Ghost in the Shell (2017): True to the World and Ideas of the Anime but a bit Jumbled in Execution

  The new film “Ghost in the Shell” is complicated. I enjoyed it but there were certain things about it that annoyed me, largely tied to how the Major’s story is told and presented. This was film that was on the edge of being really good and possibly even great, but it tried to tie into many things and how they handle and present Major Kusanagi. To give my non-spoiler thoughts as what I mean with the problem of the Major will be spoilerific, is that the world works and feels like the world from the show but combining too many stories from the films and show and failing to give us the Major kept it from being great.

   The film was directed by Rupert Sanders, written by Jamie Moss, William Wheeler an Ehren Kruger and produced by Avi and Ari Arad, Steven Paul and Michael Costigan.

   The story involves Major Killian (Scarlett Johansson) and the government organization she is with known as Section 9 hunting down a hacker who is killing people tied to Hanka Robotics. As the Conspiracy unfolds the Major learns the secrets of her past and who she once was.

SPOILERS ahead

The Pros: The World – The world if Neo-Tokyo is a really beautiful and diverse cyberpunk world. While in the films and movies the city is largely homogenized with the exception of immigration zones, this one the diversity is one display everywhere. I loved this version of Tokyo and felt it lended power to the film, as it felt like the future. This cyberpunk world has androids, human brains in robotic bodies, spider tanks and the hacking of human minds. It is very much the world of the show in all of it’s glory.

The Soundtrack – Hans Zimmer did the soundtrack with Lorne Balfe and it is absolutely stunning. It pulls inspiration from the tv show and films and gives it the epic movie level quality that was needed.

The Special Effects – The special effects are absolutely stunning. This is a beautiful film and it captures the future in a stunning way. Giant holographic adds hang on buildings, the Major going invisible is handled well, the spider tank looks and feels like it is actually present and the Major’s android body feels artificial.

Section 9 – Section 9 is the government organization that deals with threats to Japan both internal and external. They are a diverse organization in this with people from all over the place (like in the show). You don’t really get to know anyone besides this version of the Major, Batou and Chief Arakami but they get some good exploration.

Batou – Batou is the Major’s best friend and second in command. He’s the kind to her hard and we see he will do anything for her (just like in the show). Pilou Asbaek gives a lot of empathy and strength to the role as we see him supporting the Major through her journey and in unraveling the conspiracy.

Chief Arakami – Arakami is amazing! In this film we get to see why he’s the leader of Section 9 and that he is a combat veteran (something you never see in any of the films or shows that I’ve watched so far). He’s protective of the Major and has her back too. Even when Hanka tries to blackmail him he doesn’t budge and throws it right back at them as well as taking out a few of their goons when they ambush him. Takeshi Kitano make not look like how he looks on the show (he’s usually presented as small, in this he’s a little tall and big) but he captures the core of the character beautifully.

Okay: The Major – I don’t consider this character Major Kusanagi. Kusanagi is a character who is always striving to be more and pushing her limits…and that means more than just injuring her robotic body. In this that is the only way she pushes the limits. There isn’t that search and desire for knowledge and truth (outside of her past), which was a shame. Johannson is fine in the role but this isn’t the Major.

The Cons: Lack of Focus on a Past “Ghost in the Shell” Story – At first it looks like they are going to be having the Puppet Master story be key with a rogue A.I. that develops intelligence, than we find out it is a childhood friend and we get the Individual 11 storyline from Season 2 of “Ghost in the Shell,” and we get echoes of early Major…so maybe trying to do own story? I would have preferred they just pick one and focus on it.

Missing the Point of the Major –  I can’t express this enough because this is what bothered me the most…the Major is the philosopher warrior, she is always seeking more and will dive into another’s mind to become more if given the chance. She is willing to risk all to not just learn the truth but to become a higher and better overall. The show had none of that and just made her a superhero who wants to know about her past. She is simplified and in turn I don’t know how anyone can see her as the Major.

Representation and the Major’s Character – They made this Major’s past important they even reveal that she has her Japanese name like in the manga, film and shows…so why not give her a Japanese body or have her choose to have one at the end since she knows who she is now and that her Killian persona is a lie and that the Hanka corporation stole her childhood before making her a weapon. This show rightfully gets criticism for white-washing when this was so easy to avoid, even within what they setup within the story. There is zero reason for her to keep the same body at the end or to have even had it in the first place given Hanka is always a Japanese name. The corporation seems to be run by Mr. Cutter who is European…but he is defeated in the end, so what is preventing her from choosing another shell since her past and present as Kusanagi (She even has a friendship with her Mom Mrs. Kusanagi after she finds her, who is obviously Japanese) so why not follow through?

   This was a film that rightfully got called out for white-washing. The Major learns about her past as Kusanagi and even finds her mother, and though she rejected becoming more we never see her choose another shell rather she keeps the one the corporation used when they turned her into a weapon. Given that her past was so important to her (in the films and show I don’t remember it being as important, it was her desire to be more and transcend, her shell wasn’t important…in this her past makes her shell important) it felt like a major missed opportunity. Fans of the show I’ve talked to still enjoyed the film and actually had less to nitpick than me but for me, besides the jumbling together of a few different stories and missing the core desire of the Major to become more kept it from being good. If you like the show I’m curious to hear your thoughts if you saw the film.

Final Score: 7.5 / 10

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