Batman Beyond: Return of the Joker (2000) – Classic Rivals and the Timelessness of Batman

Batman Beyond Return of the Joker

   “Batman Beyond: Return of the Joker” still holds up. It isn’t as good as I remembered it being, but it is still easily a favorite and does some really creative stuff with the Bat Family, seriously…this blows the modern day DC Animated Films out of the water. There simply isn’t a comparison in quality and storytelling and I think most of that credit goes to Bruce Timm who managed to make Superman interesting enough to receive an entire Animated Series and to have created two successful renditions of the Justice League…outside of creating the best Batman on screen.

    The film was directed by Curt Geda and written by Paul Dini (though Bruce Timm and Glen Murakami wrote the story too) and produced by Alan Burnett, Paul Dini, Bruce Timm and Glen Murakami.

     The story takes place in the universe of “Batman Beyond” which takes place years into the future where Bruce Wayne (Kevin Conroy) has become an adviser and mentor to the new Batman Terry McGinnis (Will Friedle)  in Future Gotham. When the Joker (Mark Hamill) resurfaces after being dead for 35 years it is up to Terry to solve the mystery and discover the dark secret of why Batman was working alone when he found him.

The Pros: The World – The world of Future Gotham is fantastic! A new Batman, Barbara as the new police commissioner and the use of future tech in gang warfare are fascinating. As much as Gotham has changed, it has also stayed the same…which is fitting.

The Animation – This is WB animation with Bruce Timm at the helm and it rocks! The animation is unique and has a simple yet beautiful style to it. Each character looks distinct and Gotham looks like a true future city.

The Characters – The characters are why we’re here. They drive the story and it is that core drama between Bruce Wayne and the Joker and his drama with the Bat Family old and new. These core relationships drive the story.

The Jokerz – The Jokers are awesome and Dee-Dee are twins that are grandaughters of Harley Quinn, carrying on her legacy in their own way. They have cool look with a ghoul looking guy, a fat clown in a mask, a Scarecrow type and a man with Hyena blood spliced into him.

Harley Quinn – Harley is a messed up character who seems to have grown up by the end. She is one of the tormentors of Robin and takes part in the abuse and torture Joker puts on the populace, but when we see her as an old woman she regrets it all. She’s done and just wants to take care of her family. She healed from the trauma the Joker did to her, which is powerful.

Tim Drake / Robin –  Tim Drake is the last Robin in the Batman Universe and we learn why in this as he is tortured and turned into Little J by the Joker and Harley. After he is rescued and kills the Joker he is left with the trauma and scars that Barbara helps him through. Joker still won to some degree though as the micro-chip the Joker installed on him leads to the Joker taking control of him until Terry McGinnis can rescue him. In the end Bruce reaches out and expresses how lucky he is know Tim.

Barbara Gordon / Batgirl – Barbara is the one taking care of everyone as she is mature enough to deal with her trauma and others’ trauma (unlike Bruce Wayne). It is thanks to her that Terry finds out that Tim is the Joker and from there how to stop him. She really is an awesome character!

The Joker – Hamill is back as the Joker in the past (when he dies) and the future with his technology rebirth! He is such a great villain. He not only broke Harley making her a villain but broke Tim almost making him another villain and breaking him enough that Tim killed him the first time. This isn’t the end though, he destroys the Batcave, Wayne Manor, Laugh Gasses Bruce and a good portion of Gotham with a lazer. Seriously, not a single Joker compares to this besides Ledger’s in “The Dark Knight.”

Bruce Wayne / Batman – Bruce deals with his trauma finally and we see him begin to heal as he faces the fact that he cut himself off from everyone, but thanks to Terry he begins to heal things with Tim and Barbara bringing the Bat Family back together again.

Terry McGinnis / Batman – Terry is the glue and the main driving force as we see him dealing with being both Terry and Batman and in the end finds he is Terry as Batman, not the other way around as he defeats the Joker not by being Bruce but by mocking him  and being himself and forcing the Joker to be stupid and tricking him. Terry is an amazing Batman and I’m glad he’s official canon now. He’s a Batman I’d like to see in live action films. This film shows why. He’s a punk who grew up and now does everything he can to help others.

Tim Drake’s Story and the Death of the Joker – This incident is why Bruce went loner. Tim kills the Joker breaking the rule and lives with the guilt from that only for Joker to win anyway…Not only did Joker destroy the Bat Family, he lived on from the trauma caused by that day. There is reason he is one of the greatest villains of all time.

Timeless Batman – Batman can work in any environment or world and it doesn’t have to be Bruce. This film showed as much, Terry has his own darkness as Bruce does but unlike the Joker it doesn’t define them and it is their classic rivalry against what the Joker represents in chaos that really makes Batman timeless. All of Bruce Timm’s Batman work shows as much as he explores the Batman of the future in Terry McGinnis and in the past in Bruce Wayne. Batman is about overcoming your demons and  using that to help others and that is what they do.

Okay: Side Characters – Dana and Bruce Wayne’s rival and Terry’s family are just kind of there. They exist in relationship to Terry and Bruce and don’t feel like full characters. They are good for their function in the script but could have been more…this movie should have been longer.

The Soundtrack – It is quite at times and besides the Beyond opening theme isn’t all that great. It works but it isn’t a pro.

  This is a film well worth your time if you are a fan of Batman. Bruce Timm and this world were a world I grew up watching and it holds up stronger to this day. Seriously, this film blows all of the “New 52” films out of the water. You get to know the characters, no characters are unstoppable and the flaws of characters are on display always.  The world of Gotham feels lived and there is so much history which you’d come to know from this film even if you’d never watched “Batman: The Animated Series” or “Batman Beyond.” This film stands on its own and is one of the darker films in the Universe that still manages to hold a place for healing and hope for the characters. If you get the chance, check it out!

Final Score: 9.5 / 10

“Gotham” Season 2 – A Slow Start, Great Villains and the Ending Doesn’t Work

Gotham Season 2

    “Gotham” Season 2 has moments that really stand out and could have made this season great overall if what we’d been shown and had been consistent and if the story had been more focused. There are so many threads that are brought out and I felt the end of the season didn’t really resolve many of them and only left us with more questions, which I hope Season 3 can answer but it hurts the overall performance of Season 2. There are some great characters though and those are the ones that keep this show good rather than okay or bad.

This review will contain SPOILERS

       This season’s arc involves the continuing mystery of who killed the Waynes and finding out who set up the killer to kill the Waynes along with Theo Galavan’s attempt to destroy Gotham and the plots of Hugo Strange in Arkham Asylum.

The Pros: The Cinematography – The cinematography continues to be great on this show. Certain shots are presented like a comic book panel and it gives it a great feel and makes the world feel lived in.

The World – The world is fantastic, the story doesn’t really work all the time…but the conspiracies, the crazy people and the characters who make this world possible is great to see. I like this world and it is really what keeps me coming back.

Blackgate Prison – At one point in the story Jim is sent to Blackgate Prison for a murder Nygma framed him for. It is really cool seeing him make friends with another innocent trapped in there and how dangerous it feels. There is a reason this is high security while Arkham is technically a hospital.

Arkham Asylum – Arkham is awesome in this. Whether is Hugo Strange (the best villain in this series so far) or the different people in Arkham being transformed into their later Batman counterparts…this is a place where so much is always happening, and Thomas Wayne was tied to it all. Even if he didn’t know about Indian Hill he must have known about Strange’s experiments.

The Characters – The characters are the strongest part of this series, even though there are more characters I’d only consider okay or cons than last season, the stronger characters really make up for it.

The Maniax – These are 7 Crazies that Theo Galavan breaks out of Arkham to cause chaos in Gotham so he’ll be elected Mayor. The most memorable one is the Jokeresque one who starts a movement when he dies as his laughter and Joker like look become a symbol of resistance in Gotham in the underground…the Maniax’s influence stays long after they are all defeated.

Nathaniel Barnes – Barnes is the new Commissioner after the Maniax kill the old one. He’s all business and militarizes the GPD. He also doesn’t trust Gordon but grows to respect him over time. Michael Chiklis really puts in an amazing performance.

Leslie Thompkins – Leslie is the stability for Gordon that he can’t accept because of his guilt. She is a fantastic character and it is sad when she eventually leaves to escape the war against Galavan. We learn she was pregnant but the child died. Baccerin continues to put some of the best performances in all she is in. I like how she is the clear headed one in the relationship  and a fighter in her own right.

Butch – Butch is back and hooks with one of the Galavan’s and breaks free of the mind control Penguin put on him. No idea where he is at the end of the season though after Fish Mooney is resurrected by Strange as he runs away after she knocks out Penguin.

Elijah van Dahl – Elijah is Penguin’s father and the actor who played him (Paul Reubens) played Penguin’s father in “Batman Returns.” He is a great character and he is there to help Penguin after Penguin’s reconditioning in Gotham and point him on a path to goodness. He is killed by his wife though when she tries to poison Penguin.

Miss Peabody – Miss Peabody is amazing! She is Strange’s second in command and is a threat, we see her take out people much larger or unhinger then herself and strike fear in them. She is the one who reminds Strange that maybe he shouldn’t take things so far as it could back to bite them…she is the calm to his recklessness.

Edward Nygma / The Riddler – Nygma becomes the Riddler this season as he kills his girlfriend when she finds out he killed her ex and becomes paranoid. This leads to him framing Gordon for her murder, though after Gordon breaks out of Blackgate he forces Nygma’s hand with Bullock to reveal the truth. After Nygma is in Arkham his intelligence is on full display as he manipulates the inmates into calmness. It is implied he escapes at the end when Mooney escapes in the bus carrying all the inmates. He also helps put Penguin back together after Galavan kills Mrs. Cobblepot in the first half of the season. I didn’t like Nygma all that much last season but I’m sold on the character after this season.

Oswald Cobblepot / Penguin – Penguin goes through the ringer this season. He is the King of Gotham, loses it all to Galavan including his mother and sanity. Riddler puts him back together, he gets sent to Arkham where he again loses his mind and has the violence conditioned out of him and ends up with his father and step-family…his step-family kills his father and he goes bad again. He then gets revenge on Galavan when Galavan is resurrected into Azrael and Fish Mooney gets revenge on him, leaving his future up in the air. This was his season, even more so than last season and his rise.

Hugo Strange – BD Wong’s Hugo Strange is the best character to come out of this show! From his mad scientist bent of messing with people’s minds to turn them into characters, to his outsmarting the Riddler and GPD and his insistence in releasing unstable people out into Gotham for the kicks. He’s mad but has empathy too as we see he cared about Thomas Wayne even though he called in the hit. This is a character with depth who I hope we see more of. He blows all the other villains out of the water and the full extent of what he knows will hopefully come to light next season. I’d love it if he takes out the Court of Owls as they make him look like a Saint.

Alfred – Sean Pertwee continues to be one of the best parts of the show! In this season we see him further teach Bruce Wayne as well as search for him at different points and see some of his former military skill in action. Seriously, I want to learn more about this character and his backstory.

Harvey Bullock – Bullock becomes Commissioner in this! His arc goes from working with Jim even when it is against the law Jim’s a fugitive…to leading the police after Azrael mortally wounds the Police Commissioner. This character really is fantastic and seeing him become responsible is a lot of fun.

Jim Gordon – Gordon continues to show why the show is based around him. He’s conflicted, corrupt (kills Galavan and goes rogue) and is the heart of the show as he’s very much a proto-Batman as guilt runs everything he does and it is getting through that guilt that brings us to the end of the Season so he can have a life outside of Gotham with Leslie (before getting pulled back in).

Okay: Mr. Freeze – When he puts on the suit he is good but before that and his resurrection he has too much of the crazy already. He is killing, which makes him unsympathetic. He should have stole not killed. He makes a great minion for Strange at least.

The Galavans – Theo is great when he becomes Azrael, but as the Mayor I just got tired of his plots. In regards to his sister and adopted daughter, I never got what they wanted so they were just kind of there.

Barbara Kean – She is okay, I thought I’d hate them bringing her back but her going from one of the Maniax to a somewhat ally is actually handled really well. I also like that she figures out Clayface is Gordon because she knows Gordon love Leslie.

Selena Kyle – Selena Kyle is okay but suffers from the same problem as Bruce. She like Bruce would work as “Batman: Year One” versions of themselves. Them being kids makes it so there aren’t any real stakes.

Bruce Wayne – Bruce Wayne is okay, he isn’t as bad as last season, but little kids solving mysteries doesn’t work well in anything not directed by Spielberg. He does alright with what he’s given but he’s Bruce Wayne and has to become Batman so lots of plot armor so no real stakes.

Okay/Con: The Ending – Fish is back which was a terrible narrative decision unless they do something interesting with it, Penguin is dead or knocked out and Strange is in prison. Seriously the most interesting villain is gone. Also a Bruce Wayne clone? gets out of the bus too.

The Cons: The van Dahls – I wish they hadn’t been blatant villains. There is nothing good about them. They are pointless violence and stupidity.

Firefly – This character is annoying. I hated the episodes and her family and nothing that is done with feels real. Her friendship with Selena feels contrived and her fighting Mr. Freeze at the end feels corny in all the wrong ways.

Fish Mooney – Fish is back and I wish she’d stayed dead. If she was going to be brought back it should have been related to Penguin and a civil war to take control of the gang. When she’s back the city is going back into chaos with all the inmates of Arkham freed and now her wants role seem moot. Did she kill Penguin, if she didn’t…why? Minus character popularity, bringing her back at the end serves zero purpose.

Cluttered Narrative – The narrative in both the first and second half of this season is really cluttered. First season had the Barbara, Galavan and Maniax storylines going on along with everything related to the Penguin and the Riddler…while the second season had Azrael, Hugo Strange, the hidden Council, Penguin, Riddler and bringing back Fish Mooney…where last season felt like it was leading to something…this narrative felt cluttered and unfocused.

  Hugo Strange is the biggest reason to watch this season. The Maniax are great in the first half and help make up for the sometimes weak Galavan narrative while Strange makes up for how uninteresting some of his minions are and how uninteresting the Council of Owls so far appears to be. Seriously, watch this show for the villains. Most of the heroes are okay, with the exception of Bullock and Alfred whose performances I’d consider great. The rest are either good or okay. I hated that this season ended with a cliffhanger and Strange in prison, but there isn’t much to be done along those lines. I plan to keep on watching as there is enough here to keep me coming back and this show is overall good. If you like the world of Batman and enjoyed the first season of “Gotham,” you will probably enjoy this season.

Final Score: 8 / 10 (would be rated lower if not for BD Wong as Hugo Strange).

Hugo Strange Gotham

The Dark Knight (2008): A Masterpiece That Explores Virtue, Liberty and the Nature of Humanity

The Dark Knight

    “The Dark Knight” is a masterpiece in every sense of the word. It is more than just a great Batman film, it is a classic that illustrates just how great the medium of storytelling can be through the use of film. The best films can capture the best and worst of humanity and ask us questions about what it means to be ourselves. The best films challenge are assumptions and “The Dark Knight” is one of those films. This is also the Batman film with two of my favorite Batman villains. Both the Joker and Two-Face are two of the more complex Batman Rogues of all time and most of the stories that explore them are at least good.

     The film was directed, written and produced by Christopher Nolan who wrote it along with Jonathan Nolan. The film was produced by Emma Thomas and Charles Roven.

   The story involves Batman (Christian Bale) a year into his time protecting Gotham and explores the rise of the Joker (Heath Ledger) who escalates the war as Harvey Dent (Aaron Eckhart) target the Mob with Batman and James Gordon (Gary Oldman) leading to the mob putting their fate in the Joker’s hands.

The Pros: The Cinematography – The cinematography is the best it’s ever been in the “The Dark Knight Trilogy.” The contrasts of light and dark are best illustrated in the transformation of Harvey Dent and Two-Face and the scenes involving the Joker or Batman and the Joker together. This is a story of contrasts and the cinematography captures it beautifully. Wally Pfister once again did a great job.

The Soundtrack – Hans Zimmer and James Newton Howard created their best soundtrack thus far as we get the haunting theme of the Joker mixed with rising tension intermixed throughout the score. The story feels on edge because of how the music weaves so seamlessly with the plot. The aura of terror never goes away.

The Writing – The Nolan Brothers when they write together are better than when one of them teams up with Goyer. I think this is probably due to them understanding each other better which in turn allows them to explore the characters better and work the themes in without having what little fat there was in “Batman Begins.” The fact that it takes inspiration from “The Killing Joke” and “The Long Halloween” (two of my favorite “Batman” comics) is part of what gives the writing so much power. It pulls from great stories.

The World – The World is rich and feels lived in. From Sal Maroni taking over the Mob, the politics and corruption within both the District Attorney’s office and the Police and the politics between them. Batman is the one who holds this brittle vase together but the Joker gives it the push that makes it all fall apart.

The Characters – The characters are amazing in this. From the minor characters who were once faceless antagonists, to the large characters who express the themes of the story. The characters in this are a lot better than I realized until my most recent viewing.

Jonathan Crane / Scarecrow – He has a small role and is taken out early by Batman. The fact that he survived for so long is to his credit. He’s pretty minor compared to Joker and Two-Face is what the film shows as well as that he and Batman are both fit for Arkham.

Commissioner Loeb – Loeb actually gets exploration in this! We see all he’s doing to take out the mob and the consequences he takes for it, like his heavy drinking which makes it easier for the Joker to kill him. I like that we actually get to know the character this time.

Mayor Garcia – The Mayor is pretty great in this too as we see his courage in how he goes forward with the parade to honor Loeb and to give Harvey Dent the power he needs to go after the mob. I liked this character and wanted to get to know him more. His “real talk” with Harvey Dent is a powerful scene as it illustrates the growing war as the Joker’s victim is hanging at the Mayor’s window after the talk.

Detective Ramirez – Ramirez is a great character. She’s flawed as she’s looking out for her mother and this leads to her being in with the mob. We see that she isn’t all bad though she’s just ruled by fear which leads to her getting Gordon’s family to Two-Face. She is the symbol of the broken system.

Lau – Lau is a great character. The fact that he saves the Mob’s money on his own is great and he would have won if not for Batman ignoring international borders (one reason I don’t believe the 8 years or Retirement in “The Dark Knight Rises”). He ends up being burned alive on a pile of money buy the joker showing his role reversed as in the mob he was the most powerful person for protecting the money, but in the Joker’s city money means nothing.

Sal Maroni – Sal is great, he has a young arrogance about him that makes him fun anytime he’s on screen. He’s also a guy who can’t see all that long term as he is the one lets the Joker run havoc all over Gotham and in turn he can’t even escape because of it as Two-Face is waiting for him, changed by the Joker and with it Sal’s choice comes back to end him. In that way, he’s tragic in his own way.

Lucius Fox – Freeman gets more exploration in this as we see his ideals are strong on the side of personal liberty (one reason he might like Batman as an individual under no one) and when he stand against Batman’s NSA Spying Machine we see that it doesn’t matter how much he likes Bruce, he won’t let him become the Emperor of Gotham. No individual in Gotham should have all the power and Lucius stands by this even as he uses the machine once to help catch the Joker.

James Gordon – Gordon’s story in this is a tragedy. We see his distrust of Harvey Dent yet his belief in him too and how all of that is lost when the Joker breaks Harvey and James in unable to save Rachel Dawes. He is promoted to Commissioner when Loeb is murdered and never catches a break after that. For much of the film he is trying to save people from the Joker as the Joker is always one step ahead and the war against the Mob that he was working on with Batman and Harvey becomes nothing. In the end the war nearly costs him the life of his son though it does cost the life of Harvey Dent, which is something he is never able to live down as he embraces the lie that Batman killed Harvey Dent and hiding Dent becoming Two-Face.

Alfred – Alfred is great in this as Caine gives the mentor role power again. In this he illustrates how much it takes to defeat some enemies as we learn that Alfred was a pretty terrible person in Burma as he burned down an entire forest to catch one thief. This metaphor leads Batman to creating his NSA spying device showing that Batman did learn from Alfred and embraced the worst aspects of the fascist state that Alfred had once worked for. Luckily they both move on from that, but it shows how far both of them will go, in a way proving the Joker’s point about people.

Bruce Wayne / Batman – This is the film that tests the limits of Batman’s code as we see him fighting a losing war against the Joker when the Mob unleashes him when Batman, Gordon and Dent have almost defeated them. He never leaves his ideals of not killing in this but we see how far he’s willing to go as he metaphorically burns the forest of Gotham by spying on everyone to catch the Joker. It’s powerful and shows that Batman is willing to become a villain to stop a villain. In that way he is the Emperor of Gotham as the narrative of the Emperor being chosen in times of trial in Rome to protect the populace and how it lead to it becoming a permanent position. Batman not only loses his love in this and the respect of the city, but he loses his purpose as well as the Joker is proven right in many ways with the “Tragedy of Harvey Dent.”

Dark Knight Joker

The Joker – The Joker is an anarchist who lives to upset the status quo. He loves playing with people’s mind and comes up with different stories related to his scars to get into the heads of whoever his enemy is. Heath Ledger’s performance is one of the best villain performances of all times and is a classic for a reason. There is a reason you see at least one his Joker’s on Halloween or Comic Cons. His point is that humanity is just animals and civilization is a lie, so the only way to live is to live uninhibited by rules and he does this by destroying powerful figures or breaking them to make his points true. it is enough to turn Harvey Dent into Two-Face even if his “Prison Experiment” using the ferries doesn’t work. He doesn’t care about his life (as seen when he lets Harvey Dent flip the coin on his life) and lives purely for his ideals. For him the ideals are enough (like Batman) and like Batman it gives him power and makes him a symbol that can never fully be defeated. Even though Batman physically defeats him at the end (but is unable to kill him). R.I.P. Heath Ledger, you not only changed cinema forever but the culture with the character you played.

Dark Knight Two-Face

Harvey Dent / Two-Face – Harvey Dent is the idealist who in many ways represents humanity’s potential to rise to ideals and to fall into despair. His fall into Two-Face happens when he realizes all his plans to stop the mob are falling apart and his allies can’t even save the woman he loves. This makes him easy prey for the Joker who turns him into Two-Face leading to him embracing chance as his code of justice as he saw the law was unable to trap and prosecute the Joker, stop the Mob or save Rachel. In the end Two-Face is despair and in becoming a “Punisher” like vigilante proves the Joker’s point about how anyone can become a killer after a really bad day.

Liberty v. Security – Liberty v. Security is a major theme in this as we see Batman impeding on Liberty to stop the Joker when he taps into everyone’s cell phones. His very existence is an infringement upon Liberty too in a way as he is above the law yet enforces them. The Joker is one of the answers to this as is Lucius Fox who show that becoming a Dictator isn’t the answer.

Does Vigilantism Help? – Does becoming a vigilante help? We see in this that it probably doesn’t. From inexperienced look alikes who dress up like Batman and put themselves and others at risk and in turn lead to the rise of the Joker, who was never on the scene until Batman appeared. The question is never fully answered as Batman does capture the Joker, but since he might have helped create the Joker in the first place…does Batman’s existence help or hinder more in the end?

Fascism v. Anarchy – The main theme is one of fascism versus Anarchy. Batman is fascism incarnate as he is above the police and the law and enforces his own brand of justice that is everything but killing. In answer to that there is the Joker who seeks to destroy all systems that uphold the law so the people can do whatever they want and become their base selves. While Batman seeks to scare others into becoming their best selves.

Codes – The Joker’s code is that a person should live how they want and that life itself doesn’t matter, what is important is tearing down structures of power to get people back to their basic selves. Batman doesn’t kill because he sees the good in people and sees Batman as the hope that can inspire that. Harvey’s ideal at first is to the law and using it to stop corruption. It isn’t until he loses everything that his ideal becomes chance as he blames chance and entropy on all his sorrow.

The Nature of Humanity – Is humanity good or bad at it’s base? The Joker would say bad as shown by how the city turned on itself when he caused fear and terror while Batman who believes that humans are good as shown by the Ferry Experiment where the prisoners and civilians don’t kill each other…showing that humans can rise above their fears like he did. Who is right? That’s really up to you as throughout human history you will find proof of both, though I think there is more on the Joker’s side…humans have historically been far more cruel and selfish than good and giving.

Okay: Rachel Dawes – Rachel Dawes is an idea and never gets beyond that. For Harvey she’s the thing worth living for that feeds his idealism and keeps him strong, for Bruce Wayne she’s the way out of him being Batman and having a normal life. For both she is an escape and her death triggers the change in both our characters. She’s a plot device so never becomes great. She always is just okay.

Pacing – The pacing is alright but doesn’t quite work. There are many times where the film feels like the climax has happened but before you know 3 more climactic events have happened. This is the only real downside the film has besides Rachel Dawes.

    “The Dark Knight” manages to make even it’s minor characters compelling, even as the main drama goes down between Gordon, Dent, the Joker and Batman through whose perspectives we explore the ideas and get the drama. This film isn’t afraid to tackle big ideas and the possible consequences of those ideas. Not only that we get to see it through the eyes of fascinating villains or compelling heroes we care about. This gives power to the consequences are characters make that illustrate the ideas the film explores. These deeper ideas and complex characters keep me coming back and this is a film I will never grow tired of. It is always worth a second look as he each time the ideas are explored by the characters it gives a chance to explore one’s own thoughts on the answers to the questions. This film is one of the greatest films of all time.

Final Score: 10 / 10

Batman Begins (2005): The Power Behind Overcoming Fear and an Amazing “Batman” Film

Batman Begins poster

    “Batman Begins” is a great start to “The Dark Knight Trilogy” and a solid film on it’s own. Nolan could have lost the rights to make more of these films and this would be the best of the “Batman” Films at this point. Nolan creates a world that feels lived in and captures the noir feel of Batman as well as integrating the more fantastical aspects of Batman’s backstory into something more believable. This is supported by a strong score that Zimmer and some absolutely brilliant performances. There is very little wrong with this film.

      “Batman Begins” it was directed by Christopher Nolan who also co-wrote the screenplay along with David S. Goyer. The film was produced by Charles Roven, Emma Thomas and Larry Franco.

   The story involves the death of Bruce Wayne’s (Christian Bale) parents and his leaving Gotham city to get training in order to take on the criminal world. This leads his meeting Henri Ducard (Liam Neeson) who trains him to become a member of the League of Shadows, which he rejects leading to his return to Gotham and becoming Batman. But all is not as it seems.

The Pros: The Cinematography – The cinematography in “Batman Begins” is beautiful. The world is full of shadow with light used to illustrate the characters and creatures who make up the dark. Whether it is ninjas in the League of Shadow’s fortress or the criminals who inhabit the Gotham underworld. Wally Pfister did a fantastic job.

The Soundtrack – Hans Zimmer and James Newton Howard created a beautiful score for this film. It manages to capture the darkest points for our heroes and also their highest or most epic moments. From Batman calling in the bats for reinforcements…to anything related to the League of Shadows or Scarecrow. The main theme is also glorious and anytime I hear it I remember this Trilogy.

The Writing – The writing is fantastic, David S. Goyer when working with Christopher Nolan as a collaborator can actually tell a great story. The fact they pull from great stories like “Batman: Year One” and others helps. They pull from the best and make it fit their own universe.

The Characters – The characters are the strongest part of the Trilogy and “Batman Begins” is a great introduction to all our heroes, giving them arcs that mean something as they explore and reveal different parts of themselves and of Batman in their relationship with him. The only downside are some of the one-note antagonists, but I’ll get into them further down.

Lucius Fox – Lucius Fox’s arc involves his rise of power within Wayne Corporation again as he sees the big picture and uses cast off Wayne Tech to help Batman mount his fight against crime and the underworld. He saves Batman and the city by coming up with an antitode to the League of Shadows’s fear gas they use on Gotham and that Scarecrow uses on Batman. Morgan Freeman is great too and gives a lot of humor and depth to the character as he knows what is going on pretty early on when Bruce comes to him.

Carmine Falcone – This guy is a great baddie. He owns Gotham and it takes Bruce Wayne leaving Gotham in order to find a way and training to defeat him. Even after he’s arrested he only falls when Scarecrow shoots him up with fear gas. Before that point, Falcone didn’t fear anyone or anything and you had to respect the guy. He got the underworld and his tough talk with Bruce before throwing him out really illustrated just how thoroughly he owned Gotham and how broken the city is. Tom Wilkinson is really good in the role.

Alfred – Michael Caine is an awesome Alfred! He is the one who brings wisdom to Bruce and is someone Bruce can throw his ideas off of. He’s also Bruce Wayne’s only connection to his family and past as so much of his Batman self is his living of an idea where he has no room for personal connection because there is only the mission. Alfred brings him back down to Earth and centers him.

Sgt. James Gordon – Gary Oldman is amazing at Sgt. James Gordon! This is the first film version of Gordon that is actually explored as a character as we see he is the one who comforted Bruce as a child and like Batman strives to live by ideals in a world that is broken. He doesn’t rat on his friends but he doesn’t take mob or anyone’s money. In this way he is able to make change and it is in working with Batman his vision to help save the broken city helps come about as he is promoted, showing his ideals were heard. He is the reason Ra’s Al Ghul is defeated too as he destroys the train that was carrying Ra’s and the weapon.

Scarecrow

Jonathan Crane / Scarecrow – Cillian Murphy truly owns the role of Scarecrow and I get why Nolan kept bringing him back to be in later films. In this we see his rise to the most powerful (his institutionalizing of Carmine Falcone) but later see he is just a puppet of the League as he only sees power and holding the city ransom. This isn’t the whole story though as he gets pumped full of his own fear gas by Batman (revenging for nearly killing Batman with it earlier in the film) and this leads to him going fully mad and becoming the Scarecrow. He escapes the cops and Batman and is missing at the end of the film, showing just how resilient he is.

Ra's Al Ghul

Henri Ducard / Ra’s Al Ghul – Ra’s Al Ghul is smart at hiding himself as he presents someone else as himself to Bruce Wayne when he is training Bruce (to be a possible replacement in the long run, in the short run to destroy Gotham) and becomes Bruce’s mentor and friend. In the end he can’t even bring himself to kill Bruce and opts to give Bruce the same treatment he received as he burns down Wayne Manor and leaves Bruce under a burning log. This is a character I couldn’t help but respect as I got how someone who had been through so much could come to believe that you can only save civilization by destroying it so that people can see the full corruption and plant a new way of being. Neeson’s performance also lended a lot of empathy to the role.

Bruce Wayne / Batman – Christian Bale makes a great Batman and I like the idea that he is only Batman and Bruce Wayne is a mask, even though it gives his Bruce Wayne identity and overly artificial feel sometimes. In the context of Nolan’s universe he really works because he is the ideal of Batman so there isn’t much room for the Wayne identity beyond enough to create cover for the vigilante and the true self that is Batman. His Batman manages to be both threatening, charming (jokes that don’t break the tone of the film) and real as we see just how new he is at this role and how far he’s come since his exile. His arc is going from one based in revenge akin to “The Punisher” to that of one based in a code of Justice where fear should help stop threats and the law should still rule.

Becoming Batman – From the scenes with Alfred discussing the idea, from the finding of the Batcave below Wayne Manor and finally working Lucius Fox to make the costumed identity…all of this is gold and some of my favorite parts of the film.

To Defeat Fear – One of the running messages and themes of the film is the confronting and defeating of fear. In all cases it is seeing that the bottom and falling is not that end and that every time you stand and face it you can defeat it. All the moments in Ra’s Temple really illustrate this well.

Batman’s Rule – “Do not kill.” This is what sets Batman apart from most vigilantes and most film versions of Batman have ignored this rule (as later broken versions of him don’t follow this rule). I’m glad Nolan brought it back as his striving for this role sets him apart, even from most of our Marvel heroes who kill without a problem. He strives for this, even if he doesn’t always succeed and that is commendable.

The World – The World is an amazing one, which is why I’m giving it it’s own section. We get to see a modern day take on Gotham, what the League of Shadows would do in the modern age (economic war) as well as the type of tech. Batman would need tech. that was used by military contractors to do what he does. I also like how powerful the mob is in this world and the fact that there are so many different players. It makes the politics of this world and Gotham fascinating.

Okay: Rachel Dawes – Katie Holmes is okay. She largely focuses as a plot device for Bruce Wayne to get beyond his “Punisher” mindset and to seek justice and a higher ideal than revenge…and besides that she is the love interest, but it never goes anywhere. The fight against the League of Shadows and Bruce Wayne against himself and his fears is much bigger.

Pacing – “Batman Begins” can be slow at times. Sometimes this works, so I’m not putting it at as a con…but it can be a con sometimes depending on your state of mind. This is a film to watch fully aware and if you are tired you most likely won’t enjoy the film. It takes time to meditate in scenes and characters and I know that isn’t everyone’s thing. It is also the reason for the pacing issue.

Okay / Cons: One-Dimensional Side Antagonists – There are only a few of these guys, and they are a stock Nolantype. Any large scale movie he does will have some of these characters I’ve realized as they are an easy way to show our protagonist(s) having victories.

Commissioner Loeb – Loeb is against Batman but we never get the reasons beyond him stealing the light from Loeb’s city. I never got Loeb’s anger which is a shame as fighting Batman and his relationship with Batman via Gordon’s actions could have been explored a lot more. Instead he is another faceless antagonist.

Detective Flass – Flass is just a stooge to show how corrupt the Gotham Police Department is. He is a bully and there is no depth to the character.

William Earle – The guy is just a corrupt CEO whose motivations we never learn of beyond power. He is a plot device to be defeated by Lucius Fox and Bruce Wayne.

     Besides the issue of pacing and the more one-dimensional antagonists connected to Bruce Wayne and Batman this movie is untouchable. The world that Nolan creates is one that feels lived in and corrupt enough that it would create a vigilante like Batman who would seek to right the wrongs within it. I also appreciate Bruce Wayne’s striving for virtue in all of his choices. This is something that is never an issue in any of the films before this. In this he takes seriously his rule of “Do not kill,” even if he doesn’t always succeed in that. Bale’s Bruce Wayne fits this role where Batman is his true self and Bruce Wayne is merely a mask he presents to the outside world. This fits Nolan’s style of writing and direction where exploration of ideas and how characters inhabit those ideas creates the story worth being invested in.

Final Score: 9.8 / 10 A nearly perfect adaptation.

Batman & Robin (1997): Bad Puns, Writing, Acting and an all Around Disaster

Batman and Robin

    “Batman & Robin” is the worst movie I have ever watched. Rarely have I ever seen something that had no redeemable aspects to it, as even Michael Bay films have explosions and action when you can actually see the action happening. This…the actors, script, score and characters are all awful. I usually try to look for something positive to say about a film as some bad things have some redeemable traits in the end, this was film where I couldn’t find any. I’m honestly surprised this film didn’t kill more film careers…at the very least Schumacher should have realized that he can’t direct. This film is a travesty.

    The film was directed by Joel Schumacher, written by Akiva Goldsman and produced by Peter MacGregor-Scott.

    The story, if it can be called that…involves Batman (George Clooney) and Robin (Chris O’Donnell) working to stop Mr. Freeze (Arnold Schwarzenegger) and the new villain Poison Ivy (Uma Thurman) from destroying Gotham. Batgirl (Alicia Silverstone) arrives in town as well when Alfred falls ill (Michael Gough).

  There is nothing good to say about this film so I won’t even bother listing Pros and Okays, this film sucks all the way through.

The Soundtrack – The soundtrack doesn’t know if it wants to be Burton or Adam West’s “Batman” score. It’s chaotic and unfocused and doesn’t do anything to present our characters and scenes and just blends together in a score of awfulness. Elliot Goldenthal did a horrible job.

The Cinematography – The cinematography is awful…we get close ups of people’s faces and other times we have shots that are just bland and boring. There is no character in any of the scenes and it brings the entire thing down further.

The Writing – Akiva Goldman is an awful writer…maybe this film was just a fluke, but it is a pretty horrendous fluke. None of the characters have clear motivation, the drama is contrived ranging from love venom to contrived family drama…nothing works, it sucks.

The Characters – Related to the writing, the characters are nothing like their comic counterparts…and I would have settled for corny Adam West versions of these characters as that could have worked if that was the story we were given. Instead our characters kill and are supposed to be intense and cool, and just come off looking silly…from the designs of the suits, to the dialogue…nothing works about them.

Bane – Bane is a skinny prisoner who is pumped full of venom to become a big guy. He can just repeat words and is just muscle. There is nothing good about this character and he is easily defeated by the tube on the back of his head getting pulled out. What a waste of a fascinating character from the comics. This one is just muscle and could have been replaced by any goon.

Alfred – Alfred is dying, and I wish I cared but we never see our characters deal with him dying. He looks pained at times but Schumacher can’t give it the weight it deserves so it just becomes a footnote in the script as Alfred is relegated to just another body at Wayne Manor. Also they save him thanks to Mr. Freeze so what drama was there in dealing with mortality just goes away. Poor Michael Gough for being in this…

Barbara Wilson / Batgirl – Batgirl like Robin is presented as a rebel and badass but just comes off as stupid. The way she speaks makes her sound like an airhead and she doesn’t really help her case when random goons she is racing trick her and Robin leading to them almost getting killed. Making her Alfred’ niece was just contrived too. We learn nothing about this character and she contributes nothing to the picture.

Dick Grayson / Robin – Chris O’Donnell, you are an awful Robin. Your character was annoying in “Batman Forever” and here you are even worse. In this his punk tendencies and clashing with Batman are played up as he “loves” Poison Ivy. Seriously, this guy a joke of a character. Everything he does nearly leads to him getting killed and he just ends up getting captured or hurt. Screw this character.

Bruce Wayne / Batman – George Clooney is the worst Batman. His dialogue feels stilted and unnatural, he doesn’t feel disconnected like Bruce Wayne should and the only defining trait he has is that he is protective of Robin. His suit is also awful too as it has nipples and a cod piece. Clooney looks the part but he can’t act it at all, and he’s a great actor and this crappy script ruined him too.

Dr. Pamela Isley / Poison Ivy – Uma Thurman is a good actress but she is awful in this. Her character is a walking sex object and she has no character but a strange crush on Mr. Freeze and wanting to kill humanity. Her motivations are never fully explored and she’s all the worst aspects of what Hollywood does to their female villains. She only fights using sex and she is the only villain who gets punished in the end. Seriously, this script and this presentation of her character are awful. Poison Ivy is an interesting character (like Bane) but this script clearly didn’t know how to write her at all.

Mr. Freeze – Arnold makes bad puns, he loves his wife who is frozen but it’s unbelievable because his performance feels completely phoned in. It doesn’t help that he changes immediate at the end after learning about Poison Ivy’s betrayal…the tragedy of Mr. Freeze is one of the best stories to come out of animation and the comics but all of that is turned to crap as Mr. Feeze is just a gigantic buffoon whose plans change on a whim and is easily manipulated by clearly untrustworthy people (Poison Ivy). Also his costume looks awful and his goons fight with hockey sticks…really. Screw this movie for ruining another great character who may never see good live action film because of the film.

The Jokes – This film has so many bad puns, and they are one liners. It is just awful as there is no charm to any of it and all the puns feel forced. I am huge fan of puns as anyone who knows me can attest, but it is possible to do them wrong and this movie is a shining example.

The Ending – The power of friendship beats the baddies and Freeze implies he’s going to torture or do worse to Poison Ivy, you know a kids movie.

     How could so many things go wrong? Shumacher’s “Batman Forever” was at least mediocre, this doesn’t even strive for that. I can see why Tim Burton didn’t want to produce this crap and feel bad for everyone connected to this film. The acting, writing, filming and soundtrack are all just awful and there is nothing redeemable in this. The film even tries to kill Alfred but we care so little about the characters around him it doesn’t matter. Even with that, they just bring him back to life. This is a movie that could have done camp well, instead it didn’t know what it wanted to be and became an atrocity of a picture. This is a film that is only worth watching to take down as all the things not to do in film making are on display here. Seriously, Schumacher showed just how bad of a director he could be in this and Akiva Goldsman’s script is just a travesty. Let this film be a cautionary tale that it doesn’t matter how great your characters are in the comics (all the characters in this film) they can still be ruined on screen if their stories are put into the wrong hands.

Final Score: 0 / 10. Worst film I’ve ever watched.

Batman Forever (1995): A Bit Too Campy, A Cluttered Cast and Moments of Good

Batman Forever

   “Batman Forever” is okay. At moments it is fun and looks as if it could be more (whether fully embracing the dark or fully embracing the camp) but since it can’t really decide on what it wants to be it never becomes better than okay and never reaches good. One thing this film showed as well is doing Robin in a Batman Film is hard. Batman has always been the more interesting character and it is a difficult thing to write a good sidekick, especially when you only have a running time of 2 hours. So without further ado, here is the review.

     The film was directed by Joel Shumacher and written by Lee and Janet Scott Bachler along with Akiva Goldsman and was produced by Tim Burton and Peter MacGregor-Scott.

     The story involves the escape of Two-Face (Tommy Lee-Jones) from Arkham, the rise of the Riddler (Jim Carrey) and what Batman (Val Kilmer) and Robin (Chris O’Donnell) who is made an orphan by Two-Face do to stop them.

The Pros: The Color Contrasts – I like the use of color in this film. At times it feels like it was filmed in a comic book even though the cinematography isn’t great. The use of color worked despite the cinematography.

Two-Faces’s Goons – Black and Red masks…these guys look awesome and actually manage to be a threat sometimes, not many Rogues Goons can say that in any Batman film.

Alfred – Michael Gough owns this role and is great being the father figure to DIck Grayson and Bruce Wayne. I can see why they kept him around for so long. He really inhabits this role really well.

Bruce Wayne / Batman – Val Kilmer is a pro, and was a safe choice for Batman. He was a major action star at the time so choosing him to feel this role made sense. He bring humanity to the character even if doesn’t really elevate Bruce Wayne or Batman to great the way future and past actors did.

The Message – Batman heals beyond his trauma and chooses to be Batman because he wants to be, not because he has to be. This is really awesome and could have been presented a lot better.

Okay: Dr. Chase – I like the idea of the character (her being a Doctor and trying to help Bruce Wayne) but her execution ends up being nothing more than a love interest to be saved, even though she’s presented as being able to take care of herself. Nicole Kidman was a waste of talent.

Edward Nygma / The Riddler – Jim Carrey works at times when he isn’t over the top, but other times he is just too campy…and I didn’t get the character. He came off as trying to hard but he had moments of brilliance inbetween the ham, which is why I’m not putting him down as a con. He was alright but not good.

Harvey Dent / Two-Face – We never get to know what lead to Two-Face snapping beyond the acid on the face and I never believed in his friendship with Bruce Wayne (they seem to imply it existed but we never see Harvey recognize Bruce at all). This was a missed opportunity and could have made this character good. Instead he is okay. He like the Riddler could have been so much more, just like this film.

Cinematography – The color contrasts are great but their are no unique shots in this. Nothing stood out and nothing really unique was presented. It was safe, so just ended up being mediocre.

The Cons: Dick Grayson / Robin – This Robin is a punk and there is nothing likable about him. He steals from the person who took him and doesn’t respect the wishes of the person who is caring for him and steals his stuff. This was the first film where Robin didn’t work. At least in the Adam West show he worked as the Wonder Boy on some strange level.

The Riddler Plot – Stealing everyone’s intelligence through television…it feels like it is trying to be smart but just comes off as stupid.

To Kill – Batman seems to not want Robin to get revenge against Two-Face but ends up killing him anyway…sure Batman, what were you trying to teach Robin exactly? That you get the kill?

The Soundtrack – Elliot Goldenthal is awful. This film feels half assed and stolen from the old Adam West show while at the same time trying to be Burton and failing at both. Seriously, I don’t want to hear anymore of this music.

The Writing – This script has some of the most terrible and wooden dialogue in any comic book film. Fingers on a chalkboard would be an apt comparison.

Tone – This is a film that doesn’t know if it wasn’t to be  camp and fun or dark…at times we have old 60’s sound affects, which the score doesn’t help, yet we have Two-Face or Riddler murdering someone in the next scene. What exactly did the movie want the audience to feel?

   This film didn’t have many pros because so much of it was safe. I think this was largely a reaction to the sexuality and maturity in the past Burton films so the studio wanted to play it safe, which is probably why Shumacher was chosen, as he’s never been a good director. This also explains the need for 3 writers as it gives a written by committee feel to the film. This is a film that can’t find it’s soul or tone and suffers for it. It isn’t a terrible film, but mediocre is not exactly an endorsement. This is a film that could have been so much more given how great of villains Two-Face and the Riddler are and the possibilities in any Dick Grayon story.

Final Score: 7.2 / 10

Batman Returns (1992): Good Film But Full of Double Standards and Inconsistent Characters

Batman Returns

     “Batman Returns” is a fun film but is also very flawed and doesn’t quite have a focus on knowing what it wants to be about. I would still recommend this film as the performances by the main cast are fantastic, as is the environment and score…this is just no longer a favorite. It is a solid film, but not a favorite as when I watched it the flaws were too many to make it a film I’d continue to come back to watch.

 The film was directed by Tim Burton who was also one of the producers and written by Daniel Waters and also produced by Denise Di Novi.

     The story arrives the Penguin (Danny DeVito) seeking power in Gotham by kidnapping and using businessman Max Shreck (Christopher Walken) to get him what he wants. Elsewhere Selina Kyle (Michelle Pfeiffer) is killed by Shreck and resurrected by cats into the Catwoman as Batman (Michael Keaton) investigates them all and tries to stop their plans.

The Pros: The World – Burton’s world is fantastic and I love returning to it, even if the story isn’t as good as the first film. This is a Gotham that feels both old and new in feel and that is overlayed by a Gothic feel giving it a dark and dying feeling that fits the characters who inhabit it’s world.

The Peguin’s Circus Gang – These guys are awesome! They hack the Batmobile, they wreak havoc on multiple occasions and have a really cool aesthetic, ranging from creepy clown faces, a lady in white and a bearded man in a top hat. I wanted more time with these characters and wanted to know how they came to be with the Penguin and why they worked for him.

The Action – This film has much more action in “Batman” (and Batman has a much higher body count because of it) as well as some great chase and fight sequences. Whether it is Batman v. Catwoman or Batman v Penguin’s Gang the action keeps you drawn in and I wanted to see what would happen next.

The Soundtrack – Danny Elfman is once again in his element as his score captures the horror and gothicness of Gotham as well as the internal struggles of the characters of Batman and Catwoman.

The Cinematography – The cinematography is beautiful as the Burton’s shadowy Gotham is presented with contrasts of dark and light like in the first film. Stefan Czapsky did a great job! The film is beautiful and it is largely thanks to how it is presented.

The Characters – The characters are intriguing and a pro, even if they aren’t always consistently written. I still enjoyed these characters even if some of the cons in how they were presented and written brought them down.

Max Shreck – Christopher Walken is a national treasure, he is wonderful as the two-faced corrupt businessman Max Shreck who kills Selina Kyle and manages to keep the Penguin at a safe distance and use the Penguin to his own ends. In the end Selina Kyle gets revenge against him as he meets a fitting end. He also nearly kills Batman as he sees that Batman and Bruce Wayne are the same person and tries to shoot him. Not many people can claim this victory.

Alfred – Alfred is great in this and is the counselor to Batman once again. Michael Gough really makes a great Alfred and helps us see more of Bruce’s humanity.

Bruce Wayne / Batman – Bruce Wayne’s motivations in this are clear, he is Batman seeking to save the city and as many people as he can around him who aren’t part of Penguin’s Gang or the Penguin. We also see his seeking of normalcy too as he shows Catwoman who he is and expresses a willingness to do anything to bring her back from being Catwoman. In her he sees his own fractured identity and an escape, which I wish could have been explored more.

Okay/Pro: Selina Kyle / Catwoman – Selina Kyle is a secretary for Max Shreck who he murders when she accesses confidential documents. From here she goes from nervous and unsure to empowered and sexual. She is a good threat too and manages to hurt Batman on multiple occasion as well as finally getting revenge on Shreck. Sadly her motivations are unclear through most of it as the script decides to present her largely as crazy…which was a waste of character.

Okay: Oswald Cobblepot / The Penguin – Like Catwoman, Penguin’s motivations are unclear. He wants revenge, but he wants power, he wants to be accepted, he wants sex…the writers seemed unable to decide what it was he actually wanted and because of this it kept him from being like Nicholson’s Joker whose agenda was clear. DeVito put in a great performance but in the end he is only okay because I didn’t know what he was about or what he wanted.

The Cons: Commissioner Gordon – Gordon is there to light the Bat Signal, seriously in the Burton films he isn’t used at all and shouldn’t have even been put in the script. He’s just an extra body with a familiar name.

The Mayor – The Mayor like Commissioner Gordon is a non-entity who is only there to be protected by Batman and overthrown by the Penguin. What a waste of a character.

Catwoman’s Motivation – We never get her motivation…at first it’s revenge but she never follows through with it and she never seeks revenge against the Penguin even after he tries to kill her. I had no idea why she did what she did, she was just presented as insane. I didn’t know her motivation beyond keeping her job when she is Selina Kyle.

Batman’s Hypocrisy – Batman won’t let Catwoman kill, even the character is bad and a villain and he is doing it all the time. This was really annoying and I hated it as it just made Batman look like a big hypocrite. It only would have made sense if we hadn’t seen him kill people in the last film and this one and if he had stated that his motivation was not to kill but to turn people into prison.

An Inconsistent Penguin – He wants revenge, he wants to be Mayor he just wants to be left alone, he hates everyone, he loves everyone…what did this character want in the end? He seemed to have the destruction of Gotham plot going for a while so why did he even bother running for mayor?

Lack of Narrative Focus – The lack of narrative focus is best illustrated in the unclear motivations of Penguin and Catwoman, who are two major characters we follow whose desires and plans are never fully realized so it leaves their arcs up in the air and unfinished…

   This was a film that was trying to do too much and fell because of it. It still manages to be a good film but the inconsistently written Penguin, Catwoman’s unclear motivation and the lack of clear narrative focus keep this film from being great. To any lover of Burton’s work this is still a must see but the flaws are much more obvious than the first “Batman” film. The world and characters make the film worth the watch though and the cons do not keep this from being a good film and one of the better “Batman” films.

Final Score: 8.5 / 10