Batman Forever (1995): A Bit Too Campy, A Cluttered Cast and Moments of Good

Batman Forever

   “Batman Forever” is okay. At moments it is fun and looks as if it could be more (whether fully embracing the dark or fully embracing the camp) but since it can’t really decide on what it wants to be it never becomes better than okay and never reaches good. One thing this film showed as well is doing Robin in a Batman Film is hard. Batman has always been the more interesting character and it is a difficult thing to write a good sidekick, especially when you only have a running time of 2 hours. So without further ado, here is the review.

     The film was directed by Joel Shumacher and written by Lee and Janet Scott Bachler along with Akiva Goldsman and was produced by Tim Burton and Peter MacGregor-Scott.

     The story involves the escape of Two-Face (Tommy Lee-Jones) from Arkham, the rise of the Riddler (Jim Carrey) and what Batman (Val Kilmer) and Robin (Chris O’Donnell) who is made an orphan by Two-Face do to stop them.

The Pros: The Color Contrasts – I like the use of color in this film. At times it feels like it was filmed in a comic book even though the cinematography isn’t great. The use of color worked despite the cinematography.

Two-Faces’s Goons – Black and Red masks…these guys look awesome and actually manage to be a threat sometimes, not many Rogues Goons can say that in any Batman film.

Alfred – Michael Gough owns this role and is great being the father figure to DIck Grayson and Bruce Wayne. I can see why they kept him around for so long. He really inhabits this role really well.

Bruce Wayne / Batman – Val Kilmer is a pro, and was a safe choice for Batman. He was a major action star at the time so choosing him to feel this role made sense. He bring humanity to the character even if doesn’t really elevate Bruce Wayne or Batman to great the way future and past actors did.

The Message – Batman heals beyond his trauma and chooses to be Batman because he wants to be, not because he has to be. This is really awesome and could have been presented a lot better.

Okay: Dr. Chase – I like the idea of the character (her being a Doctor and trying to help Bruce Wayne) but her execution ends up being nothing more than a love interest to be saved, even though she’s presented as being able to take care of herself. Nicole Kidman was a waste of talent.

Edward Nygma / The Riddler – Jim Carrey works at times when he isn’t over the top, but other times he is just too campy…and I didn’t get the character. He came off as trying to hard but he had moments of brilliance inbetween the ham, which is why I’m not putting him down as a con. He was alright but not good.

Harvey Dent / Two-Face – We never get to know what lead to Two-Face snapping beyond the acid on the face and I never believed in his friendship with Bruce Wayne (they seem to imply it existed but we never see Harvey recognize Bruce at all). This was a missed opportunity and could have made this character good. Instead he is okay. He like the Riddler could have been so much more, just like this film.

Cinematography – The color contrasts are great but their are no unique shots in this. Nothing stood out and nothing really unique was presented. It was safe, so just ended up being mediocre.

The Cons: Dick Grayson / Robin – This Robin is a punk and there is nothing likable about him. He steals from the person who took him and doesn’t respect the wishes of the person who is caring for him and steals his stuff. This was the first film where Robin didn’t work. At least in the Adam West show he worked as the Wonder Boy on some strange level.

The Riddler Plot – Stealing everyone’s intelligence through television…it feels like it is trying to be smart but just comes off as stupid.

To Kill – Batman seems to not want Robin to get revenge against Two-Face but ends up killing him anyway…sure Batman, what were you trying to teach Robin exactly? That you get the kill?

The Soundtrack – Elliot Goldenthal is awful. This film feels half assed and stolen from the old Adam West show while at the same time trying to be Burton and failing at both. Seriously, I don’t want to hear anymore of this music.

The Writing – This script has some of the most terrible and wooden dialogue in any comic book film. Fingers on a chalkboard would be an apt comparison.

Tone – This is a film that doesn’t know if it wasn’t to be  camp and fun or dark…at times we have old 60’s sound affects, which the score doesn’t help, yet we have Two-Face or Riddler murdering someone in the next scene. What exactly did the movie want the audience to feel?

   This film didn’t have many pros because so much of it was safe. I think this was largely a reaction to the sexuality and maturity in the past Burton films so the studio wanted to play it safe, which is probably why Shumacher was chosen, as he’s never been a good director. This also explains the need for 3 writers as it gives a written by committee feel to the film. This is a film that can’t find it’s soul or tone and suffers for it. It isn’t a terrible film, but mediocre is not exactly an endorsement. This is a film that could have been so much more given how great of villains Two-Face and the Riddler are and the possibilities in any Dick Grayon story.

Final Score: 7.2 / 10

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