Category Archives: Fantasy Films

Mary and the Witch’s Flower (2018): A New Studio’s Decent Introduction to the Studio Stage

With Hayao Miyazaki retiring soon and with it…I doubt his studio will ever be as strong. Hell, his son’s film “From Up on Poppy Hill” nearly put me to sleep and I’m afraid to see “Tales of Earthsea” given how much I love that series and the bad things I’ve heard about it. So lets put Ghibli’s future on hold. Who will take up the banner? Well Studio Ponoc throws their hat in the ring with this film as it captures many similar themes, from coming of age, nature v. science and other Miyazaki-esque themes. How did it do? If you like anime films I’d recommend it. It isn’t great but it is a solidly enjoyable outing. The film was released in 2017 in Japan but 2018 in the States so I’m counting it as my first 2018 film review.

The film was directed by Hiromasa Yonebayashi who also co-wrote the film with Riko Sakaguchi and produced by Yoshiaki Nishimura.

The story involves Mary, a young girl in England about to start school who stumbles upon a Witch’s Flower which transports her to a magical school where she soon finds herself in over her head as Witch Madame Mumblechook and Doctor Dee seek the flower to their own ends.

SPOILERS ahead

The Pros: The World – The world is really neat. I like that the Magic School / World lives above ours so it is hard to access, and the fact that it seem to imply anyone can access it and be changed by it. This also leads to a con though, the logic of this world is never answered…which I’ll bring up later.

The Animation – The animation is beautiful and very Ghibli-esque. It is open and gives characters a range of expression while also being fluid and full of compelling color, while remaining bright like a fairy tale. If they make more films with this aesthetic I may check out what they simply to see the animation and if they can take what great thing they have and make it better.

The Flashback – A mysterious witch is running away with the flower while being attacked by summoned water dolphin beings. The threat is high the entire time and we see her fall and her broom and the flowers become overgrown by the world below. This is an amazing setup and I wanted to know what happened.

Doctor Dee –  I saw the English dub because that was what released in theatres and Jim Broadbent is the one who voiced this mad scientist. He is really interesting as he sees unethical experiments as for the greater good and is seeking immortality. He also used to be tall but has now become short and uses machines to walk. His obsession has completely transforms him, but that didn’t change his love for Madame Mumblechook, the Headmistress of the school.

Great Aunt Charlotte – This is the character the movie should have been about. She is the witch at the beginning and we see that she’s settled down but still held onto a single flower. How did her life change after her escape? So much time has passed…but she was a witch so does her magic leave after she leaves the school? None of these questions are really answered. I wanted her story. She is way more compelling than our protagonists.

Okay: Mary and Peter – Mary and Peter are okay. Mary is clumsy and wants to help and doesn’t thing she is good at anything and Peter is a bully who ends up becoming more when he finds that Mary is friends with his cats. Mary saves Peter after becoming a witch and must stop Mumblechook and Dee…okay. This is all fine but none of them are all that complicated and I was far more invested in the side characters than our leads.

Madame Mumblechook – Madame Mumblechook is also okay, we don’t really see why the Witch’s Flower corrupted her motivation as Doctor Dee is the one doing mad scientist experiments and she is in charge of the school. We don’t really get her change beyond possibly her love for Dee? Which is a shame as Dee was driven by mad science, so he had more going on.

The Cons: World Development – Do Witch’s only get magic from the flower? Do you keep your magic if you stay at the school? How does the Witch World interact with ours? What is the difference between magic and science in this universe? This was a world of potential but it failed to fully explore the fascinating premise it started with.

I wish Studio Ponoc success, and given this is their first film they’ve released I hope they can continue releasing films of at least this quality and better. For any fans of the themes in Miyazaki and Ghibli films, check this one out. It has a lot of untapped potential but what they do explore is a lot of fun and the animation is simply beautiful. Here is to the future and hoping that Studio Ponoc will only grow from here.

Final Score: 7.8 / 10

 

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The Shape of Water (2017): A Transcendent Romantic Fairy Tale

   “The Shape of Water” might end up being my favorite film of the year. This is a film that is beautifully told and reminds me of “Beauty and the Beast,” meets “Amelie” but with so much more going on than either of those stories. This is a film where every character, whether minor or major matters and out of it we get a compelling love story that is so much more. This is a story about characters who aren’t given a voice (both literally and metaphorically) finding their voice and from there, a level of transcendence or change within themselves or their situation. The cast was wonderfully done and for my non-spoiler thoughts…I can’t wait to watch it again. This is easily one of Guillermo del Toro’s best work, and given that he was co-writer and co-producer as well as the director, this story was clearly his vision and it is beautiful. Seriously, check this film out if you get the chance.

The film was directed, co-wrote and co-produced Guillermo del Toro, co-written by Vanessa Taylor and co-produced with J. Miles Dale.

The story follows Elisa (Sally Hawkins), a mute woman who works at a secret government agency with her friend Zelda (Octavia Spencer) and sharing an apartment with her closeted friend Giles (Richard Jenkins). Her world is soon changed when a government agent Colonel Richard Strickland (Michael Shannon) brings in a mysterious “asset,” a creature who changes Elisa’s life forever.

SPOILERS ahead

The Pros: The World – The world is that of the 1950’s of the United States but with fairy tale, fantasy and sci. fi. elements…both in how the story is presented and the amphibian man being so central to the plot, as well as the abilities he has. It is also a world full of twists since spies and government agents inhabit this cold world universe and the secret lab where most of the action takes place.

The Characters – The characters are the best part of this film. From Octavia Spencer’s Zelda, who is Elisa’s translator and calls out how bad their situation is (as the help no one notices or cares about them, just takes them for granted), Giles, who understands Elisa’s love for the creature and helps protect them and both rescue the creature from the lab and getting them both the docks. He is the narrator. Michael Shannon’s Colonel is unhinged and broken and is sympathetic in that, even though he never stops being a threat and monster. Elisa’s and the creature’s romance drives the story and it is awesome. I loved how confident Elisa is in her sexuality and her attachment to the creature as well as the creature’s humanity slowly being revealed as he opens up to her. Doug Jones once again owns this alien type role he is in. I can’t wait to buy this movie when it comes out.

The Soundtrack and Cinematography – The soundtrack has a fairy tale and jazz feel to it, intermixed with this dark foreboding when we are at the lab and the Colonel is on screen. The cinematography is amazing too, it reminded me of “Amelie” with the use of color contrasts but focusing in on Elisa’s perspective. Alexandre Desplat did a great job on the soundtrack and I loved Dan Laustsen’s cinematography.

The Romance – The romance is the main drive of the story and it is beautifully done. It starts with Elisa and the creature touching hands separated by glass, to her leaving him eggs, to eating in his area with him and teaching him sign language…to his rescue and eventually having to let him go as he dies not being in the salt water but has given Giles back his hair and healed a wound he caused on Giles accidentally. The romance is the core of the film and because it illustrates different aspects of the characters and the world they inhabit.

Surrealism and Fairy Tales – The Fairy Tale element is revealed most profoundly in the opening shot where Giles is giving the premise of a monster who turned two lovers’ world upside down…as we see a drowned how with Elisa floating, as if sleeping in the water. There is other imagery like this that gives the film a surrealist element and from that the fairy tale elements of the love story are given more power in their presentation. I love stories like this (“One-Hundred Years of Solitude, most Haruki Murakami, etc.) and this is one of the best presentations of this type of story.

Fighting Adversity and the Voice of the Voiceless – This is a film about giving voice to the voiceless in both the literal sense (our heroes being a mute and an amphibian creature who cannot speak), Zelda, who is black lady with an oppressive husband and Giles being in the closet and kept out from the wealth he once bad before as the marketing world just sees him as a has been. Each of them are trapped (the monster) or oppressed in different ways in a society that ignores them and it is the rescuing and finally freeing of the monster that Zelda finally speaks up against her husband and calls the cops on the Colonel, Giles fights and defends the monster and Elisa and Elisa transcends as she sacrifices herself to save the creature and her cuts she received as a baby are turned into gills, she is reborn by the creature and free to be with the creature, something that would have never been possible before. It is also her drive that helps the others to change their lives too, as she is directly fighting to system by freeing their “asset.”

Okay: First Act Goes a Little Long – The only real criticism I could find with the film is the first third of the film does go on a little long, but it picks up the moment the rescue plan is put into action by Elisa and after that, it doesn’t stop…and it does a good job setting up the world so I can’t put it is a con.

I highly recommend “The Shape of Water.” This film is going to make my Top 5 films of 2017 and if you are looking for a film where you will notice more each time around, as well simply enjoying a beautiful fairy tale that gives voice to the voiceless and has wonderfully compelling characters, who each get full arcs. I cared about where each their arcs were going, even the villain as no one was as simple as they first appeared to be. The film was all about layers and reveals, both in the nature of the characters and the creature and the payoff of their arcs. Check this film out, if you haven’t yet. Guillermo del Toro has done it again and I can’t wait to see what masterpiece he makes next.

Final Score: 10 / 10

Okja (2017): Where Miyazaki Meets Horror

  “Okja” is a strange and wonderful film. This is a film that starts like a Miyazaki film and ends like horror movie and inbetween tries to political satire and be an all around adventure story. Did it work? Enough to the point that I did enjoy this film and recommend it. Netflix is getting better at putting out quality original work and this is a shining example of a great film of theirs that shows the streaming platform (and often times going cheap) can work for quality original works.

The film was directed by Bong Joon-Ho who co-wrote it along with Jon Ronson.  Bong Joon-Ho also was one of the seven producers on the film. The others were Dede Gardner, Jeremy Kleiner, Lewis Taewan Kim, Dooho Choi, Seo Woo-Sik and Ted Sarandos.

The story involves the Mirando Corporation sending lab designed super pigs around the world to be raised by farmers in the best Pig Competition, where the winner will be crowned in 10 years. During that time Okja, one of the pigs is raised by Mija (Ahn Seo-hyun) and her Grandfather (Byun Hee-Bong). When the corporation returns and takes Okja Mija goes on a journey to save her friend and fights herself being manipulated by different political factions who want to use Okja to their own ends.

SPOILERS ahead

The Pros: Flawed Characters and Ego – Most of the minor characters in this are compelling in the ways their egos and drive them and make them flawed. There is Jay the leader of the Animal Liberation Front who believes in consent but ignores it for the overall aims in the end, there is Lucy Miranda who wants to make her company better than it is but not face the darker side of the slaughter house and there is the Grandfather who wants his granddaughter to have success but in the end misses how important Okja is to her. These characters make the narrative interesting.

Magical Realism – Giant Pigs created in a lab transported around the world for a Best Pig competition that will take place 10 years later, and one of them is raised by a little girl in the mountains…it is right out of a Miyazaki film and was part of what made this film so fun. I’ve always loved the fantasy in magical realism and this film captures that really well.

A Critique of Ideology over People – Both the ALF and Mirando Corp don’t care about people, only ideology. We see this in how Lucy’s sister turns on her, on the lying that K and Jay both do to Mija in order to serve their overall goals and in the end the hero of this film has no ideology and just wants to be with her pig Okja. This is the core theme of the piece and from that do good where you can as you are and don’t let ideology consume you.

The Cruelty of Factory Farms – The film is extremely against factory farming and you get to see all the parts of it as the Super Pigs get slaughtered and how their different parts go to the different areas of the supermarket. Mija sees this first hand at the end and it is really well done…this is when the film turns into a horror film as we see it all through Mija’s and Okja’s eyes.

The Cons: The Satire – The Corporation doesn’t feel like it is full of people and the ALF is so disconnected and all over the place that they are hard to take seriously as a force. This really brings down the satire as our villains become a bit too cartoonish, which hurts the satirical argument in play.

This is a flawed film that also manages to just be great. Certain characters feel like caricatures (the Mirando Corporate characters as a whole (except maybe Lucy) and some of the Animal Liberation Front Members) but this didn’t bring down my overall enjoyment film. This film is solidly great and now that I’ve watched this and “Snowpiercer,” I can’t wait to see what director Bong Joon-Ho does next.

Final Score: 9 / 10

Rogue One: A Star Wars Story (2016) – The “Star Wars” Mostly Works But Drags Though the Ending is Fantastic

rogue-one

     “Rogue One” is a good movie. It isn’t a great movie…not by a long shot as it has structurual problems and a lot of the characters don’t have arcs and this goes for the overall structure too. If you want an experience in the “Star Wars Universe” though, this is a good experience of that, and for what it’s worth it is better than “Return of the Jedi” but I’m one of those people who doesn’t really like that film and only finds it okay.

      The film was directed by Gareth Edwards, written by Chris Weitz and Tony Gilroy and produced by Kathleen Kennedy, Allison Shearmur, Simon Emanual.

      The story involves the Rebels getting the plans for the Death Star as told through the eyes of the group that comes to be Rogue One, lead by the extremely rebellious Jyn Erso (Felicity Jones), daughter of the man (Mads Mikklesen) who designs the Death Star under threat from his former friend Orson Krennic (Ben Mendelsohn).

SPOILERS ahead

The Pros: The World – The world of “Star Wars” in that galaxy a long time ago in a galaxy far far away…is one that I care about. I am a fan and not just of the Original Trilogy, I love KOTOR, the Thrawn Trilogy, The Clone Wars (3D and 2D) and Rebels. I grew up on the games that are no longer cannon and this is sci. fi. fantasy in it’s base form. This film captures so much of that as we really see the breadth and strength of the Empire and that is one thing that kept me in this film through it all.

The Cinematography – Gareth Edwards knows how to direct and this film is beautiful in the scenes that are shot, especially those of the Death Star and the Space Battles.

The Action – The action is the strongest part as the action has consequences. Characters die and like “The Empire Strikes Back,” we see the consequences of the Rebellion. This can’t be stated enough and knowing that the Rebellion is only going to suffer more in the coming film lends this film strength.

Grand Moff Tarkin as Character – The character of Tarkin is fantastic even if the CGI is really good video game CGI but not quite there CGI. I still enjoyed the things he did even if how he looked was a little distracting. They should have just got a look a like, they did in “Revenge of the Sith.” Beyond that though, his character is a wonderful snake who is using and disposing people to meet his final ends of holding his power and position and destroying the Rebellion. He is the greatest threat outside of Vader through the film.

Darth Vader – We got to Vader’s Palace on Mustafar! The fact that this is even a thing makes me happy as it fits, the “Dark Side” gains it’s power from pain and rage and that is where Vader lost everything so Krennic visiting him here (and getting strangled for trying to assume on Vader) gives us more to Vader’s mystique. He also kills a lot of the rebels and shows why he is one of the only 2 Sith in the Galaxy.

K-2SO – Alan Tudyk is wonderful as the cynical reprogrammed Imperial Droid and he is the only one of the “Rogue One” rebels with an arc. He goes from uncaring from someone who sacrifices for others. I really like how cynical he is and how nihilistic he is about everything. He is very Marvinesque (From “Hitchhikers Guide to the Galaxy”) and it works. It sucks the other cast members weren’t given an arc.

Getting the Plans – Getting the plans is really well done as we see Jyn and Cassian go undercover at the Imperial Intelligence homeworld to get the plans that Jyn’s father implanted in the system. It is really well done and it is this battle and heist that is easily the best part of the film. There is cost, consequences and action…it is a shame we couldn’t have gotten more of this earlier.

The Final – The rebels barely escape Vader with the plans and all of the Rogue One characters die. This is powerful and I like that for the first time since “Empire Strikes Back” the Empire felt like a threat. “Star Wars Rebels” is mostly miss on this issue sadly and most “Star Wars” lore is about the victories…but all that does is make the Empire look weak. This film did some work to change that with the final.

Okay: Rogue One Team – Bunch of guys from a Temple Guardians (a cynic and a blind man) to a rebel intelligence agent (Cassian) to K-2, an Imperial Pilot who joined the rebellion (Bodi) and Jyn. Outside of K-2 most of these folks are just there. They don’t get any arc and are just pulled along by the plot, which is sad as the idea of all of these characters was good, but none of it went anywhere.

The Ersos – The Father and Daughter relationship was supposed to be central but it wasn’t. Mads and Felicity did fine with what little they were given but we didn’t get anything on their relationship to the Empire or Krennic. They were pulled along by the plot rather than shaping the plot. This isn’t a con as it didn’t make me angry and it wasn’t bad…but it wasn’t good either.

Orso Krennic – This dude is just a pawn which for a guy who is the main villain was a waste. I cared about him more than Hux from “The Force Awakens” though as Krennic was fighting against a system that wanted to crush him. Hux was at the head of his game and was still winy.

The Cons: CGI Lore Characters – Leia and Tarkin look like video game characters. I get the look they were going for but it still looks not quite right. It worked in the story but it also took me out of the story. They should have just used look alikes.

Extremely Slow First Half – I felt like I was nodding off early on until the Death Star is finally used. This is due to characters not fully being developed and the film going way to slow. There were so many missed opportunities for character development and growth in the first hour that were never taken.

Character Arcs? – None of the “Rogue One” cast have character arcs…and they need them for us to fully feel their loss. Outside of K-2 I cared way more about Vader and Tarkin since I knew from from prior works…this film needed to develop the main cast and it failed to deliver.

   This was a film that I’d recommend to anyone who is a fan of Star Wars. I enjoyed it even though I wouldn’t call it great, it isn’t “The Force Awakens” (a film with characters that had actual arcs and growth) but it is better than “Return of the Jedi” and easily my 4th favorite “Star Wars” film. There was the potential to do so much more, either making this a complete heist type film (an under appreciated genre) or make this an ensemble film. I wanted to love Bodi, I wanted to care about to Orsos…but I was never given the chance too. We didn’t get exploration of what they really desired and were fighting for and that went for the rest of “Rogue One” which makes the deaths matter not nearly as much as they should.

Final Score: 8.1 / 10

Fantastic Beasts and Where to Find Them (2016): Fun Supporting Cast but Narrative Doesn’t Quite Work

fantastic-beasts-and-where-to-find-them

    “Fantastic Beats and Where to Find Them,” could have been a really good film. It wasn’t a bad film, not by a long shot…but there were so many narrative issues and plot holes that took away some great chances for drama and character as well as world development that just hurt the overall story. These are my non-spoiler thoughts going in, also I kind of hate that they are turning this into a Franchise as the film’s story feels done after this film, but I guess post-Marvel everybody wants to be a Franchise.

      The film was directed by David Yates, written by J. K. Rowling who was one of the producers along with David Heyman, Steve Cloves and Lionel Wigram.

     The story involves Newt Scamander (Eddie Redmayne) arrival in NYC in order to release of the animals he’s been studying when he’s pulled into a wider plot as the evil wizard Grindelwald has gone missing in Europe and mysterious attacks are happening all over NYC making Scamander a suspect.

SPOILERS ahead

The Pros: The World – The world is fantastic, though not fully fleshed out. One thing in the Potter Books is that real life events in our world are tied to events in the Wizarding World. In this that is dropped completely as we have anti-wizard organizations in the muggle world and much more moments of the two worlds knowing one another. Not to mention Newt being made to be a bigger deal than he ever was in the Harry Potter World. This is still a fun world though and I enjoyed visiting it again.

The Soundtrack – James Newton Howard hits all the ques. This is the Harry Potter Universe and the magic and music working together to illustrates scenes is on display here.

The Support Characters – The support characters are the best part of this film, and really should have been the focus. There was no reason to pull in Scamander and Hogwarts beyond references. Hell, Grindelwald didn’t even have to be the baddie, America could have it’s own Nazi Wizard. Still, if they have to Grindelwald the support characters were more than enough to carry off the mystery and fight.

Gnarlack – This guy is a goblin who owns a jazz club. He was a cool looking character and I wanted to learn more about him…He was clearly doing well even with wizards looking down on all those who weren’t wizards.

Tina – Tina is the disgraced auror who is seeking to redeem herself through the film. The reason she’s disgraced is because she protected Credence from his abusive anti-witch mother. In the end she nearly saves him again before the aurors kill him when he is coming back down from turning into a Obscurus. She also has a thing for Newt but we never fully get why as Newt never listens to her and just does his own thing.

Queenie – Queenie is so much fun! she is a Witch who can read minds and is one of the liberal witches as she likes the muggle Jacob and doesn’t get the prejudice going on around her. She was one of my favorite characters and she shows how smart she is when she sneaks all of them out of the Ministry before they are executed. It is also implied she gets her happy ending with Jacob. Alison Sudol is fantastic.

Jacob – Dan Fogler is really wonderful in the role as the muggle in over his head but who deals with the unknowns and magic with respect after the shock goes away. He is an all around good guy and vet from the war. I’m really glad that even though his mind got wiped it is assumed he kept the memories from before as the Eagle Monster only wiped away the sad memories from the city.

Okay: Credence – This guy is the plot device of the film as it is his extreme power that turns him into an Obscuro and has him reek havoc through NYC. Grindelwald and Tina are the ones fighting for his soul but no one really wins as the Ministry kills him…and it’s never brought up again. He’s abused by his adoptive Mom and could have been so much more in the plot. He’s a plot device that works but fails to elevate the plot.

Newt Scamander – Newt is a mystery and Redmayne does a fine job with that but a character needs to be more. We never know why he went into protecting creatures, we don’t know why he’s cut off from people or even why he knows so much. He’s enough of a person though that I won’t call him a “Knock-off” Doctor from “Doctor Who,” though I get why some people would think this. He has enough there to be his own person but not enough to draw me in like the supporting cast.

Graves/Grindelwald – Grindelwald has Newt’s problem but at least his motivation is there as he hates the wizarding laws that hide them from humans as he sees it as protecting humans when wizards should revel in their power. For much of the film he is Agent Graves, an Auror who works for the Wizarding Government in the U.S. Why he was acting alone this entire time was stupid though, if you are Wizard Hitler, you should have followers. So of course he gets caught at the end, even Voldemort didn’t act alone…he at least had Quirrel in Book 1.

The Cons: Creating a Franchise – Rowling should write books first so there is a justification for all of this. There is no reason for Franchising a series that only has Pottermore to go on. It feels like a blatant cash grab and super cynical and dirties the waters of what could be a great Franchise if it happened naturally. This film shows the studio just wants some of the “Game of Thrones” and “Marvel” action.

Plot Holes – Why is Grindelwald alone if he has a movement at his back? What brought Newt into studying creatures? How do relations between the Wizarding Governments work? (we see a council but no follow up). What is Grindelwald doing beyond terror attacks? There were more as well but these are some right off the bat that I noticed while watching the film. Rowling had this problem in her books too.

The Right to Memory – This is a hole in Rowling’s universe too. Wizards wipe human minds so many times and that is never addressed. This is a huge moral issues, hell they wipe the memory of an entire city and things just return to the status quo. Wizards and humans eventually should interact with one another, groups remaining isolated leads to terms like muggles, etc. This is never addressed but this mentality is what creates Grindelwald’s and Voldemort’s in the Wizarding World.

   This was a film that really excelled when it was doing the Grindelwald plot, but fell apart when Scamander had to “Catch em’ all.” The creatures are all very cool and I get that it is his job but that is even never fully explored but it takes up so much of the plot that the much more interesting mystery of why Grindelwald is in America get’s sidelined until the very end. This was a tragic waste of what could have been a wizard noir! A lot of these cons are cons the books and films have too. Rowling is a great idea writer and she is really good at characters when she focuses on them but in the process her world and stories end up being full of plot holes, even if they are a fun ride. I’d still recommend this film, just know it is flawed going in.

Final Score: 7.3 / 10

Willy Wonka & the Chocolate Factory (1971): An Amazing Celebration of Magic, Childhood and Madness

Willy Wonka and the Chocolate Factory poster

“Willy Wonka & the Chocolate Factory” is a well deserved for a reason. I completely understand that when I did poll on which film to honor Gene Wilder should be reviewed that this was the one that won out. This film that really displays how brilliant, talented and creative Gene Wilder could be and why the world lost on of our greats. I can’t wait to continue going through his filmography and learning more about the history of this fascinating and talented man.

     The film was directed by Mel Stuart, written by Roald Dahl (who also wrote the book Charlie and the Chocolate Factory the film is based on) with help from David Seltzer and produced by Stan Margulies and David L. Wolper.

         The story involves Charlie (Peter Ostrum) finding a golden ticket and winning entrance into the magical Chocolate Factory of Willy Wonka (Gene Wilder) with four other children. Things are not as they appear though, as both Wonka and the factory are full of unpredictability and danger.

The Pros: The World – The world is one full of magic that is close to ours but manages to satire ours through exaggeration. It is imagination and possibility and I can’t wait to read the book that inspired it all.

The Writing – Dahl’s writing is brilliant. He is one of my favorite authors and he did a great job making this screenplay. He knew his characters and how to adapt them and his world screen as he worked within the limitations given and in the process created a rich story full of drama and humor.

Snapshots of Humor – A psychologist trying to use a person’s delusions to find a golden ticket, a dictator in Paraguay, the homes of each of our children that aren’t Charlie…each of these is a snapshot of some sort of corruption that in using the golden ticket as the focal point provide a wonderful satire of the different forms of corruption.

The Comedy – The comedy is brilliant! Dahl’s dry humor and satire combined with Wilder’s wit, sarcasm and energy made this film most memorable as both a drama and a comedy.

The Oompa-Loompas – The Oompa-Loompas are refugees who work at the factory. They are fascinating as we see those who lost everything teach those who materially have everything. These guys are brilliant and I really like their songs and designs. The orange face and stark colors live in the popular culture now on what an Oompa-Loompa is.

Willy Wonka – Gene Wilder owns this role. Wonka is a man who you never know if he’s telling the truth or not. He comes in limping and after walks fine, and this was done by Wilder himself to make the audience question everything Wonka does. Wonka than proceeds to let peoples’ vices destroy themselves and he doesn’t care at all except to mock. This is a man who sees himself above it all and is living in his world of madness and imagination…yet he has a good heart, he rewards Charlie for doing the right thing and it is in his relationship to Charlie we see the compassionate core underneath the lies, sarcasm and trickery. He is easily one of my favorite characters in fiction and Wilder made the character larger than life and the best part of this film.

The Take on Vices – Each of the 4 kids are different vices. Violet is spite, Mike is anger, Veruca is greed and Augustus is gluttony. At different points Charlie experiences each vice but grows beyond them by choosing compassion and courage in the end, something they all lacked and each them is destroyed by their vice in turn in the Karmatic place of the Chocolate Factory.

The Good and the Bad in People and Children – Children are celebrated in this, but they aren’t idealized. 4 of the kids are little monsters and even Charlie can be a brat sometimes. Dahl was honest about what it means to be a child and it is in this work we see how they grow and that actions have consequences that will hopefully help the kids stuck in a bad place in their actions, to grow up.

Celebrating Creativity and Invention – The core of the story is a celebration of madness and creativity. Wonka’s world is pure imagination and what he is seeking is an heir with that same madness who can see the bigger picture.

Okay/Pro: The Music – The music is memorable and good but not great. I’d never seek out this music to listen to it on my own…it works for the film though with “Pure Imagination” being the best and most memorable song in the soundtrack.

Charlie – Charlie is flawed and it makes him human. All the other children and their parents are terrible, while Charlie in looking out for his family can become like the other kids too. Charlie is greedy or angry sometimes and that’s okay. It makes the good choices he makes all the better.

Grandpa Joe – I liked Grandpa Joe but since we never learn why he became bedridden it takes away from part of what drives him to get out of bed. I like how he is a mentor and father figure to Charlie though and that he calls out Wonka for not giving them the prize at the end as promised. He’s a stand up guy.

The Other Kids and Their Parents – The other kids are alright. Augustus is forgettable as his mother but the Teevee’s have an energy about them and the Salt’s are great representations of greed, while Violet and her huckster father are entertaining in their own way. I’m not putting them as a pro though since they aren’t complex. They are interesting but lack major complexity.

Okay: Pacing – The pacing is a little all over the place at times, with the scene where Charlie and Granpa Joe take the Fizz drink as the best example. Wonka and the group just go away when before every mistake that the kids make is recognized by the group as Wonka shames their for their vice. This is the only time where he holds off on shaming until after the tour is completed.

The Cons: Certain Songs – Certain songs go on a little too long or mess with the tone a little bit. “Cheer up Charlie” definitely goes on too long as does Veruca’s song. This is made up for the fact that musical isn’t terrible but I’d only describe music as memorable and good, but not great.

     There was so much that worked in this film and managed to push it up from good to great. The greatest credit goes to Wilder with his chaotic take on Wonka whose performance was full of anger, empathy, compassion and madness. There is a reason the film is called “Willy Wonka & and the Chocolate Factory” and not Charlie. Charlie maybe the main character but the action and drama all relates to the antics and choices that Wonka makes and the gambit he puts into play to find his heir.I can’t wait to read Dahl’s original book. Dahl having power over turning his book into film was masterfully done by the studio and with Wilder’s performance and Stuart’s direction a masterpiece of art that celebrates the very nature of art and creativity was born. The three men have all passed on now but their vision, their metaphorical Chocolate Factory lives on in the lives they touched and the art they created. R.I.P. Stuart, Dahl and so recently now…Wilder. To remembering the dreamers and the dreams they made.

Final Score: 9.4 / 10

Hellboy II: The Golden Army (2008) – A Fun Adventure That Gives Justice to the Characters and Plot

Hellboy 2 Poster

        The blog is finally back! I’ve been on a bit of haitus since I’ve been moving to a new apartment, my sister got married this week and I had car trouble in Seattle and had to replace a flat, which took a few days. There are reviews upcoming, the first of which is this one that I’ve been working on. Enjoy.

       “Hellboy 2” is a lot of fun. This is a film that takes everything that worked about the first film and focuses it (with some of the same problems still around as well) and creating a few new problems. It is the better film though, as the characters in this are more memorable and Hellboy isn’t the only character driving the plot this time. Non-spoiler thoughts, check this film out if you like the Hellboy comics and enjoyed the first film.

    The film was directed and written by Guillermo del Toro and produced Lawrence Gordon, Mike Richardson and Lloyd Levin.

    The story involves Hellboy (Ron Perlman) and the team working top the evil elf Prince Nuada from summoning the immortal Golden Army from ancient that nearly wiped out humanity before.

The Pros: The World – Guillermo loves the dark world of fairy mythology (see “Pan’s Labrynth”) and here he gets to show and express that love in the mythos on display. His world is fascinating and all characters look so real and alien. This is really him in his element as this film had some of my favorite character designs.

The Soundtrack – Danny Elfman once again creates a powerful score! This is a guy who specializes in dark fairy tales and that is what this Hellboy film is. he does a masterful job capturing the tragedy and loss in scenes and the soundtrack is worth checking out just for what it is.

The Cinematography – The cinematography is stunning. While the last film was too dark at times this one embraces the dark but also the light to create beautiful contrasts in locations and characters, giving the film and otherworldly feel. Guillermo Navarro did a fantastic job.

The Introduction – A little Hellboy is being red a story by his adoptive father Trevor (yay, John Hurt is back!). It is a touching scene as we learn that fairys and humans lived in harmony until humans started destroying the land leading King Balor to create a Golden Army of magic. He regrets it all after the death toll rises and makes a peace treaty with humanity. His son leaves in exile as he wanted humanity wiped out and he and his daughter hide the pieces so the army may never rise again.

The Characters – The characters are what drew me into the world of Hellboy (though Hellboy isn’t as interesting as Abe of Krauss in my opinion) and they are the reason I will continue to see these films.

King Balor – The King is awesome and shuts down his son when his son tries to call for war again. It takes his son killing him for him to be stopped. I wanted more of this guy as he was a fascinating and powerful character.

The Goblin Smith – This guy makes a deal to save the life of Hellboy and we learn he was the smith who made the Golden Army and fears his creations. He brings Liz to the Angel and she makes the deal to bring Hellboy back even knowing it could lead to the end.

The Angel – The Angel sees Hellboy’s future and in it only destruction. She is a dark and haunting figure with eyes of a large cranium and great black wings. She has my favorite design in the film and if they make more I hope we see her again. She saves Hellboy’s life.

 Hellboy – Hellboy’s arc is learning to communicate with Liz and work on a team. He is by the end and has rubbed off on Krauss who rebels against the agency. His arc is cool as we see even though he is stupid, his heart is in the right place and he is a talented fighter.

Liz – Liz makes the choice Hellboy made last movie where he risks all to save her, she does the same this film. She is the one who has gotten control of her powers (I would have liked to see more of how that happened) and is the one helping Hellboy become responsible.

Abe Sapien – Abe has a character arc as we see him love and lose as he brings the crown to Nuada that awakens the army (and rightfully calls out Liz and Hellboy for doing the same thing). Sadly not all love works out as Nuala dies to save them all. It is a touching scene and we see how perceptive Abe is. I really liked his character after this film.

Prince Nuada – The Prince is in it for revenge and has a great design as a dark warrior. He trained for centuries and his plan nearly works because he is the only one who doesn’t love and only wants to control. Luckily he is stopped in the end by his sister, who it turns out was the only one who could unless the heroes were willing to kill her by killing Nuada.

Princess Nuala – Nuala should have got more screentime. We see she is compassion and a healer, while her brother is the warrior and she is shown to be wise as she knows that the war will only end in the destruction of all as the Golden Army is only built to destroy. She also falls in love with Abe and is lovely until she kills herself to stop her brother keeping up the theme of tragedy that pervaded the film.

Johann Krauss

 Johann Krauss – Krauss is awesome! He is pretty much immortal because he is living ectoplasm in a suit. This leads to him being both smarter and stronger than Hellboy and a better leader on all counts as he doesn’t depend on brute forcing his way through situations. He does see the value in it though and resigns from the agency with the rest of them as they are tired of being tools, given that Hellboy’s existence is shown to be just a tool for his father to cause the end of the world. All of them, including Krauss, reject that control.

Okay: The Ending – It is cool that Liz and Hellboy are going to be parents, the freeze frame for the final shot was a bit annoying though.

The Cons: Disposable Agents – So many agents die, they are basically red shirts and I feel the stakes would have been hire if they’d felt more like characters rather than disposable bodies.

The Prince’s Long Term Plan – What was his plan after humanity was wiped out? He never talks about it and it seems that the Fairy Realm is largely afraid of him. He lived only for revenge when he could have been so much more since he wanted to rule and killed his father to do so.

  I enjoyed this film much more than the first one largely because the side characters got a lot more exploration while still keeping the Hellboy mythos key with him being son of a Demon Lord. The price and cost of choices was explored really well too and using the Fairy World to do so was masterful since in mythology they are all about dealmaking. Krauss was my favorite character and his character growth was a big part of what made the film so fascinating outside of the great world and character designs that we’ve all come to expect from Guillermo del Toro.

Final Score: 8.6 / 10