Category Archives: Sci. Fi. Films

Black Panther (2018): Seeking Justice in a Broken World

       “Black Panther” is easily one of my Top 5 favorite MCU films. This is a film that expands on the lore of the MCU, has great characters with amazing arcs, some of the best action and villains in any Marvel film. It also explores deeper themes of resistance and sovereignty adding up to a movie that is well worth your time.

The film was directed by Ryan Coogler who co-wrote it with Joe Robert Cole and produced by Kevin Feige.

The story involves T’Challa (Chadwick Boseman), after “Captain America: Civil War,” as he takes the mantle as King of Wakanda but suddenly finds his world transformed as an enemy from Wakanda’s past upsets the status quo they’ve known for so long. This forces him and his allies to confront the past and what the choices they make will mean for Wakanda’s future.

SPOILERS Ahead

The Pros:

Wakanda – Wakanda is such a cool country. This is a Afro-Futuristic nation with advanced technology, hidden by a cloaking device that intermixes ancient tradition with tech. Wakandans are ruled by the King and a Tribal Council whose upholding of tradition drives the primary conflict in the shaping of Wakanda’s future. Each tribe differs in ideology, whether it is defending the King, the Border or trade. This world is rich and fully realized, each tribe is distinct and I wanted to know more about their histories in the foundation and development of Wakanda.

The Characters – The characters are definitely one of the most enjoyable parts of this great film, with Boseman once again killing it as T’Challa. Whitiker is fantastic as the Tribal Shaman whose history is intertwined with Wakanda’s past sins. The other minor characters, like the tribal leader W’Kabi, also have intriguing performances as well. In many cases it is these characters prideful choices that drive the conflict that T’Challa must untangle. Below, I’m going to explore some of my favorite characters of the film, as it was who they were that drew me into the story the most.

Okoye – Okoye, played by Danai Gurira, is Wakanda’s General and she owns this role. Not only does she one of the major focuses is some breathtaking actions scenes every action scenes, we see how important her role is for her as at one point following tradition has her on the opposite side of some of our heroes. She serves the Crown and Wakanda, and that is a complicated dance when T’Challa is believed dead and the sociopath Killmonger is now King of Wakanda. I can’t wait to see more of her in future films.

Shuri – Shuri is the Princess of Wakanda and T’Challa’s sister. She is one of the most intelligent characters in the MCU, as she is the inventor of the advanced technology of Wakanda, she is very much the Tony Stark of Wakanda.  Like Stark, she doesn’t care about tradition and is far more invested in the relationships around her and the beauty of discovery and invention. She has some great scenes, and like Okoye, she was one of the main reasons to see this film. 

Ulysses Klaue – Andy Serkis has a lot of fun as the weapons merchant who is almost Joker-like in how little he cares about anything. This is a guy who is selfish, and racist, and every reason why Wakanda is isolationist. He is an insane character and his chaotic and manipulative nature leads to some explosive conflict in the first act of the film. It is also great to see Serkis in anything. 

Killmonger – Michael B. Jordan’s Killmonger might be one of Marvel’s most complicated villains. This is a boy who grew up homeless in Oakland when T’Challa’s father kills his father, who was connected to the royal family through blood. He is driven by revenge from this moment on, but also by a desire to help the oppressed, driven by all he has lost. Killmonger is also a complete sociopath (his body is covered in self-inflicted scars for every person he has killed), but that doesn’t stop him from being complex. You can see where he is coming from, even if his way of going about it is all wrong.

Isolationism and its Consequences – The main idea explored is isolationism and the consequences of it is the main theme of the movie. T’Challa’s father commits a grave sin to keep Wakanda hidden from the rest of the world and it is up to T’Challa to face the consequences of his father’s sins. As Killmonger reminds T’Challa there are Africans both on the continent and in the world that Wakanda left behind. Wakanda let great evils like slavery, apartheid and countless other atrocities take place, when they could have done something to fight it. The primary conflict within Wakanda is to become an Empire to help oppressed groups (Killmonger’s vision), or stay hidden and protect Wakandan technology from those who would use it for ill (T’Challa’s father’s vision). T’Challa’s arc is finding that balance between perspectives and owning the mistakes of the past…and it is beautifully executed.

Okay:

Final Fight -The final fight is fine but compared to the rest of the film comes off as weak, especially in regards to the relationship between Okoye and W’Kabi. The emotional setup earlier in the film does not add up to the payoff during this fight, and so much more could have been done with some of the locations.

Okoye and W’Kabi – These two are star-crossed lovers who are on opposite sides and leaders of their tribes. I wanted more with both of them as they are both great actors, but we never got to see them in love, it is only ever given to us through exposition. Fully fleshing out their relationship could have given us the perfect film. 

This is a film that had the Marvel problem only in that Act 3 was still a battle, and there were some plot holes that I wish had been expanded upon. Regardless, this is a film that is deserving of all the hype and praise it has been receiving. It really is that good and I can’t wait to see what else they do with T’Challa and the Wakandans in later films. This film has social awareness you don’t always get in action films and at the core it seeks justice in a broken world.

Final Score: 9.7 / 10 One of my favorite films of the Marvel Cinematic Universe.

If you noticed something different about this review it is because I am now working with an editor! He is friend Brandon Cabusas and you can find him on instagram @brandoncabusas. If you need editing work, you should check him out.

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The Shape of Water (2017): A Transcendent Romantic Fairy Tale

   “The Shape of Water” might end up being my favorite film of the year. This is a film that is beautifully told and reminds me of “Beauty and the Beast,” meets “Amelie” but with so much more going on than either of those stories. This is a film where every character, whether minor or major matters and out of it we get a compelling love story that is so much more. This is a story about characters who aren’t given a voice (both literally and metaphorically) finding their voice and from there, a level of transcendence or change within themselves or their situation. The cast was wonderfully done and for my non-spoiler thoughts…I can’t wait to watch it again. This is easily one of Guillermo del Toro’s best work, and given that he was co-writer and co-producer as well as the director, this story was clearly his vision and it is beautiful. Seriously, check this film out if you get the chance.

The film was directed, co-wrote and co-produced Guillermo del Toro, co-written by Vanessa Taylor and co-produced with J. Miles Dale.

The story follows Elisa (Sally Hawkins), a mute woman who works at a secret government agency with her friend Zelda (Octavia Spencer) and sharing an apartment with her closeted friend Giles (Richard Jenkins). Her world is soon changed when a government agent Colonel Richard Strickland (Michael Shannon) brings in a mysterious “asset,” a creature who changes Elisa’s life forever.

SPOILERS ahead

The Pros: The World – The world is that of the 1950’s of the United States but with fairy tale, fantasy and sci. fi. elements…both in how the story is presented and the amphibian man being so central to the plot, as well as the abilities he has. It is also a world full of twists since spies and government agents inhabit this cold world universe and the secret lab where most of the action takes place.

The Characters – The characters are the best part of this film. From Octavia Spencer’s Zelda, who is Elisa’s translator and calls out how bad their situation is (as the help no one notices or cares about them, just takes them for granted), Giles, who understands Elisa’s love for the creature and helps protect them and both rescue the creature from the lab and getting them both the docks. He is the narrator. Michael Shannon’s Colonel is unhinged and broken and is sympathetic in that, even though he never stops being a threat and monster. Elisa’s and the creature’s romance drives the story and it is awesome. I loved how confident Elisa is in her sexuality and her attachment to the creature as well as the creature’s humanity slowly being revealed as he opens up to her. Doug Jones once again owns this alien type role he is in. I can’t wait to buy this movie when it comes out.

The Soundtrack and Cinematography – The soundtrack has a fairy tale and jazz feel to it, intermixed with this dark foreboding when we are at the lab and the Colonel is on screen. The cinematography is amazing too, it reminded me of “Amelie” with the use of color contrasts but focusing in on Elisa’s perspective. Alexandre Desplat did a great job on the soundtrack and I loved Dan Laustsen’s cinematography.

The Romance – The romance is the main drive of the story and it is beautifully done. It starts with Elisa and the creature touching hands separated by glass, to her leaving him eggs, to eating in his area with him and teaching him sign language…to his rescue and eventually having to let him go as he dies not being in the salt water but has given Giles back his hair and healed a wound he caused on Giles accidentally. The romance is the core of the film and because it illustrates different aspects of the characters and the world they inhabit.

Surrealism and Fairy Tales – The Fairy Tale element is revealed most profoundly in the opening shot where Giles is giving the premise of a monster who turned two lovers’ world upside down…as we see a drowned how with Elisa floating, as if sleeping in the water. There is other imagery like this that gives the film a surrealist element and from that the fairy tale elements of the love story are given more power in their presentation. I love stories like this (“One-Hundred Years of Solitude, most Haruki Murakami, etc.) and this is one of the best presentations of this type of story.

Fighting Adversity and the Voice of the Voiceless – This is a film about giving voice to the voiceless in both the literal sense (our heroes being a mute and an amphibian creature who cannot speak), Zelda, who is black lady with an oppressive husband and Giles being in the closet and kept out from the wealth he once bad before as the marketing world just sees him as a has been. Each of them are trapped (the monster) or oppressed in different ways in a society that ignores them and it is the rescuing and finally freeing of the monster that Zelda finally speaks up against her husband and calls the cops on the Colonel, Giles fights and defends the monster and Elisa and Elisa transcends as she sacrifices herself to save the creature and her cuts she received as a baby are turned into gills, she is reborn by the creature and free to be with the creature, something that would have never been possible before. It is also her drive that helps the others to change their lives too, as she is directly fighting to system by freeing their “asset.”

Okay: First Act Goes a Little Long – The only real criticism I could find with the film is the first third of the film does go on a little long, but it picks up the moment the rescue plan is put into action by Elisa and after that, it doesn’t stop…and it does a good job setting up the world so I can’t put it is a con.

I highly recommend “The Shape of Water.” This film is going to make my Top 5 films of 2017 and if you are looking for a film where you will notice more each time around, as well simply enjoying a beautiful fairy tale that gives voice to the voiceless and has wonderfully compelling characters, who each get full arcs. I cared about where each their arcs were going, even the villain as no one was as simple as they first appeared to be. The film was all about layers and reveals, both in the nature of the characters and the creature and the payoff of their arcs. Check this film out, if you haven’t yet. Guillermo del Toro has done it again and I can’t wait to see what masterpiece he makes next.

Final Score: 10 / 10

Star Wars Episode VIII: The Last Jedi (2017) – An Amazing Subversion of Expectations

   “The Last Jedi” is my second favorite Star Wars film. This is a series that is second only to “The Empire Strikes Back,” and in many ways has greater depth even though the structure of this film is a bit of a mess. What this film does though is upset the status quo, delve into the reasons the First Order and Resistance have for even existing in the first place and also a much deeper analysis of “The Force” that we haven’t really gotten since the Original Trilogy. Before I get into spoilers, this is a film with the best characters and themes thus far, amazing character development and emotional payoff, amazing action and it is easily the most beautiful of all the Star Wars films. Seriously, check it out.

The film was directed and written by Rian Johnson while being produced by Kathleen Kennedy and Ram Bergman.

The story involves the Resistance attempting to escape from the First Order who are attacking them after the destruction of Starkiller Base, while Rey is seeking Luke’s help in their fight. Things soon get more complicated when the First Order executes a trap that forces members the Resistance to seek outside help  to escape the First Order trap, and a clash within the Resistance itself between Poe and Vice-Admiral Holdo after General Leia is incapacitated.

SPOILERS

The Pros: The Cinematography – This is visually the best looking of any film in the Star Wars franchise. Whether it is the filming of fight sequences in space or within a ship…the camera executes the action beautifully and each planet was somewhere I wanted to return back to after it was done.

The Universe – This Star Wars has quite a few different environments and animals. From the adorable porgs, to crystal foxes, to the salt world of Crait, Luke’s Island and Snoke’s Flagship and a Casino World. I was never bored because there was always more to see as each environment was so rich.

The Reason for Resistance – One of the major themes of the film is the reasons to resist. We see this as a class struggle in regards to oppression through the eyes of kids and Rose, a character we are introduced in this film…and also that personal identity is a huge role too and that finding the balance between them is important. Poe is driven by ego and glory for much of what he does but comes to see that it is bigger than each fight, the war is larger than any one person as the individuals and groups define what it means to resist, just as much as if not more than the personal reasons to fight.

The Cost of War – So many people die in this film. There are lots of heroic sacrifices, but also the people who are being oppressed by those profiting from the war, the deaths of so many soldiers on both sides who die. You feel that in this and it does a good job humanizing both the Resistance and the First Order. War is hell and sometimes no one wins, this film captures that theme beautifully.

The Characters – The characters are the best part of this film. This film is all about relationships between characters, be it Leia and Poe, Rose and Finn, Kylo and Rey or Luke and Rey. Each relationship gets developed over the course of the film and reveals layers to the characters that didn’t exist in “The Force Awakens.”

Vice Admiral Holdo – Holdo is a character who has got a lot of crap from the fanbase, but she was one of my favorite characters in the film. She was respected for winning in the past but Poe doesn’t get that. She is presented as an antagonist through a good portion of the film, and the payoff of who she actually is and what she is doing is great.

Rose and Finn – It is through these characters that we get to see another face of the Resistance and why they fight. Finn is originally a part because of his friends and is even willing to leave in order to protect Rey but Rose reminds him of the bigger picture and that at the core they exist to fight oppression. It is handled on the casino world and seeing their friendship bloom was one of the more memorable parts of this film.

Master Luke Skywalker – Luke is done with everything. Like before in the Original Trilogy guilt defines him and it is mistake that helped lead to Kylo Ren’s creation and that guilt is something he carries with him and resists until the end. He is wanting to destroy the Jedi order and die as the last Jedi until Rey helps him realize there is so much more that he’s forgotten and that he can still make a difference and change things. Mark Hamill is fantastic.

General Leia Organa – I miss Carrie Fisher. It was great seeing her in this, her whole drive is survival and protecting the Resistance from the First Order. She is the mentor who is there to remind the young folks there is a time and place for glory but you have to work to keep everyone alive, or there won’t be anyone else left to fight. This was my favorite presentation of her besides “Empire Strikes Back” and I’ll miss her in these films, now that she’s gone.

Rey and Kylo Ren – One of the core relationships is that between Kylo and Rey both of who are alone and seeking more beyond the old order as so much of who they were was tied to the legends of the past. They are connected but still adversaries and it is great relationship to see explored as Ren becomes more confident and much more of a bully and Rey finds an identity outside of her parents and her expectations of Luke and the Jedi.

Subverting Expectations – If you go in expecting “The Empire Strikes Back” or another version of “Return of the Jedi” or “A New Hope” prepare to be surprised. This is a film where most things don’t work out for any characters. Things change, both in the First Order and the Resistance in regards to their identities…but it doesn’t repeat the cycle. We get away from The Ring Cycle a bit here and from that “Star Wars” seems to finally be developing it’s own identity outside of the past. We also see The Force not being tied to bloodlines and the fantasy feel of the past films and midichlorians are implied to no longer be a factor (Rey’s background and the last scene of the film). I loved that, this is no longer the Skywalker show, Star Wars has to be bigger than one family drama and I can’t wait to see where the series goes.

Everybody Loses – Poe finds out he was wrong, Rose and Finn get betrayed, Rey isn’t able to turn Kylo Ren and even the Resistance only barely survives. The First Order isn’t in great shape either after the events that take place and it is going to be transforming further or it will collapse. That is powerful and with it we see the most potential for change both within the Resistance and the First Order. They’ve lost too much to remain static.

Okay: Welcome to the Casino / Side Quest – This first point is related to the second point, there is a side plot on a casino world in order for Rose and Finn to get a code breaker in order to break onto Snokes’s ship so that they shutdown the Empire’s ability to track the Resistance’s fleet. It explores the meaning of the Resistance so I’m not putting it as a total negative but it could have been shorter and achieved the same purpose in the plot, and I would have traded a few Finn and Rose scenes for more scenes with the codebreaker played by Del Toro named DJ. He is fun.

Structure and Clutter – The greatest issue with this film for me was the structure and how cluttered some of the different plots are. It wasn’t bad, I saw this film twice but it does feel long during some of the side tangents. The overall story and themes greatly overwhelm this in quality though and it didn’t take away from my enjoyment of the film.

This is probably going to be in my Top 5 films at the end of the year. This is a film I’ve watched twice and is easily the most fun I’ve had at a film this year since “Baby Driver.” I can’t wait to see where things go after this film as it upsets so much of the status quo. I am a guy who loves the original Extended Universe and I always will, but I’m glad they didn’t repeat it (and I still enjoy it as another timeline of Star Wars). By the time of “The Force Awakens” I was done with the Skywalker drama, predictability will kill this franchise as so many of the problems that plagued the Prequels was the lazy recycling of the Original Trilogy. This film is strange, different, takes chances and changes things and honestly, it is the only way Star Wars can grow beyond the corner it was written in to. Here is to Disney embracing that change and giving us more great stories like this film.

Final Score: 9.8 / 10. Second best Star Wars film thus far.

 

Blade Runner (1982): A Beautiful Sci. Fi. Meditative Exploration of Justice and Identity

   “Blade Runner” is one of my favorite science fiction films of all time. It is also a film I had not seen for years until I saw that “Blade Runner 2049” was coming out. The last version I saw before this was “The Extended Cut” and in the future I plan on doing a comparison of all the different versions, but for purposes of this review, I’m just sticking with the original Theatrical Release. “Blade Runner” is a film that brings so much depth through ambiguity, it doesn’t tell you what to think or to believe but from character actions we can infer greater meanings and truth. This is where the film thrives and what I’ll be analyzing more fully in my review, as the larger ideas aren’t spelled out, they hinted at and let you put the pieces together.

The film was directed by Ridley Scott, written by Hampton Fancher and David Peoples and produced by Michael Deeley. The story is based off of the Philip K. Dick book, Do Androids Dream of Electric Sheep? Dick is an author whose books have been adapted into many of my favorite sci. fi. films.

The story takes place in a futuristic dystopic 2019 where the Tyrell Corporation has invented Replicants as slave labor to do dangerous jobs or the populace and government. They were given a short life span and for those that manage to escape, police known as Blade Runners hunt them down and “retire” them. This story picks up with four escaping to Earth and their attempts to infiltrate Tyrell Corp. as Deckard, a Blade Runner, hunts them down.

SPOILERS ahead

The Pros: The Universe – The Universe is easily the richest part of it all. This is a version of Earth that could happen. We have a crowded, dirty city full of adds and neon lights where the rich live above the sky and the poor live stacked on top of one another. This is also a world of indifference as watching a replicant get killed means nothing to the everyday people, just like what we see today with how people react to shootings and usually find it justified when an authority figure of some sort (police, military, etc.) is the one doing it.

The Replicants – The replicants who escape are the best part of this film. Whether it is Zhora just trying to live her life as a dancer and isn’t involved in the plots of the other 3. Leon and his desire for justice, especially after Deckard kills Zhora, Pris and curiosity and fun nature and Roy with his desire to understand and to live, a character who wants justice and to be fixed since he was made a slave and made to die. They were the best part of this film and I would’ve have watched a full length film about any of the 4. They were complex and weren’t bad beings, they were seeking freedom and justice in a world that only saw them as monsters and treated them as slaves…and they found meaning beyond that. They were so much more than how others saw them.

Human or Replicant Ambiguity in Deckard – One of the running themes of the film is what makes a person human and Deckard is used as that base, as many times it is hinted that he might be a replicant hunting his own people…as Rachel asks if he’s ever done the test and his avoidance of it shows there is more going on with him. The fact that Rachel is able to fool the Replicant test is a good example of this too and how Deckard could have been designed simply to kill. This ambiguity lends power to the narrative at it humanizes all of those in the world and shows just how unjust what Deckard does is.

Memories and Identity – Another theme that is explored is that of memories as they relate to identity. We see this when Leon is asked about his mother in the opening scene, as he knows he’s a replicant and the memory he’s been given is false and Rachel who believes her memories to be real and shares those memories as a way of getting to know Deckard. Even after she knows they are a lie they still shape her and how she relates to others, unlike Leon who’s actions come from knowing the lie and reacting to the present.

The Means of Justice – There are a few ways that justice happens in the film. Whether it is the Blade Runner Gaff, played by Edward James Olmos giving time for Deckard and Rachel to escape, or the killing of Tyrell by Roy. Tyrell didn’t care about his creations and upheld the system where they would be hunted down. Roy killing him is around the time that he finally finds freedom in what time he has left to live.

The Cons: Deckard, Rachel and Consent – The one con that keeps this film from being perfect is the scene after Rachel saves Deckard from Leon. She is troubled, doesn’t know who she is and Deckard just forces himself on her. If it isn’t rape it is the same kind of evil. I wanted Roy to kill Deckard after this as even though I think it showed that Deckard didn’t see Rachel as a person yet, it is never called out in that way and can only be inferred. Deckard never faces any consequences from Rachel from it and they still fall in love. I hated this scene and it is the one thing that keeps this film from perfection.

“Blade Runner” is a film that has had a lasting legacy and far reaching legacy on science fiction. It helped bring about some of my favorite shows like the new “Battlestar Galactica” as replicants and cylons are pretty similar, the dirty advanced sci. fi. futures of “Cowboy Bebop” and “Ghost in the Shell,” and countless other works that explore self, personhood and greater themes. I’ll be exploring “Blade Runner 2049” after this but I wanted to go back to this classic first. If you haven’t seen it, I highly recommend it. This film is a work of genius and if you are a fan of sci. fi. you will most likely enjoy this film as much as I did.

Final Score: 9.6 / 10

 

What Happened to Monday (2017): An Amazing Sci. Fi. Thriller That Explores Identity and Human Value

  “What Happened to Monday” is the type of dystopian Science Fiction that I love. It feels like a Philip K. Dick novel, which has lead to some of my favorite films adapted from his work…from “Blade Runner,” “Minority Report” and the original “Total Recall.” The films give us future tech. but also a world that is fascist and dehumanizes it’s population in some way, this film is cut from that same cloth and is executed so well it has become one of my favorites.

The film was directed by Tommy Wirkola, written by Max Botkin and Kerry Williamson and produced by Raffaella De Laurentiis, Fabrice Gianfermi and Philippe Rousselot.

The story takes place in a overcrowded, polluted dystopian future where families can only have one child. When Karen Settman (Noomi Rapace who also plays her daughters) has 7 identical twins her Grandfather Terrance (Willem Dafoe) hides their existence by having them adopt their mother’s identity and pretending to be one person. When Monday goes missing years later it is up to her sister’s to solve the mystery and keep their secret safe.

The Pros: Self and Identity – One of the major themes that the film explores is the issue of identity, given that the 7 sisters have each adopted the identity of Karen Settman and can only be themselves when they are trapped in the house. This leads to some of them to fully embrace the idea of the character and believe they are them, forgetting the day of the week they are as each of them deals with it in different ways by either escaping (Tuesday is a druggy) or embracing their roles outside of the identity of Karen as we have the one always in training to protect and the tech. who is tracking all the events that happen in the search for Monday. Each of them express who they are in different ways and in the end we see how that connection to identity shapes the survivors as there are a few name changes at the end tied to the history of the characters.

Individualism, Collectivism and Human Value – The film starts out showing how global warming has been leading to mass destruction and starvation and the steps the government takes to make sure the overall human population can survive. This is most scene in the one child policy and how C.A.B. takes the siblings when that happens so that they are out of the competition for food. At one point Glenn Close’s character debates with one of the sisters on that very question and points out how if more people had been like their mother the world would be dead given the lack of food. This question is never fully answered and the fallout of the finale leaves things open as far as what will happen to humanity. Glenn Close’s character was a villain whose intentions were good but we see how in going collectivist it misses the point of the value of the individual contrasted with the beginning that showed how individualism taken to the extreme with no thought of the world and future lead to the dystopia in the first place. The film comes out on the side of individualism but given the opening, I believe it leaves things open enough as to what the future of this world and ours hold.

Okay: The 7 Sisters and the Danger of Stock Characters – Noomi Rapace is an amazing actress. We see her play 8 characters, each with different levels of depth. Honestly this film would have worked better as a show as a few of the sisters I couldn’t even place in regards to their motivation, they only existed as a stereotype (the tough woman, etc.) She did give a lot of depth to certain characters though, the greatest being Saturday, Friday. Monday and Tuesday. We can see where their conflict comes from too as Dafoe’s performance as their grandfather is amazing given he is willing to go any length to protect them (if one loses a finger, they all have to if they are continue playing the role of Karen Settman so suspicion will not occur) to keep the lie going, even though that leads to harm to them all and shows just how broken this world and he himself is. Each of the sisters carry that damage with them as well as carrying the lie of Karen Settman, the role each must play during their day of the week. The stock types make the reveal a little predictable at the end but it still managed to surprise me in other ways in regards to who lives and dies when the government is hunting them and in regards to what happened to Monday after she goes missing.

This is a film I highly recommend. I’m staying away from spoilers because it is an easy film to catch, as it is on Netflix currently. I was never bored during this film and the action and ideas kept me waiting to see what would happen next. I don’t know whether it will make my Top 5 at the end of the year, but it is certainly one of my favorite films. Dafoe and Rapace owned the roles they played and the ideas of identity and human value are explored so beautifully through the world and the sisters that I can’t help but recommend this film. This is an original and isn’t based off any prior property. I really want to see more sci. fi.’s of this level of quality in the future, that pull from themes and show the different costs of existence, society and identity.

Final Score: 9.6 / 10

 

Colossal (2017): An Amazing Exploration of Monsters as Metaphor

     “Colossal” is an amazing film. This is a film that has giant monsters, explores ideas of addiction and abuse through use of the monsters and has a great script and actors to go along with it. Hathaway is empathetic but also monstrous at times and Sudeikis’s Oscar is this constant threat through the film that lends power to the narrative.  All this is explored masterfully by Sedakis and Hathaway and Vigalondo’s script is so tight that it flows from scene to scene in exploring each scene and never feels bogged down with McCeary’s music to help better express these themes. I’m a fan of Monster and Kaiju films and this is my favorite type of these films since “Pacific Rim.”

     The film was directed and written by Nacho Vigalondo and produced by Nicolas Chartier, Zev Foreman, Dominac Rustam, Nahikari Ipiña and Shawn Williamson.

      The story involves Gloria (Anne Hathaway) getting kicked out of her boyfriend’s apartment in New York after her life of drinking and joblessness has come to a breaking point. Having nowhere to go she returns to her childhood home where her childhood friend Oscar (Jason Sudeikis) gets her a job at his bar. She soon realizes that the recent monster attacks in Seoul are from her as everytime she enters a playground the monster appears. From here she must deal with the consequences of becoming the monster while facing addiction and abuse.

SPOILERS ahead

The Pros: The Premise – The premise is powerful as the idea of someone controlling a monster when they enter a certain area is really neat as it allows for human psyche to be explored. The monster works as metaphor and lends power to the themes of addiction, abuse and going from selfish to selfless.

An Exploration of Abuse and Recovery – The main arc is Gloria getting over her alcohol addiction when she’s kicked out of her apartment in NY and returns to her childhood home where she reconnects with a childhood friend who starts gas-lighting her (as he does his other friends). It comes to a head when she realizes that in the park she becomes a monster and begins getting her life back on track when she realizes her drinking and walking through the park is killing people. As she realizes how toxic her boss is she tries to leave but he finds that he becomes a giant robot in South Korea so begins destroying Seoul or threatening too if she leaves the town. At this point she’s over her addiction and now it it getting rid of an abuser which she does by leaving to South Korea and in doing her Monster appears in the small town and throws him away, ending his threat and in turn she finally has freedom as she has cut out the addiction and stopped the abuse.

 Okay: The Location of the Monsters – Narratively it honestly would have made more sense for the Monsters to be fighting in NY since that is where Gloria leaves from when she is causing a lot of damage to those around her when she leaves. Because the location is South Korea we don’t get the perspectives of any of the South Koreans unlike traditional Kaiju movies where the people in the location are the ones who drive the plot and story. It was still okay as her going to South Korea was powerful and underspoken, no one knew she was the Monster so to the people of it was very much it’s own thing (she never gets credit for being the monster outside of her small friend group), a being in and of itself not being controlled but acting as a protector. If she’d been Korean it would have made more sense that the Monster was located there…instead her only connection is a school project to honor South Korea where her and Oscar get their powers. Again, it wasn’t bad but it still could have been better. She’s from NY so put the Monsters in NY or have her be Korean so we can get the perspective of the people there outside of news reports…and so it makes what is happening even more personal.

     As I said before, this is the best monster film I’ve watched since “Pacific Rim.” This is a film that is intelligent, explores big ideas and has really rich and flawed characters. The villain feels like a threat and someone you’d meet in real life and even my one issue with film is more of a nitpick, which really comes with being a critic. Go and check this film out if you have the chance. I saw it at Salem Cinema, the indie art house in my town, so that is probably your best bet for catching it…though if it becomes popular it will no doubt get the wider release it deserves. I highly recommend this film and hope we see more smart films like this in the future as this is easily one of my favorite films to come out this year.

Final Score: 9.7 / 10

Guardians of the Galaxy Vol. 2 (2017): The Greatness of These Characters

 “Guardians of the Galaxy Vol. 2” is on par with the first film, being it is once again comedic, dramatic and character greatness executed beautifully by James Gunn once again. For my non-spoiler thoughts…this film goes deeper into developing the characters, the action is solid and for once Marvel has a great villain in one of these films! I highly recommend this film and won’t be surprised if it ends up being in my Top 5 Films of 2017.

    The film was written and directed by James Gunn, while being produced by Kevin Feige.

  The story picks up a few months after the first film, with the Guardians protecting the Sovereign’s batteries, which are being targeted by a giant space creature. After the battle they receive Nebula as payment but soon find themselves being pursued by the Sovereign after Rocket steals their batteries after insulting them. After the battle the team is separated as Rocket and Baby Groot deal with the Ravagers, Gamora and Nebula face off and Peter meets his Father.

SPOILERS ahead

The Pros: The World – The world is wonderful and fascinating once again! We get to see the Ravager homeworld where they take up contracts and have fun, we meet the high strung Sovereign driven by genetic perfection and Ego, a being who is a living planet who wants to consume the Universe and cares about his son Quill. Each of these groups gets exploration that shows part of the reason why this is the best part of the Marvel Cinematic Universe.

The Soundtrack – Tyler Bates did the soundtrack and we once again get some amazing hits that are masterfully woven into the fights, the character interactions and the tone and feeling of different scenes. I think the first film used the songs and feel slightly better, but this was still a blast.

The Action – The action is amazing! In this we see  smaller fights to clever traps laid by Rocket, to a giant faceoff with the Guardians facing Ego and the Sovereign. It is a lot of fun and the action serves a purpose as any time we get it it is advancing the plot.

The Characters and Their Arcs – James Gunn is a great writer and it is fully on display in this film as it is the character and their arcs and relationships that drive the action and story of the film. He is dealing with a lot of different character groups this time, but each of them has a huge emotional payoff in the end.

Drax and Mantis – Drax meets Mantis, who is Ego’s assistant who helps him sleep. She senses emotion and it is in their relationship we see her learn about the complexity of feelings as well as Drax finally opening up as we see his jokes hide how much he misses his wife and daughter. Their friendship is wonderful and platonic and has some of the best jokes.

Nebula and Gamora – Nebula and Gamora’s arc involves them opening up about the trauma Thanos put them through (we learn Nebula was torn apart and had her body replaced by machine parts every time she lost a fight to Gamora). In the end they forgive each other and realize they aren’t the enemy, Thanos is and from that they truly become sisters rather than weapons of Thanos.

Rocket and Yondu – Rocket and Yondu were outcasts who grew up with no one. Yondu was a Kree Slave who was rescued by a Ravager captain and in turn became one as well (until he loses it all over the course of the film) and Rocket is pushing everyone away until Yondu calls him out, letting him know it isn’t worth it and that he gets it too (what he only realizes after he’s lost everything). This arc was powerful as we see how rich their friendship is because of all they’ve lost and their devil may care attitude towards life. These two are my favorite characters in the Marvel Cinematic Universe Films and possibly the MCU as a whole.

Peter and Ego – Peter really wants a father and learning Ego is his father is what he always wanted…until he realizes that Ego only cares about him as a means to an end. This leads to their fight as Peter gets beyond his need to be loved and accepts the love that he already has from the Guardians and Yondu an rejects the absolute power at that Ego is offering.

Ego – Ego is a Celestial and because of this is eternal and immortal. It is from this mindset that he came to the realization that he matters the most so all should become him. You can see where he comes from as he has outlived countless lives and species, but also how he misses the point that all life matters. He clearly cares for Peter but that is because Peter is a part of him. Like his name Ego never sees beyond his Ego and that is what leads to his destruction. If he valued others he would have lived and most likely become an ally or a powerful neutral force, instead he wanted it all and that was what lead to his destruction. Kurt Russell does an amazing performance, putting Ego as one of the best villains in the MCU.

Yondu and the Ravagers – Yondu’s main arc begins when the other Ravagers reject him for the child trafficking he was doing for Ego. His exile leads to him being taken out by Nebula who helps a rival among Yondu’s crew named Ravager take control of the ship and leads to the capture of Baby Groot and Rocket. In the end Yondu takes responsibility and we see him take the fight to the monster that is Ego and that he stopped trafficking once he realized that Ego was killing them (this is when he takes on Quill). In the end he realizes that he can’t atone for what he’s done and stands with the Guardians Ego, sacrificing himself to save Peter, his son, which leads to the Ravagers giving him a Ravager funeral and accepting him back in and honoring him in his death. Rooker really is fantastic.

Family is Greater Than Blood – Family being greater than blood is the main theme of the film besides letting go of the ego. We see this in how Yondu is the father that Peter’s actual father never was and that the Guardians are family with one another…they fight with each other but in the end they always have each other’s backs.

The Killing of the Ego – This idea functions as both a metaphor (Peter letting go of his need to please his Dad and his forgiving of Yondu) and Yondu losing everything but finding what matters moist…Quill and the Guardians…he finds family after his old family…the Ravager Captains exile him…Though he gets them in the end too as they find him redeemed in his fight where he helped defeat Ego and saved the Guardians. Ego is the antagonist and wants the Universe to be him and for a while this appeals to Quill when he sees eternity, until he realizes that it was Ego’s selfishness that lead to Ego killing his Mother which sets off the fight against him and saving the Universe again.

Okay: Some Actions Sequences Go Too Long – The final fight against Ego could have been cut in half and still had the same power behind it. I didn’t care about the Sovereign arriving and felt that they were unnecessary. The best parts of the fight were the times that Ego was trying to sway Peter, when that wasn’t happening it looked cool, but the action stretched on too long for me to call it a pro.

Slow Down Shots – There a few times in the film where the action slows down to near standstill. I found this super distracting from the flow of the action that blended seamlessly with the music, with the exception of these sequences.

Motivation of the Sovereign – I get that these guys are easily insulted, but I was surprised they didn’t call up the Guardians first and attack only after Rocket would have most likely insulted them again. In this way they were way too reactive. They still worked as secondary antagonists but they weren’t as compelling as the Ravagers because of their motivation.

  This is a film that I highly recommend. This is where the Marvel Cinematic Universe remains fun and for once we get a story that has nothing to do with Infinity Stones, which in turn leads to us getting time to get to know the characters better. We also have a villain with motivations and a connection to our heroes that matters, and he feels like an actual threat as well as loss and character payoff that comes with a rocking soundtrack. As a side note, my friend was in one of the scenes at the end as one of the Ravager Captains bodyguards/lieutenants! I hope they do more with those Captains and their crew in Volume 3! I really enjoyed this film and it is definitely on par with the first “Guardians of the Galaxy,” Which is rare in Marvel Movies as often their sequels aren’t as strong as the originals. So if you haven’t watched this film yet, I highly recommend that you do.

Final Score: 9.6 / 10