Hail, Caesar! (2016): A Satire and Celebration of Hollywood’s Past

Hail-Caesar-poster_1200_1752_81_s

     The Coen Brothers continue to make gold. This film is a really good satire that isn’t as great as some of their older films, but still would easily make my Top 10 Films of the Year (whether it’d make Top 5 remains to be seen). This is a film that captures the Coen Brothers’ humor, western feel and detachment that makes up so many of their films. It also does a great job illustrating the craft of making a film and all the art and messyness that goes into it as it explores it through the lens of Hollywood’s “Golden Era” during the 1950s.

    The film was written, directed and produced by Joel and Ethan Coen with the other producers being Tim Bevan and Eric Fellner.

SPOILERS ahead

      The story involves Eddie Mannix (Josh Brolin) the head of Production at Capitol Pictures and the drama of the life he lives as his star Baird Whitlock (George Clooney) of “Hail, Caesar” is kidnapped, the pregnancy of one of his star actresses DeeAnna Moran (Scarlett Johansson) and two rival gossip column sisters Thora and Thessely (Tilda Swinton) which puts the choice Lockheed Martin is offering him as an out into perspective as he must make a choice to take the offer or stay with Capitol.

The Pros: The Cinematography – The cinematography is beautiful as old style ways of filming are captured…whether it is the epic open shots of the Roman Epic “Hail, Caesar” or the small black and white of the comedy western Doyle is in, or the stark, sterile large rooms of a Laurence production. Roger Deakins truly does a fantastic job.

The Soundtrack – The soundtrack is amazing too. Just like with the cinematography all the different styles of 1950’s films are captured. From the epic trumpets of “Hail, Caesar” or the more action adventure of Doyle’s western. Carter Burwell did a great job once again.

The Writing – The Coen Brothers are great writers and though there is a narrator we never see narrating the life of Mannix, it never interferes with the story going on. We are shown and not told most of what happens and that is part of what makes the brothers so great at what they do, as the script is usually the strongest part of their films.

The Characters – The Characters are easily the strongest part of the film. This film was really well cast and each of the side characters has their moment to shine at different points.

Laurence Laurentz – Ralph Fiennes is wonderful as an uptight director doing Victorian style films who has to use Doyle, a cowboy with a very strong accent as the star of his show. Over the course of his scenes you see him slowly lose control of his calm nature and finally explode at Mannix before keeping Doyle to only two lines to make the film work. He really is a fun character.

Thora and Thessely – These two (both played by Swinton) are a lot of fun as they reveal the underbelly of everything and the drama. They have a relationship with Mannix too in that he does throw them bones to keep scandals from getting out of hand. I wish we could have seen what got them into the circuit as they are both extremely driven.

Baird Whitlock – George Clooney plays the naive star who gets kidnapped by a communist cell of writers and comes around to their way of thinking. He’s an example of the pseudo-intellectual (like many cell) except he’s largely an idiot and you get the idea he’s doing what he’s doing for the attention as him going on benders and getting into trouble is a huge part of his character. He gets his act back together though after Doyle rescues him and Mannix knocks some sense to him as we see that all he really wants is to be a star (and the attention that comes with it).

Hobie Doyle – Alden plays Doyle who was a rodeo guy who was picked up by Mannix and when he got the chance to sing became the star of westerns. He’s a kind and naive guy like Baird but also serious about his work. He doesn’t make it out of being in the westerns and he likes it that way as it gives him a chance to celebrate the western background he comes from. He’s the hero of the picture besides Mannix as he is the one who finds Whitlock and brings him back to the studio.

Joseph Silverman – Jonah Hill is awesome as the no-nonsence fixer who is a legal person so that Moran can get legal control over her child. They end up falling in love though as she’s tough and he fits what she wants in a man as they get married and leave the child behind and send it into foster care.

DeeAnna Moran – Johansson is awesome in this role and I wish we’d spent more time with her. She doesn’t care about anyone but herself and is a huge diva but in the end finds love with the most un-person person, showing that there is more to her too, though she is still extremely selfish and the character we’ve known all along as she has her child go into foster care rather than raising it. I wish we could have got more of her backstory. She steals every scene she’s in.

Eddie Mannix – Josh Brolin plays are main guy who is a rough manager facing a choice of stability with Lockheed or the chaos of the studios and making pictures. In the end he stays as he loves the challenge of it and feels he is main for it as he is made to be the Christ Figure as he is born in light (Film) and will live forever because of it. He is a smooth operator and is able to fix everything, which in the end we learn is why he likes to do it so much. It’s difficult but he’s good at it.

The Satire of Hollywood – The satire is in layers, whether it is the sisters focusing on stupid actor pairings and hookups, the communist cell intellectuals are aren’t changing anything and just hanging out in a vacationesque home and how every film we see captures the hammyness of those early productions where everything was big and overdramatic.

The Celebration of Hollywood – The very things that are being satired are celebrated too as the humanity of characters is shown. “Hail, Caesar” is a film I would watch as it has heart to it and the overdramaticness fits the film, same with the westerns that are played largely for comedy but find something more sometimes. In each thing being satired there is a celebration of the arts and film and this is shown the most when Mannix chooses Capitol Pictures of Lockheed (Where the guy kept insulting films as useless and a dying industry), making this one of the biggest love letters to the art of cinema and Hollywood’s past and present.

The Cons: Pacing – At times it goes really slow and this really hurts the overall quality of the production and keeps it from rising higher.

The Communist Cell – I felt that these guys weren’t explored as well as they could have been. They were a group of intellectuals who never got beyond that and that was a shame given that they kidnapped a person because of their beliefs.

More Character Exploration – If the script had been tighter we could have explored more of these characters more. In my opinion Manix is one of the weaker characters of the story and because the focus is on him we lose sight of the fascinating characters like Moran or the Sisters who had a lot more potential to be explored within the confines of the script.

   This was a solidly great film and well worth checking out. It isn’t the greatest of the Coen Brothers films but it doesn’t need to be. Within the confines of the story it explores all the themes and characters it means to and it presents it beautifully through the soundtrack and cinematography. This is a film well worth your time and I’m glad that this was the film that kicks off my film reviews for the films of 2016.

Final Score: 9.2 / 10

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s