Top 5 Episodes in “Love, Death & Robots” Season 1

انمي Love Death and Robots الموسم 1 مترجم الحلقة 13 - هلال ...

     “Love, Death & Robots” is an amazing Sci. Fi. Anthology show on Netflix. It is original and the basic concept is original and adapted science fiction short stories are done by different animators and often times adapted from stories from known sci. fi. writers. It is a beautiful anthology and tackles a lot of the popular concepts of time, personhood, self, identity, meaning, etc. that the best sci. fi. stories cover. The series overall is great, with 18 total episodes. There were some okay and good episodes too, which was why I chose this format. The great stories stand out and are the ones I want to talk about. If you are a fan of science fiction and fantasy or great animation, this is a Netflix original show, well worth your time.

The series was created by Tim Miller, with himself, Joshua Doden, David Fincher and Jennifer Miller as producers.

In my episode reviews I will attributing the author who inspired each story if there is one. This is partially because I want to go back and read the stories, especially since I know some of these folks from other works and want to give them credit for inspiring such an amazing show. I also won’t be giving scores this time around. Each of these stories are worlds I’d like to return to, and I feel like I can’t judge a short story in this case, the way I’d judge a movie or a full episode of a show. I also can’t wait to read them.

SPOILERS ahead. I’ll try not to give away too much, but sometimes I will have to mention what makes the story work, which in short stories is often the reveal, which is what these are.

Don't miss these six 'Love, Death, & Robots' shorts

5th) “Good Hunting”

Episode 8, based on story by Ken Liu.

“Good Hunting” is a sad, beautiful and intriguing story that also has a sense of justice in the end. It takes place in an alternate universe where Britain conquers and turns China into a steampunk Colony. The animation is like a painting or a classic anime and I wanted to be more in this world, simply from the animation alone. It really sets the scene of China, really well. Before all this the main story involves a boy who hunts shapeshifters with his father and saves the daughter of the shapeshifter his father is hunting. They become friends and he becomes an engineer and she becomes a prostitute in the conquered China under British Rule. Both of them experience change in who they are and they talk about it together. They weren’t who they were as kids and colonization has changed not just the country but each of them. It has built the son up in regards to his engineering even though he is broken and she is torn apart. Thankfully justice happens, but so much pain happens inbetween. This is a sorrowful story, where the only bright light is the friendship between the son and the shapeshifter’s daughter. I loved it though, this story has things to stay against Imperialism, sexism and the nature of self. I can’t wait to read more of Ken Liu’s work as I loved his translation of the novel “The Three Body Problem,” by Liu Cixin. This story has that same kind of depth, which is why it made my Top 5 of the season, beyond the tragic compelling characters.

Love, Death And Robots: The Witness: Ending Explained ...

4th) “The Witness”

Episode 3, written by Alberto Mielgo.

“The Witness” was written by it’s director Alberto Mielgo and this was a story that grew on me the more I thought about it. The basic premise is two individuals caught in a time loop. Whenever one kills the other, the cycle starts over again. The dreamlike nature portrayed in the colors in the art contributes to the experience. This feels like the mixture between reality and a dream, which contributes to the point of the story. It is hard to talk about it without spoiling it because the whole premise is what makes it compelling beyond the “Blade Runner” inspired world. I could have easily spent more time here. We never get to know the characters beyond the desperation, but they are characters born out of their environment. The constant rush and tension is illustrated in the events that happen in the loop and it was impossible to pull away. I’d really like to see what else Mielgo is capable of writing. This was a great start and his world is full of untapped potential for future tales.

3rd) “Beyond the Aquila Rift”

Episode 7, based on story by Alastair Reynolds.

“Beyond the Aquila Rift” was a story that almost scored lower because it repeats a song it plays in the middle of the episode. This made it feel like a musical to me, but the basic premise won in the end, especially when coupled with the almost real animation. What does it mean for an alien to care for another completely alien to it? This basic premise defines the relationship between our protagonist and the form the alien takes as a past lover to relate to him and to give him happiness, as he is in a place he cannot return from. What sold it for me, beyond this basic premise is how the reality of where he is looks like a hellscape. The tone here completely changes and suddenly the aliens good intentions don’t feel so benign, especially since one of the crew members once awakened sees past the illusion of her form. We never know her or it’s intentions though. That is why this works so well. He could be in bliss as she feeds off him to trap more people (she also looks like a spider in her true form, which adds to this) but they might have really gotten lost and truly can’t back, in which case it is giving empathy and caring in the only way it knows how and it easing suffering. This complexity is truly why this story works in the end.

Spoiler Free Review of ‘Love, Death, and Robots: Sonnies ...

2nd) “Sonnie’s Edge”

Episode 1, based on story by Peter F. Hamilton.

“Sonnie’s Edge” is a story that is all about the twist, but it is a really good one. This takes place in a world where humans control monsters to fight each other and from it win money and fame. When Sonnie is asked to throw the game, she refuses leading to them targeting her. In the end they succeed when she takes a liking to the lover of the man who wants them to throw the game. What they don’t realize is (and I’m not sure if her crew know it or not, since we are never shown) is that Sonnie is really the monster. She is the beast in the pits always fighting for her life and the human is just her robot avatar. For me the questions that it sparked were the intelligence of the monsters (given she manipulated things to win in the end) and what that means for others like her. A lot could happen in this world, especially since at least her species is capable of controlling A.I. and making friends with humans. All this leads to her getting revenge against the people who wanted to kill her (they kill her robot avatar) and her implied escape. It is beautifully done and the reveal is perfect. The designs of the monsters are also worth commenting on. They look like Kaiju from “Pacific Rim” and it gives them a distinct character and threat.

Love, Death & Robots Episode 14: Zima Blue Ending ...

1st) “Zima Blue”

Episode 14, based on story by Alastair Reynolds.

What is the purpose of life? What is meaning? This is the core question that this story asks as we learn about Zima through the eyes of a journalist. It is in this episode he tells his story as we learn he was once an early A.I. who ever countless years developed intelligence leading to him becoming the greatest artist in the world. it is fascinating how the reveal happens as the A.I. is risking everything for purpose and meaning. The final twist is a gut punch in that it wants to return to it’s original purpose in the end. The original robot was made for cleaning a pool and the symbol of the blue that kept popping up in the complex art of the universe was this robot only find peace in the simple desire to clean the pool and tiles to look like that color. As someone who loves philosophy and finds the importance of living to be a prime question, this episode is sci. fi. at it’s best. It takes that question beyond survival, love or horror (which many of the stories have above) and breaking it down to it’s base parts. Which in this instance is an immortal person with so much knowledge, returning to the basic knowledge of cleaning a pool. It is profound and it supposed to make you question. Beyond that the art is like Zima’s paintings and and fits the narrative so well. I’m looking forward to checking out Reynolds’s work. He is on this list twice and this story is truly a magnum opus.

I’m going to say it one last time. If you are a sci. fi. fan, check out “Love, Death & Robots.” It is easily one of the best things on Netflix right now and I really hope it gets renewed, so we can see more stories brought to life.

Anon (2018): A Concept That Nearly Pays off

        “Anon” is very much a Philip K. Dick book. This was a man who had great sci. fi. ideas but you never cared about his characters in the end. The adaptations I’ve read have always been better in their adaptation (“Minority Report” and “Blade Runner” as prime examples). He just didn’t get people or empathy, and this film has that exact problem. I’ll get more into that later but I think most of the problem lies in execution. This was a Netflix original with a great main cast, but that wasn’t enough to make it anything more than enjoyable.

The film was directed by Andrew Niccol who also wrote the film and was one of the producers. This is really his vision at the end of the day, and it’s a start. I really wish there’d been more though.

The story follows Sal (Clive Owen) a divorcee dealing with feeling for his ex-wife and a mystery of false suicides. This is a future where all memories are recorded and all the past appear as hacked with the only connection being “The Girl” (Amanda Seyfried). From here he must find out who she is as she murders people connected to her past.

SPOILERS ahead

The Pros:

The World – A world where your memories are recorded. It is very much “Minority Report” in idea and feels like a Philip K. Dick novel. I like it, he created interesting worlds that would drive anyone to paranoia as it did him, and that is something worth exploring. Who wouldn’t want to revisit their past memories clearly? If you have the good memories of the past, why would you leave that up to a dying mind? This core idea is what makes the film work, and is really the only thing that does. Like a Philip K. Dick novel, the world is far more interesting than how the protagonists are expressed.

The Main Characters – I like Sal and like “The Girl.” Both of them are driven to be better but consumed by past mistakes. They work, it is sad they weren’t in a better story as each of them could have changed this world or themselves in major ways that never happens. Each has charisma that the writer did not fully use. You have divorced Sal and his past trauma and you “The Girl” in deep with a corrupt world that she ends up having little control over. I still found the characters worth at least passively following. I guess, if you need an escape, it is worth it for Clive Owen and Amanda Seyfried.

Okay:

The Plot – The core mystery is alright. “The Girl” hacks peoples minds and makes them kill themselves and wipes all memory of her even being present. Who she is and Sal’s hunting her down with his agency is the premise. Within this Sal is divorced and has a drinking problem. I thought the plot was okay but it needed more. Sal’s trauma should have been explored more and in the end we never get to know “The Girl.” She doesn’t even have a name and even though the things she does are interesting, we never get deeper motivation.

Don’t go into this film expecting great, it isn’t. If you need a quick escape “Anon” might be your jam. The execution isn’t as nearly as good as the premise, but the cinematography and acting is enjoyable and it is a fun world, even though it needed a lot more fleshing out.

Final Score: 7 / 10

Upgrade (2018): An Amazing Sci. Fi. Thriller Worth Your Time

   “Upgrade” is a really great film. This is the kind of film that reminded me so much of “Ex Machina” as it deals with a similar exploration of Artificial Intelligence and what makes a person, which any story exploring personhood and identity is something I am always intrigued by. These are ideas that when pulled off well, lead to unforgettable films, and “Upgrade” does not disappoint.

The film was directed and written by Leigh Whannell. He’s written a lot of horror movies mostly, like the “Saw” Franchise and “Insidious.” This film certainly has horror elements but is more of a thriller.

The story follows Grey (Logan Marshall-Green) a stay at home mechanic. When his wife Asha (Melani Vellajo) is killed and he is paralyzed in a mysterious attack. After the attack his enigmatic CEO client Eron gives him STEM, an A.I. that makes it so he can walk again also can communicate with him. With new drive he seeks out those responsible for the killing of his wife.

SPOILERS ahead

The Pros:

The World – The world is a sci. fi. future where there are self driving cars and areas of extreme tech. advancement and desolate poverty, such as where Grey grew up. The world is fascinating and it is a believable place where the plot that goes down would happen. The through line of wonder and desperation makes the world real and I would watch another story told in this universe.

The Lighting / Cinematography – Part of what brings this world to light is the cinematography. This is a film that uses light really well. There is a red tinge pver everything and when they are in the poorer areas of town everything is draped in darkness. These things do a great job at racking up the tension and isolating Grey. The use of red and black express the isolation beautifully and that is part of what makes the film’s presentation work.

The Plot – The plot revolves around Grey hunting down his wife’s killer and the mystery with that as he learns to work with an A.I. that he lets control his body in life and death scenarios. There are some dark twists as each new reveal shows that there was another manipulation going on, leading up to the final reveal. All is not as it seems and this film is figuring out just how many betrayals are in store for Grey.

The Reveal – STEM is the bad guy and wins. STEM wanted to become human so it created the circumstances where Grey would accept taking it in and in the end takes control of Grey’s body and mind and kills the CEO who created it, preventing another STEM from being born. It is a dark, powerful and fascinating story.

Okay:

The Wife and CEO / Supporting Cast – The supporting cast is okay but I felt like the wife, CEO and gangster who killed the wife could have done with more exploration. They are plot mechanics in the end for the advancement of STEM’s self-actualization, which worked but it kept the film from perfection. If they’d all felt as fully realized as Grey or STEM this film would have been perfect as the mystery and tension never lets up. All it needed was more realized characters on the sidelines.

This is a film I highly recommend to any fan of sci. fi. Like “Ex Machina” before, this is a film that doesn’t have a large cast and doesn’t need one. The core ideas being explored of personhood and fear of A.I. are handled really well and the main thriller is masterfully executed. I highly recommend checking this film out if you get the chance. Might not make my Top 5 at the end of the year, but it is competing to be on that list.

Final Score: 9.6 / 10

 

Mute (2018): This is no “Blade Runner”

Netflix is the new Blockbuster in more ways than one. Any place where you have a concentration of films you have copycats and crap ripping off much better films. “Mute” is a film that rips from the world of “Blade Runner,” but doesn’t have anything to say on its own. This film was awful, and one of the most disappointing films I’ve seen in a while.

The film was directed and co-written by Duncan Jones (the director behind the “Warcraft” film) and Michael Robert Johnson.

The story follows Leo, an Amish immigrant to Germany, who has lost his vocal cords after an accident. When his girlfriend, Naadirah, goes missing he investigates her hidden life as the dark underbelly of dystopian Berlin is revealed.

SPOILERS ahead

The Pros:

The Cinematography – This is a beautiful looking film. The neon colors and the future tech are great. The neon lights bring out the dark mystery of the environment and how shady most of the people in this world are. Gary Shaw, cinematographer, is the only person who truly did well with this film as the film’s cinematography is one of the few things about the film that works.

The Idea of the Story – I am a fan of noirs and mysteries and this is both of those things, as well as Sci-Fi. Like “Blade Runner,” we are learning about this broken world and how each person relates to one another as the mystery of Naadirah’s disappearance is slowly revealed. That is the idea anyway, nothing else works.

The Cons:

The Characters – The characters are all terrible people. Even Leo is shown to be as dark as those around him as he is willing to do anything to others ,and only cares about his girlfriend and that is it. Naadirah is manipulative and using those around her. And the antagonist, Cactus, and his friend, Duck, are creeps who don’t have arcs. They just exist as a threat to Leo, as they are doctors for the mob and Cactus killed Naadirah.

The Story – The story is crap. How Leo discovers each bit of the puzzle and how deep Naadirah was in with the gangs is a muddled mess. What story is here involves Cactus trying to escape with his daughter as he keeps having to do more jobs for the mob, and Leo gets closer to finding out that he is the killer. It sucks and the fact that Leo adopts Cactus’s daughter as his own after killing him has no real lead-up or payoff. However, Cactus and his friend give Leo vocal cords so he can speak, so that is a thing… I guess. It just happens. God I hated this story.

This is the worst film I’ve seen this year, thus far. It is a film that failed to develop characters, and unlike “Blade Runner,” had no deeper point. It took a cool idea of a mute protagonist and wasted it. What made hate this movie more than I usually would was the world is presented beautifully and I am a fan of Sci-Fi Noirs. I was ready to explore this world and find interesting characters. In the end I learned nothing about the world and the characters were some of the worst written in film.

Final Score: 3 / 10 Nothing worked except the cinematography.

 

Extinction (2018): A Fascinating Exploration of Memory and Personhood

 

Netflix is the place where original sci. fi. films are accessible. Theatres are ruled by franchises, and maybe every so often you will get a “Ex Machina” or “Annihilation,” but those are the exception rather than the rule. Netflix you will get it all. From the awful like “Mute,” to the enjoyable like “Anon,” and the good like this film. I’m still holding out for a great, but this one was greatly enjoyable for the sci. fi. it was.

“Extinction,” is a film that was written by committee. The film was directed by Ben Young, with 3 people behind the screenplay being Spenser Cohen, Eric Heisserer and Brad Kane.

The story follows Peter (Michael Pena) haunted by visions of the Earth being decimated by an invasion. Torn between whether this is simply visions or reality an invasion arrives and Peter must protect his family and discern reality.

SPOILERS ahead

The Pros:

The World – The world is really fascinating. At the beginning it plays with your head, as there is futuristic technology, and the main character has a problem with his head so you don’t know if what he is seeing is real. This world makes the viewer question the hint of annihilation they get until the action finally goes down. I love it, because in a world of the human mind and advanced tech where memories can be wiped, anything is possible, and the premise is explored through this.

Peter – Michael Pena is a great actor. He is the one who carries this film, and in doing so, makes it good, beyond the premise. The rest of the cast do okay to not even being noticeable, which brought it down some. Peter never stops being compelling though. You are with him as he questions what is real, and when he takes the next step of questioning his entire reality and what he is. There is so much depth to his character and weight to his decisions that I couldn’t help but be pulled into the drama.

The Truth and Conclusion – The people inhabiting Earth are robots, and the aliens invading are human colonists trying to take back Earth. It is very much like the “The Twilight Zone” in the premise, and I really enjoyed this core truth that drives the film. Especially as one of the invaders save’s Peter’s wife after he realizes that the robots have kids, families, and lives. After that, the robots are on the run as the invasion continues and things are left up in the air as to the future of Earth.

The Cons:

The Supporting Cast – None of the other characters stood out to me except for his cop friend, played by Mike Colter (Luke Cage), who kept his memories from the last human / robot war. He was the only one with any layers to him and the rest were just plot devices to drive Peter’s actions. If the cast had been better, this movie would have been great but because I only cared about Peter, it never got beyond good.

Netflix is the place where any B sci. fi. movie will get made now, and that works for me. Movie theaters are so lost in franchise management that I almost prefer seeing a flawed decent original gem than another “guaranteed-to-be-good” franchise film. It is out of these original stories and taking chances that more “Ex Machina” and “District 9” original movies will get made. If there is no taking of chances, the visual medium of science fiction could easily get lost. I support this movie for being on the better end of that spectrum of original sci. fi. films and I definitely recommend to anyone who is a sci. fi. film fan.

Final Score: 8.2 / 10

Annihilation (2018): A Haunting Exploration of Inner Fears

  If you are new to the blog, I am a huge fan of sci. fi. Most of the films and shows I review are science fiction based and more often than not, they make my Top 5 of whatever year they were made if they are great. “Annihilation” never reaches the heights that the premise creates, but it is a solidly good film. I rented it from Amazon and it is worth checking out.

The film was directed and wrote Eric Garland, who was the writer and director behind one of my favorite films “Ex Machina.” It is based off a novel of the same name by Jeff VanderMeer, which I plan on checking out.

The story follows Lena, a biologist who is brought in on a special mission when her husband Kane (Oscar Isaac) returns back changed and goes into a coma. From here she works with the team to try and solve the mystery of “The Shimmer,” a reality warping anomaly that is expanding slowly upon the Earth.

The Mystery – The core mystery is what drives the story, and what kept me most involved. The characters were interesting enough that I cared about what happened to them a little (though we never got to know them fully outside of Lena). And, I love that it starts out with a mystery; someone coming home different with no memories of who they were before. “The Shimmer” is a fascinating concept and I love how everytime you feel you learn something else about it, it reveals a greater mystery. The core premise of solving “The Shimmer” kept me in the story the entire time.

The Idea of the Team – The team is made up of women, and they are awesome! We have Lena, the biologist, holding her secrets. The cruel and distant Dr. Ventress, as the leader. The empathetic Josie, the kindness of Cassie, and the hard driven Anya. Each character carries a darkness that “The Shimmer” brings out.

The Darkness We Carry – Each of our characters carries a darkness with them. There is the fact that Lena cheated on her husband, Anya cuts herself, and Ventress has become detached and uncaring. The darkness consumes each of the characters in different way the deeper they get into the “Shimmer.”

Metaphorical and Actual Cancer – The film is also a metaphor for cancer. Everything in “The Shimmer” warps and grows. Like cancer it consumes until there is nothing left. “The Shimmer” is defeated after the alien inside of it is set on fire by Lena. As it burns, the entire “Shimmer” down to its core continues to desire to spread.

Okay:

Lena – Lena is okay. I like how she is complex as a character, but Natalie Portman’s performance doesn’t bring to the next level. I didn’t care enough about any of these characters the way I cared about the protagonists in “Ex Machina.” Here there is a level of detachment from the events going on, and a good portion of that is Lena’s own detachment from the situations she is in. She still did okay, but I can’t put her as a pro, though she was the most compelling member of the team.

The Cons:

The Ending – In the end we find out Kane, who came back as a doppelganger, is the alien life form (from “The Shimmer”.) The twist is that Lena is now a doppelganger too, even though she defeated it in the end. This contradiction took away from the entire film’s theme of overcoming darkness and healing. It kept the film from being great. The film really should have ended with her being interviewed, and Kane’s mystery never being answered. .

If you are fan of sci-fi, like me, chances are you will enjoy this film. This is a flawed and beautiful film that aspires to achieve so much, but because the characters are never quite fleshed out enough, never gets there. The ending also was a bit of a cop out and cancels out so much of what Lena went through. Even with a flawed ending, it is still worth checking out. I rented it, and it is a film that I’d say isn’t worth buying, but was worth the rent.

Final Score: 8 / 10

Ready Player One (2018): When the Film is Better Than the Book

It has been some time since I’ve watched a Steven Spielberg film. After seeing this film, I really should change that. He really is one of the best living directors today, as this is a film that could have been a cringe-worthy mess. First, I was a fan of the book, even though this film gets away from the book in some ways it still keeps the core spirit of the book. This is a film that celebrates video games and nostalgia while doing it well, even though the main characters are flat. My non-spoiler thoughts are: if you liked the book, you will probably enjoy this film too.

The film was directed by Steven Spielberg and written by Zak Penn and Ernest Cline (the author of the book).

The story takes place in the dystopian future of 2045. The world has fallen apart and everyone lives in the Oasis, a virtual reality world created by Halliday where you can be anyone and do anything. Wade Watts is the main protagonist who is trying to find the 3 Easter Eggs that Halliday put in the game as a way of passing on ownership after his death. From here Watts and his friends must find the keys and beat the game before the evil corporation, Innovative Online Industries (IOI), lead by Nolan Sorrento.

The Pros:

The Dystopian Reality – The dystopian reality of the world outside of the Oasis is a tragic place. You have debt slaves to IOI, cars and houses stacked on each other in the Stacks, a militarized police force and drones everywhere. I wanted to learn more about this world and spend more time there as the human connections we see are made primarily in the Oasis. For me, one of my favorite parts was seeing the characters outside of the game working together, having to depend on their brains rather than how awesome they were in the game. I wanted more of this and to hear more of their stories.

The Oasis – The Oasis is really cool. This is a VR world where you can make yourself into any avatar you want. You can also build robots, tanks, cars, etc. It is a huge modding community where you can do PVP (Player versus Player) and PVE (Player versus Enemies [AI]) combat. It is the endless possibilities of imagination and gaming combined. I really hope we can make something like it, someday.

i-R0K the Mercenary – i-R0K is the mercenary Sorrento, and his evil corporation IOI, uses to hunt our heroes. He is a funny guy, as he is only in it for the loot. He’s a huge threat, and also, very human as he talks about how bad his back is and needing physical therapy. He has more character than our heroes, and I would watch a movie just about him.

The Tone – The tone is one of wonder and imagination intermixed with sorrow and desperation. Spielberg owns the tone, and it pervades the film giving weight to everything that happens and the actions our characters take.

Okay:

Flat Heroes – Wade is an orphan who lives in the stacks who comes off as a bit one-dimensional, as he only lives for the game and has no real defining character traits. Samantha is the love interest who thinks she’s ugly because she has a birthmark on her face, and her dad is enslaved by IOI. The Japanese Brothers are an older and younger brother duo. The younger brother is an 11 year old who doesn’t like people thinking he’s young, as he fears they’d mock him in the Oasis. Helen is an African-American woman who plays a troll-like, tough character, called Aech. These characters aren’t bad… it’s just that there isn’t more to them beyond the descriptions I gave. They are all heroes who do the right thing, always, and have no inner conflict or aims. This was a missed opportunity. They are this way in the book, but we do get into Wade’s head which makes him more compelling. These characters work within the story, but they really deserved much better development.

Idealization versus Reality – Oasis is a giant gaming community, so where are or what happened to all the toxic trolls? The racists? The sexists? As far as we know there isn’t a moderator who kicks players out, so how did this reality become perfect? This is where the stories fantasy element really came out. The film could have critiqued itself, or shown us how to get to the ideal reality the Oasis community seems to be.

The Cons:

The Villain and Predictability – Sorrento is a cliched. corrupt businessman. one-dimensional villain. He’s just greedy and selfish, having no greater depth. He was that way in the book too, which is a shame as he knows Halliday and it could have been Halliday who brought out his worst self. He’s entertaining, but there is nothing there. He is flatter than our heroes, and their presentations aren’t great.

Overdependence on Nostalgia – The Oasis is full of references, and it is fine up to a degree, but in a game you’d expect more original content. Why is everyone so focused on creating things that already exist rather than things that don’t exist. Some moments of nostalgia are cool, like the T.Rex  and King Kong in the race at the beginning, but the old arcade game at the end felt unneeded and could have been adapted into a better trial.

This was a film that missed opportunities to critique the culture of gaming, and nostalgia found in the modern world (they could have shown how we got past toxic troll culture, etc.). The flatness of the heroes and  the villain didn’t help the film… but the world, the world carried it for me. This is a good film that could have been great if it had dared to observe and critique itself. Once more, if you loved the book or love Spielberg, you will enjoy this film.

Final Score: 8.3 / 10