Nightcrawler (2014): The Perfect Job for a Sociopath

nightcrawler-2014-film-poster

    “Nightcrawler” is a wonderfully disturbing film within the same vein as “American Psycho” and “The Good Shepard,” where we follow the rise of a broken person who is unable to relate to others and is a textbook sociopath. It really is fantastic and worth taking a look at. I’ll get into what made it so good in the assessment.

    “Nightcrawler” was directed and written by Dan Gilroy and produced by Jake Gyllenhaal, Tony Gilroy, Jennifer Fox, David Lancaster and Mitchel Litvak.

    The story revolves around Lou Bloom (Jake Gyllenhaal), an employed man who steals from a construction site and kills and steals the watch of the security guard who discovers him. He tries to get a job with the construction company he is selling to the stolen goods too but is unsuccessful but when he stumbles upon a crash and a nightcrawler recording the event for money for the local news, Lou sells his stolen goods to enter into the business. From here the story unfolds as he gets more obsessed in the creation of the narratives and is his disregard for life beyond a tool to climb the ladder is made more apparent. From here the story unfolds.

Here is the assessment of the film:

The Pros: The Cinematography – The cinematography in this film is amazing! It keeps the dark feel and captures the world through Lou’s eyes. Events also feel raw too as we see what he sees through the eyes of a camera so the scenes create another form of tension that way. Robert Elwist did great.

The Soundtrack – The soundtrack has a dark tone and feel to it and pervades a sense of danger. In that way it is almost a direct expression of Lou who we come to realize is pretty dangerous in how he knows how to push peoples’ buttons and manipulate them to his own ends and power. James Newton Howard was the right guy for this soundtrack.

Okay/Con: The Minor Characters – Because this movie is through Lou’s eyes we don’t really get to know the side characters that well. We only know them as much as they matter to Lou, which narratively makes sense but I think also shows how this was Gilroy’s first time writing as well as directing so characters like the first Nighcrawler Lou meets could have been explored or the guy on the news who works with Nina but never fully goes against her. They feel lost because they don’t matter to Lou. I also feel this applies to the detective as she only functions as an antagonizing force and not a character in her own right.

Nina – Nina is a cutthroat anchor on the vampire shift of the news and is willing to do anything to get ratings up. She’s a fascinating character as the only one we see push her buttons is Lou who at one point blackmails her into sex because he wants sex and feels set on money. It’s a creepy scene and she fights how she can but in the end he knows her too well. She’s older so we get that from experience she’s gotten cynical where she only wants stories that feed the narrative of “Crime is creeping into the suburbs.” When a home invasion happens she takes that story that Lou records and hides the truth showing in the end she’s as ruthless as Lou as she doesn’t morn Rick’s death except in how it tells a good story and feeds the narrative. Rene Russo is fantastic. Her base philosophy is, “If it bleeds, it leads.”

Rick – Is a young man desperate for money who Lou preys on for most of the film. It isn’t until the end when Rick begins standing up for himself that it looks like things might change as he could tell the police everything. Sadly he never gets the chance as the story goes south and he gets shot down by one of the home invaders in the street. He was the only one holding Lou accountable and calling him out for his inhumanity…but he gets nothing for it. Riz Ahmed plays this role really well as a man who is at first desperate live and later desperate for respect and for his own morality.

Lou Bloom – This is one of the best roles I’ve seen Jake Gyllenhaal in. He plays the person who doesn’t understand emotions or empathy well and is always wearing a face. Desperation drives the character initially, but once he’s in control it becomes about keeping that control. From blackmailing Nina for sex, to blackmailing Rick for not resisting the job or hiding evidence from the cops so he can paint his own narrative and story that he knows he’ll profit from. He’s creepy and a clear sociopath but a fascinating character to watch. I kept waiting for the fall that never came, which would be the one thing I’d change. We never saw him with his back against the wall which I think hurt the script and knowing his character. Still a fantastic job on Gyllenhaal’s part.

The Ending – Lou is a successful businessman. I didn’t buy this given the detective suspected him and I fully expected the police to do more to stop him creating stories even if they didn’t have any proof. In this way the ending felt hollow. It wasn’t bad persay since it showed how empty the promises to his employees were given what happened with Rick getting killed but it served no purpose the way the ending to “American Psycho” did where we don’t know what’s real but we know what he’s capable of now.

    This was a really good film, but not a favorite. The tone, setting and music are all done really well…but I didn’t care about the minor characters and I wanted someone to fight and hold Lou accountable. He faced resistance at the beginning, but once he started to rise he never stopped, we never saw him fall. When every good protagonist needs a fall, especially one as despicable as Lou. I liked this movie and would recommend it though. It’s worth checking out and even though it’s not a favorite it is worth the time to see it.

Final Score: 8.4 / 10. Solidly good and a great first film for Dan Gilroy.

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