Kong: Skull Island (2017) – Good Casting Keeps This Film at Level but the Film Never Reaches Great

   This was the first official “King Kong” movie I’ve ever watched. My familiarity with this genre as far a giant ape interacting humans was only the remake of “Mighty Joe Young” that Disney made back in the 90’s, though culturally I’ve always been familiar with the great ape and the tropes that usually surround his genre. Tropes that I find troublesome that this film does a good job at not using (presentation of islanders as Cannibals ready to sacrifice visitors and of course Kong being attracted to a human lady). Avoiding these tropes gave the film strength, though it suffers from other issues that keep it from reaching greatness.

    The film was directed by Jordan Vogt-Roberts, written by Dan Gilroy, Max Borenstein and Derek Connolly, and produced by Jon Jashni, Alex Garcia, Thomas Tull and Mary Parent.

    The story takes place at the end of the Vietnam War as Bill (John Goodman) wants to get his organization Monarch (organization that researches monsters and was in the last American “Godzilla” movie) to Skull Island while U.S. Forces are still near the Island. He gets the approval is joined by a tracker named James (Tom Hiddleson) an anti-war photographer Mason (Brie Larson) and troops lead by Colonel Packard (Samuel L. Jackson) who when they all reach Island realizes what information Bill was holding back and that Kong is not the worst threat on the Island.

SPOILERS ahead

The Pros: The World – The world is fantastic! It is our world but with untouchable islands, monsters underneath the ground and giant creatures that feel complicated emotions and are more complex than us at times.

The Cinematography – The cinematography is beautiful and really captures the beauty and danger of “Skull Island.” This movie has a lot of color, which is a nice change of pace from WB’s coloring everything in drab and grey (Hell the DC Cinematic Universe). This helped give the story more life when the dialogue wasn’t cutting it.

Colonel Packard – Samuel L. Jackson’s character is very much a Captain Ahab as he is overwhelmed by what he thinks the war took from him (the U.S. leaving Vietnam he took to be his own failure) and in turn he is itching for a fight. We see him become obsessed with taking out Kong after his men die when they bombing Kong’s Island. It finally ends with one of his men turning on him as his care for them lead to his obsession with killing Kong and that being all that mattered. Jackson truly is remarkable in the world.

Hank Marlow – John C. Reilly plays a half-mad pilot from World War 2 who made friends with the Japanese pilot who crashed on the island with him and with the people in the tribe. He is a fun character and we see him facing his fear of the Skullcrawlers and in the end he gets to meet his wife and son back in America. I enjoyed his arc and really enjoyed how this role showed just how great Reilly’s range is.

Kong – Kong is humanized in this! In the film he protects the tribe from the Skullcrawlers who come from below. Kong is the last of his kind and we see him judge humans based off how they treat him. There is a lot of great emotion shown in his eyes on a few different scenes and it is wonderful when we see him team up with the heroes to take out the gaint Skullcrawler.

Okay: The Characters – This is an ensemble cast and because of it being an ensemble cast I never felt that we got to know anyone outside of 2 characters. Mason and James tell us a lot about themselves, but we never see it. They are ciphers that we can put ourselves into but that doesn’t make good character. Goodman’s character gets some exploration too but he ceases to do anything once he reaches Skull Island. His tory is taken over by Colonel Packard. The other two members of Monarch don’t get any exploration at all and are just kind of there. Most of the characters die randomly as well.

The Tribe – The tribe is non-verbal and worships Kong. I like how they are presented in that they aren’t the usual cannibals that these films sadly take the path of doing and they are still complicated as in you mess up their sacred areas, they will kill you. I didn’t put them as a pro only because they exist as one unit when they should have been more explored as individuals.

The Cons: The Sullcrawlers – Like the villains in the new American “Godzilla,” these guys are kind of lame. They are giant two legged lizards that eat and kill anything. They are monsters but their design isn’t memorable or unique and they never felt like a giant threat. Colonel Packard felt like a larger threat than these guys ever were.

Structure is a Mess – At first it looks like Goodman’s Bill is the main character, than he gets killed off and the film tries to make Mason and James the main characters, but that never works because they aren’t written fully formed so minor characters like Reilly’s Hank or antagonists like Packard take over the weight which leaves the structure imbalanced. The ending is also left open as we see that the U.S. army clearly sees Kong when he screams to them. This was stupid given that the film was over and they should have just returned home. In that way I think Franchise management is a big part of what ruined the structure. We had to know we’d see Kong later (that didn’t need to be shown) and in doing so editing the script or better exploring a main character fell to the wayside.

   In the end I still enjoyed this movie enough to call it a good B movie. It isn’t great by any stretch of the imagination. It is well cast though which fills in some of the lack of character development as both Hiddleson and Larson have great charisma in their roles, which keeps them from becoming a con. I also enjoyed the idea of Kong as a protector and how fantasy the movie felt with all the giant monsters living under the ground (“Pacific Rim” style almost). I’m curious to see what else happens in this universe and after this film, I may have to give the other “King Kong” films a chance.

Final Score: 8 / 10

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