): A Masterpiece That Explores Virtue, Liberty and the Nature of Humanity

The Dark Knight

    “The Dark Knight” is a masterpiece in every sense of the word. It is more than just a great Batman film, it is a classic that illustrates just how great the medium of storytelling can be through the use of film. The best films can capture the best and worst of humanity and ask us questions about what it means to be ourselves. The best films challenge are assumptions and “The Dark Knight” is one of those films. This is also the Batman film with two of my favorite Batman villains. Both the Joker and Two-Face are two of the more complex Batman Rogues of all time and most of the stories that explore them are at least good.

     The film was directed, written and produced by Christopher Nolan who wrote it along with Jonathan Nolan. The film was produced by Emma Thomas and Charles Roven.

   The story involves Batman (Christian Bale) a year into his time protecting Gotham and explores the rise of the Joker (Heath Ledger) who escalates the war as Harvey Dent (Aaron Eckhart) target the Mob with Batman and James Gordon (Gary Oldman) leading to the mob putting their fate in the Joker’s hands.

The Pros: The Cinematography – The cinematography is the best it’s ever been in the “The Dark Knight Trilogy.” The contrasts of light and dark are best illustrated in the transformation of Harvey Dent and Two-Face and the scenes involving the Joker or Batman and the Joker together. This is a story of contrasts and the cinematography captures it beautifully. Wally Pfister once again did a great job.

The Soundtrack – Hans Zimmer and James Newton Howard created their best soundtrack thus far as we get the haunting theme of the Joker mixed with rising tension intermixed throughout the score. The story feels on edge because of how the music weaves so seamlessly with the plot. The aura of terror never goes away.

The Writing – The Nolan Brothers when they write together are better than when one of them teams up with Goyer. I think this is probably due to them understanding each other better which in turn allows them to explore the characters better and work the themes in without having what little fat there was in “Batman Begins.” The fact that it takes inspiration from “The Killing Joke” and “The Long Halloween” (two of my favorite “Batman” comics) is part of what gives the writing so much power. It pulls from great stories.

The World – The World is rich and feels lived in. From Sal Maroni taking over the Mob, the politics and corruption within both the District Attorney’s office and the Police and the politics between them. Batman is the one who holds this brittle vase together but the Joker gives it the push that makes it all fall apart.

The Characters – The characters are amazing in this. From the minor characters who were once faceless antagonists, to the large characters who express the themes of the story. The characters in this are a lot better than I realized until my most recent viewing.

Jonathan Crane / Scarecrow – He has a small role and is taken out early by Batman. The fact that he survived for so long is to his credit. He’s pretty minor compared to Joker and Two-Face is what the film shows as well as that he and Batman are both fit for Arkham.

Commissioner Loeb – Loeb actually gets exploration in this! We see all he’s doing to take out the mob and the consequences he takes for it, like his heavy drinking which makes it easier for the Joker to kill him. I like that we actually get to know the character this time.

Mayor Garcia – The Mayor is pretty great in this too as we see his courage in how he goes forward with the parade to honor Loeb and to give Harvey Dent the power he needs to go after the mob. I liked this character and wanted to get to know him more. His “real talk” with Harvey Dent is a powerful scene as it illustrates the growing war as the Joker’s victim is hanging at the Mayor’s window after the talk.

Detective Ramirez – Ramirez is a great character. She’s flawed as she’s looking out for her mother and this leads to her being in with the mob. We see that she isn’t all bad though she’s just ruled by fear which leads to her getting Gordon’s family to Two-Face. She is the symbol of the broken system.

Lau – Lau is a great character. The fact that he saves the Mob’s money on his own is great and he would have won if not for Batman ignoring international borders (one reason I don’t believe the 8 years or Retirement in “The Dark Knight Rises”). He ends up being burned alive on a pile of money buy the joker showing his role reversed as in the mob he was the most powerful person for protecting the money, but in the Joker’s city money means nothing.

Sal Maroni – Sal is great, he has a young arrogance about him that makes him fun anytime he’s on screen. He’s also a guy who can’t see all that long term as he is the one lets the Joker run havoc all over Gotham and in turn he can’t even escape because of it as Two-Face is waiting for him, changed by the Joker and with it Sal’s choice comes back to end him. In that way, he’s tragic in his own way.

Lucius Fox – Freeman gets more exploration in this as we see his ideals are strong on the side of personal liberty (one reason he might like Batman as an individual under no one) and when he stand against Batman’s NSA Spying Machine we see that it doesn’t matter how much he likes Bruce, he won’t let him become the Emperor of Gotham. No individual in Gotham should have all the power and Lucius stands by this even as he uses the machine once to help catch the Joker.

James Gordon – Gordon’s story in this is a tragedy. We see his distrust of Harvey Dent yet his belief in him too and how all of that is lost when the Joker breaks Harvey and James in unable to save Rachel Dawes. He is promoted to Commissioner when Loeb is murdered and never catches a break after that. For much of the film he is trying to save people from the Joker as the Joker is always one step ahead and the war against the Mob that he was working on with Batman and Harvey becomes nothing. In the end the war nearly costs him the life of his son though it does cost the life of Harvey Dent, which is something he is never able to live down as he embraces the lie that Batman killed Harvey Dent and hiding Dent becoming Two-Face.

Alfred – Alfred is great in this as Caine gives the mentor role power again. In this he illustrates how much it takes to defeat some enemies as we learn that Alfred was a pretty terrible person in Burma as he burned down an entire forest to catch one thief. This metaphor leads Batman to creating his NSA spying device showing that Batman did learn from Alfred and embraced the worst aspects of the fascist state that Alfred had once worked for. Luckily they both move on from that, but it shows how far both of them will go, in a way proving the Joker’s point about people.

Bruce Wayne / Batman – This is the film that tests the limits of Batman’s code as we see him fighting a losing war against the Joker when the Mob unleashes him when Batman, Gordon and Dent have almost defeated them. He never leaves his ideals of not killing in this but we see how far he’s willing to go as he metaphorically burns the forest of Gotham by spying on everyone to catch the Joker. It’s powerful and shows that Batman is willing to become a villain to stop a villain. In that way he is the Emperor of Gotham as the narrative of the Emperor being chosen in times of trial in Rome to protect the populace and how it lead to it becoming a permanent position. Batman not only loses his love in this and the respect of the city, but he loses his purpose as well as the Joker is proven right in many ways with the “Tragedy of Harvey Dent.”

Dark Knight Joker

The Joker – The Joker is an anarchist who lives to upset the status quo. He loves playing with people’s mind and comes up with different stories related to his scars to get into the heads of whoever his enemy is. Heath Ledger’s performance is one of the best villain performances of all times and is a classic for a reason. There is a reason you see at least one his Joker’s on Halloween or Comic Cons. His point is that humanity is just animals and civilization is a lie, so the only way to live is to live uninhibited by rules and he does this by destroying powerful figures or breaking them to make his points true. it is enough to turn Harvey Dent into Two-Face even if his “Prison Experiment” using the ferries doesn’t work. He doesn’t care about his life (as seen when he lets Harvey Dent flip the coin on his life) and lives purely for his ideals. For him the ideals are enough (like Batman) and like Batman it gives him power and makes him a symbol that can never fully be defeated. Even though Batman physically defeats him at the end (but is unable to kill him). R.I.P. Heath Ledger, you not only changed cinema forever but the culture with the character you played.

Dark Knight Two-Face

Harvey Dent / Two-Face – Harvey Dent is the idealist who in many ways represents humanity’s potential to rise to ideals and to fall into despair. His fall into Two-Face happens when he realizes all his plans to stop the mob are falling apart and his allies can’t even save the woman he loves. This makes him easy prey for the Joker who turns him into Two-Face leading to him embracing chance as his code of justice as he saw the law was unable to trap and prosecute the Joker, stop the Mob or save Rachel. In the end Two-Face is despair and in becoming a “Punisher” like vigilante proves the Joker’s point about how anyone can become a killer after a really bad day.

Liberty v. Security – Liberty v. Security is a major theme in this as we see Batman impeding on Liberty to stop the Joker when he taps into everyone’s cell phones. His very existence is an infringement upon Liberty too in a way as he is above the law yet enforces them. The Joker is one of the answers to this as is Lucius Fox who show that becoming a Dictator isn’t the answer.

Does Vigilantism Help? – Does becoming a vigilante help? We see in this that it probably doesn’t. From inexperienced look alikes who dress up like Batman and put themselves and others at risk and in turn lead to the rise of the Joker, who was never on the scene until Batman appeared. The question is never fully answered as Batman does capture the Joker, but since he might have helped create the Joker in the first place…does Batman’s existence help or hinder more in the end?

Fascism v. Anarchy – The main theme is one of fascism versus Anarchy. Batman is fascism incarnate as he is above the police and the law and enforces his own brand of justice that is everything but killing. In answer to that there is the Joker who seeks to destroy all systems that uphold the law so the people can do whatever they want and become their base selves. While Batman seeks to scare others into becoming their best selves.

Codes – The Joker’s code is that a person should live how they want and that life itself doesn’t matter, what is important is tearing down structures of power to get people back to their basic selves. Batman doesn’t kill because he sees the good in people and sees Batman as the hope that can inspire that. Harvey’s ideal at first is to the law and using it to stop corruption. It isn’t until he loses everything that his ideal becomes chance as he blames chance and entropy on all his sorrow.

The Nature of Humanity – Is humanity good or bad at it’s base? The Joker would say bad as shown by how the city turned on itself when he caused fear and terror while Batman who belives that humans are good as shown by the Ferry Experiment where the prisoners and civilians don’t kill each other…showing that humans can rise above their fears like he did. Who is right? That’s really up to you as throughout human history you will find proof of both, though I think there is more on the Joker’s side…humans have historically been far more cruel and selfish than good and giving.

Okay: Rachel Dawes – Rachel Dawes is an idea and never gets beyond that. For Harvey she’s the thing worth living for that feeds his idealism and keeps him strong, for Bruce Wayne she’s the way out of him being Batman and having a normal life. For both she is an escape and her death triggers the change in both our characters. She’s a plot device so never becomes great. She always is just okay.

Pacing – The pacing is alright but doesn’t quite work. There are many times where the film feels like the climax has happened but before you know 3 more climactic events have happened. This is the only real downside the film has besides Rachel Dawes.

    “The Dark Knight” manages to make even it’s minor characters compelling, even as the main drama goes down between Gordon, Dent, the Joker and Batman through whose perspectives we explore the ideas and get the drama. This film isn’t afraid to tackle big ideas and the possible consequences of thBose ideas. Not only that we get to see it through the eyes of fascinating villains or compelling heroes we care about. This gives power to the consequences are characters make that illustrate the ideas the film explores. These deeper ideas and complex characters keep me coming back and this is a film I will never grow tired of. It is always worth a second look as he each time the ideas are explored by the characters it gives a chance to explore one’s own thoughts on the answers to the questions. This film is one of the greatest films of all time.

Final Score: 10 / 10

Batman Begins (2005): The Power Behind Overcoming Fear and an Amazing “Batman” Film

Batman Begins poster

    “Batman Begins” is a great start to “The Dark Knight Trilogy” and a solid film on it’s own. Nolan could have lost the rights to make more of these films and this would be the best of the “Batman” Films at this point. Nolan creates a world that feels lived in and captures the noir feel of Batman as well as integrating the more fantastical aspects of Batman’s backstory into something more believable. This is supported by a strong score that Zimmer and some absolutely brilliant performances. There is very little wrong with this film.

      “Batman Begins” it was directed by Christopher Nolan who also co-wrote the screenplay along with David S. Goyer. The film was produced by Charles Roven, Emma Thomas and Larry Franco.

   The story involves the death of Bruce Wayne’s (Christian Bale) parents and his leaving Gotham city to get training in order to take on the criminal world. This leads his meeting Henri Ducard (Liam Neeson) who trains him to become a member of the League of Shadows, which he rejects leading to his return to Gotham and becoming Batman. But all is not as it seems.

The Pros: The Cinematography – The cinematography in “Batman Begins” is beautiful. The world is full of shadow with light used to illustrate the characters and creatures who make up the dark. Whether it is ninjas in the League of Shadow’s fortress or the criminals who inhabit the Gotham underworld. Wally Pfister did a fantastic job.

The Soundtrack – Hans Zimmer and James Newton Howard created a beautiful score for this film. It manages to capture the darkest points for our heroes and also their highest or most epic moments. From Batman calling in the bats for reinforcements…to anything related to the League of Shadows or Scarecrow. The main theme is also glorious and anytime I hear it I remember this Trilogy.

The Writing – The writing is fantastic, David S. Goyer when working with Christopher Nolan as a collaborator can actually tell a great story. The fact they pull from great stories like “Batman: Year One” and others helps. They pull from the best and make it fit their own universe.

The Characters – The characters are the strongest part of the Trilogy and “Batman Begins” is a great introduction to all our heroes, giving them arcs that mean something as they explore and reveal different parts of themselves and of Batman in their relationship with him. The only downside are some of the one-note antagonists, but I’ll get into them further down.

Lucius Fox – Lucius Fox’s arc involves his rise of power within Wayne Corporation again as he sees the big picture and uses cast off Wayne Tech to help Batman mount his fight against crime and the underworld. He saves Batman and the city by coming up with an antitode to the League of Shadows’s fear gas they use on Gotham and that Scarecrow uses on Batman. Morgan Freeman is great too and gives a lot of humor and depth to the character as he knows what is going on pretty early on when Bruce comes to him.

Carmine Falcone – This guy is a great baddie. He owns Gotham and it takes Bruce Wayne leaving Gotham in order to find a way and training to defeat him. Even after he’s arrested he only falls when Scarecrow shoots him up with fear gas. Before that point, Falcone didn’t fear anyone or anything and you had to respect the guy. He got the underworld and his tough talk with Bruce before throwing him out really illustrated just how thoroughly he owned Gotham and how broken the city is. Tom Wilkinson is really good in the role.

Alfred – Michael Caine is an awesome Alfred! He is the one who brings wisdom to Bruce and is someone Bruce can throw his ideas off of. He’s also Bruce Wayne’s only connection to his family and past as so much of his Batman self is his living of an idea where he has no room for personal connection because there is only the mission. Alfred brings him back down to Earth and centers him.

Sgt. James Gordon – Gary Oldman is amazing at Sgt. James Gordon! This is the first film version of Gordon that is actually explored as a character as we see he is the one who comforted Bruce as a child and like Batman strives to live by ideals in a world that is broken. He doesn’t rat on his friends but he doesn’t take mob or anyone’s money. In this way he is able to make change and it is in working with Batman his vision to help save the broken city helps come about as he is promoted, showing his ideals were heard. He is the reason Ra’s Al Ghul is defeated too as he destroys the train that was carrying Ra’s and the weapon.

Scarecrow

Jonathan Crane / Scarecrow – Cillian Murphy truly owns the role of Scarecrow and I get why Nolan kept bringing him back to be in later films. In this we see his rise to the most powerful (his institutionalizing of Carmine Falcone) but later see he is just a puppet of the League as he only sees power and holding the city ransom. This isn’t the whole story though as he gets pumped full of his own fear gas by Batman (revenging for nearly killing Batman with it earlier in the film) and this leads to him going fully mad and becoming the Scarecrow. He escapes the cops and Batman and is missing at the end of the film, showing just how resilient he is.

Ra's Al Ghul

Henri Ducard / Ra’s Al Ghul – Ra’s Al Ghul is smart at hiding himself as he presents someone else as himself to Bruce Wayne when he is training Bruce (to be a possible replacement in the long run, in the short run to destroy Gotham) and becomes Bruce’s mentor and friend. In the end he can’t even bring himself to kill Bruce and opts to give Bruce the same treatment he received as he burns down Wayne Manor and leaves Bruce under a burning log. This is a character I couldn’t help but respect as I got how someone who had been through so much could come to believe that you can only save civilization by destroying it so that people can see the full corruption and plant a new way of being. Neeson’s performance also lended a lot of empathy to the role.

Bruce Wayne / Batman – Christian Bale makes a great Batman and I like the idea that he is only Batman and Bruce Wayne is a mask, even though it gives his Bruce Wayne identity and overly artificial feel sometimes. In the context of Nolan’s universe he really works because he is the ideal of Batman so there isn’t much room for the Wayne identity beyond enough to create cover for the vigilante and the true self that is Batman. His Batman manages to be both threatening, charming (jokes that don’t break the tone of the film) and real as we see just how new he is at this role and how far he’s come since his exile. His arc is going from one based in revenge akin to “The Punisher” to that of one based in a code of Justice where fear should help stop threats and the law should still rule.

Becoming Batman – From the scenes with Alfred discussing the idea, from the finding of the Batcave below Wayne Manor and finally working Lucius Fox to make the costumed identity…all of this is gold and some of my favorite parts of the film.

To Defeat Fear – One of the running messages and themes of the film is the confronting and defeating of fear. In all cases it is seeing that the bottom and falling is not that end and that every time you stand and face it you can defeat it. All the moments in Ra’s Temple really illustrate this well.

Batman’s Rule – “Do not kill.” This is what sets Batman apart from most vigilantes and most film versions of Batman have ignored this rule (as later broken versions of him don’t follow this rule). I’m glad Nolan brought it back as his striving for this role sets him apart, even from most of our Marvel heroes who kill without a problem. He strives for this, even if he doesn’t always succeed and that is commendable.

The World – The World is an amazing one, which is why I’m giving it it’s own section. We get to see a modern day take on Gotham, what the League of Shadows would do in the modern age (economic war) as well as the type of tech. Batman would need tech. that was used by military contractors to do what he does. I also like how powerful the mob is in this world and the fact that there are so many different players. It makes the politics of this world and Gotham fascinating.

Okay: Rachel Dawes – Katie Holmes is okay. She largely focuses as a plot device for Bruce Wayne to get beyond his “Punisher” mindset and to seek justice and a higher ideal than revenge…and besides that she is the love interest, but it never goes anywhere. The fight against the League of Shadows and Bruce Wayne against himself and his fears is much bigger.

Pacing – “Batman Begins” can be slow at times. Sometimes this works, so I’m not putting it at as a con…but it can be a con sometimes depending on your state of mind. This is a film to watch fully aware and if you are tired you most likely won’t enjoy the film. It takes time to meditate in scenes and characters and I know that isn’t everyone’s thing. It is also the reason for the pacing issue.

Okay / Cons: One-Dimensional Side Antagonists – There are only a few of these guys, and they are a stock Nolantype. Any large scale movie he does will have some of these characters I’ve realized as they are an easy way to show our protagonist(s) having victories.

Commissioner Loeb – Loeb is against Batman but we never get the reasons beyond him stealing the light from Loeb’s city. I never got Loeb’s anger which is a shame as fighting Batman and his relationship with Batman via Gordon’s actions could have been explored a lot more. Instead he is another faceless antagonist.

Detective Flass – Flass is just a stooge to show how corrupt the Gotham Police Department is. He is a bully and there is no depth to the character.

William Earle – The guy is just a corrupt CEO whose motivations we never learn of beyond power. He is a plot device to be defeated by Lucius Fox and Bruce Wayne.

     Besides the issue of pacing and the more one-dimensional antagonists connected to Bruce Wayne and Batman this movie is untouchable. The world that Nolan creates is one that feels lived in and corrupt enough that it would create a vigilante like Batman who would seek to right the wrongs within it. I also appreciate Bruce Wayne’s striving for virtue in all of his choices. This is something that is never an issue in any of the films before this. In this he takes seriously his rule of “Do not kill,” even if he doesn’t always succeed in that. Bale’s Bruce Wayne fits this role where Batman is his true self and Bruce Wayne is merely a mask he presents to the outside world. This fits Nolan’s style of writing and direction where exploration of ideas and how characters inhabit those ideas creates the story worth being invested in.

Final Score: 9.8 / 10 A nearly perfect adaptation.

Batman & Robin (1997): Bad Puns, Writing, Acting and an all Around Disaster

Batman and Robin

    “Batman & Robin” is the worst movie I have ever watched. Rarely have I ever seen something that had no redeemable aspects to it, as even Michael Bay films have explosions and action when you can actually see the action happening. This…the actors, script, score and characters are all awful. I usually try to look for something positive to say about a film as some bad things have some redeemable traits in the end, this was film where I couldn’t find any. I’m honestly surprised this film didn’t kill more film careers…at the very least Schumacher should have realized that he can’t direct. This film is a travesty.

    The film was directed by Joel Schumacher, written by Akiva Goldsman and produced by Peter MacGregor-Scott.

    The story, if it can be called that…involves Batman (George Clooney) and Robin (Chris O’Donnell) working to stop Mr. Freeze (Arnold Schwarzenegger) and the new villain Poison Ivy (Uma Thurman) from destroying Gotham. Batgirl (Alicia Silverstone) arrives in town as well when Alfred falls ill (Michael Gough).

  There is nothing good to say about this film so I won’t even bother listing Pros and Okays, this film sucks all the way through.

The Soundtrack – The soundtrack doesn’t know if it wants to be Burton or Adam West’s “Batman” score. It’s chaotic and unfocused and doesn’t do anything to present our characters and scenes and just blends together in a score of awfulness. Elliot Goldenthal did a horrible job.

The Cinematography – The cinematography is awful…we get close ups of people’s faces and other times we have shots that are just bland and boring. There is no character in any of the scenes and it brings the entire thing down further.

The Writing – Akiva Goldman is an awful writer…maybe this film was just a fluke, but it is a pretty horrendous fluke. None of the characters have clear motivation, the drama is contrived ranging from love venom to contrived family drama…nothing works, it sucks.

The Characters – Related to the writing, the characters are nothing like their comic counterparts…and I would have settled for corny Adam West versions of these characters as that could have worked if that was the story we were given. Instead our characters kill and are supposed to be intense and cool, and just come off looking silly…from the designs of the suits, to the dialogue…nothing works about them.

Bane – Bane is a skinny prisoner who is pumped full of venom to become a big guy. He can just repeat words and is just muscle. There is nothing good about this character and he is easily defeated by the tube on the back of his head getting pulled out. What a waste of a fascinating character from the comics. This one is just muscle and could have been replaced by any goon.

Alfred – Alfred is dying, and I wish I cared but we never see our characters deal with him dying. He looks pained at times but Schumacher can’t give it the weight it deserves so it just becomes a footnote in the script as Alfred is relegated to just another body at Wayne Manor. Also they save him thanks to Mr. Freeze so what drama was there in dealing with mortality just goes away. Poor Michael Gough for being in this…

Barbara Wilson / Batgirl – Batgirl like Robin is presented as a rebel and badass but just comes off as stupid. The way she speaks makes her sound like an airhead and she doesn’t really help her case when random goons she is racing trick her and Robin leading to them almost getting killed. Making her Alfred’ niece was just contrived too. We learn nothing about this character and she contributes nothing to the picture.

Dick Grayson / Robin – Chris O’Donnell, you are an awful Robin. Your character was annoying in “Batman Forever” and here you are even worse. In this his punk tendencies and clashing with Batman are played up as he “loves” Poison Ivy. Seriously, this guy a joke of a character. Everything he does nearly leads to him getting killed and he just ends up getting captured or hurt. Screw this character.

Bruce Wayne / Batman – George Clooney is the worst Batman. His dialogue feels stilted and unnatural, he doesn’t feel disconnected like Bruce Wayne should and the only defining trait he has is that he is protective of Robin. His suit is also awful too as it has nipples and a cod piece. Clooney looks the part but he can’t act it at all, and he’s a great actor and this crappy script ruined him too.

Dr. Pamela Isley / Poison Ivy – Uma Thurman is a good actress but she is awful in this. Her character is a walking sex object and she has no character but a strange crush on Mr. Freeze and wanting to kill humanity. Her motivations are never fully explored and she’s all the worst aspects of what Hollywood does to their female villains. She only fights using sex and she is the only villain who gets punished in the end. Seriously, this script and this presentation of her character are awful. Poison Ivy is an interesting character (like Bane) but this script clearly didn’t know how to write her at all.

Mr. Freeze – Arnold makes bad puns, he loves his wife who is frozen but it’s unbelievable because his performance feels completely phoned in. It doesn’t help that he changes immediate at the end after learning about Poison Ivy’s betrayal…the tragedy of Mr. Freeze is one of the best stories to come out of animation and the comics but all of that is turned to crap as Mr. Feeze is just a gigantic buffoon whose plans change on a whim and is easily manipulated by clearly untrustworthy people (Poison Ivy). Also his costume looks awful and his goons fight with hockey sticks…really. Screw this movie for ruining another great character who may never see good live action film because of the film.

The Jokes – This film has so many bad puns, and they are one liners. It is just awful as there is no charm to any of it and all the puns feel forced. I am huge fan of puns as anyone who knows me can attest, but it is possible to do them wrong and this movie is a shining example.

The Ending – The power of friendship beats the baddies and Freeze implies he’s going to torture or do worse to Poison Ivy, you know a kids movie.

     How could so many things go wrong? Shumacher’s “Batman Forever” was at least mediocre, this doesn’t even strive for that. I can see why Tim Burton didn’t want to produce this crap and feel bad for everyone connected to this film. The acting, writing, filming and soundtrack are all just awful and there is nothing redeemable in this. The film even tries to kill Alfred but we care so little about the characters around him it doesn’t matter. Even with that, they just bring him back to life. This is a movie that could have done camp well, instead it didn’t know what it wanted to be and became an atrocity of a picture. This is a film that is only worth watching to take down as all the things not to do in film making are on display here. Seriously, Schumacher showed just how bad of a director he could be in this and Akiva Goldsman’s script is just a travesty. Let this film be a cautionary tale that it doesn’t matter how great your characters are in the comics (all the characters in this film) they can still be ruined on screen if their stories are put into the wrong hands.

Final Score: 0 / 10. Worst film I’ve ever watched.