Category Archives: Science Fiction

Mute (2018): This is no “Blade Runner”

Netflix is the new Blockbuster in more ways than one. Any place where you have a concentration of films you have copycats and crap ripping off much better films. “Mute” is a film that rips from the world of “Blade Runner,” but doesn’t have anything to say on its own. This film was awful, and one of the most disappointing films I’ve seen in a while.

The film was directed and co-written by Duncan Jones (the director behind the “Warcraft” film) and Michael Robert Johnson.

The story follows Leo, an Amish immigrant to Germany, who has lost his vocal cords after an accident. When his girlfriend, Naadirah, goes missing he investigates her hidden life as the dark underbelly of dystopian Berlin is revealed.

SPOILERS ahead

The Pros:

The Cinematography – This is a beautiful looking film. The neon colors and the future tech are great. The neon lights bring out the dark mystery of the environment and how shady most of the people in this world are. Gary Shaw, cinematographer, is the only person who truly did well with this film as the film’s cinematography is one of the few things about the film that works.

The Idea of the Story – I am a fan of noirs and mysteries and this is both of those things, as well as Sci-Fi. Like “Blade Runner,” we are learning about this broken world and how each person relates to one another as the mystery of Naadirah’s disappearance is slowly revealed. That is the idea anyway, nothing else works.

The Cons:

The Characters – The characters are all terrible people. Even Leo is shown to be as dark as those around him as he is willing to do anything to others ,and only cares about his girlfriend and that is it. Naadirah is manipulative and using those around her. And the antagonist, Cactus, and his friend, Duck, are creeps who don’t have arcs. They just exist as a threat to Leo, as they are doctors for the mob and Cactus killed Naadirah.

The Story – The story is crap. How Leo discovers each bit of the puzzle and how deep Naadirah was in with the gangs is a muddled mess. What story is here involves Cactus trying to escape with his daughter as he keeps having to do more jobs for the mob, and Leo gets closer to finding out that he is the killer. It sucks and the fact that Leo adopts Cactus’s daughter as his own after killing him has no real lead-up or payoff. However, Cactus and his friend give Leo vocal cords so he can speak, so that is a thing… I guess. It just happens. God I hated this story.

This is the worst film I’ve seen this year, thus far. It is a film that failed to develop characters, and unlike “Blade Runner,” had no deeper point. It took a cool idea of a mute protagonist and wasted it. What made hate this movie more than I usually would was the world is presented beautifully and I am a fan of Sci-Fi Noirs. I was ready to explore this world and find interesting characters. In the end I learned nothing about the world and the characters were some of the worst written in film.

Final Score: 3 / 10 Nothing worked except the cinematography.

 

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Extinction (2018): A Fascinating Exploration of Memory and Personhood

 

Netflix is the place where original sci. fi. films are accessible. Theatres are ruled by franchises, and maybe every so often you will get a “Ex Machina” or “Annihilation,” but those are the exception rather than the rule. Netflix you will get it all. From the awful like “Mute,” to the enjoyable like “Anon,” and the good like this film. I’m still holding out for a great, but this one was greatly enjoyable for the sci. fi. it was.

“Extinction,” is a film that was written by committee. The film was directed by Ben Young, with 3 people behind the screenplay being Spenser Cohen, Eric Heisserer and Brad Kane.

The story follows Peter (Michael Pena) haunted by visions of the Earth being decimated by an invasion. Torn between whether this is simply visions or reality an invasion arrives and Peter must protect his family and discern reality.

SPOILERS ahead

The Pros:

The World – The world is really fascinating. At the beginning it plays with your head, as there is futuristic technology, and the main character has a problem with his head so you don’t know if what he is seeing is real. This world makes the viewer question the hint of annihilation they get until the action finally goes down. I love it, because in a world of the human mind and advanced tech where memories can be wiped, anything is possible, and the premise is explored through this.

Peter – Michael Pena is a great actor. He is the one who carries this film, and in doing so, makes it good, beyond the premise. The rest of the cast do okay to not even being noticeable, which brought it down some. Peter never stops being compelling though. You are with him as he questions what is real, and when he takes the next step of questioning his entire reality and what he is. There is so much depth to his character and weight to his decisions that I couldn’t help but be pulled into the drama.

The Truth and Conclusion – The people inhabiting Earth are robots, and the aliens invading are human colonists trying to take back Earth. It is very much like the “The Twilight Zone” in the premise, and I really enjoyed this core truth that drives the film. Especially as one of the invaders save’s Peter’s wife after he realizes that the robots have kids, families, and lives. After that, the robots are on the run as the invasion continues and things are left up in the air as to the future of Earth.

The Cons:

The Supporting Cast – None of the other characters stood out to me except for his cop friend, played by Mike Colter (Luke Cage), who kept his memories from the last human / robot war. He was the only one with any layers to him and the rest were just plot devices to drive Peter’s actions. If the cast had been better, this movie would have been great but because I only cared about Peter, it never got beyond good.

Netflix is the place where any B sci. fi. movie will get made now, and that works for me. Movie theaters are so lost in franchise management that I almost prefer seeing a flawed decent original gem than another “guaranteed-to-be-good” franchise film. It is out of these original stories and taking chances that more “Ex Machina” and “District 9” original movies will get made. If there is no taking of chances, the visual medium of science fiction could easily get lost. I support this movie for being on the better end of that spectrum of original sci. fi. films and I definitely recommend to anyone who is a sci. fi. film fan.

Final Score: 8.2 / 10

Annihilation (2018): A Haunting Exploration of Inner Fears

  If you are new to the blog, I am a huge fan of sci. fi. Most of the films and shows I review are science fiction based and more often than not, they make my Top 5 of whatever year they were made if they are great. “Annihilation” never reaches the heights that the premise creates, but it is a solidly good film. I rented it from Amazon and it is worth checking out.

The film was directed and wrote Eric Garland, who was the writer and director behind one of my favorite films “Ex Machina.” It is based off a novel of the same name by Jeff VanderMeer, which I plan on checking out.

The story follows Lena, a biologist who is brought in on a special mission when her husband Kane (Oscar Isaac) returns back changed and goes into a coma. From here she works with the team to try and solve the mystery of “The Shimmer,” a reality warping anomaly that is expanding slowly upon the Earth.

The Mystery – The core mystery is what drives the story, and what kept me most involved. The characters were interesting enough that I cared about what happened to them a little (though we never got to know them fully outside of Lena). And, I love that it starts out with a mystery; someone coming home different with no memories of who they were before. “The Shimmer” is a fascinating concept and I love how everytime you feel you learn something else about it, it reveals a greater mystery. The core premise of solving “The Shimmer” kept me in the story the entire time.

The Idea of the Team – The team is made up of women, and they are awesome! We have Lena, the biologist, holding her secrets. The cruel and distant Dr. Ventress, as the leader. The empathetic Josie, the kindness of Cassie, and the hard driven Anya. Each character carries a darkness that “The Shimmer” brings out.

The Darkness We Carry – Each of our characters carries a darkness with them. There is the fact that Lena cheated on her husband, Anya cuts herself, and Ventress has become detached and uncaring. The darkness consumes each of the characters in different way the deeper they get into the “Shimmer.”

Metaphorical and Actual Cancer – The film is also a metaphor for cancer. Everything in “The Shimmer” warps and grows. Like cancer it consumes until there is nothing left. “The Shimmer” is defeated after the alien inside of it is set on fire by Lena. As it burns, the entire “Shimmer” down to its core continues to desire to spread.

Okay:

Lena – Lena is okay. I like how she is complex as a character, but Natalie Portman’s performance doesn’t bring to the next level. I didn’t care enough about any of these characters the way I cared about the protagonists in “Ex Machina.” Here there is a level of detachment from the events going on, and a good portion of that is Lena’s own detachment from the situations she is in. She still did okay, but I can’t put her as a pro, though she was the most compelling member of the team.

The Cons:

The Ending – In the end we find out Kane, who came back as a doppelganger, is the alien life form (from “The Shimmer”.) The twist is that Lena is now a doppelganger too, even though she defeated it in the end. This contradiction took away from the entire film’s theme of overcoming darkness and healing. It kept the film from being great. The film really should have ended with her being interviewed, and Kane’s mystery never being answered. .

If you are fan of sci-fi, like me, chances are you will enjoy this film. This is a flawed and beautiful film that aspires to achieve so much, but because the characters are never quite fleshed out enough, never gets there. The ending also was a bit of a cop out and cancels out so much of what Lena went through. Even with a flawed ending, it is still worth checking out. I rented it, and it is a film that I’d say isn’t worth buying, but was worth the rent.

Final Score: 8 / 10

Ready Player One (2018): When the Film is Better Than the Book

It has been some time since I’ve watched a Steven Spielberg film. After seeing this film, I really should change that. He really is one of the best living directors today, as this is a film that could have been a cringe-worthy mess. First, I was a fan of the book, even though this film gets away from the book in some ways it still keeps the core spirit of the book. This is a film that celebrates video games and nostalgia while doing it well, even though the main characters are flat. My non-spoiler thoughts are: if you liked the book, you will probably enjoy this film too.

The film was directed by Steven Spielberg and written by Zak Penn and Ernest Cline (the author of the book).

The story takes place in the dystopian future of 2045. The world has fallen apart and everyone lives in the Oasis, a virtual reality world created by Halliday where you can be anyone and do anything. Wade Watts is the main protagonist who is trying to find the 3 Easter Eggs that Halliday put in the game as a way of passing on ownership after his death. From here Watts and his friends must find the keys and beat the game before the evil corporation, Innovative Online Industries (IOI), lead by Nolan Sorrento.

The Pros:

The Dystopian Reality – The dystopian reality of the world outside of the Oasis is a tragic place. You have debt slaves to IOI, cars and houses stacked on each other in the Stacks, a militarized police force and drones everywhere. I wanted to learn more about this world and spend more time there as the human connections we see are made primarily in the Oasis. For me, one of my favorite parts was seeing the characters outside of the game working together, having to depend on their brains rather than how awesome they were in the game. I wanted more of this and to hear more of their stories.

The Oasis – The Oasis is really cool. This is a VR world where you can make yourself into any avatar you want. You can also build robots, tanks, cars, etc. It is a huge modding community where you can do PVP (Player versus Player) and PVE (Player versus Enemies [AI]) combat. It is the endless possibilities of imagination and gaming combined. I really hope we can make something like it, someday.

i-R0K the Mercenary – i-R0K is the mercenary Sorrento, and his evil corporation IOI, uses to hunt our heroes. He is a funny guy, as he is only in it for the loot. He’s a huge threat, and also, very human as he talks about how bad his back is and needing physical therapy. He has more character than our heroes, and I would watch a movie just about him.

The Tone – The tone is one of wonder and imagination intermixed with sorrow and desperation. Spielberg owns the tone, and it pervades the film giving weight to everything that happens and the actions our characters take.

Okay:

Flat Heroes – Wade is an orphan who lives in the stacks who comes off as a bit one-dimensional, as he only lives for the game and has no real defining character traits. Samantha is the love interest who thinks she’s ugly because she has a birthmark on her face, and her dad is enslaved by IOI. The Japanese Brothers are an older and younger brother duo. The younger brother is an 11 year old who doesn’t like people thinking he’s young, as he fears they’d mock him in the Oasis. Helen is an African-American woman who plays a troll-like, tough character, called Aech. These characters aren’t bad… it’s just that there isn’t more to them beyond the descriptions I gave. They are all heroes who do the right thing, always, and have no inner conflict or aims. This was a missed opportunity. They are this way in the book, but we do get into Wade’s head which makes him more compelling. These characters work within the story, but they really deserved much better development.

Idealization versus Reality – Oasis is a giant gaming community, so where are or what happened to all the toxic trolls? The racists? The sexists? As far as we know there isn’t a moderator who kicks players out, so how did this reality become perfect? This is where the stories fantasy element really came out. The film could have critiqued itself, or shown us how to get to the ideal reality the Oasis community seems to be.

The Cons:

The Villain and Predictability – Sorrento is a cliched. corrupt businessman. one-dimensional villain. He’s just greedy and selfish, having no greater depth. He was that way in the book too, which is a shame as he knows Halliday and it could have been Halliday who brought out his worst self. He’s entertaining, but there is nothing there. He is flatter than our heroes, and their presentations aren’t great.

Overdependence on Nostalgia – The Oasis is full of references, and it is fine up to a degree, but in a game you’d expect more original content. Why is everyone so focused on creating things that already exist rather than things that don’t exist. Some moments of nostalgia are cool, like the T.Rex  and King Kong in the race at the beginning, but the old arcade game at the end felt unneeded and could have been adapted into a better trial.

This was a film that missed opportunities to critique the culture of gaming, and nostalgia found in the modern world (they could have shown how we got past toxic troll culture, etc.). The flatness of the heroes and  the villain didn’t help the film… but the world, the world carried it for me. This is a good film that could have been great if it had dared to observe and critique itself. Once more, if you loved the book or love Spielberg, you will enjoy this film.

Final Score: 8.3 / 10

 

Pacific Rim Uprising (2018): The Great Old With the Bland New

I’m a fan of the “Pacific Rim” universe. I also think the last film was perfect for what it was, and didn’t need a sequel. Now that a sequel has been made… I enjoyed it. But, this is a very flawed film brought down by child actors that can’t act; contrasted with some beautiful action, expansion of the “Pacific Rim” universe in intriguing ways and solid leads. I wouldn’t call it good, but if you are looking for an escape, my thoughts are, it is worth checking out.

This was a film that had a lot of people involved in its creation, with Steven S. DeKnight directing the film and being one of the 4 writers. Guillermo del Toro and John Boyega were producers, along with 5 other people. On paper, this looks like a film designed by committee.

The story picks up 10 years after the end of the first film. Jake Pentecost (Stacker Pentecost’s son, played by John Boyega) is living as a scavenger until he is picked up, and forced back into being a Jaeger Ranger. He must train new recruits as the world prepares for the return of Kaiju. All is not as it appears to be, though, as a new drone program is implemented, and a mysterious Jaeger arrives. The new Jaeger starts attacking people rather than protecting them.

SPOILERS ahead

The Pros:

The Universe – I love this universe. Since middle school I’ve been a fan of monsters and mechs. The world del Toro realized is so rich in character and mythology. The mythology this time around doesn’t disappoint. We get solid world building, as we learn more about the Kaiju, The Precursors, and how humanity has changed after the Battle of the Breach that ended the first film.

The Jaegers and Kaiju – The Jaegers and Kaiju look great, as always, and the introduction of drones, which are later shown to be Jaeger/Kaiju hybrids, are a treat that add a lot the action. These two things, along with del Toro, are what drew me to the first film, and it was the mechs and monsters that kept my interest through the times where this film fell short. As both their creative designs and action scenes brought to life the world when the characters weren’t up to it.

Jake Pentecost and Nate Lambert – The main character drama is between Jake Pentecost and Nate Lambert. Jake is the party boy who becomes responsible after facing his trauma. Nate is the one who has to trust Jake, once again, if they are going win. Boyega’s charisma continues to make his character intriguing, even if the script doesn’t always help. Nate Lambert is a battle hardened veteran who was shaped by the war in such a way, he has trouble connecting to people. It gives him a level of mystery, as if he is holding onto some past trauma, which gives him a way to relate to Jake. It is their core relationship that kept the film going for me, as each of them grew over the course of the film, and it was a genuine challenge for them learning to trust one another.

Newt and the Kaiju – The main antagonist is Newt, who is being controlled by The Precursors, that also control the Kaiju. We discover he kept the Kaiju brain at the end of the last film, and it has corrupted him. Charlie Day hams the hell out of it, and is enjoyable to watch in his madness. He nearly wins on multiple occasions, and I can’t wait to see where they take his story.

Dr. Hermann and Liwen Shao – The two support characters who really drive the story are Dr. Hermann (he was around in the first film too), and Liwen Shao, owner of the drone program. Together they are able to save the world from the Kaiju, as each of their skills complement the surviving Jaegers and help them defeat the Giant Kaiju in its final assault on Tokyo. Which felt like a brilliant salute to all the mech and monster films that made this genre possible.

The Cons:

The New Recruits – These kids can’t act. I didn’t care about their story, each line of dialogue felt forced, and fake. These kids made the film feel like an episode of Power Rangers. If I had to describe them…it’d be difficult. We are shown how each of them are (the nervous one, the angry one, the inventor), but there isn’t enough there for them to be compelling. They brought the film down, and even making one of them a main character, in the inventor Amara, wasn’t enough to make me care about their story. 

The Death of Mako Mori – Mako Mori deserved better. She is killed by a rogue Jaeger, and it ends up being anti-climatic. She already existed primarily to give us plot (a disservice to the character), and even her great scenes with Boyega can’t change the fact that her death wasn’t dying in a fight against the monsters…it was in a copter crash. She never got that “moment of awesome” Stacker got, and there was so much more development she could have received with the re-establishing her relationship with Jake. Besides the child actors this was the worst part of the film.

Love Interest Woman – There is a woman named Jewel. Both Jake and Nate have a crush on her. She is an object in a contrived love triangle object. I couldn’t tell you her personality, her aims, or what she wants. She exists purely as “love interest girl” and is the worst part of the script. She wasn’t needed.

In the end, what holds up this film and keeps it from sucking are: the old characters and those tied to the old characters from the first film, Newt and Hermann were wonderful, Pentecost and Lambert had a great relationship, and Liwen Shao (the new character) shakes the story up in ways that only enrich this universe. I loved her character arc, and hope that she is a major part if they make a third film. This is a film that largely exists because of success in the international box office, specifically China. In the end I’m glad it was made.

Final Score: 7.7 / 10

“Star Trek: Discovery” Season 1 – An Exploration of Identity and the Cost of War

      “Star Trek: Discovery” is enjoyable, but not without its flaws. It is a very different kind of Trek and feels like a mixture of the Abrams Reboot Universe meets DS9. DS9 is the far better show but this show explores a lot of similar themes, such as the cost of war and issues of identity. These are the core reasons why I enjoyed the show, beyond the characters of the main cast.

The show was created by Bryan Fuller (of NBC “Hannibal) fame) and Alex Kurtzman (who co-wrote the first to Abrams Trek films.

The story follows Michael Burnham (Sonequa Martin-Green) a human raised by Vulcans and a member of Starfleet responsible for starting the Klingon-Federation War, while a new Religious faction lead by T’Kuvma seeks to unite all the houses against the Federation. It is up to her and the crew of the Discovery lead by Captain Lorca (Jason Isaacs) to find a solution to end the conflict she started.

SPOILERS Ahead

The Pros:

The Universe – I am a Trekkie, and this is a universe that at the core enriches what already exists in a Universe that spans The Original Series (TOS) to Voyager (VOY), from other universes like the Mirror Universe and Abramsverse. It is filled with countless aliens, conflicts and self-discovery. Star Trek: Discovery takes place 10 years before TOS and explores the details of the Klingon-Federation war. Characters are forced to take risks and pushed to their limits.

The Crew of Discovery – The crew is a diverse band of misfits. You have the Chief Engineer Stamets (played by Anthony Rapp) is gay, the ruthless Captain Lorca (Jason Isaacs) the fearful First Officer Saru (Doug Jones) and Cadet Tilly (Mary Wiseman) is autistic. To say nothing of a human raised on Vulcan, the main hero Michael Burnham (Sonequa Martin-Green) and the conflicted Klingon sleeper-agent Ash Tyler (Shazad Latif). Their journeys drive the show and make it worth watching.

Cadet Tilly – As someone on the autism spectrum (aspergers) it was wonderful finally seeing a character explicitly like me on “Star Trek.” Tilly is a character whose arc involves growing into confidence and taking risks, as so much of what drives her is the safety of her environment. Which for the longest time, was what I needed. Getting out of one’s comfort zone is how a person grows and Tilly faces that challenge multiple times…from going undercover as her Mirror Universe counterpart (who is an evil Captain) to dangerous away missions. I think someday she will achieve her dream of becoming a Starfleet Captain.

Chief Engineer Stamets – Stamets is the first openly gay character in any Star Trek. He is also the core of the ship, when in the end, he is the only one who can work The Spore Drive…a device that can warp the Discovery through space, time and even between dimensions. His heart is torn out when his boyfriend is killed, but he finds balance and closure in one of the most beautifully executed arcs of the show.  He is my favorite “Star Trek” engineer at this point besides O’Brien and Scotty.

First Officer Saru – Another of my favorites out of “Star Trek” lore at this point is Saru. This character is a Kelpien. He is part of a prey species on his world, and was hunted by the larger beings. How they advanced so far has yet to explained but his arc is finding the strength to be Captain. Doug Jones who I loved as the creature in “The Shape of Water,” once again shows why he is the monster master. He gives so much expression with his inflection, and eyes. Saru is my favorite character on the show and the one person who isn’t morally compromised. He is Starfleet and I hope he can Captain the Discovery next season.

The Spore Drive -The discovery in Discovery is all tied to the Spore Drive. The Drive is infinite possibilities as the ways of riding the Spore Network are discovered. It also provides conflict too as to use the Drive, it has to be controlled by a living organism (who is at risk everytime they make a “jump.” The discoveries are what drive the action and they are all tied to the Spore Drive. Whether it is Stamets in the network talking to other versions of himself, jumping to the mirror Universe or jumping to many locations in an instant…these are only some of the countless possibilities created by this device.

The Mirror Universe – At one point we cross over into the Mirror Universe…a world familiar to Trekkies where our heroes are villains. This is a 4 episode arc with tons of twists and reveals. We discover darker sides of characters we didn’t know before (as they have to pretend to be their evil counterparts so the Terran Empire doesn’t discover them), and get some wrenching emotional payoffs. This arc is later in the show, but has easily some of the best storytelling.

War and Loss – The other theme of the show, beyond discovery that the Spore Drive grants is the cost of war. We see this in the Klingon-Federation War, and how it starts, when Burnham’s anger martyr’s the Klingon leader T’Kuvma, after he had murdered her Captain. We lose a lot of people in the war, from Voq (An undercover Klingon sleeper-agent on Discovery) killing Stamets’s boyfriend, to the destruction of the Klingon Death Ship (the flagship of their fleet), to near obliteration of Qo’noS (The Klingon homeworld). The war makes the Federation ruthless and we see just how destructive the Klingon Empire can be.

Exploration of Identity – Identity is a major theme of the story, with the characters who best represent this being Michael Burnham (a human raised by Vulcans) and Ash Tyler (a Klingon pretending to be human). In both cases it involves finding balance within themselves and letting go of anger. These two identities are the main arc of the show beyond characters dealing with the actions of their Mirror Universe counterparts. This exploration starts in the beginning at the Pilot and never stops until the end of the season as it is in the Finale that Burnham and Tyler find the inner peace they are looking for.

Okay:

The Pilot – The pilot is long and boring. Though it is beautiful and has great action it could have been one really long episode or revealed and flashbacks, which would have served the story better. All it really does is set up Michael Burnham’s backstory and the reason why she is now on Discovery. Beyond that, we knew this show was about the Klingon-Federation War and didn’t need every detail as to why the Federation was now fighting it, especially the war’s resolution is not played out within the first few episodes.

Ash Tyler – Voq is Ash Tyler’s true self. He is  the Torchbearer of the Klingons and he imprints Ash’s identity upon himself as to get the secrets on Discovery I liked the romance with Burnham, but I felt their needed to be more knowledge on both whom Tyler and Voq were. They are useful plot devices, but they never grow beyond that. They both deserved better given each is compelling in their own way but in them being 2 separate identities the exploration they both needed is never received.

Fanservice – Captain Lorca has a tribble (no payoff), we see Andorians, Tellerites and Vulcans (founding members of the Federation), Burnham’s adopted dad is Sarek and in the end we see the original Enteprise with Captain Pike. Some of this was good, the other species showing up was something I wanted when I heard about this show, but ending it with Pike was total fanservice and was like the Khan reveal in “Star Trek: Into Darkness.” It was not needed and only hurt the story.

The Cons:

The Klingon Scenes – Klingons only speak Klingon and in turn we get no time to know the characters, because we are reading the subtitles. Because of this, we are told how the Klingons are but we rarely get to see their actions beyond the fights with Discovery.

The Ending of Captain Lorca’s Arc – Lorca is the “ends justify the means” Captain. We learn how he killed his crew to keep them from being taken prisoner. We see that ruthlessness again when he saves Federation colonies and how he will do anything to save the Federation. Well, he’s a Mirror Universe rebel who just wants to be Emperor. That was such an awful payoff as they just made him a creeper villain. All complexity was erased so that his arc could be simplified. I hated it.

In future seasons I would like to see much less fanservice, more focus on discovery, more problem solving that isn’t through violence and some of the characters who left at the end of this season returning. The core of this show is great and even with all the flaws that brought it down, this a show that I will rewatch when it returns to Netflix. If you are a fan of “Star Trek,” chances are you will enjoy this show as much as I did. At the end of the day it captures the core ideas of “Star Trek,” and even the worst of the cons didn’t take way from my enjoyment of this season.

Final Score: 9 / 10. Solidly great even with all of the flaws.

Star Trek Continues – A Beautiful Continuation and Honoring of the Best Parts of the Original Series

This is the first fan series or project that I’ve reviewed on the blog, and honestly after this, the standards for what fan films or shows I would watch is pretty high. A friend at work recommended it to me and I’m grateful he did. This is a professionally made production that looks just as good if not a little better than the Star Trek: The Original Series and has writing on par with the good and great episodes from that series.

The show was created by Vic Mignogna, who also stars as Captain Kirk in the series…and you can tell he’s a fan of the series. So much love and quality was poured into the making of this that I honestly wish CBS would show it. This is more than just a love letter to the series as it takes the lore seriously and expands on it, rather than going through the same beats.

The story picks up where the Original Series left off with the continuation of the 5 year mission of the Enterprise.  As part of that mission they are first to try out the Counselor test program (on whether starships should bring on full time counselors) bringing lieutenant Dr. McKennah to the crew.

The Pros: The Universe – This is “Star Trek.” The characters act how they do in the Original Series, the ships and galactic powers are in action, the Enterprise is exploring strange new worlds. Nothing feels out of place.

The Cinematography – The cinematography in this series is beautiful and it looks like a more polished version of how the Original Series was filmed of old. Whether it is fighting a Romulan Warbird or destroying a tiny object in space, or a fight on the ship or a planet…the sets look raw and real and it gives life to the show.

The Writing – The writing team and directors (who were largely Vic Micnogna working with a few other people but usually always at least directing) did an amazing job. The stories catch the morality of what make “Star Trek” great, whether it is feminism, equality and peace and understanding aliens and other beings. This is the through line through the series and it was one thing the Original Series didn’t always do (seriously, the sexism in some of the early episodes of TOS are horrifyingly bad). I won’t give away any spoilers but these episodes are so amazing I do plan individual reviews of them down the line, as well as a Top 3 post.

Connecting to Past and Future Treks – This is a series that connects the threads between TOS and The Motion Picture really well (and even ties into TNG with the Counselor program). In this you see what happens to the psychics, the Romulan Star Empire after the Klingon Alliance, Apollo, why we never seen any female captains and how things went down in the Mirror Universe. It is all done artfully while keeping the progressive strength of what made Star Trek so great in how it saw humanity’s potential in the future.

The Guest Stars – There are some pretty great guest stars, even though some of them I wish had gotten better writing. Colin Baker shows up as an alien leader, as does John De Lancie, Rekha Sharma shows up a scientist who Kirk had a relationship with, Marina Sirtis voices the Enterprise computer and Michael Dorn voices the Mirror Universe’s Enterprise computer. The guest stars in this are gold and they do a good job with what the writers give them.

Spock and Kirk – Spock and Kirk are the strongest part of this show and that is largely due to the chemistry between Vic Mignogna and Todd Haberkorn. Both have done anime voice work so my guess is that is how they must have met and formed the rapport. These are the two who receive the most exploration as we see both of their regrets as well as their dreams and aspirations. I won’t say anymore than that as the reveals of what those things are handled really well. Even when certain episodes were just good or fun these two kept me coming back as their acting was the strongest even in weak scenes.

Okay: The Rest of the Crew – Chris Doohan (James Doohan’s son) is fine, hell most of the crew outside of Kirk and Spock who aren’t guest stars are fine but none of them really capture the characters the way Kirk and Spock do. Part of the reason is they changed the McCoy actor after two episodes and Chekov, Uhura and Sulu really don’t get any more exploration than what they did in the Original Series, so that was a wasted opportunity and kept them from ever being good.

This is a series I highly recommend to any fan of “Star Trek.” This is a series that develops the characters further, introduces new threats and situations that have to be solved, is full of hope and inspiration for the future and beautifully captures all the good that has come out of “Star Trek.” Here is the website:

http://www.startrekcontinues.com/index.html

I highly recommend you check it out if you are a fan of the series. Seriously, Vic Mignogna created something wonderful that I will be coming back to again and again.

Final Score: 9 / 10 Solidly great fan series that connects TOS to The Motion Picture.