Author Archives: cameronmoviesandtv

About cameronmoviesandtv

My name is Cameron Morris, I am a writer (fiction and non-fiction), reader and lover of stories who enjoys studying history, culture, politics, philosophy, media, criticism, religion as well as hiking. I'm always looking to learn more and am grateful to have finally joined wordpress to share my perspective on movies television and other media.

Colossal (2017): An Amazing Exploration of Monsters as Metaphor

     “Colossal” is an amazing film. This is a film that has giant monsters, explores ideas of addiction and abuse through use of the monsters and has a great script and actors to go along with it. Hathaway is empathetic but also monstrous at times and Sudeikis’s Oscar is this constant threat through the film that lends power to the narrative.  All this is explored masterfully by Sedakis and Hathaway and Vigalondo’s script is so tight that it flows from scene to scene in exploring each scene and never feels bogged down with McCeary’s music to help better express these themes. I’m a fan of Monster and Kaiju films and this is my favorite type of these films since “Pacific Rim.”

     The film was directed and written by Nacho Vigalondo and produced by Nicolas Chartier, Zev Foreman, Dominac Rustam, Nahikari Ipiña and Shawn Williamson.

      The story involves Gloria (Anne Hathaway) getting kicked out of her boyfriend’s apartment in New York after her life of drinking and joblessness has come to a breaking point. Having nowhere to go she returns to her childhood home where her childhood friend Oscar (Jason Sudeikis) gets her a job at his bar. She soon realizes that the recent monster attacks in Seoul are from her as everytime she enters a playground the monster appears. From here she must deal with the consequences of becoming the monster while facing addiction and abuse.

SPOILERS ahead

The Pros: The Premise – The premise is powerful as the idea of someone controlling a monster when they enter a certain area is really neat as it allows for human psyche to be explored. The monster works as metaphor and lends power to the themes of addiction, abuse and going from selfish to selfless.

An Exploration of Abuse and Recovery – The main arc is Gloria getting over her alcohol addiction when she’s kicked out of her apartment in NY and returns to her childhood home where she reconnects with a childhood friend who starts gas-lighting her (as he does his other friends). It comes to a head when she realizes that in the park she becomes a monster and begins getting her life back on track when she realizes her drinking and walking through the park is killing people. As she realizes how toxic her boss is she tries to leave but he finds that he becomes a giant robot in South Korea so begins destroying Seoul or threatening too if she leaves the town. At this point she’s over her addiction and now it it getting rid of an abuser which she does by leaving to South Korea and in doing her Monster appears in the small town and throws him away, ending his threat and in turn she finally has freedom as she has cut out the addiction and stopped the abuse.

 Okay: The Location of the Monsters – Narratively it honestly would have made more sense for the Monsters to be fighting in NY since that is where Gloria leaves from when she is causing a lot of damage to those around her when she leaves. Because the location is South Korea we don’t get the perspectives of any of the South Koreans unlike traditional Kaiju movies where the people in the location are the ones who drive the plot and story. It was still okay as her going to South Korea was powerful and underspoken, no one knew she was the Monster so to the people of it was very much it’s own thing (she never gets credit for being the monster outside of her small friend group), a being in and of itself not being controlled but acting as a protector. If she’d been Korean it would have made more sense that the Monster was located there…instead her only connection is a school project to honor South Korea where her and Oscar get their powers. Again, it wasn’t bad but it still could have been better. She’s from NY so put the Monsters in NY or have her be Korean so we can get the perspective of the people there outside of news reports…and so it makes what is happening even more personal.

     As I said before, this is the best monster film I’ve watched since “Pacific Rim.” This is a film that is intelligent, explores big ideas and has really rich and flawed characters. The villain feels like a threat and someone you’d meet in real life and even my one issue with film is more of a nitpick, which really comes with being a critic. Go and check this film out if you have the chance. I saw it at Salem Cinema, the indie art house in my town, so that is probably your best bet for catching it…though if it becomes popular it will no doubt get the wider release it deserves. I highly recommend this film and hope we see more smart films like this in the future as this is easily one of my favorite films to come out this year.

Final Score: 9.7 / 10

The 12th Doctor – Series 10, Episode 5 – “Oxygen” – A Heavy Handed Enjoyable Space Thriller

   “Oxygen” is a flawed and amazing episode that is heavy handed with it’s message but is powerful in how it tells it’s story. This is one of my favorite episodes of the new series, even with all of the flaws. It changes things in a way that looks like it may last and we get to see more of the negative in humanity which we largely only got with the 9th and 10th Doctor. Suffice to say, before I get into spoilers…I recommend this episode.

  The episode was directed by Charles Palmer and directed by Jamie Mathieson.

   The story involves the Doctor, Bill and Nardole becoming trapped on a mining space station where they have limited oxygen and are being hunted by A.I. suits as they rush to save the survivors and themselves.

SPOILERS ahead

The Pros: The Premise -The idea of a space station run off oxygen workers by is so wonderfully dsytopian I can’t help but appreciate it. It also gives tension and consequence immediately as the limited oxygen creates a ticking clock.

The Tension – The station expels all excess oxygen added to the station, which forces our heroes to get the suits where they only have a certain amount of breaths, on top of this the suits are controlling the dead who died from lack of oxygen and the survivors are fearful and angry. If any one of these goes over the edge, everything is over for our heroes.

The Miners – The miners are great, we get to see the politics and relationships between them and how they are survivors. They are the characters ready to do anything to get off the station which adds another level of tension to our main characters predicament.

The Doctor, Nardole and Bill – The dynamic between these 3 is wonderful. Nardole is the responsible worry wort holding the Doctor to his promise that he made Nardole make of keeping an eye of the Vault, Bill is the new adventurer who doesn’t have the Doctor’s recklessness the Doctor is the wizard, manipulating and planning his way through every situation even when it looks like he’s lost his mind and lost everything.

Consequences – The Doctor saves Bill but goes blind in the process from the vacuum of space. This is still true at the end of the episode and we see how powerless he feels as so much of what he does it tied to his ability to read what something by seeing it. I hope we have him this way for a while as even TARDIS tech could not heal his eyes.

Okay/Con – Execution of the Message – The message of the episode is that capitalism is bad and eventually people will be exploited for the very oxygen they breathe. I put this as okay because “Doctor Who” has always been a message show, the problem was this wasn’t done with enough “show” there was a good amount of “tell” even though we were witnessing the very premise and didn’t need to be told it. I won’t put it as a complete con but it was the weakest part of the episode.

  This is a flawed and amazing episode that is worth checking out. The tension is strong throughout the entire episode, Nardole and Bill clash with the Doctor while the Doctor has moments where even he loses hope. We also have minor characters we care about and perfect tension through the entire episode. This is an episode that I highly recommend. Can’t wait to see how the consequences of the Doctor’s blindness unfold.

Final Score: 9.4 / 10

The 12th Doctor – Series 10, Episode 4 – “Knock Knock” – Boring Side Characters in a Better Story

  “Knock Knock” is the worst episode this season thus far. We are given a whole bunch of side characters who give nothing to the film, a horror story that doesn’t really go anywhere and the Doctor as the biggest jerk he’s been thus far in Series 10. Before I go more in depth on these points, this episode isn’t worth your time and is skippable.

   The episode was directed by Bill Anderson and written by Mike Bartlett.

   The story involves Bill looking for a new place to live with a bunch of flatmates. When they meet the mysterious Landlord they sign the contract to live in an old castleesque house. All is not as it appears to be though as her flatmates begin disappearing and the Doctor arrives to help solve the mystery.

SPOILERS

The Pros: The Reveal – The reveal is that the Landlord is keeping his mom alive with the bugs who feed off the energy of people and help sustain her life. She is a part of the house and is wood. After she finds out the cost of her life she ends the life of herself and her son causing the house to collapse. This basic plot was interesting but it only felt real at the end…

The Landlord – The Landlord is creepy and David Suchet gives a lot of character to the role. He’s welcoming and threatening and he is easily the most compelling character in the episode. It’s a shame more wasn’t done with him.

Okay: The Doctor and Bill – The Doctor and Bill fight all the time. Bill is embarrassed of the Doctor since she wants to become friends with her flatmates and the Doctor isn’t listening to Bill because he wants adventure and to protect her. Neither was a pro this episode. The drama felt like drama for it’s own sake and not story.

The Cons: The Flatmates – I couldn’t tell you what any of them like. They aren’t really characters just plot contrivance and when all of them get taken by the house I found it hard to care. They distracted from the main story and there was no reason that we are given outside of Bill to care about any of them.

The Writing – The writing is cliche and atrocious. The Doctor tries to act all cool, Bill acts jealous and the kids don’t really function as characters just ideas of characters…so the tension is gone in the entire piece in what could have been a great horror episode.

   This is the worst episode of the series so far and I must emphasize again that it is skippable. You’ll get more time with the Doctor and the Vault later or just watch the Vault scenes on youtube. The story is a slog and even great characters like Bill and the Doctor cease to be interesting…The reveal and the Landlord are not reason enough to see this episode.

Final Score: 4  / 10

Guardians of the Galaxy Vol. 2 (2017): The Greatness of These Characters

 “Guardians of the Galaxy Vol. 2” is on par with the first film, being it is once again comedic, dramatic and character greatness executed beautifully by James Gunn once again. For my non-spoiler thoughts…this film goes deeper into developing the characters, the action is solid and for once Marvel has a great villain in one of these films! I highly recommend this film and won’t be surprised if it ends up being in my Top 5 Films of 2017.

    The film was written and directed by James Gunn, while being produced by Kevin Feige.

  The story picks up a few months after the first film, with the Guardians protecting the Sovereign’s batteries, which are being targeted by a giant space creature. After the battle they receive Nebula as payment but soon find themselves being pursued by the Sovereign after Rocket steals their batteries after insulting them. After the battle the team is separated as Rocket and Baby Groot deal with the Ravagers, Gamora and Nebula face off and Peter meets his Father.

SPOILERS ahead

The Pros: The World – The world is wonderful and fascinating once again! We get to see the Ravager homeworld where they take up contracts and have fun, we meet the high strung Sovereign driven by genetic perfection and Ego, a being who is a living planet who wants to consume the Universe and cares about his son Quill. Each of these groups gets exploration that shows part of the reason why this is the best part of the Marvel Cinematic Universe.

The Soundtrack – Tyler Bates did the soundtrack and we once again get some amazing hits that are masterfully woven into the fights, the character interactions and the tone and feeling of different scenes. I think the first film used the songs and feel slightly better, but this was still a blast.

The Action – The action is amazing! In this we see  smaller fights to clever traps laid by Rocket, to a giant faceoff with the Guardians facing Ego and the Sovereign. It is a lot of fun and the action serves a purpose as any time we get it it is advancing the plot.

The Characters and Their Arcs – James Gunn is a great writer and it is fully on display in this film as it is the character and their arcs and relationships that drive the action and story of the film. He is dealing with a lot of different character groups this time, but each of them has a huge emotional payoff in the end.

Drax and Mantis – Drax meets Mantis, who is Ego’s assistant who helps him sleep. She senses emotion and it is in their relationship we see her learn about the complexity of feelings as well as Drax finally opening up as we see his jokes hide how much he misses his wife and daughter. Their friendship is wonderful and platonic and has some of the best jokes.

Nebula and Gamora – Nebula and Gamora’s arc involves them opening up about the trauma Thanos put them through (we learn Nebula was torn apart and had her body replaced by machine parts every time she lost a fight to Gamora). In the end they forgive each other and realize they aren’t the enemy, Thanos is and from that they truly become sisters rather than weapons of Thanos.

Rocket and Yondu – Rocket and Yondu were outcasts who grew up with no one. Yondu was a Kree Slave who was rescued by a Ravager captain and in turn became one as well (until he loses it all over the course of the film) and Rocket is pushing everyone away until Yondu calls him out, letting him know it isn’t worth it and that he gets it too (what he only realizes after he’s lost everything). This arc was powerful as we see how rich their friendship is because of all they’ve lost and their devil may care attitude towards life. These two are my favorite characters in the Marvel Cinematic Universe Films and possibly the MCU as a whole.

Peter and Ego – Peter really wants a father and learning Ego is his father is what he always wanted…until he realizes that Ego only cares about him as a means to an end. This leads to their fight as Peter gets beyond his need to be loved and accepts the love that he already has from the Guardians and Yondu an rejects the absolute power at that Ego is offering.

Ego – Ego is a Celestial and because of this is eternal and immortal. It is from this mindset that he came to the realization that he matters the most so all should become him. You can see where he comes from as he has outlived countless lives and species, but also how he misses the point that all life matters. He clearly cares for Peter but that is because Peter is a part of him. Like his name Ego never sees beyond his Ego and that is what leads to his destruction. If he valued others he would have lived and most likely become an ally or a powerful neutral force, instead he wanted it all and that was what lead to his destruction. Kurt Russell does an amazing performance, putting Ego as one of the best villains in the MCU.

Yondu and the Ravagers – Yondu’s main arc begins when the other Ravagers reject him for the child trafficking he was doing for Ego. His exile leads to him being taken out by Nebula who helps a rival among Yondu’s crew named Ravager take control of the ship and leads to the capture of Baby Groot and Rocket. In the end Yondu takes responsibility and we see him take the fight to the monster that is Ego and that he stopped trafficking once he realized that Ego was killing them (this is when he takes on Quill). In the end he realizes that he can’t atone for what he’s done and stands with the Guardians Ego, sacrificing himself to save Peter, his son, which leads to the Ravagers giving him a Ravager funeral and accepting him back in and honoring him in his death. Rooker really is fantastic.

Family is Greater Than Blood – Family being greater than blood is the main theme of the film besides letting go of the ego. We see this in how Yondu is the father that Peter’s actual father never was and that the Guardians are family with one another…they fight with each other but in the end they always have each other’s backs.

The Killing of the Ego – This idea functions as both a metaphor (Peter letting go of his need to please his Dad and his forgiving of Yondu) and Yondu losing everything but finding what matters moist…Quill and the Guardians…he finds family after his old family…the Ravager Captains exile him…Though he gets them in the end too as they find him redeemed in his fight where he helped defeat Ego and saved the Guardians. Ego is the antagonist and wants the Universe to be him and for a while this appeals to Quill when he sees eternity, until he realizes that it was Ego’s selfishness that lead to Ego killing his Mother which sets off the fight against him and saving the Universe again.

Okay: Some Actions Sequences Go Too Long – The final fight against Ego could have been cut in half and still had the same power behind it. I didn’t care about the Sovereign arriving and felt that they were unnecessary. The best parts of the fight were the times that Ego was trying to sway Peter, when that wasn’t happening it looked cool, but the action stretched on too long for me to call it a pro.

Slow Down Shots – There a few times in the film where the action slows down to near standstill. I found this super distracting from the flow of the action that blended seamlessly with the music, with the exception of these sequences.

Motivation of the Sovereign – I get that these guys are easily insulted, but I was surprised they didn’t call up the Guardians first and attack only after Rocket would have most likely insulted them again. In this way they were way too reactive. They still worked as secondary antagonists but they weren’t as compelling as the Ravagers because of their motivation.

  This is a film that I highly recommend. This is where the Marvel Cinematic Universe remains fun and for once we get a story that has nothing to do with Infinity Stones, which in turn leads to us getting time to get to know the characters better. We also have a villain with motivations and a connection to our heroes that matters, and he feels like an actual threat as well as loss and character payoff that comes with a rocking soundtrack. As a side note, my friend was in one of the scenes at the end as one of the Ravager Captains bodyguards/lieutenants! I hope they do more with those Captains and their crew in Volume 3! I really enjoyed this film and it is definitely on par with the first “Guardians of the Galaxy,” Which is rare in Marvel Movies as often their sequels aren’t as strong as the originals. So if you haven’t watched this film yet, I highly recommend that you do.

Final Score: 9.6 / 10

The 12th Doctor – Series 10, Episode 3 – “Thin Ice” – Bland Villain and Monster Bring Down Good Character Moments

   “Thin Ice” is the first mediocre episode this series. This is an episode that has great character moments with Bill and the Doctor but the support characters, villain and the creature are so boring and unfleshed out that it brings down the entire peace. It isn’t a bad episode, as the characters stuff was strong enough to keep me engaged, but it isn’t good by any stretch of the imagination.

    The episode was directed by Bill Anderson and written by Sarah Dollard.

   The story involves the TARDIS transporting the Doctor and Bill to the Thames Frost Fair of 1814. It is here they must unravel the mystery of the creature underneath the Thames as Bill is confronted with a choice that will define her and humanity.

SPOILERS ahead

The Pros; The Doctor and Bill’s Relationship – This is an episode where Bill debates with the Doctor his role. She asks if he’s killed and it takes him a long time to say that only when it is one of the last options available…and in it we see the Doctor as a soldier and veteran, while for Bill this is all so new to her as she is faced with these choices for the first time and better understands the danger in the adventure.

The Doctor – The Doctor is great in this in how he expresses that he does what he does to help and safeguard life because he is called to it…by his companion, the TARDIS, or the people they are helping. I saw it as partially him pushing responsibility off himself, but it also helped illustrate how he’s been learning. So much of 10’s trauma was because he got involved and didn’t listen. I think 12 has learned from the past in that way…now lets just see if the writers will keep it consistent.

Bill – Bill is faced with the darkness in humanity in this one…from there hanging out with pickpocketing children, to a racist landowner who is controlling the monster for money. In the end she does what she can to save as many people as possible and trick the villain…and from here we see how the Doctor and the TARDIS make the companions more like them.

Humanity’s Choice – Save the creature and risk human lives…or keep things the way they are and live the guilt of enslaving another being. This was the core dilemma at the end of the episode that turns Bill more into the Doctor as she chooses the second choice and larger moral implications that come with it. All life matters…be it alien or human.

The Cons: The Villain – The villain is a racist landowner exploiting the creature for resources as it has been in his family for generations. He is so bland and uninteresting and easily one of the worst villains to come out of Doctor Who. There was no motivation beyond greed.

The Supporting Cast – There are a bunch of child actors and none of them can act. This usually isn’t smart to do in any film medium and Doctor Who isn’t known for it’s great writing…and young actors usually don’t have the charisma to carry a scene the way an older more experienced actor could have…to make up for the pitfalls in the writing and dialogue.

The Monster – The monster is a giant fish that sounds like a a whale that we never get to fully see. It eats people, so we know it is dangerous…and apparently it’s a native to Earth, but that is all we know. It is there to be rescued and that is it.

   This is a film that is only worth your time if you are a major fan of the show and a completionist. There are way too many 2 Dimensional characters in this episode and even the core concept of the companion being the stand in for humanity could have been explored a lot better. There are some great dialogue and character moments between Bill and the Doctor, but this is a time where that wasn’t enough to bring the episode to good or great.

Final Score: 7 / 10

The Circle (2017): Just Watch “Black Mirror” Instead

      “The Circle” is an unfocused mess full of hack characters and no discernible theme. I hear the book is good so just read the book. I’ll go into why I went from disliking to hating this film in a moment because there is quite a lot to unload on this film, but the biggest parts are that lack of theme, half-formed characters and with all of that, failure to go full ham. If you are going to be cheesy you should bank on it and in doing so create your own form of malformed beauty.

  The film was directed by James Ponsoldt who was also one of the producers, written by Dave Eggers who also wrote the book and produced by Anthony Bregman and Gary Goetzman.

    The story involves Mae (Emma Watson) getting a job at The Circle (A facebookish tech. company) thanks to her friend Annie (Karen Gillan). She soon finds it is not the paradise it seems to be when the public sharing among the circle and constant call for interaction begins to unfold leading to dark consequences.

SPOILERS ahead

The Pros: The Concept – The concept is a lot like a “Black Mirror” episode. What happens when social media becomes a society and you are under pressure to reveal your life and what you are doing at all times? I like this concept but this isn’t the focus or the theme of the film, even though the trailers seem to set it up that way.

The Cinematography – The cinematography looks great, there are great uses of shadow and holograms to really illustrate the future. You can tell the director put a lot of love into this film…

The Cons: Hack Characters – Dave Eggars wrote the book, but apparently can’t write screenplays. None of these characters feel fully fleshed out. Mae the main character is almost set up to have a rise to power only to become a reformer…but the reasons with that don’t feel all that explored.

   She has an off the grid ex who is the “hero” of the film, which in turn shuts down her becoming a professional within her own life. He also gets harassed for his antler art? What the hell. He is a paranoid guy in the woods whose paranoia ends up being justified but we never get to know him. He is an idealized version of the off the grid blue collar hero. What the ever living hell…He’s not a character and they turn him into a martyr when people stalk him on a new program and he drives off a bridge. We are told they do things together or did things together, but we never see it. It is all tell and now show. Again, he’s an idea not a character.

Her best friend Annie is rising in the company and disappears. I wanted to see her rise and fall arc. But she is barely around…Same Ty Lafitte…John Boyega’s character who is fighting the Circle and invented another giant tech. media company…and finally Hanks’s Eamon, one of the founders whose agenda is never known and who is only around as a vague threat. These aren’t characters, these are concepts in a terrible script.

Social Media and Tech. Paranoia – We are told to fear tech. (her parents telling her not to trust the Circle and her ex being off the Grid) and we see how it turns her and Annie into monsters at times…but that is also contradicted with the ending. This is a vague theme that exists but doesn’t go anywhere and is never fully explored.

A Missed Corruption Arc – This is a hackneyed script in a hammy story…so knowing this, they should have just made Mae a villain. Her life is public, make her a Trump figure who can lampoon people she talks too and win by being horrible…since we see her do this a few times till “noble” ex gets the axe. I wanted her to take out the owners and gain control of the company. That would have made this film a beautiful disaster that is “So bad it’s good.” Sadly this potential is missed. They should have embraced tech and information as power that corrupts…what a waste.

Lack of any Theme – There is no core theme. There is a vague sense of distrusting smart phones and social media…but Mae makes everything public in the end to take out The Circle’s founders. So, what was the ever living point of this film? If you don’t have a purpose, why were you made? The sad thing is the author of the book was the screenwriter…A writer should know the themes they intend to explore.

  I don’t recommend this garbage. This was a film that could have been “So Bad it’s Good,” if it had been comfortable in tech. and information as corrupting influences of power theme, or it could have gone full revolution and had Boyega, Gillan and Watson team up early to take on the Founders. That’d be asking too much of this film though. This is a film that doesn’t know what it wants and doesn’t have any real characters, jut half formed ideas in a broken mess. Seriously, save your money and watch “Black Mirror,” you’ll get well focused themes of technology fears that have a clear focus in theme and character. This film is one of the worst I’ve watched in quite some time.

Final Score: 3 / 10

Black Mirror – Season 1, Episode 1 – “The National Anthem” – A Political Nightmare in the Digital Age

  “The National Anthem” is at this point, my favorite episode of “Black Mirror.” This is an episode that shows the strength of public pressure in the media age as well as how the actions a person can take can lead to people turning against them and in turn forcing them to do the thing they least want to do. The episode is a political nightmare that shows both how quickly people move on from media events, but how when their is an ongoing crisis, how it can grab the attention of a nation and the world.

     The episode was directed by Otto Bathurst and written by Charlie Brooker.

       The story involves the unfolding of a political crisis when a young and popular Duchess is kidnapped, with the only demands for her release being, that the Prime Minister have sex with a pig on live television. From here the crisis unfolds as the Prime Minister deals with the public and private fallout of the threat as they try to find the missing Duchess.

SPOILERS ahead

The Pros: The Characters – The characters are really well written in this and don’t feel like archetypes, which is often a problem in short one episode stories like this. Every character is facing decision and choice. We have the Home Secretary trying to get an actor so the event can still take place and so they can get around it, you have the Prime Minister doing everything he can with the police and you have the wife doing all she can to keep her husband from doing the act. In the end it all comes to a head and no one really wins in the end except for the artist who created the event in the first place. Rory Kinnear as the Prime Minister and Lindsay Duncan’s Home Secretary stole the show.

The Cinematography – The cinematography is dark and isolating, which captures the different levels of terror the government officials are going through. Everything is connected and as the media and gossip grows around the event we see further isolation of the characters from one another, forcing the event to happen.

The Power of Social Media and the Power of Public Pressure – The threat is done over youtube and the Prime Minister putting a gag order on the press just makes people question it as a cover-up and distrust the Prime Minister more. When the story is finally broke it goes out of control as we see his attempts to find the Duchess lead to the people turning against him as his use of an actor made him look like a coward and a press agent getting shot made him look like a dictator. At one point the Home Secretary even warns that his wife and family will be at risk if he doesn’t go forward with the act since he alienated the public so much. When he’s made his decision he doesn’t answer his phone when his wife is trying to reach him and we see how his duty as the Prime Minister was more important than alienating and destroying his relationship with his wife.

Social Media and Moving On – A year later the Prime Minister is popular and the press is just business as usual again. This was amazing that the public had already moved on from the horrendous act that the Prime Minister was forced to do…on the other side we see that things may appear peaceful in the public eye but his marriage is destroyed. He kept power and positive public perception but lost his soul.

  This episode achieved all it set out to do, had a great cast and fully explored the premise of how a nightmarish strange crisis would unfold in the digital age where public pressure can make a person capable of horrible things, since all it took was the threat of a person who was loved by the public to be under threat for the crisis to happen. I felt for all government officials in this, as well as the wife as in the end the choices they made were shaped by how others viewed and talked about them. In a way their agency was lost to the public will, which is in a way, what we ask of our public servants, as they represent us and our interests. I think this is a big reason why, a year after the event the Prime Minister was loved again. He’d done his duty to look out for the public good, and save a life, even though the act was nightmarish, immoral and wrong…and the cost was his family.

Final Score: 10 / 10