Category Archives: Mad Max Series

The “Mad Max” Films – Worst to Best

Mad-Max-Fury-Road-Banner-Charlize-Theron-Tom-Hardy

        It’s been a while since “Fury Road” appeared in theaters but I’ve been meaning to do my rating of the “Mad Max” Franchise from best to worst, so no time like the present to do so. Even at it’s lowest, this is a franchise that is fun. It brings madness to the apocalypse and the stories that Max witnesses are interesting, even if I don’t always like them. I’m grateful that George Miller brought this franchise back and I can’t wait to see what other films he makes in this insane universe. So without further ado, here are my ratings of the “Mad Max” films from worst to best, with summaries and a link to my full reviews.

Mad Max Poster

4th) Mad Max

   The first “Mad Max” film is excessive and feels incomplete. It starts out with a car chase that goes on way too long and the main villain Toecutter was never all that scary. I get that this started the Franchise but I truly hate this film. It feels like a concept idea that was done lazily, and as we witness later, George Miller was and is capable of so much better. There is no reason to watch this film in my opinion, unless you want a lesson on how not to make a film. Practical stunts aren’t enough to carry a film, be it action or otherwise. The action is stupid and our characters do nothing of consequence except dying in some cases, but we are given no reason to be invested in them, leading this to be one of the worst films I’ve watched.

Final Score: 3 / 10

https://cameronmoviesandtv.wordpress.com/2014/11/11/mad-max-1979-stupid-action-with-no-interesting-characters/

Mad Max Beyond Thunderdome

3rd) Max Mad 3: Beyond Thunderdome

  “Beyond Thunderdome” is a film that has a lot of good ideas but due to the tone being all over the place isn’t one I can entirely recommend. My thoughts have changed in regards to Tina Turner’s Lady Entity and I like the idea of her character not wanting to kill Max, I just wish we had seen that more. This is a film that wants to be Stephen Spielberg (Wild Kids that Max needs to rescue, adventure music, etc.) but doesn’t really work due to the nature of how dark this universe is. The tone was what got me the most about this and I wish it had chosen to be consistently fun or consistently dark with double dealings and betrayal. Throwing both in made it a confused mess, even though it does still manage to be fun.

Final Score: 7 / 10

https://cameronmoviesandtv.wordpress.com/2015/05/17/mad-max-beyond-thunderdome-1985-power-plays-and-safeguarding-the-future/

mad-max-2-poster-art-by-chris-weston

2nd) Mad Max 2: The Road Warrior

    “The Road Warrior” is a great film. It has a fantastic villain in Lord Humungus who is the Ayotallah of Rock and Rolla and it really sets the tone for this post-apocalyptic world as a village with gas is being harrassed by Lord Humungus and Max is pulled into helping them, even though he doesn’t want too. It has some of the best action, a great villain and in the end captures the idea of Max being a symbol of stories from the Wasteland as the film is recounted by the Feral Child who later becomes the leader of the survivors and recounts how they betray Max after he helps them escape.

Final Score: 9 / 10

https://cameronmoviesandtv.wordpress.com/2015/05/17/mad-max-2-the-road-warrior-1981-discovering-the-reason-to-fight-for-humanity/

Mad-Max-Fury-Road-Poster-Posse-1-600x900

1st) Mad Max: Fury Road

  “Fury Road” might be my favorite film of 2015 and is easily one of my all time favorite films. This is a film that has a great villain in Immortan Joe and his cult of death, Max and the characters around him are seeking freedom and redemption as Theron’s Furiousa frees Joe’s birthing wives and attempts to get them to her home of old that is ruled by old Matriarchs. The cinematography and action are beautiful and it has a message that is powerful showing how rigid systems of patriarchy can be stopped and changed by those who are a part of it (Furiousa, the wives, Nux) challenging it. We also see a soldier get past his conditioning (Nux) and find meaning in life beyond violence and death as his arc really illustrates the power of this story. I can’t recommend this film enough.

Final Score: 10 / 10

https://cameronmoviesandtv.wordpress.com/2015/05/22/mad-max-fury-road-2015-healing-redemption-and-actions-that-matter-in-a-world-gone-insane/

    This is a universe that is so much fun and within it you can find deep stories filled with action in stories like “Fury Road,” fun adventures in films like “Beyond Thunderdome” and great nihilistic action  and betrayal in films like “Road Warrior.” Within the wasteland there are countless stories to be told and still to be told and through the eyes Max we will no doubt see more come to the screen. I will be surprised if any future installments surpass “Fury Road” but they don’t have to. This is a Universe that George Miller loves, and as long as I keep seeing that love in his films, I will be there to witness those stories.

Mad Max: Fury Road (2015): Healing, Redemption and Actions That Matter in a World Gone Insane

Mad-Max-Fury-Road-Poster-Posse-1-600x900

       “Fury Road” is beloved by the critics for so many reasons. This film is the second film I’ve reviewed for 2015 and it blew “Age of Ultron” out of the water, and most of the action films I have watched. Rarely do you see a film that manages to mix philosophy, character development and action so seamlessly and mastering the art of showing and not telling. There are moments where history is told in a glance and where you see the character relationships change from the circumstances around them. Suffice to say, it is amazing that after 30 years away from his Franchise that George Miller managed to create the best film from that world yet.

     The film was directed by George Miller who was also one of the writers and producers of the film. The other writers were Brendan McCarthy and Nico Loutharis while the other producers were Doug Mitchell and P.J. Voeten.

SPOILERS AHEAD

     The story involves the capture of Max (Tom Hardy) and him turning into a blood donor for one of Immortan Joe’s (Hugh Keays-Byrne) War Boys Nux (Nicholas Hoult). He is pulled into a larger purpose and freedom when Furiosa (Charlize Theron) escapes with the wives of Immortan Joe to bring them to freedom and the Green Place. From here and Nux must make a choice and rethink their beliefs as does Furiousa when she soon realizes that there might not be a safe place for them to return.

The Pros: The Cinematography – The cinematography is beautiful! The vehicles are shot like their are mobile homes and living creatures and they have life to them as people use them to protect and to attack and each vehicle has distinct personalities. From the spiky vehicles that belong to the Vultures, and the other factions that follow Immortan Joe. John Seale did a great job.

The Action – This is an action film and the action is seamless. We see this mostly through the eyes of Nux who soon realizes his God Immortan Joe who conditioned him since he was a child to worship him cares nothing for his well being and leaves him trapped on the War Rig. We see him fight off the vultures and he is the first to attack multiple times as well as rescued by Max (due to chaining max to himself for his blood and later by the wives). It is through his eyes we see the insane see more than death and destruction and each battle shows how he grows and changes into someone who is willing to risk all for the good. The action doesn’t stop until the end but gives moments of reflection too.

The Soundtrack – Junkie XL did a fantastic job on the soundtrack! It is classical meets heavy metal with the right moments for silence too, such as when Furiosa finds her childhood home gone and everyone she knew dead and the intensity of the action scenes as cars explode and War Boys leap between vehicles to get at the wives and destroy Furiosa, Nux and Max. The soundtrack like the action doesn’t let up until the end. Also the War Boy playing the electric guitar that spouted fire was worked seamlessly into the soundtrack as he was the one playing it and whatever affected the guitar and him affected the music.

The World – The world is rich in this and the most fleshed out compared to any prior film. There is Immortan Joe and the Citadel, the Canyon Bikers, the Vultures, Bullet Farmer’s faction, the Mothers and others. It is a rich world so much at stake where in a moment the rest of the world could be destroyed by the factions seeking to survive or to destroy one another. This post-apocalyptic world leaves no room for hope yet in it hope is created through the healing and redemption of Max, Furiosa, Nux and the Wives. Within this world we see the Mothers who worship life countered by Immortan Joe and his cult of death where his drugged out warriors are taught that if they die for him they will be celebrated in Valhalla and live again.

The Characters – The characters are all rich and distinct and wonderful to see on the screen. I can’t think of anyone who did a horrible job as each character fit their role well and what happened to them changed relationship dynamics between factions and people. Whether it was Max no longer being guarded or the wives giving them all hope as each sought healing in their own way, each of protagonists was distinct and our villains were memorable too from their design to their horrendous actions and power.

The Wives – Angharad (Rosie Huntington-Whitely) is the leader of the wives and the who risks her own life to save Furiosa and Max. This causes conflict among the others but we see she was the one to get Max first beyond himself as she was risking herself and her child to make a better future and stop Joe. This is later picked up by Toast (Zoe Kravitz) and Cheedo (Courtney Eaton) who take part in the battle and help Nux to heal and find peace beyond his cult conditioning. They also struggle against their own desperation and find mentors in Furiosa and the Mothers who with their help and them taking the fight to Joe become the leaders of the Citadel and free the slaves.

Immortan Joe – Joe is a monster. He has a harem of breeder wives who he rapes and who he sets his army on because he sees them as his property. He has a great design with skull like teeth and tubes covering his lower face and we see that he has bought what he has sold his people. He believes he is a God and sings praises for his lost son when Angharad is killed when defending the War Rig. He cares nothing for the wives or his people and everything is for his glory and pride. Hugh Keays-Byrne does a fantastic job and his character is much more threatening than Toecutter who he played in the first “Mad Max” film. He’s developed a lot as an actor and he’s working with a far superior script.

The Mothers – The Mothers are awesome and are the group that Furiosa is a part of, sadly the world is gone and is now a toxic swamp but the Mothers still keep the seeds and give the wives peace that they have never had. They also fight to take the Citadel, with Valkyrie (Megan Gale) and Keeper of the Seeds (Melissa Jaffer) dying in the process. They are powerful and badass figures, riding motorcycles and covered in bullets. They adapted to the world around them and didn’t fall when the Green Land fell.

Max – Tom Hardy owns this role. He is clearly Max and like Gibson before him is the outcast pulled into situations out of his control where he comes in and acts as a protector and finally gives into hope before disappearing. In this we see him deal with his trauma and PTSD as the wives comfort him and Furiosa shares and understands his loss as we see her despair at everything she lost when Joe kidnapped and destroyed her family. They are similar and help each other heal by protecting the wives and in turn empowering them to fight. Much like past films though Max does not stick around as when the Citadel is free and Furiosa and the Wives are the leaders he leaves to continue his fight as the Road Warrior.

Nux – Nux is a War Boy who is devoted to Joe until he fails in capturing the War Rig and Max escapes. From here has to rethink everything which the wives help him to do. From here he becomes a hero and helps free the truck and in the end risks his life so that Joe’s forces will not retake the citadel. Nicholas Hoult does an amazing job. I really liked him as Beast in “Days of Future Past” and “First Class” but he is even better in this. His character drives the story as his redemption shows that even the broken can become more than their conditioning and even the most hated can be loved.

Furiosa – Furiosa is the primary protagonist and Charlize Theron owns this role. She’s the badass with the robotic arm who can take on multiple people at once but is still human and vulnerable. We see her break down when she learns the crow infested swamp was where the Green Land once was and her resolve when Max reminds them of the water at the Citadel and that they can still fight for the Green Land that does exist without traversing the unknown Wasteland. She is the one who keeps Max accountable too and trusts him even when he is holding a gun to her head and acting paranoid. She helps him find his humanity and he in turn saves her life with his blood as she had saved him multiple times. In the ends she ascends as leader of the Citadel and through her killing of Joe frees all the slaves of the Citadel arriving as it’s conqueror with the Wives now also as leaders.

The Struggle for Equality – This movie is all about the struggle for equality. Women and children are things and tools for Joe and he only sees how he can use others. It is the rebellion against that with the wives fighting for a better place and Furiosa seeking revenge for the Green Land Joe destroyed that help bring about freedom for every man, woman and child. There is sacrifice along the way too as Valkyrie, The Keeper of the Seeds, Angharad and the men who first traveled with Furiosa fall to the barbarians ruled by Joe or by selfishness who make up the Wasteland.

Healing and Redemption – Healing and redemption and their possibility is a major message and theme of this movie too. Nux is a thug but he is also just a boy who changes when his “daddy” leaves him behind and he realizes he was nothing to the man he saw as God. The wives help him to heal and accept him by only killing in self defense and he in turn fights for them because of their acceptance of him. He even is able to form relationships and fight for others and see Max as a human, not just a blood donor. Max and Furiosa find it through their shared pain and in it find hope, the hope that the wives always remind them of and the future they fight for…the unborn who don’t have to live in the hopeless world created by the monsters like Joe.

     I’ll be very surprised if I see a better film than this one this year. The soundtrack, cinematography, action, characters, world and story were all perfect and had a point beyond just explosions and cars. There was philosophy intertwined in the action and the actions that happen change characters and made them grow. This is what I think of when I think of the perfect film. The message is timeless the characters are amazing with Immortan Joe, Furiosa and Max being truly timeless. I can’t wait to see what George Miller does with the rest of the series he has planned. He didn’t come back to this series for 30 years, but when he did he made something that was truly memorable, powerful and unforgettable. I highly recommend this film.

Final Score: 10 / 10

Mad-Max-Fury-Road-Banner-Charlize-Theron-Tom-Hardy

Mad Max Beyond Thunderdome (1985): Power Plays and Safeguarding the Future

Mad Max Beyond Thunderdome

      “Mad Max Beyond Thunderdome” was enjoyable but not great. I think a big reason for this is there isn’t a clear antagonist a lot of the time, way too many child actors which changes the tone and takes a lot of the dark out, which this film has. The Feral Children even don’t fully feel like Feral Children. They speak like they had an education, these are some of the things that took me out of it, even though Rossitti’s, Turner’s and Gibson’s performances are phenomenal and the story is enjoyable for what it is.

The film was directed, produced and written by George Miller and also directed by George Ogilvie and also written by Terry Hayes.

The story involves Max’s (Mel Gibson) arrival in Bartertown searching for his stolen supplies fifteen years after the defeat of Lord Humungus. From here he is pulled into the power struggle for control of the town between Aunty Entity (Tina Turner) and Master (Angelo Rossitto). He is asked to kill Master’s bodyguard Blaster (Paul Larsson) but after being asked to kill him in the ring and learning that Blaster is mentally handicapped he calls out Aunty Entity and is kicked out of Bartertown where he ends up with a tribe of Feral Kids looking for a Messiah and must stop their delusions and save Master and Blaster from Aunty Entity.

The Pros: The Premise – The idea of a power struggle in a post-apocalyptic town that an outsider is pulled into is a cool one. I also like that the antagonists aren’t wholly good or evil. They are each despots in their own way and both have a sympathetic aspect to them which helps drive the story.

The Power Struggle – I really liked the power struggle between Master and Aunty Entity. They are both compelling characters with Master being a small person who is best friends with a mentally handicapped man who is super strong who is his protector and helped him build the machines that provide energy to Bartertown, and there is Aunty Entity who controls the trade and is the law of the town and wrote the strange rules that govern the location and keep the populace sated in their blood lust. She wants Blaster taken out and Max almost fulfills it until he sees that Blaster was never evil nor Master wholly bad which leads to his exile as Aunty Entity takes over.

The Action – The action of course is fantastic! The most memorable action being the chase at the end where Aunt Entity’s forces are chasing Master, the Feral Children and Max who are on a train as they attempt to surround it and take it out and later when all except Max make it onto a plane and Max once again takes on the hoard giving the good characters time to escape and make a future.

The Characters – I liked the characters in “The Road Warrior” more, partially because they were just so much more compelling to see and there was more you could read into them. Here is is pretty concrete and depends too much on tropes, especially with the Feral Children not speaking like Children which took me out, besides the child actors, I did enjoy the characters.

The Collector – The Collector is the first we meet and he lets Max meet Aunty Entity after Max proves how dangerous he is. He is the one who measures and trades and is a slimy character. He is also connected to everyone in the town making him dangerous. We don’t truly see how dangerous though as Master and Aunty Entity take over once they are introduced. Frank Thring is great.

Blaster – Blaster is threatening and scary as long as you don’t see his face, but once his helmet is knocked off he is the most lovable character in the film and you see how deeply his friendship with Master runs as Master holds him when he is knocked out. He protects the kids too and has affection for Max for sparing his life. Paul Larsson is wonderful in this role.

Aunty Entity – Tina Turner owns this role and I wish she’d been given more to do than just lay down the law. She is in the final chase sequence but isn’t very smart as she unattaches the cart too early and Max rescues Master from her. She is honorable though and spares Max’s life as well as never actually killing him. She exiles him when he disobeys the laws of Thunderdome and she never kills Master as she wants to provide the energy so her people can live better. She is someone who was nothing before the apocalypse, but made the most of it to become the leader and ruler of Bartertown. She is the potential that exists in the new world, but also shows the ability of power to corrupt.

Master – Angelo Rossitto plays a character who is both bully and victim. We see him as a bully when he cuts the power before the attempt to kill Blaster by Max and later on we see him cradle Blaster and work with him in protecting the Feral children. He also salutes Max at the end for rescuing him. He is one of the brightest minds but he doesn’t do as much in his own escape as I would have liked. Gyro Captain used his machine a lot in the battle, while Master doesn’t use the Methane Factory much at all against Aunty Entity’s men.

Max – Mel Gibson is back and has “Braveheart” hair. When he arrives he is looking for the camels and supplies the Pilot stole from him but he is soon sidetracked when Aunty Entity hires him to take out Blaster. He succeeds but doesn’t kill Blaster and reveals her plan leading to his exile. From here he guides the kids out of their worship of the dead Boeing 747 pilot and through his fighting for them helps them bring about a better world, as Savannah the leader of the tribe mentions at the end. In this way his arc is similar to the arc “The Road Warrior” but with much less loss. Still great, but I hoped his character would change more. Maybe part of his point is his disconnect from others and sacrifice because he can’t live in any society? After watching more of the Franchise I’ll do an analysis of Max, might have to wait for the films after “Fury Road” though, no idea how that film and the future films will change him, if at all.

The Message – The message is safeguarding the future by dealing with the reality of people. The kids were the few good people left so Max risked everything to protect them, and with Master no longer being a bully they had a good person to guide them towards a new future. In this way he safeguards the future that the narrator and leader of the tribe expresses to us at the end. No matter how horrible the world may look, there are those worth saving who can make it better, and those people exist in each new generation.

Okay: The Ending – The action is great but their escape is too easy. The pilot who stole from Max has little to no reason to help them beyond survival and he changes from a selfish father to someone willing to risk everything for strangers. It struck me as too inconvienent and felt Spielbergian not like George Miller. Too whimsical and not enough crazy.

The Cons: The Feral Children – The Feral Children didn’t work. The idea of them worshipping a pilot who would return was cool and interesting but they didn’t talk like children. The Feral Child from “The Road Warrior” only barked, grunted and howled and it was only after he found civilization in the North that he could speak. This clashed with that, they felt fake and didn’t seem wild at all. The fact that none of them died also took me out, it just made Aunty Entity weak, especially after how the Humungus killed most of the cast from the last film.

The Pilot – He functions more as a plot device and is a different character from the Gyro Captain even though it is still Spence who played the Gyro Captain. He only exists so our heroes can make their escape. He is “The Eagles” of the Tolkienverse in this film and I wish they’d had a way to depend on their brains and working together to get out, especially since Master is supposed to be one of the most brilliant minds in this Universe.

The Tone – I really liked the dark tone that the movies have had, this one had moments of it but felt like a Spielberg film the moment we ran into the Feral Children Tribe as they were protected from all damage by virtue of them being kids and nothing bad happens to them. It took all the risk out of it and made it more of a family film, which clashed with the insanity, brothels and mortality of Bartertown.

This was a really fun film, though I have issues with how the Feral Children were handled and the tone though the power struggle and the main characters really carry the film for me. It is enjoyable and I would recommend this film, it was a lot of fun and though I don’t like it nearly as much as I liked “The Road Warrior” it is a fun different direction the series went in, even if I don’t like the direction (less death more child actors)…the world is still amazing. I am looking forward to “Fury Road.”

Final Score: 7 / 10

Mad Max 2: The Road Warrior (1981): Discovering the Reason to Fight for Humanity

mad-max-2-poster-art-by-chris-weston

      I hated the first “Mad Max” film but I got to say, after watching “The Road Warrior” I am giving this series another chance. What initially sparked it was a friend requesting I see the rest of the series months ago and after “Fury Road” being released. I plan to see the film soon so I plan on doing the reviews of the other two films of “Mad Max” that I haven’t reviewed. Those being this film here “The Road Warrior” and “Beyond Thunderdome,” both of which I’ve heard great things about and in regards to “The Road Warrior,” it deserves all the praise it has received. So much about this movie works, from the action, characters and the plot which I will get into greater detail later on.

     Here is my review of the first “Mad Max” film.: https://cameronmoviesandtv.wordpress.com/2014/11/11/mad-max-1979-stupid-action-with-no-interesting-characters/

     “The Road Warrior,” was directed by George Miller who was also one of the writers. The other writers were Terry Hayes and Brian Hannant. The film was produced by Byron Kennedy.

     The story picks up where the last film left off with the narrator recounting how the Cold War lead to the destruction of fuel leading humanity to become like animals fighting for what little remained. From here we pick up with Max (Mel Gibson) who after capturing the Gyro Captain (Bruce Spence) who was trying to kill him, learns about a town full of oil. He travels there and after saving a man from The Humungus’s (Kjell Nilsson) gang tries to make a deal for fuel but soon finds himself becoming their protector and having to choose between continuing to be alone or fighting for something beyond contracts.

The Pros: The Stakes – The stakes are high, oil is limited and everyone uses vehicles. The Facility that has the oil plans to escape to bring it North where there is talk of making a new civilized world but they are trapped because The Humungus has such a huge gang. These stakes force the selfish Max and Gyro Captain to think beyond themselves and to see a bigger picture again.

The Action – The action is awesome! Unlike “Mad Max” where they went on forever, the action here only goes on as long as it needs too, if someone is going to get caught or killed they won’t linger on it like in “Mad Max” which leads me to believe that Miller had grown a lot as a director by the time he made this film. The final chase where Max and a few warrior are driving the fuel truck is fantastic though as we see one truck used to devastating affect against a much larger force.

The Story – The story is told by a mysterious narrator recounting the past and in the end we learn the narrator was one of the folks Max saved which changed the character to later become the leader of his people as he was shaped by the events and how the people changed in coming together against The Humungus.

The Characters – The characters in this are all memorable, partially because they are all mad and have been changed radically by the losses they’ve experienced in their lives but also because the actors do a great job with the characters they were given.

Wez – Wez is The Humungus’s Dragon and is a gay villain who is actually threatening! So often in fiction if a villain is implied to be gay or is actually gay they are made to be weak and shamed by those around them. Not Wez, Wez rocks as a warrior and fights to the end. He wins almost every fight he gets into and survives up until he’s fighting a truck on his own. He also has a partner the Feral Kid kills which sets off his vendetta against the Facility and Max to an even greater degree. Vernon Welles does a great job.

Gyro Captain – When we first meet the Gyro Captain he is holding an arrow to Max’s head but is only stopped by Max’s dog. From there he is Max’s prisoner and servant until he proves his own in combat and makes the choice to stay with the Facility Survivors which leads to them eventually making him their leader. His arc is coming to care about more than just those who can get him something like gasoline or sex and in the end he risks it all for strangers which is a big reason he becomes their leader. Bruce Spence gives a lot of depth to this mad character.

The Warrior Woman – The Warrior Women is the main military leader in the Facility and she doesn’t trust Max until Max proves his value. After she doesn’t end up with him, which made me happy. Her arc is learning to trust but that isn’t emotionally manipulated into romance. She dies in the final battle but not before taking out a bunch of The Humungus’s men. Virginia Hey is wonderful in the role and I wish her character had got more screentime.

Pappagallo – Pappagallo is the idealistic though in some ways corrupt leader of the Facility. He wants to lead them North to a better land where they can make a world without dealing with raiders and rapists who own the wasteland. In the end he risks everything for this dream including his life when the Humungus kills him. His con is he doesn’t take no for an answer when Max turns down his dream quite a few times. He shows that he is a zealot and is at least somewhat delusional. Michael Preson brings great subtly to the role.

Max – Mel Gibson’s character actually has an arc in this film! In the beginning he is just after fuel and survival and can’t see anything beyond that. After staying in the Facility though he is willing to risk his life so that they can transport the fuel to rescue. He loses his dog in this and nearly his life to Wez but he never takes things personally. Part of me wonders how much he is able to feel at this point, since the empathy we see him present seems learned. He’s forgotten who he was and only exists as a survivor until the purpose he receives in fighting for others  though he does not stay with them, showing he is still searching for a reason to live for.

The Humungus – Kjell Nilsson is fantastic as this narcissistic madman! He’s the king of rock and roll and the Ayatollah of the Wasteland. He is articulate too (like Bane) for speaking behind a metal hockey mask. He is also dangerous too and he and his forces kill most of the Facility’s defenders in the final battle with the Truck. He himself kills Pappagallo. What an awesome villain. He preys on their fears and is evil and knows it. Also he has a great name. The Humungus is such a great villain name.

The Feral Kid – The Feral Kid is the future narrator who later leads the group. Throughout the film he doesn’t talk and only howls, growls and grunts. Eventually he learns speech in the North though recounts the story. Max was a such a major part of his life and inspired him to fight and lead and through it find his humanity again. Emil Minty does a good job in the role.

The Messages – The main messages were those who control fuel control the world, and that that drive for it makes men savages, which we see to this day. Resources drive humanity into savagery which “The Road Warrior” expresses beautifully through Humungus and his gang and Max and the Gyro Captain. The other message is that other people can give us a reason to look beyond ourselves and that no matter how horrible humanity can be, there are those worth fighting for.

Okay: Backstory – The world is so lived in this wasn’t as big of an issue for me as the characters in their mad forms were compelling already but I still wish we could have got what drove the Humungus and Pappagallo to be who they were.

The Cons: The Soundtrack – The music isn’t memorable at all, I’d call it forgettable standard fair but it left no affect on me.

  This is a really good film and solves a lot of the problems I had with the first film. Max is a compelling character this time, The Humungus is a fantastic villain, the minor characters have quirks but don’t feel like caricatures as they change and grow throughout the plot and there are actual stakes! I cared about what happened to the members of the Facility and what happened Max. This I believe is due to the acting and writing that were so great in this film. Suffice to say I can’t wait to see “Beyond Thunderdome” and “Fury Road” after this.

Final Score: 9 / 10.

Mad Max (1979): Stupid Action with no Interesting Characters

Mad Max Poster

      After being spoiled by “Snowpiercer,” I was expecting more from the Post-Apocalyptic classics…especially the ones that spawned franchises (“Planet of the Apes” series did well at least). After this, I may watch the others in the lead up to the new “Mad Max” film coming out, but if the story and characters don’t improve I’m going to tear it apart as harshly as this one.

      The original “Mad Max” was directed by George Miller who also wrote the screenplay and story, produced by Byron Kennedy who also helped write story and James McCausland who did the screenplay with George Miller. The fact that it looks like they knew what they wanted makes how much it failed to deliver all the stronger.

     The story takes place in a world where law and order have broken in a dystopic Australia and the gangs rule the streets, with the police only functioning as a stronger group of gangs trying uphold the law that once was. Corruption is rampant and the main gang who targets the main character Max (Mel Gibson) for killing one of their boys Night Rider begins reeking havoc all around when they come for revenge. From here the story unfolds as Max is given reasons to seek revenge, and reasons to stay on the police force and stick to the status quo. This conflict eventually comes to a head and the story unfolds from here.

Here is the assessment of the film:

The Pros: The World – As much as the characters in this world are one beat and uninteresting and uncompelling…the world they come from is quite rich. From vehicles being the thing everyone needs and basis of power being number of vehicles makes the energy crisis feel real, as the more vehicles and gas…the more power you have. The government is powerless against the gang and government in name only as the world lives in true anarchy. This is the slow reveal over the film and the one thing I really liked about it.

Okay: Max – He has character I guess? When is son is killed and wife is killed he goes and gets revenge on Toecutter’s gang who had also killed his partner Goose earlier and raped two innocents. You get why he’s complacent as his family represents the ideal of safety that he is trying to hold onto. Eventually everything is too much though when he loses that and he snaps like everyone else around him. This isn’t a pro since it happens only at the very end and the structure is horrible in how they do it…I also never got his attachment to his family. They weren’t really characters. He succeeds in revenge and a franchise is set up as he drives off into the sunset. Honestly, “El Mariachi” did the action and revenge thing a lot better.

The Action – There are some good motorcycle and car fight scenes but that is about all the movie has going for it.

Goose – Max’s partner has some personality at least, he’s sensitive (helps comfort a victim of Toecutter’s gang the Acolytes) and also has suave, arrogant charm. When he dies it is one of the few character moments in the film since Johnny Boy is now regretting his quest for revenge. This comes out of nowhere though as well as Goose just taking off on his motorcycle which leads to them trapping him. At least this character was a little fleshed out at least.

The Acolytes – They aren’t great antagonists as I never understood their motivation and what drove them to insanity and destroying of peoples’ lives…but they at least felt like a threat, so I’m putting them in the okay. Toecutter does feel foreboding in every scene he’s in.

May – We don’t get to know her character but she tries defending Jessie and Jessie’s son from the Acolytes with a shotgun. Her moment with the shotgun is pretty cool, but she doesn’t really feel like a character.

The Cons: No Strong Women – Every woman who fights back gets killed, there is a rape…women exist as perpetual victims in this and that isn’t fair. It’s giving the heroes the most basic of motivations and taking away the times they do stand up for themselves…for example Jessie knees Toecutter in the groin, sadly minutes later and he and his gang mow her down and she’s left in a coma. Even May with the shotgun is powerless and the only one who apparently knows how to do it is Max but all Max does is stare angrily and do things that anyone can do (burning Johnny Boy alive, getting the car with the powerful engine and running down the Acolytes). Why even have female characters if they only function as props? That really annoyed me and it brought down an already weak story.

       I would not recommend this movie. I know it’s a classic and some people love it…but I don’t care about Max or any of the characters because we mostly see them doing one of two actions – killing or running. That isn’t enough to get to know a character so they in the end only function as tropes…from the cop out for revenge (which Gibson would do better later), the damsel in distress (every female character for the most part), the mindless bullies (the Acolytes) and the corrupt leaders (the politician and police chief who do nothing but allow Johnny Boy out). “Snowpiercer” was depressing and had a larger point and gave every character their due…this had no point beyond destroying one-dimensional baddies and having the “Good” cop go “Bad.” That’s it.

Final Score: 3 / 10. Stupid action in an interesting  world is entertaining but not enough to carry this script. This is one of the worst films I’ve seen in a while.