“Sorry to Bother You” is an amazing film. It has elements of Terry Gilliam in how the reality that is presented is warped, giving scenes a surreal feel. This is Boots’s first major film and I love how he takes a surreal approach to everything. It follows the feel of a Gilliam film like “Brazil” or “The Fisher King,” where a character down on his luck is put through a warped hell and comes out of it transformed in some way. The pervasive sense of wrongness and fear that is always on the edges is another part of Gilliam’s films that “Sorry to Bother You” has emulated well. These aspects are essentially what happens here, but add analysis of race, class and privilege. It is Boots Riley’s first film (he also wrote as well as directed it) so I’m curious to see what he does in the future. If his other films are anything like this, I’ll be a fan. This is easily one of the best films I’ve seen this year.
The story follows Cassius “Cash” Green (Lakeith Stanfield), who takes a job as a telemarketer in order to pay the bills. He soon rises in the job when he adopts a “White Voice.” His bosses take advantage of the fact that his friends and girlfriend Detroit (Tess Thompson) are part of a protest group called “The Left Eye,” leaving him with a choice of joining his activist friends or becoming part of the greater conspiracy, which he soon discovers runs much deeper and is more twisted than he ever expected.
The Cinematography – This is a beautiful film. Color is used as a theme and from it there are many scenes that feel dreamlike when the colors are bright and vibrant. When there is danger or tension things go dark and the colors become muted or draped in a sickly pale light. This is how it is when Cash is among the wealthy in the WorryFree CEO’s home. The bright colors are muted and darkness covers everything. Doug Emmett did a great job.
Passing and Voice – A major theme of the film is the idea of passing and privilege. Cash moves up when he starts using the “White Voice.” In the film David Cross is dubbed over Lakeith Stanfield. He does this on the phone when telemarketing and the higher ups notice as the whole point of Telemarketing was finding people who could make the calls for war and exploitation on a global scale. The higher ups are nearly all white males illustrating privilege, and the only way Cash and other people of color can pass with the higher ups is speaking with their white voice. The way it is described by one of Cash’s coworker Langston (Danny Glover) is talk like you don’t have a care in the world. All your bills are paid and you don’t need the money, you’ve never been fired, only let go. It expressed privilege so well and the mentality behind the mindset of not having to care about anyone except yourself.
The Characters – The characters are what makes this film work the most. Cash is a guy who hasn’t had a successful job ever, so the temptation of moving up is easy to see him take. He’s in an existentialist crisis questioning what it means to live and who he is, and when the rat race of power is offered, it is easy to see why he would take it. Tessa Thompson’s Detroit is also shown to be more complicated than the revolutionary artist, as during her show she adopts a British “White Voice” among clients as she sells her work. Yeun’s character Squeeze is also amazing as well as the revolutionary who cares about Cash but is also trying to get with his girlfriend showing that his heart might be in the right place with the other Telemarketers and unionizing but he’s still a sleaze. I loved how they all played off each other and the Corporate bosses were fun in their obliviousness or sociopathy. Armie Shammer as the main antagonist and CEO of WorryFree is especially creepy in how he is charismatic and unhinged.
The Degrading Nature of Reality T.V. – One of the running realities of the world of “Sorry to Bother You,” is a show called “I Got the S#*@ Kicked Out of Me!” The show is in the style of Maury or any of the other countless competition shows where the contest gets humiliated in a physical and degrading way. Cassius goes through the show to reveal the conspiracy behind the corporation WorryFree that tricks people into lifetime contracts where they are provided food and shelter but have to work on site and have their freedom and agency given up. They are being used for more nefarious means that Cash finds when the CEO of the Corporation wants him to be their agent among the protests.
The Exploitation of Labor – Another core message of the film is that those with power and privilege don’t care about the workers, and there are systems in place to keep that it going. From the trap of the golden elevator and being able to “support” protests without ever having to join or speak up. Cash is offered this choice that he takes it. The conspiracy that is revealed is that the workers are being transformed into Horse People (equisapiens) so that they will be stronger more efficient workers. Cash is even turned into one when the CEO wants him to be their MLK and trick the species into following WorryFree’s will. The system doesn’t hold at the end after Cash free’s the equisapiens and the protestors are attacked by the police. At the end, we never see if the telemarketers ever got greater rights, tying the fight to modern day with the seeking of rights for workers and the fight against labor exploitation.
This is a film that I’d highly recommend. It is easily one of the best films of the year. I have a spot for surrealist films and films with a point. “Sorry to Bother You,” accomplishes both and is a beautiful film with complicated characters. I can’t wait to see what else Boots Riley creates, as he truly has an eye for cinema and is an extremely talented writer. I love a film with layers and depth that not only are entertaining but have something meaningful to say. Boots Riley is an activist and that comes out in this story, and he does it in a creative way that elevates the piece beyond more than just entertainment. I really enjoyed the final twist as well, which I will not spoil here. Seriously, check this film out.
Final Score: 9.8 / 10 Only reason it wasn’t perfect (though it gets close) is that the ending kind of tapers off and the transformation that Cash goes through from a man in crisis to high on privilege is a bit fast. If it had been a more gradual transformation the film would have been perfect.
If you are new to the blog, I am a huge fan of sci. fi. Most of the films and shows I review are science fiction based and more often than not, they make my Top 5 of whatever year they were made if they are great. “Annihilation” never reaches the heights that the premise creates, but it is a solidly good film. I rented it from Amazon and it is worth checking out.
The film was directed and wrote Eric Garland, who was the writer and director behind one of my favorite films “Ex Machina.” It is based off a novel of the same name by Jeff VanderMeer, which I plan on checking out.
The story follows Lena, a biologist who is brought in on a special mission when her husband Kane (Oscar Isaac) returns back changed and goes into a coma. From here she works with the team to try and solve the mystery of “The Shimmer,” a reality warping anomaly that is expanding slowly upon the Earth.
The Mystery – The core mystery is what drives the story, and what kept me most involved. The characters were interesting enough that I cared about what happened to them a little (though we never got to know them fully outside of Lena). And, I love that it starts out with a mystery; someone coming home different with no memories of who they were before. “The Shimmer” is a fascinating concept and I love how everytime you feel you learn something else about it, it reveals a greater mystery. The core premise of solving “The Shimmer” kept me in the story the entire time.
The Idea of the Team – The team is made up of women, and they are awesome! We have Lena, the biologist, holding her secrets. The cruel and distant Dr. Ventress, as the leader. The empathetic Josie, the kindness of Cassie, and the hard driven Anya. Each character carries a darkness that “The Shimmer” brings out.
The Darkness We Carry – Each of our characters carries a darkness with them. There is the fact that Lena cheated on her husband, Anya cuts herself, and Ventress has become detached and uncaring. The darkness consumes each of the characters in different way the deeper they get into the “Shimmer.”
Metaphorical and Actual Cancer – The film is also a metaphor for cancer. Everything in “The Shimmer” warps and grows. Like cancer it consumes until there is nothing left. “The Shimmer” is defeated after the alien inside of it is set on fire by Lena. As it burns, the entire “Shimmer” down to its core continues to desire to spread.
Lena – Lena is okay. I like how she is complex as a character, but Natalie Portman’s performance doesn’t bring to the next level. I didn’t care enough about any of these characters the way I cared about the protagonists in “Ex Machina.” Here there is a level of detachment from the events going on, and a good portion of that is Lena’s own detachment from the situations she is in. She still did okay, but I can’t put her as a pro, though she was the most compelling member of the team.
The Ending – In the end we find out Kane, who came back as a doppelganger, is the alien life form (from “The Shimmer”.) The twist is that Lena is now a doppelganger too, even though she defeated it in the end. This contradiction took away from the entire film’s theme of overcoming darkness and healing. It kept the film from being great. The film really should have ended with her being interviewed, and Kane’s mystery never being answered. .
If you are fan of sci-fi, like me, chances are you will enjoy this film. This is a flawed and beautiful film that aspires to achieve so much, but because the characters are never quite fleshed out enough, never gets there. The ending also was a bit of a cop out and cancels out so much of what Lena went through. Even with a flawed ending, it is still worth checking out. I rented it, and it is a film that I’d say isn’t worth buying, but was worth the rent.
Final Score: 8 / 10
“Deadpool 2” is a fun action comedy that works in a lot of the same ways as the first film (critiquing Superhero films and pop culture), while trying to find a layer of depth in its characters which it sometimes succeeds at doing. It isn’t as good as the first film as it depends on most of the same jokes but it is still a film I’d recommend, as the new characters are fantastic and the jokes are still funny.
The film was directed by David Leitch and written by Rhet Reese, Paul Wermick and Ryan Reynolds.
The story involves Deadpool seeking a reason to live after criminals kill his wife Vanessa as he joins the X-Men to protect Russel, a boy who will someday become the supervillain Firefirst. Things soon get complicated though as protecting Russel lands both Deadpool and Russel in prison and they find themselves pursued by the cyborg super-soldier from the future, Cable.
The Lampooning of “Logan” – The main joke that drives “Deadpool 2” is making fun of “Logan.” There will be spoilers for “Logan” in this, so here it goes…. In “Logan” Wolverine is in charge of protecting a kid from outside forces, and in the end, has to choose not being selfish, sacrificing himself to save her and the next generation of X-Men. Deadpool does all of this and mocks the sacrifice of “Logan” off the bat with a music box depicting a spinning, dead Wolverine on it. This core joke works but comes off as derivative given how much Wolverine and the comics he inhabited were mocked in the first film.
Colossus – Colossus isn’t the heart of the film like last time, but he is great as Deadpool’s unsuccessful mentor. In the end he comes through to help Deadpool when Deadpool needs him though. I never cared about this character until the “Deadpool” films, and I hope we see more of him. Nothing was done with him in the other X-Men films, but here is a true hero more often than not.
Domino – Domino is the new addition and one of my favorite parts of the film. She is a mutant whose power is luck (Which in the film she can read situations to the point of doing the near impossible). Zazie Beetz does a fantastic job and gives the character an heir of confidence as she is so much better than so many of the idiots around her. We learn her backstory but, sadly, it doesn’t payoff as she was abused in the same school as the character Russel / Firefist but she doesn’t get any payback. It remains unaddressed, which is a shame, as it gave her a motivation to help Deadpool and join X-Force.
Cable – Josh Brolin is an amazing actor and in this film we see him give a depth of emotion to your standard Terminator-esque cyborg. Through the film we see why he is motivated to kill Russel (in the future, Russel kills his wife and baby girl), and it is only through Deadpool’s actions that he learns compassion, even deciding to stay in the current timeline once he knows his family is safe. I hope we see more of the character as there is still so much that can be done, and I like his contrast with Deadpool’s flippancy, as he is always serious.
Deadpool – Ryan Reynolds truly owns this role and even though this film repeats a lot of the same jokes (Mocking Reynolds and “Logan,” Deadpool referencing pop culture, etc.), it is still an enjoyable film because, as flippant as Deadpool is, Reynolds gives this character heart. This is a character who grows as a person and has to learn to be vulnerable and open up, as in the end, that is the only way to save Russel from becoming a monster of the future. This is the thrust of Deadpool’s arc after criminals kill his wife Vanessa, and it is touching and hilarious seeing how he gets there.
X-Force – X-Force is a joke, as they only exist to get killed off. There is a character who is invisible until they die and are revealed, and 3 other characters, one of whom is just a normal guy who just saw the advertisement. They all die when they are attacking the prison truck to save Russel. The only members to survive are Domino and Deadpool, which is the running gag of the group… that they are that worthless as a team. I put them in the okay category because I wanted more development of the team members. This is the running theme for me on why the film wasn’t great as so many ideas were good but they weren’t developed enough to reach greatness.
Negasonic and Yukio – I like that we see the first openly LGBTQ relationship in X-Men. It is overdue and Deadpool is a great way to show it. I hate that we know nothing about Yukio and Negasonic’s relationship. We never see how they work as a couple, they just are. Given how important love and relationship was in this film, it was a missed opportunity to make something that was a good idea truly fantastic.
When Jokes Repeat – Many of the jokes in this film are repetitive… be it Deadpool’s semi-stand up routine, the mocking of “Logan,” Wolverine and Ryan Reynolds and making fun of DC. I’m not putting this as a con, but this film could have been amazing if it’d been more original in the jokes it chose to present.
Russel and the School – Russel is a kid who turns into a villain in X-Men’s dystopian future, a future in which he kills Cable’s wife and daughter and takes the name Firefist. Russel isn’t a good actor. He does an okay job but he just wasn’t compelling enough to be the heart of the film, which he needed to be given it was him healing from his abuse and not becoming a killer that was the core thrust of the story. The owner of the school suffers from this same problem, as he is just a corrupt religious fanatic who gets zero development, only functioning as a way to drive the plot, which at the end of the day was all Russel was too.
If you liked “Deadpool” you will probably enjoy “Deadpool 2.” This was a film that was flawed and repetitive, but introduced a lot more characters and concepts, that I hope get explored in future films be it X-Force, Domino, and Cable, along with the dystopian future that Cable came from. At the end of the day, this was a solid action comedy and I’m glad it exists to make fun of the world where superhero films own the box office.
Final Score: 8.4 / 10
“The Shape of Water” might end up being my favorite film of the year. This is a film that is beautifully told and reminds me of “Beauty and the Beast,” meets “Amelie” but with so much more going on than either of those stories. This is a film where every character, whether minor or major matters and out of it we get a compelling love story that is so much more. This is a story about characters who aren’t given a voice (both literally and metaphorically) finding their voice and from there, a level of transcendence or change within themselves or their situation. The cast was wonderfully done and for my non-spoiler thoughts…I can’t wait to watch it again. This is easily one of Guillermo del Toro’s best work, and given that he was co-writer and co-producer as well as the director, this story was clearly his vision and it is beautiful. Seriously, check this film out if you get the chance.
The film was directed, co-wrote and co-produced Guillermo del Toro, co-written by Vanessa Taylor and co-produced with J. Miles Dale.
The story follows Elisa (Sally Hawkins), a mute woman who works at a secret government agency with her friend Zelda (Octavia Spencer) and sharing an apartment with her closeted friend Giles (Richard Jenkins). Her world is soon changed when a government agent Colonel Richard Strickland (Michael Shannon) brings in a mysterious “asset,” a creature who changes Elisa’s life forever.
The Pros: The World – The world is that of the 1950’s of the United States but with fairy tale, fantasy and sci. fi. elements…both in how the story is presented and the amphibian man being so central to the plot, as well as the abilities he has. It is also a world full of twists since spies and government agents inhabit this cold world universe and the secret lab where most of the action takes place.
The Characters – The characters are the best part of this film. From Octavia Spencer’s Zelda, who is Elisa’s translator and calls out how bad their situation is (as the help no one notices or cares about them, just takes them for granted), Giles, who understands Elisa’s love for the creature and helps protect them and both rescue the creature from the lab and getting them both the docks. He is the narrator. Michael Shannon’s Colonel is unhinged and broken and is sympathetic in that, even though he never stops being a threat and monster. Elisa’s and the creature’s romance drives the story and it is awesome. I loved how confident Elisa is in her sexuality and her attachment to the creature as well as the creature’s humanity slowly being revealed as he opens up to her. Doug Jones once again owns this alien type role he is in. I can’t wait to buy this movie when it comes out.
The Soundtrack and Cinematography – The soundtrack has a fairy tale and jazz feel to it, intermixed with this dark foreboding when we are at the lab and the Colonel is on screen. The cinematography is amazing too, it reminded me of “Amelie” with the use of color contrasts but focusing in on Elisa’s perspective. Alexandre Desplat did a great job on the soundtrack and I loved Dan Laustsen’s cinematography.
The Romance – The romance is the main drive of the story and it is beautifully done. It starts with Elisa and the creature touching hands separated by glass, to her leaving him eggs, to eating in his area with him and teaching him sign language…to his rescue and eventually having to let him go as he dies not being in the salt water but has given Giles back his hair and healed a wound he caused on Giles accidentally. The romance is the core of the film and because it illustrates different aspects of the characters and the world they inhabit.
Surrealism and Fairy Tales – The Fairy Tale element is revealed most profoundly in the opening shot where Giles is giving the premise of a monster who turned two lovers’ world upside down…as we see a drowned how with Elisa floating, as if sleeping in the water. There is other imagery like this that gives the film a surrealist element and from that the fairy tale elements of the love story are given more power in their presentation. I love stories like this (“One-Hundred Years of Solitude, most Haruki Murakami, etc.) and this is one of the best presentations of this type of story.
Fighting Adversity and the Voice of the Voiceless – This is a film about giving voice to the voiceless in both the literal sense (our heroes being a mute and an amphibian creature who cannot speak), Zelda, who is black lady with an oppressive husband and Giles being in the closet and kept out from the wealth he once bad before as the marketing world just sees him as a has been. Each of them are trapped (the monster) or oppressed in different ways in a society that ignores them and it is the rescuing and finally freeing of the monster that Zelda finally speaks up against her husband and calls the cops on the Colonel, Giles fights and defends the monster and Elisa and Elisa transcends as she sacrifices herself to save the creature and her cuts she received as a baby are turned into gills, she is reborn by the creature and free to be with the creature, something that would have never been possible before. It is also her drive that helps the others to change their lives too, as she is directly fighting to system by freeing their “asset.”
Okay: First Act Goes a Little Long – The only real criticism I could find with the film is the first third of the film does go on a little long, but it picks up the moment the rescue plan is put into action by Elisa and after that, it doesn’t stop…and it does a good job setting up the world so I can’t put it is a con.
I highly recommend “The Shape of Water.” This film is going to make my Top 5 films of 2017 and if you are looking for a film where you will notice more each time around, as well simply enjoying a beautiful fairy tale that gives voice to the voiceless and has wonderfully compelling characters, who each get full arcs. I cared about where each their arcs were going, even the villain as no one was as simple as they first appeared to be. The film was all about layers and reveals, both in the nature of the characters and the creature and the payoff of their arcs. Check this film out, if you haven’t yet. Guillermo del Toro has done it again and I can’t wait to see what masterpiece he makes next.
Final Score: 10 / 10
“Okja” is a strange and wonderful film. This is a film that starts like a Miyazaki film and ends like horror movie and inbetween tries to political satire and be an all around adventure story. Did it work? Enough to the point that I did enjoy this film and recommend it. Netflix is getting better at putting out quality original work and this is a shining example of a great film of theirs that shows the streaming platform (and often times going cheap) can work for quality original works.
The film was directed by Bong Joon-Ho who co-wrote it along with Jon Ronson. Bong Joon-Ho also was one of the seven producers on the film. The others were Dede Gardner, Jeremy Kleiner, Lewis Taewan Kim, Dooho Choi, Seo Woo-Sik and Ted Sarandos.
The story involves the Mirando Corporation sending lab designed super pigs around the world to be raised by farmers in the best Pig Competition, where the winner will be crowned in 10 years. During that time Okja, one of the pigs is raised by Mija (Ahn Seo-hyun) and her Grandfather (Byun Hee-Bong). When the corporation returns and takes Okja Mija goes on a journey to save her friend and fights herself being manipulated by different political factions who want to use Okja to their own ends.
The Pros: Flawed Characters and Ego – Most of the minor characters in this are compelling in the ways their egos and drive them and make them flawed. There is Jay the leader of the Animal Liberation Front who believes in consent but ignores it for the overall aims in the end, there is Lucy Miranda who wants to make her company better than it is but not face the darker side of the slaughter house and there is the Grandfather who wants his granddaughter to have success but in the end misses how important Okja is to her. These characters make the narrative interesting.
Magical Realism – Giant Pigs created in a lab transported around the world for a Best Pig competition that will take place 10 years later, and one of them is raised by a little girl in the mountains…it is right out of a Miyazaki film and was part of what made this film so fun. I’ve always loved the fantasy in magical realism and this film captures that really well.
A Critique of Ideology over People – Both the ALF and Mirando Corp don’t care about people, only ideology. We see this in how Lucy’s sister turns on her, on the lying that K and Jay both do to Mija in order to serve their overall goals and in the end the hero of this film has no ideology and just wants to be with her pig Okja. This is the core theme of the piece and from that do good where you can as you are and don’t let ideology consume you.
The Cruelty of Factory Farms – The film is extremely against factory farming and you get to see all the parts of it as the Super Pigs get slaughtered and how their different parts go to the different areas of the supermarket. Mija sees this first hand at the end and it is really well done…this is when the film turns into a horror film as we see it all through Mija’s and Okja’s eyes.
The Cons: The Satire – The Corporation doesn’t feel like it is full of people and the ALF is so disconnected and all over the place that they are hard to take seriously as a force. This really brings down the satire as our villains become a bit too cartoonish, which hurts the satirical argument in play.
This is a flawed film that also manages to just be great. Certain characters feel like caricatures (the Mirando Corporate characters as a whole (except maybe Lucy) and some of the Animal Liberation Front Members) but this didn’t bring down my overall enjoyment film. This film is solidly great and now that I’ve watched this and “Snowpiercer,” I can’t wait to see what director Bong Joon-Ho does next.
Final Score: 9 / 10
Edgar Wright is one of my favorite directors at this point. He has created some of my favorite films…from the “Cornetta Trilogy” to “Scott Pilgrim.” Now “Baby Driver” joins those films as one that takes a unique take on a genre (in this case crime thrillers) and adds a whole new presentation of action while giving a powerful message and some of the best written gangsters in cinema. Seriously, I can’t recommend this film enough and as of this point in time, it is my favorite film of the year.
“Baby Driver” was written and directed by Edgar Wright while being produced by Tim Bevan, Eric Fellner and Nira Park.
The story involves Baby (Ansel Elgort) who is a driver who can only function listening music, who works for Doc’s (Kevin Spacey) crime syndicate. He does one last job to get out of debt and ends up falling in love with Deborah (Lily James) a waitress at a local diner. Things soon go south when after the job all as not as it appears to be and Baby is in over his head.
The Pros: The Art of Soundtrack Intertwined Action – This is a film that is a masterful work of art and so much of that is in the sound editing and use of songs with action. The film kicks off with a heist where there is silence before the pin drop and build up of a song as the getaway occurs. This is just the first example of how the two are interwoven to show rather than tell action. You have scenes with characters with no dialogue is needed and the song and how it is edited with the action tells you all you need to know. Both “Guardians of the Galaxy” did this to some degree (Baby is even a bit like Star-lord with his family issues) but what differs is that here it is down to the details and we are given continuous shots to use a song to it’s fullest degree or whatever sound best serves to show us the action.
Flawed and Compelling, the Art of Character – The characters in this film are compelling and interesting. They are all bad to varying degrees (the exceptions being Deborah and Baby’s foster father) but even the baddies are complex. Each of the characters carry their scars and wounds and we see why some like Bats are so batty and distrust all, because of what they’d had to do, or are driven by a hedonistic love of life and one another (Darling and Buddy) or characters who are driven by a level of trust but also some longing for family connection (Doc) and in all cases this leads them to do bad and good things. These are characters who I wanted to learn more about and who revealed the different aspects of themselves over the course of a film. Even my favorite crime movies like first two “Godfathers,” “Goodfellas,” “Gangs of New York” and “Wolf of Wall Street” all didn’t quite pull off the ensemble exploration. This film does and it is part of what makes it the prefect film of it’s kind.
Letting Go and Redemption – A major theme of the film is letting go and and in turn finding redemption. We see obsession consume certain characters in the final act leading to their destruction, while others have to die to themselves and their dreams in order to care for another and in doing so find peace. I’m being purposely vague because I don’t want to spoil this movie. You really should see it.
Subverting Genre Tropes – Deborah is not a damsel in distress. She is as much an active participant in this crime thriller as Darling, Doc, Bats and Buddy. It is her choices and activeness that keep her from becoming the damsel that love interests so often become in these types of films. The ending also subverts the common tragedy trope that often happens in these types of films. I won’t say how it ends but I’ve never seen a crime thriller end this way.
You should go see this film. If you like great films and want a film that will keep you on the edge of your seat because the action has purpose, the soundtrack is amazing, the characters are compelling and the message is meaningful, than this is the film for you. This is the perfect film in it’s genre and I hope Edgar Wright wins awards for this masterpiece. To any aspiring directors, take note of Wright’s work, he owns this craft as both a writer and director.
Final Score: 10 / 10. The first perfect film this year.
“Moonlight” is a beautifully crafted character piece that explores the sexuality and identity as well as trauma and healing. I got a feeling this is going to make my Top 5 Films of 2016 as it hits all right notes and the only real issue I had with it is it could have ended a few times but kept on going.
The film was written and directed by Barry Jenkins and produced by Adele Romanski, Dede Garnder and Jeremy Kleiner. The story was also by Tarell Alvin McCraney.
The story involves Chiron (also called “Black”) and his growing up with abuse from his druggy mother and the bullies on the playground who think he’s gay. When Juan (Mahershala Ali) takes him under his wing he gets temporary peace until he learns that Juan is the drug lord who sells to his mom leaving him alone again in the world.
The Pros: The World – The world is the poor deep south (Florida and Georgia) and it is in it we see the lack of opportunities that lead to some becoming druggies or dealing in drugs. It is desolate and real and fits the world and characters and is the world of poverty here in the United States.
The Cinematography – The cinematography is beautiful with the only times where it was annoying was when there was shaky cam (thankfully this only happened once or twice). Besides that we get stark scenes that illustrate the isolation of so many of our characters.
The Soundtrack – The soundtrack is beautiful and full of deep and harsh string instruments that heighten the tension and illustrate the pain of the characters. Nicholas Britell really did a fantastic job.
The Characters – This is a character focused drama and is powerful at that. I cared about all the characters who got explored and I wanted to see what choices they’d make and how they’d change.
Juan – Ali once again plays a memorable complex character! This guy is one of my favorite actors at this point and I love how he is one of the first who tells Chiron it is okay to be gay and to be himself. He is a father figure until he is unable to accept the fact that he’s helping to destroy Chiron’s mom with his drugs and after we never see him again.
Teresa – Teresa is Juan’s girlfriend and one of the most supportive characters in the film. She is Chiron’s safe place and we see her doing all she can to make sure he has somewhere to call home.
Paula – Paula is Chiron’s druggy mother who thankfully gets out of it when they move as gets checked into rehab and tries to convince Chiron to stop the cycle as she apologizes for how abusive she was and how unloving she was, though she loves him now. She’s complicated and not a good person but she has a really powerful arc.
Kevin – Kevin is Chiron’s first and only love who he falls out of touch with after the bullies egg Kevin on to punch Chiron. For 10 years they don’t see one another and then we see that Kevin has a kid and got out of drugs and is a cook now. He shows Chiron there is another way and admits in his action he never stopped caring and loving Chiron….as Chiron finally finds peace with his lover.
Chiron – Chiron doesn’t speak for the beginning of the film and it isn’t until Juan and Teresa help him feel safe that he opens up and learns from them to care for his abusive mother and also to care for himself. His next arc is becoming hardened as after the bullies egg Kevin on to beat him up he puts the head bully in the hospital and becomes a rich drug lord like Juan. It isn’t until Kevin calls out of the blue that he realizes there is another way and admits to Kevin that he never let anyone else touch him and that he still loves him.
Peace in Self and the Quest for Healing – From Chiron’s mother seeking drugs, Chiron and Kevin finding each other, Juan finding Chiron…all of them are seeking healing and find it in relationship or in the case of Chiron’s mother escape. All of them at the end of the day just want peace because of how the world has hardened them.
How Trauma Changes People – Trauma hardens people, from Chiron’s mother getting into drugs to escape and bringing out her desperation on her son, to Juan’s inability to stop doing the drug trade and making money even as he is trying to help Chiron heal, from Kevin going to prison. Trauma hardens all these characters at different points. There is so much toxic masculinity are characters are dealing with where beating someone up makes others accept you and being soft and quiet is a death sentence. Thankfully at the end we see Chiron beginning to find a way out of that cycle of trauma and abuse.
The Cycles of Abuse – One of the things we witness in this is the cycle of abuse, Kevin goes to jail after the bullies force him to beat him best friend/lover Chiron and later he ends up in prison. After he gets out he finds that Chiron has changed as the abuse from his mother and the bullies has hardened him too and he hasn’t experienced love since their moment on the beach.
Okay: The Endings – I would have put this as a pro if they had just had the final scene at Kevin’s restaurant. There was no reason for Kevin to go home and to put them at risk given Kevin is married now. It extended the final scene of them finding peace with one another a bit too long and was the only thing that kept this film from being one of the perfect films this year.
This is a film well worth your time. If you want to see what life is for so many who have to live in the closet because others feel threatened by their sexuality…this film does a fantastic job exploring that. As a bisexual man I found it powerful and loved how each of the characters was more complicated than what they appeared to be. None of them were stereotypes, each had multiple dimensions and contradictions and it made their struggles all the more compelling as all of them were really just looking for peace or love from another.
Final Score: 9.8 / 10 Ending could have happened on a few occasions so that is the only reason it isn’t a 10/10.