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Top 5 Films of 2017

This was a great year for film. Hell, the honorable mentions I’ll be talking about were in tight competition for 5th place and it was only due to multiple viewings it won as there was no other film I saw a second time in theatres this year. As always, I’m curious to hear about your lists and what films would be your Top 5, Top 3, Top 10 or Worst of as well. Lists are a lot of fun to do, and I stick to 5 because I want the 5 to mean something. Making a Top 10 would be far too easy given how great this year (and past years) have been for film so keeping it tight makes the order actually mean something. So lets kick things off with some Dishonorable mentions before I get into the films I actually liked.

Dishonorable Mentions:

This was a year where a few films had great premises but horrible execution. I walked out of “Justice League,” so I can’t recommend that, “The Circle” was technology paranoia garbage with an amazing cast who could not save it, “The Dark Tower” missed the entire point of the book and series and felt like a forgettable cheap action flick, and “Split” was an insult to those suffering through mental disorders while being a poorly done horror film and “Deathnote” is a film that misses the entire point of the source material and is a poorly cast and acted Netflix endeavor. These are my dishonorable mentions and films not worth your time I saw this year.

Honorable Mentions:

This was  great year for film and choosing my 4th and 5th place were difficult so I’m going to do something different and say a little bit more than my dishonorable mentions in regards to the honorable mentions.:

Wonder Woman – This was a film we needed this year, from the “Metoo” movement to a sexual predator being elected president..”Wonder Woman” was the answer to that as we got Gal Gadot rocking it as the only thing keeping the DC film afloat. I loved her film and how Robin Wright as her mentor is just fantastic. It only really falls apart in the 3rd Act, and the fact none of the villains work, but you should check it out. I own this film and I can’t wait to watch it again.

https://cameronmoviesandtv.wordpress.com/2017/06/05/wonder-woman-2017-dc-finally-finds-a-hero/

Guardians of the Galaxy Vol. 2 – This film was also in tight competition for making the list as I love how it explores toxic masculinity (Ego being one of the best Marvel villains thus far), father figures and abuse and explores my favorite characters in the MCU (Yondu and Rocket). For me it was on par with the first film, but there were sadly films that were better in both loss and character exploration.

https://cameronmoviesandtv.wordpress.com/2017/05/09/guardians-of-the-galaxy-vol-2-2017-the-greatness-of-these-characters/

Logan Lucky – This is a heist film told through the eyes of the southern working class stealing from Nascar. It is beautifully done with Daniel Craig’s Joe Bang and Adam Driver’s injured vet Clyde Logan as the stand out performance. Only thing against it is the 3rd act is overlong. I did drowse off a little during the heist which is the worst thing that can happen in a heist film. Loved the movie though.

https://cameronmoviesandtv.wordpress.com/2017/08/26/logan-lucky-2017/

Coco – “Coco” is easily one of the best films Pixar has put out. This is a film that explores family, mortality, death, loss and does it all through the lense of “The Day of the Dead.” The biggest thing going against it is I hated the protagonist until he finally stops acting selfish, but his family, especially those in the the Land of the Dead are awesome. I can’t recommend this film enough.

https://cameronmoviesandtv.wordpress.com/2017/12/05/coco-2017-an-amazing-pixar-epic-that-explores-family-and-love/

Colossal – “Colossal” is a powerful indie film that explores abuse and healing from it. Anne Hathaway does an amazing job as the unlikable drunk who has burned all her bridges but is trying to put her life back together while Jason Sudeikisis’s Oscar is a fantastic villain and threat. The fact that it is also a monster film on top of all of this is a reason why it was so hard for me to keep it from making 5th place, the characters aren’t really likable except for Hathaway’s character until the end though, so that was a dealbreaker for me.

https://cameronmoviesandtv.wordpress.com/2017/05/18/colossal-2017-an-amazing-exploration-of-monsters-as-metaphor/

Logan – The post-apocalyptic genre is popular and this is a film that is essentially “The Last of Us,” but with X-Men. There is no hope in this film as both Professor X and Logan are the last of the X-Men in a broken world. They both find purpose in X-23, Laura an experiment who escapes and has Logan’s power. This film is one I own and highly recommend seeing. It didn’t make 5th though because in the end it didn’t have a point. This is a film with no hope, though it gives our protagonists some amazing sendoffs.

https://cameronmoviesandtv.wordpress.com/2017/03/08/logan-2017-a-dystopic-western-masterpiece-that-explores-the-depths-of-pain/

That was the competition, and believe me it was close, so without further ado, here are my Top 5 Films of 2017:

5) Star Wars Episode VIII: The Last Jedi

Director Rian Johnson

“The Last Jedi” was a film that not only managed to subvert what expectations I had (was expecting an “Empire Strikes Back” rehash) but was also about the Resistance and First Order finding an identity beyond the Original Trilogy. This film explores this through the minor characters of Rose and Holdo as well as through Kylo Ren’s choice. The themes of resistance through class are given voice as well as showing the corrupt can be more than Jabba’s gangsters. Every action has consequences and no one wins. This is a film where you feel loss and it doesn’t stop hitting you with that loss, but it is still Star Wars and it remembers hope, even in despair. This was Carrie Fisher’s last film and in this we see why she is both one of the last Skywalkers and the General of the Resistance. R.I.P. Carrie, you got quite the sendoff as your film was the only film this year I saw in theatres twice and loved just as much each time.

https://cameronmoviesandtv.wordpress.com/2017/12/21/star-wars-episode-viii-the-last-jedi-2017-an-amazing-subversion-of-expectations/

4) War for the Planet of the Apes

Director Matt Reeves

Much like “The Last Jedi” this is a film full of loss and explores the themes of resistance and in the end what sentience means. This is the end of the Caesar’s story and the Prequel Trilogy and it is powerful all the way through. This film brought me to tears a few times as you see both Caesar’s humanity and pain. The Ape characters are once again the most human but Woody Harrelson’s Colonel is one of the best villains this year in how warped and nationalist he is, while still being vulnerable…as you see this is after the nuclear fallout and all that remains are military outposts in a world that is ready to leave humanity behind, while at the same time we have hope through the young Nova, who recognizes the apes humanity and in turn it shows her own. Andy Serkis deserves an Oscar for this role and I hope Matt Reeves gets to make his Batman film. He is a brilliant director and in this we see what happens when humans lose and gain their humanity as we lead into the world of “The Planet of the Apes.”

https://cameronmoviesandtv.wordpress.com/2017/07/23/war-for-the-planet-of-the-apes-2017-growing-beyond-caesar/

3) Get Out

Director Jordan Peele

I can’t wait to see what Jordan Peele’s next project is, as “Get Out” is his first full length film he both directed and wrote. This brilliant social satire is fantastic in how the mystery unfolds and why our hero returning to this nice small town full of rich white people is so horrifying as nothing is as it appears to be. As a thriller, an exploration of racism and classicism and as a horror movie it really works. The only place where it falls flat is we never get the motivation of the people who inhabit the town and I would have liked to learn more about the protagonist’s girlfriend’s motivation in the film.  Regardless, this is a film I highly recommend, and was number 1 for me for a long time until the other 2 upcoming films came out.

https://cameronmoviesandtv.wordpress.com/2017/03/17/get-out-2017-a-brilliant-horror-film-that-tackles-racism-and-privilege/

2) Baby Driver

Director Edgar Wright

“Baby Driver” is a work of musical, editing and cinematic genius. You are shown rather than told so much and every character is a flawed anti-hero with the exception of Debra, who is Baby’s (our protagonists) girlfriend. The music is genius and I love how it tackles the different ways certain characters are trying to escape or to free themselves, whether it is through internal redemption through an act of bravery, seeking revenge or owning up to mistakes and actions. This film is so much fun and the soundtrack by Steven Price, is easily the best soundtracks of the year. I can’t wait to see what Edgar Wright does next, but I’m glad he left “Ant-Man” and the MCU as this was the work of art we got in return as this was a film be both wrote and directed. Again, this film has an amazing story but the film is worth it for the music and visuals alone. Up until yesterday, this was my Number 1 film of the year.

https://cameronmoviesandtv.wordpress.com/2017/07/07/baby-driver-2017-the-unforgettable-soundtrack-of-a-life/

1) The Shape of Water

Director Guillermo de Toro

Sometimes you have to wait and the order of a list can be upset. The first Top 5 I created in 2014 had “Noah” as Number 1 until I saw “The Grand Budapest Hotel” and the genius of Wes Anderson upset Darren Aronofsky. This happened once more with the genius of del Toro upsetting Wright. Why is “The Shape of Water” Number 1? Because it does what all the other films do as either better or on par. Like “War for the Planet of the Apes,” “The Last Jedi,” and “Get Out,” it explores the themes of resistance and the voiceless as our mute protagonist Elisa fights to save the creature who is being tortured by the government agent in the lab, as her closeted roommate Giles and co-worker Zelda hep her succeed. The villain like in “War” and “The Last Jedi” is an insecure Colonel (in a creepy and powerful performance by Michael Shannon) who abuses others while assuming he has a right to others because of his position and privilege. The music is on par with “Baby Driver” while the cinematography and story are like a surrealist fairy tale. This is easily one of the best movies of all time and I can’t wait to buy it when it comes out. There was steep competition this year in films but after seeing this film, this film deserves its place at the top, and I can’t wait to see what else is born out of the fantastic imagination of Guillermo del Toro who not only directed but co-wrote and co-produced this unforgettable film.

https://cameronmoviesandtv.wordpress.com/2018/01/05/the-shape-of-water-2017-a-transcendent-romantic-fairy-tale/

This was an amazing year for cinema, though a crappy year for politics and many of the people these movies were fighting for. I’m curious to hear what your Top 5, Top 10 or worst films of the year are as well and I can’t wait to see what 2018 brings in regards to the fantastic stories that can be born out of the art of film.

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“The Orville” Season 1 – A Show That Draws Inspiration From the Best Aspects of “Star Trek”

    “The Orville” is a show that only exists because of how much of a fan Seth MacFarlane is of “Star Trek” and Fox knowing just how great the cultural impact of “Star Trek” has been that a show that pulls full inspiration from it (while having it’s own tone and lore) and not get sued. What do I think of the show? I think the humor doesn’t always work but I love the drama and the characters. Seth MacFarlane put a lot of love into this show and it was perfectly cast in regards to the characters and their roles…and I can’t wait to see where the show is taken next.

The story involves Ed Mercer being given the chance to Captain the Planetary Union ship known as the U.S.S. Orville. He soon learns his ex-wife Commander Kelly Grayson will be his First Officer as they must sort out their issues as the new crew faces the drama of one another and the wider Universe the Planetary Union inhabits in the 25th Century. 

SPOILERS ahead

The Pros: The Universe – The Universe is a lot like “Star Trek” but a bit similar to our reality in that rather than the vague spirituality of Trek, everyone in the future is an atheist if they are part of the Planetary Union or any future person. There are countless aliens, most are humanoid (like “Star Trek”) but the Union is strong but not the strongest. The highly religious and zealotesque Krill are and they are a fantastic enemy in the episodes they come up in. Most of the episodes are solving dilemmas though, whether it is finding ancient ships and a civ. on board, interacting with a bronze age people that advances rapidly, or passing into 2D space. Like “Star Trek” this is a universe rich with possibilities.

The Crew of “The Orville” – The crew is overall amazing. I’m giving certain characters special treatment though, because they stood out to me and will mention some other notable things in this summary. The characters are complicated, you have Doctor Claire Finn who is woman who chose single motherhood because she wanted to be a mom and could have kids without needs a spouse or partner, you have Lt. Commander LaMarr who hid his intelligence because in the colony he came from it was looked down upon, but in turn becomes the Chief Engineer on the ship, you have Bortus who fights for the right of his child to choose his own gender in a species that has only males and a few others who I will go into deeper into the review of the show. The least notable is Lt. Gordon Malloy who is comedic and good at being a pilot and that is the extent. He isn’t complicated.

Alara – Alara is one of my favorite characters. She is the security officer on the ship and comes from a planet where her gravity is heavier so her species is stronger than most. We learn they also as a culture look down on military and similar professions as they see it as below their intellect. She went against her parents to join the Planetary Alliance and because of it holds herself to an impossible standard, and we see it when in an episode she faces her worst fears and the worst fears of her crew members and succeeds. It is a powerful episode and reaffirmed why she is one of my favorite characters on the show.

Isaac – Isaac is from a race of artificial non-biological beings who believe themselves to be the most superior life forms in the galaxy. Isaac joined in order to learn about humankind, and is our Data stand in. His arc is him learning how to care for humans and organics beyond just studying them and it is handled really well. I can’t wait to see where his arc goes.

Captain Mercer and Commander Grayson – The main arc that drives the story is the relationship between Captain Mercer and Commander Grayson. They are divorced after Grayson cheated on Mercer with a blue alien. We later learn the alien can make anyone fall in love with him when it is going through mating and that might have been what happened. There are a few false starts and with each friendship grows between them but Grayson cuts it off in the finale when she realizes that their love is causing Mercer to do things he wouldn’t have usually done as a Captain that put him and others at risk so they cut it off. It is touching and the arc is fun.

The Secular Future – The future is won by science and I loved it. This is a future where humanity has myths still but they mostly come from television shows and past knowledge, as far as we know there isn’t supernatural and there is no religion to speak of beyond the Krill or less advanced species and it usually comes up as a problem. Seth MacFarlane wrote this and it shows, and for what its worth as a secular agnostic humanist, I enjoyed this future greatly. Like “Star Trek” it showed a world not defined by religion but by even deeper ideas of self.

Exploring Dilemmas – One of the great things about “Star Trek” that “The Orville” does well is the exploration of moral dilemmas. Be they dilemmas of culture and technology (justice by “likes” and “dislikes”) the agency of a person within in a nation in regards to their family (an all male species forcing a newborn born female to be turned male and her choice being taken away, and this species if a major player in the Planetary Union) why there are rules for first contact (Kelly sets off a religion on a planet that exists orbiting through universes when she heals a little girl with her technology)  and countless other dilemmas where crew-members have to make choices where there isn’t always a clear answer.

Okay: The Humor – The humor is good at times but falls short on others when it has characters like Lt. Gordon going on away missions, when all he does is jokes, or Lt. LaMarr grinding on a statue on an alien society and no one on the crew being briefed on how the culture they were down studying worked as they searched for scientists who had gone missing…The humor made these stories that were largely solidly written otherwise, to go down in quality. Cheap laughs are not the way to go. When the show nails it, it is amazing, but it wasn’t consistent.

The Series Arc / The Episodic Nature of the Show – The show is largely episodic with the only consistent arc being Ed and Kelly working through what their relationship is now. I would have preferred more of an arc with the Krill, they do still a giant Krill warship in the last episode the Krill are in but it doesn’t go anywhere after that. That was missed potential that made the show not really get the great exit it deserved, since it really did have a great entrance. Solidly good show, but not great.

This is a show that if you are a fan of sci. fi., “Star Trek” or Seth MacFarlane, you will probably enjoy. This is easily the best thing he’s ever done by miles and I’m glad the show was renewed for another season. Where he chooses to take the show remains to be seen, as it could remain like TNG and TOS and largely remain episodic with some powerful episodes along the way, or it could go the way of DS9 and later ENT and give us some powerful arcs that payoff on a personal and galactic scale. I’m all for finding a good medium inbetween as well, arc episodes and bottle episodes together. As someone whose missed “Star Trek” since it went off the air and all we had were movies, this and “Discovery” made this Trekkie happy. If you like “Star Trek,” you should at least give this show a chance.

Final Score: 8.5 / 10. Humor often time hurt the drama and lack of an overall arc kept the season from greatness.

 

Warcraft III: Reign of Chaos – Fun RTS Gameplay and Solid Fantasy Redemption Story

   “Warcraft III” and the original “Starcraft,” are the games that got me into RTS games, along with “Age of Empires II” and “Rise of Nations.” Does “Reign of Chaos” hold up? I would say yes, there are some things Blizzard did that took away from the strategy a little bit (adding hero units which turned multiplayer into a rush game). I really enjoyed this, for someone who grew on Tolkien no one had subverted the “Orcs are bad.” trope until “Warcraft III.”

In regards to how I review this first game of 2 (I plan to review “The Frozen Throne” after I beat it again), it holds up and I’ll give a brief analysis on gameplay (pros and cons) and how the story was. The story in the end will be my overall judge for any game where the gameplay is at least enjoyable. Like my films I enjoy my games being compelling and having a narrative that pulls me in.

For giving recognition where it is due, Chris Metzen wrote the story (which explains why he is the head of storytelling on WOW for best and for worse) directed by Frank Fierce jr. and produced by Chris Sigaty.

The story picks up after Warcraft 2 (all the games so Draenor is destroyed and the Horde Orcs are defeated and in internment camps) and begins with Thrall freeing the rest of his people Lordaeron on promptings from a mysterious prophet. From here we trace the rise of the Scourge, the return of the demons of the Burning Legions and the introduction of the Night Elves.

SPOILERS ahead (old game so may not mean as much).

The Pros: The Gameplay – As stated above, the gameplay is too rushish in multiplayer but the Hero concept payed off. I wouldn’t being loving “Heroes of the Storm” if not for this game. So I take the pros over the cons and in the end it is pro. Each hero has unique ability, and depending on your playstyle (I tend to go for auras over abilities) helps in the campaign, custom and multiplayer games. In the end the campaign was fun, which is a win for me. I enjoyed playing this game again after not playing it since High School, and can’t wait to replay the expansion.

The Alliance – We only really get to see the Fall of Lordaeron in this and the rest of the Alliance is purposely left out. I get this as in if the game fails, we get the fall of the Alliance from past “Warcraft” games, but if it succeeds….we get “World of Warcraft” which is still going with the most recent game being “Legion.” The fall is told really well, with Arthas killing people in “The Purge of Stratholme” to save them from being enslaved, and going mad after. It is compelling and in the end the Scourge wins ending with Arthas turning on his troops, sacraficing his friend Magni and killing his father the King, leading into the next campaign. Arthas is the drive and seeing his fall is how Anakin in in the Star Wars Prequels should have been done.

The Scourge – The Scourge Campaign involves Arthas destroying his own nation after the killing of his father after the end of the Human Campaign. It is really good. You start out weak, resurrecting the Necromancer Kel’Thuzad who you killed during Arthas’s fall to empower the Scourge and bring in the Burning Legion who are behind it all and the big threat from all past Warcraft games. It is really good and you get to see how Arthas without a soul is like. He is funny and also evil as hell. He kills his mentor Uther, destroys the Kirin Tor (who is the faction of his complicated relationship – Jana) and in the end feels powerless until he returns later in the last campaign. He feels like a pawn but empowered in his malice and it is Kel’Thuzad who hits at the plans to come as Ner’zhul predicted the fall and conquest and his freedom and Scourge sovereignty out of it.

The Horde – The Horde is complicated, back in Middle School they were my favorite faction, and I still love playing compicated orcs, nowadays though. Grom, who “redeems” the orcs only fights. Thrall who is the Warchief is constantly keeping him in check and even though Grom kills the big bad (after he kills a good demigod) doesn’t redeem him in my eyes. This campaign was fun, but Grom pissed me off. Thrall was good but he never apologizes to Jana (who is Arthas’s complicated and brings the survivors of Lordaeron to Kalimdor) and only sees Grom as hero. Th orcs deserved better and World of Warcraft really hasn’t redeemed them yet. They are still conquerors and not fully refugees and that is a toxic narrative. I’m a fan of the orcs and this time around could not embrace them. They don’t see what they do as wrong and only live to fight, which even if they aren’t the evil of Tolkien orcs doesn’t put them on par with the Night Elves and Humans. They deserved better in this game, though still putting as a pro. This was the only time I’ve played orcs in a somewhat redeeming light and I want more of that. They are a compelling species and I love their aesthetic.

The Night Elves – The Night Elves story is short but awesome. You have the warrior women who protect the forests and bring in the Druids when things to get apocalyptic. Tyrande, the Priestess of the Moon is a fanatic but you get her perspective given she hasn’t had Outsiders in 10,000 years and in the end she appreciates the orcs and humans who defend Mount Hyjal and the World Tree from the big bad Archimonde who wants to consume Azeroth. Furion is standard wise old guy but fighting with the Druids of the Claw was fun, Illidan is the Boba Fett in this game where he was trapped and fights for himself because all have wronged him and stars in 1 mission (but has an awesome aesthetic). I enjoyed this campaign and wanted at least 1 more with Illidan to develop him further, though I know the expansion to this game does that really well. This is where the complicated characters are. Jana is savior and love interest and doesn’t get beyond that and the Kirin Tor and King are (you know us from Warcraft II lore if you read the books) which coming back to the game wasn’t enough. The Night Elves campaign is short but it is a rich campaign.

The Fall of Arthas – The most compelling story in this game is that of Arthas. He turns on the past allies of the High Elves and kills their general Sylvanas (who I want to say now is amazing come “The Frozen Throne” given what goes down this game). He kills his further, turns on his allies. Consumed by revenge he forsakes everything for the power to achieve his revenge. He is the perfect Anakin and I get why “Wrath of the Lich King” is so memorable even though I haven’t played and avoid MMORPGS.

The Introduction of Illidan – Illidan’s introduction is great. He isn’t to be trusted but he kills the big bads while serving himself. He is the perfect anti-hero in Warcraft. He has no destiny or prophecy at this point…he is a hero who messed up and was wronged acting out. This makes his mission fun and why I was drawn to him after so many years replaying. Can’t wait see his story unfold again in “The Frozen Throne.”

Defeating the Burning Legion – This is a win that pays off. We see them come during the Scourge Campaign and even though Thrall and Grom defeat the general Mannaroth, we saw Archimonde decimate a kingdom in the Scourge cinematic. The threat is always real, especially with most Night Elf missions being a race against time, and this is them with allies and them having defeated the Burning Legion in the past. The payoff is amazing and holding Archimonde back to the second with Tyrande and Furion to the second was such a rewarding playthrough. For me every Night Elf mission mattered, both from challenge and investment in the characters.

Okay: More Exploration / Missions Could Have Made Perfect – Grom should have been shown being noble and not just a blood lust fighter to make his redemption mean something and not just him escaping his addiction to battle, Jaina deserved a mission escaping from the Scourge and her former lover Arthas and to give her more agency and the Night Elves needed a mission to work with the Alliance and Horde…a custscene wasn’t enough given Grom killed one of their Gods. This took away from making the game perfect.

Grom’s “Redemption” -This guy only lives for fighting. He has a great look, but he needed more. We never saw him as loving any more than war, he cared about Thrall and felt bad but each time that mattered he went back to fighting. There is no reason for Thrall to trust him or for the Horde to be forgiven beyond “The End of the World” in the Night Elf campaign. He deserved better given that the character came back in “Warlords of Draenor” and his son was Warchief of the Horde…and like his dad ruined it. I am a fan of the Horde, I like orcs as not simply bad guys…but Warcraft’s redemption doesn’t fully work. Chris Metzen was the writer and the Horde deserved better if they were going to be redeemed. I want good orcs, but you won’t get them from Grom killing Mannaroth. The flaws run to deep if Grom wants to fight every mission, him killing his species enslaver (Mannaroth), doesn’t justify him willing to kill anyone for not being an orc through the campaign. Looks cool, but the guy is deplorable.

“Reign fo Chaos” is a flawed and amazing game that is well worth your time if you enjoy RTS games. I can’t wait to replay “The Frozen Throne” given how fun Arthas and Illidan are to play as heroes and I love the “Forsaken” campaign, which was actually a great set-up for the Forsaken joining the Horde in WoW and further Sylvanas development. This game is self contained, it is set-up to be self contained if it fails given the big bads are beaten and we have a world that no longer needs “Guardians.” For this reason I rate the game highly. There is some great character development, even if I wanted more for the orcs and night elves. If you like fantasy games or rts’s check this game out. It has been out for years, but is well worth your time.

Final Score: 9.3  / 10. A solidly great fantasy RTS game.

Olaf’s Frozen Adventure (2017): A Crappy Christmas Special With Good Music


   They played this crap before “Coco.” I think one reason I wasn’t prone to like it going in is Pixar has amazing shorts, and this was around 20 minutes. Seriously, the best thing that is happening in regards to this film is Disney pulling it from theaters. This is a thing that should have existed as an extra on “Frozen’s” Blue Ray. I enjoyed “Frozen,” I think it beats “Tangled” and is up there with the rest of the modern greats of this new 3D Disney renaissance…I did not enjoy this though.

When it comes to Christmas or really any holiday specials I am pretty picky. The only one that I could stay is great are the different retelling of “A Christmas Carol,” and that is largely because they are about more than just trees, myths and gifts…they have a larger purpose and it is a man forced to grow and see the world beyond himself. This film has none of that depth, with the exception of only one scene that could have been 2 minute sequence in “Frozen 2,” when it eventually comes out.

That scene is where we see that Elsa and Anna shared pictures of of Olaf as “Do you want a Build a Snowman?” Was the only connection they had growing up since Elsa was under room arrest after those events. It is touching and if the movie had just been that it would have been great, instead we get Marketing^TM! Got to sell those Olaf dolls. Also the cast is all back so their voices sound lovely, even though the lyrics are awful and on the nose. (Holiday Tradition is repeated in every scene in what felt like at least 3 times).

Olaf isn’t bad but what he is used for is. He goes around the village collecting traditions so he can do jokes with Sven and so there will be more Olaf toys to market. Olaf appeals to everyone and the most important thing is stuff! God, I can understand if people hate the holidays after this short…Olaf is in everyone’s business and in the end has to be found because of his own mess up and in the end he was the tradition all along! This is a story with no consequences that is just there to remind you these characters exist and “Frozen 2” is coming!

After that they have a big feast on the lake and you know what, the fruit cake that was given in his search is dropped on him from the hawk who took it. Oh joy, more stupid humor! Buy that “Frozen” gear! They all have new costumes in this! Get Olaf with a bow tie! Look at Elsa and Anna’s new dress! Christmas is coming, better buy those new toys!

This should have been an extra in a DVD, ideally in “Frozen 2” or the “Frozen” re-release. This film crapped all over the beautiful shots Pixar usually makes and even took time away from developing characters in “Coco,” which is the best Pixar film since “Inside Out.” This film purely exists for marketing and my guess is it will sell a lot of Olaf dolls, because of course it will. If your theatre is showing it, skip it if you can and find out when “Coco” actually starts. If this is the new normal for “Pixar” openings Disney is on the way to ruining one of the best artistic companies they own.

Final Score: 5 / 10. 5 only because the voice actors and animation are good even if the writing and story are garbage.

Coco (2017): An Amazing Pixar Epic That Explores Family and Love

     Pixar has done it again. “Coco” is easily the best film their studio has put out since “Inside Out” and is definitely in my  Top 5 films made by the studio. This is film full of beautiful creativity, action that matters, a powerful message and enthralling characters. For my non-spoiler thoughts, this is Pixar and it isn’t a sequel, go and see it. Hopefully “Olaf’s Frozen Adventure” will have been taken out before you see it too, I’m doing that as a separate review but it was the worst part of the viewing experience.

The film was directed by Lee Unkrich, written by Adrian Molina and Matthew Aldrich and produced by Darla K. Anderson.

The story follows Miguel (Anthony Gonzalez) a young boy who wants to be a musician but whose family has abandoned music after their ancestor left his wife long ago and never returned to become a musician. From here he finds himself pulled into the Land of the Dead as he seeks his ancestors blessing in order to return to the Land of the Living before he a curse he brought about sets in on himself and his family.

SPOILERS ahead

The Pros: The Animation – This is easily one of the best looking Pixar film since “Inside Out.” Like “Inside Out” it is colorful and full of contrasts and our characters are each distinct both in look and the voices portraying them. This is also Pixar, so great animation isn’t too much of a surprise, it just really stood out in this film.

The Family and Their Dynamics – The main drama that drives the story is Miguel’s relationship to his family and the relationship between his last known living ancestors. The story starts out with Miguel wanting to be a musician and believing the famous celebrity who died named Ernesto de la Cruz is his ancestor because of the picture on his mantel and the fact that he was from his village. His family does all they can to keep from music (his grandmother even breaks his guitar), leading him to go the Land of the Dead where he seeks de la Cruz’s blessing (as his ancestor Imelda will not give it). The story unfolds from here as the ancestors try to get him back to send him home so they won’t be cursed and as the story unfolds we learn more about Imelda’s relationship to music and her missing husband as the family comes together over the course of the film.

The Land of the Dead – The Land of the Dead is wonderfully done. It is a mixture of eras and technology and they even have a travel system on Day of the Dead where your face is checked to see if someone has put your picture up in the Land of the Living. It is all creatively done and built on popularity (with Ernesto de la Cruz being the star). I wanted to see more of this place as we get to see the entrance and the city but also the underbelly where Hector lives where those who are forgotten live before they pass away forever.

Hector and Imelda – These two were my favorite characters and their drama is the core of the story as Hector went off to be a musician and was killed by Ernesto when he tried to return home. Because Imelda was living on her own supporting Coco she started her family’s obsession with shoes as that was how they built a livelihood. Their arc is coming together again and taking down de la Cruz as Imelda discovers her love of singing again and Hector becomes part of the family once more as they are both reunited with Coco a year later after she dies.

The Coco Scenes – Coco is an ancient old woman and Miguel’s Great Grandmother. For much of the film she doesn’t interact at all, except for calling out her father’s name. It is this way until the end when Miguel returns and plays her song, “Remember Me,” that Hector used to sing to her before he would travel and do concerts. We learn she held onto his songs and a portion of the photograph her mother had torn and through remembering Hector he is remembered and doesn’t die in the Land of the Dead, with Coco joining her parents a year later. It is powerful and I teared up when Miguel sings her the song that Hector always had.

Okay: Ernesto de la Cruz – Benjamin Bratt voices a great villain as Cruz is one who only cares about seizing the moment and holding onto his station in life. He killed Hector and nearly kills Miguel, all to keep his power. I wish he’d been more complex, but as a villain you think might be a good guy at first, he was fun, so not a con.

Entering the Land of the Dead – Miguel enters the Land of the Dead when he plays his father’s guitar. There isn’t a reason given minus the border between worlds being thin, so I wish we had been told more. It wasn’t bad but it just kind of happens and he becomes a ghost.

This is a film that might have you tearing up by the end, as it did me. Films like this are why Pixar is so loved and I can’t wait to see what they do next. I’ll be buying this film when it comes out and it is easily one of my favorites of the year, even if it may not make the Top 5. The main story is solid, the emotional core is strong and the world is amazing. The only things they could have improved on were the villain and how Miguel entered the Land of the Dead.

Final Score: 9.6 / 10

The House of the Dead: Making “Resident Evil” Look Good

“The House of the Dead” is a corny game that enjoys stealing your money. It is also a lot of fun when you don’t have to worry about cost as the writing is so terrible that I found it hilarious and the enemy and boss variety are great enough that there is an actual challenge to get through the different chapters of the game. Before I get into the details of my experience, I recommend this for any fan of rail shooters who has time and money to spare, cause you will need both if you want to beat this game. This is a game that I was only able to beat with my fiancee because we were at the Coin Jam when it was free to play.

The game was developed by Wow Entertainment and produced by Sega.

The story involves Agent Thomas Rogan who learns his fiancee Sophie Richards is kidnapped at the Curien Mansion and arrives with his partner “G” to investigate and take on Roy Curien and his creations, as well as rescuing his fiancee Sophie Richards.

SPOILERS – If anyone cares, this game is old.

The Pros: Enemy Variety – The enemy variety is really good in this game. You fight bats, slugs, jumping zombies, water zombies, fat zombies, dragon dogs and many of the zombies have a variety of weapons from things that they’ll throw at you to varying degrees of melee weapons like axes and chainsaws. This part of the game was really creative, especially since there are only a few chapters.

Boss Battles – The bosses are stressful and also one of the best parts of the game. There is the Chariot who you fight in armor and in his flesh form, the Hanged Man who sends bats at you and is responsible for killing Sophie given it brings her deeper into the Mansion, the Hermit which is a giant crab spider thing and finally the Magician who is a major coin sink and I assume can’t be beat in arcade mode without at least dying once. The Hanged Man was my favorite as it looks like a giant gargoyle and it was a fun and difficult fight without being nearly impossible like the Magician.

Okay: Replay Value – The replay value is decent if you aren’t expecting to beat the game, but because it is a game where you expect to lose money I can’t put it as a pro. Maybe you are really good at rail shooters and don’t have this problem, but this is a game I only beat because it was free to play and if I am going to spend money I at least want to have a chance at completing said game.

Gameplay – This is a rail shooter and unlike some rail shooters where you have more of a chance to block incoming attacks, this one gives bosses unblockable attacks and sheer quantities of enemies that in situations will hit you. This is an arcade game so it was made to fight cheap so I’m putting it as okay. I did have more fun with “Resident Evil: Umbrella Chronicles” as far as rail shooters went as I found the story better and the fights a lot more fairer. But “Resident Evil” as a whole is a superior game and series to this fun garbage.

The Cons: Fridging Sophie – You see Sophie at the beginning of Chapter 1 and she is dead by the end. We have no relationship with her we just know she’s Rogan’s fiancee and she dies. She is fridged so our heroes will seek revenge against Roy Curien, when that isn’t needed. She could have easily been your partner in the game but bad writing has nameless “G” be your partner instead.

The Plot and Characters – Roy Curien wants to conquer the world with his creations (Cliche mad scientist!) the one female character is fridged and your characters are driven only by revenge. The characters and plot are awful in this game and the only real entertainment that comes from it is the fact that the tropes are so obviously awful and the game was made completely seriously. I want to call it “So bad its good” but it is a quarter stealing game so really should have had a lot more effort put into it. There were obvious solutions that were never taken, like giving Curien a relationship to the agents beyond fridging Sophie and of course replacing “G” with Sophie so that you play as someone who matters in the story.

This is a terribly written game that is full of the worst cliches (fridge the one woman, mad scientist who mad sciences for reason, two tough guys saving the day) but does manage to not be a complete train-wreck by the variety of enemies and bosses that actually force you to strategize. The game is worth playing for a little bit if you expect to lose and just want to kill zombies but if you plan on beating the game…bring a lot of quarters or go to an arcade that has free to play days like the Coin Jam. This game is a classic but it isn’t a good classic, it manages fun, but not much else.

Final Score: 6.5 / 10

What Happened to Monday (2017): An Amazing Sci. Fi. Thriller That Explores Identity and Human Value

  “What Happened to Monday” is the type of dystopian Science Fiction that I love. It feels like a Philip K. Dick novel, which has lead to some of my favorite films adapted from his work…from “Blade Runner,” “Minority Report” and the original “Total Recall.” The films give us future tech. but also a world that is fascist and dehumanizes it’s population in some way, this film is cut from that same cloth and is executed so well it has become one of my favorites.

The film was directed by Tommy Wirkola, written by Max Botkin and Kerry Williamson and produced by Raffaella De Laurentiis, Fabrice Gianfermi and Philippe Rousselot.

The story takes place in a overcrowded, polluted dystopian future where families can only have one child. When Karen Settman (Noomi Rapace who also plays her daughters) has 7 identical twins her Grandfather Terrance (Willem Dafoe) hides their existence by having them adopt their mother’s identity and pretending to be one person. When Monday goes missing years later it is up to her sister’s to solve the mystery and keep their secret safe.

The Pros: Self and Identity – One of the major themes that the film explores is the issue of identity, given that the 7 sisters have each adopted the identity of Karen Settman and can only be themselves when they are trapped in the house. This leads to some of them to fully embrace the idea of the character and believe they are them, forgetting the day of the week they are as each of them deals with it in different ways by either escaping (Tuesday is a druggy) or embracing their roles outside of the identity of Karen as we have the one always in training to protect and the tech. who is tracking all the events that happen in the search for Monday. Each of them express who they are in different ways and in the end we see how that connection to identity shapes the survivors as there are a few name changes at the end tied to the history of the characters.

Individualism, Collectivism and Human Value – The film starts out showing how global warming has been leading to mass destruction and starvation and the steps the government takes to make sure the overall human population can survive. This is most scene in the one child policy and how C.A.B. takes the siblings when that happens so that they are out of the competition for food. At one point Glenn Close’s character debates with one of the sisters on that very question and points out how if more people had been like their mother the world would be dead given the lack of food. This question is never fully answered and the fallout of the finale leaves things open as far as what will happen to humanity. Glenn Close’s character was a villain whose intentions were good but we see how in going collectivist it misses the point of the value of the individual contrasted with the beginning that showed how individualism taken to the extreme with no thought of the world and future lead to the dystopia in the first place. The film comes out on the side of individualism but given the opening, I believe it leaves things open enough as to what the future of this world and ours hold.

Okay: The 7 Sisters and the Danger of Stock Characters – Noomi Rapace is an amazing actress. We see her play 8 characters, each with different levels of depth. Honestly this film would have worked better as a show as a few of the sisters I couldn’t even place in regards to their motivation, they only existed as a stereotype (the tough woman, etc.) She did give a lot of depth to certain characters though, the greatest being Saturday, Friday. Monday and Tuesday. We can see where their conflict comes from too as Dafoe’s performance as their grandfather is amazing given he is willing to go any length to protect them (if one loses a finger, they all have to if they are continue playing the role of Karen Settman so suspicion will not occur) to keep the lie going, even though that leads to harm to them all and shows just how broken this world and he himself is. Each of the sisters carry that damage with them as well as carrying the lie of Karen Settman, the role each must play during their day of the week. The stock types make the reveal a little predictable at the end but it still managed to surprise me in other ways in regards to who lives and dies when the government is hunting them and in regards to what happened to Monday after she goes missing.

This is a film I highly recommend. I’m staying away from spoilers because it is an easy film to catch, as it is on Netflix currently. I was never bored during this film and the action and ideas kept me waiting to see what would happen next. I don’t know whether it will make my Top 5 at the end of the year, but it is certainly one of my favorite films. Dafoe and Rapace owned the roles they played and the ideas of identity and human value are explored so beautifully through the world and the sisters that I can’t help but recommend this film. This is an original and isn’t based off any prior property. I really want to see more sci. fi.’s of this level of quality in the future, that pull from themes and show the different costs of existence, society and identity.

Final Score: 9.6 / 10