Sherlock – Series 4, Episode 3 – “The Final Problem” – Bad “Sherlock” Fan Fiction

sherlock-the-final-problem

    God, I hate what Moffat did to “Sherlock.” He pretty did to “Sherlock” what did with Amy and making her “The Impossible Girl” and a plot device that only existed for the Doctor and nothing more. This episode has more of that too and ruins what could have been a great character if she hadn’t been turned into really bad fan fiction. If they make another season of “Sherlock,” and Moffat and Gatiss are in charge, I probably won’t watch it…not after the finale like this. This was an episode that was so bad on so many levels and makes me worried for the next season of “Doctor Who,” as Moffat is still the showrunner on that show.

   “The Final Problem” was written by Stephen Moffat and Mark Gatiss (the creators of the show so you’d think they’d know better than to write crap like this) and directed by Benjamin Caron.

SPOILERS ahead

  Sherlock and Mycroft’s sister has escaped from an asylum and it is up to the brothers and Watson to stop her as she tries to kill them with a drone that is also a bomb and reveals to them that she now controls the asylum, putting them through tests so that she is entertained.

The Pros: Cinematography – The cinematography is always beautiful (though the slow motion jumping out of an explosion was stupid and took away from some of the nice cinematography). Still, it looked nice even though the writing was crap.

Soundtrack – Music has always been one of the solid parts of that show and there are some great violin pieces, but that is it. The music this entire season has been great but it doesn’t save this episode.

The Cons: Character Assassination – Did you think Mycroft, Sherlock and Watson were fleshed out characters…well prepare for them to become caricatures of themselves!

John Watson – Watson is there to be the soldier, he says this multiple times and reminds Sherlock to be the soldier…and that’s it. It’s like someone heard about who Watson was on this show and wrote the only thing we were told about in the first episode in the first series…

Mycroft Holmes – Mycroft is manipulative and cares…we see this Sherlock and Eurus…I guess? Nope the writers don’t know what to do with Mycroft. He is manipulative and has a good heart and isn’t as smart as he thinks he is. He is only descriptors and not a character.

Sherlock Holmes – Sherlock is the genius who cares who apparently now  will do anything to save anyone no matter how monstrous they are. Given there was no bases for this prior I’m not sure where it came from given he killed someone at the end of last season. He apparently really loves his sister even though she killed a bunch of people including his best friend. Sherlock ceases to be a character though too as all his past actions are erased so that he can have a relationship with his sister and grow even though both have become plot devices though more so Eurus since Holmes is still driving the story and gets the emotional payoff.

Eurus Holmes the Plot Device – Eurus is crazy in the same way Carrie from “Carrie” is and Jean Grey is in “X-Men 3.” She exists only as a plot device to explore Sherlock’s trauma. She is crazy for the sake of being crazy and no reason is given. She is crap writing and is like “The Impossible Girl” in relationship to the Doctor. She exists only for Sherlock’s and Mycroft’s emotional growth and nothing more.

Happily Ever After – The ending is corny and apparently Mary being dead is okay since it was all about Watson and Sherlock the entire time! God this script is a hack script.

     This was an episode that started out with so much promise…the ending of the lying detective at least set up Eurus as being a fully fledged human being, apparently that was too much to ask though and Gatiss and Moffat had to “Carrie” / “Jean Grey” her. Everything that happens in this episode is for Sherlock and it doesn’t even fit within his character. The episode is literally retconning memories so that everything is about Eurus and Sherlock’s relationship, a relationship that never existed before. I can’t recommend this episode and I honestly fear for Moffat’s last season of “Doctor Who.” If we get this level of writing than Capaldi’s Doctor is going to be ruined. Watch at your own risk but this is an episode of television that I wouldn’t recommend to anyone as you won’t get back that time and the writing is a whole list of what not to do.

Final Score: 3 / 10

The X-Files – Season 10, Episode 6 – “My Struggle II” – “The X-Files” Sucks at Endings

My Struggle II

   I’m disappointed…but I shouldn’t be surprised. “The X-Files” has never been very good at endings. The show has always been overdependent on Cliffhangers and often times a lot of the myth arc doesn’t feel completely thought out. This ending was a glaring example of all of these things and from what I heard, was the same problem the films had too.

    “My Struggle II” was directed by Chris Carter who also wrote it along with Margaret Fearon and Anne Simon.

SPOILERS ahead

     The story involves the Cigarette Smoking Man’s endgame as the secrets behind the alien DNA and the World Conspiracy are revealed.

Okay: Scully – Scully feels like her character and is the one who saves the day in this episode as her alien DNA is being used to make a cure for everyone who is infected (most of the population) including Mulder who is dying. Her final scene is with UFO above her, Miller and the dying Mulder.

The Cons: The Writing – The dialogue feels stilted and doesn’t work and does all the cliches. From “The Cigarette Smoking Man,” wanting to be God over Earth and the whole stupid virus plot and infecting the populace. Nothing worked at all.

Agent Reyes – Agent No One Cares About returns and is working for “The Cigarette Smoking Man.” Her reasons for doing so felt contrived. She felt as useless as Miller and Einstein this episode.

The Cigarette Smoking Man – In the end he’s just a megalomaniac. Boring. If you are using aliens and supernatural or unknown things…you can at least come up with an interesting idea for world domination or have some subtlety.

Mulder – The guy is just reactive and he didn’t feel like a character at all, just the idea of Mulder. I hated his conversation with “The Cigarette Smoking Man.”

       I honestly can’t think of any pros for this episode. Everyone is reactive and the final plan was just so stupid. So “The Cigarette Smoking Man” just wanted to be God over a decimated population? Really? What a weak reason for the aliens exist and for their DNA to be what saves people.

1 / 10 Point for Scully.

The X-Files – Season 10, Episode 5 – “Babylon” – The Power of Words

The X Files Babylon

     This was easily the worst episode of “The X-Files” mini-series so far. The tone is all over the place and it doesn’t give any of the ideas proper space and time to develop and grow so remains a disconnected and disjointed mess. This is an episode that if it had chosen to focus on one of the big ideas it would have been great, but instead tried to to do much and failed.

     “Babylon” was directed and written by Chris Carter.

      The story involves Mulder and Scully investigating an area after a terror attack as they try to communicate with one of the terrorists who survived the bombing, even though he is in a coma. They are working with their younger counterparts as well with Agent Einstein in the Scully role and Agent Miller in the Mulder role.

The Pros: The Idea – The idea of investigating the afterlife or the idea and concept of God and belief is fascinating and could have worked with a tighter script, a smaller cast and a rewrite. I still like the ideas they wanted to explore.

Dana Scully – Scully is great in this as we see her working with Miller to find where the terrorist cell is. She is also the calm and collected to Mulder and after Mulder get’s high she’s there for him to bring him back down.

Fox Mulder – Mulder is just crazy this episode, and because it’s Mulder it works. It still one of the weakest ways he’s been written though. His hallucinating The Cigarette Smoking Man in the afterlife was just weird.

Skinner – Skinner appears briefly in this to reprimand Mulder…I wish we had gotten more time with him as anytime he’s around there is a great dynamic. I’m glad he survived the series thus far.

The Cons: The New Agents – They don’t really work as they feel like cutouts of Mulder and Scully while missing the fact that Mulder and Scully were actually fully developed characters.

God and Religion – We never really get this explored. There are trumpets that sound and no one knows from where but they never investigate it really and it is forgotten about. If it wanted to explore these ideas it should have taken the time to do just that.

Tonal Dissidence – The episode begins with a suicide bombing, radicalization is briefly discussed and we have Mulder get high and go to a Cowboy Club before he travels to the afterlife…What the hell?

   I wouldn’t recommend this episode. It doesn’t really work in anyway and I wonder if Chris Carter was the writer who took the show off the deep end before it was canceled based off what I watched here. If you want to see high Mulder it’s probably on youtube now and that’s pretty much it as far as comedy goes in an episode that should have been serious and focused.

Final Score: 2 / 10

The 12th Doctor – Series 9, Episode 9 – “Sleep No More” – All Gimmick, No Point…”Doctor Who” meets Found Footage

Doctor Who Sleep No More

     “Sleep No More” could have been great, but the fact that the Doctor was confused by the story he was in didn’t help. We are introduced to a fascinating world that doesn’t actually go anywhere. The Doctor and Clara are fine but there is no overall point to this story and the ending sets up a bigger story if they’d wanted to make this story more than a gimmick.

     The episode was directed by Justin Molotnikov and written by Mark Gatiss.

       The story involves Clara and the Doctor arriving on one the Neptune Station Triton as they work on solving the mystery on what happened to the crew as they and the crew are hunted by Sandmen. It is told as a narrative by the man who invented a new machine that makes it so you no longer have to sleep.

The Pros: The World – The world is the 38th Century where Indonesia and India have become one world power. It’s cool as everyone is polytheistic and there are Grunts who are cloned soldiers built for war and protection. The world is driven by productivity too reading to the Morpheus Pods that make it so you don’t have to sleep.

The Doctor and Clara – These two have great banter throughout the episode and are the best part as the world around them is not executed well at wall. They make dry remarks, especially the Doctor in his cynical way on how horrible humanity is and Clara when she learns the Grunts are created soldiers. If only this had been the episode.

Okay: The Sandmen – These guys are a collective conscience that spreads like a virus as they spread via radio-waves and are tied to dreams. They are dust creatures that only want to consume. So much more could have been done on their motivations…besides eating I didn’t know what they wanted.

The Cons: The Crew and the Scientist – Didn’t care about any of them. They have no personality, which is partially the fault the format of the episode as found footage doesn’t give you the chance to know characters as they become only reactive to the world around them. When they died it didn’t mean anything. The scientist who set everything in motion is just as weak too as in the end he was just an illusion and was already consumed.

Found Footage – Everything is dark and hard to see and it takes away from the scary moments as it looks so shoddy and bad. I was hoping it could get beyond the format but it never rises beyond it.

Plot Holes – So they spread by people watching the video…so is Clara infected, she was in one of Morpheus Pods, is this how future Earth is destroyed or what? It is so stupid and I could never take the Sandmen seriously because of it.

   This is an episode I would not recommend and easily one of the worst “Doctor Who” episodes I’ve seen since “In The Forest of the Night” and “Robot of Sherwood.” This episode doesn’t make any sense and the fact that the Doctor is confused only illustrated this point further. Gatiss was just going for gimmick, which is a shame since I know he is capable of writing great stories.

Final Score: 4 / 10

Sword Art Online – Episode 24 – “Gilded Hero” – Gratuitous Tropes

SAO 24

    This episode is the final objectification of Asuna as well as giving us a retreated of tropes that were already covered in the first half of the series. There is very little that is good that can be said about this episode and I’ll get into that more later.

    The story involves Yui and Kirito rescuing Asuna only for Oberon to trap them and begin raping Asuna while Kirito is slowly dying. He must find his inner power and beat the game to rescue her.

The Pros: Oberon’s Death – Oberon gets tortured but Asuna doesn’t get the kill after everything she went through. This character deserved much worse than what he got of being slowly cut to pieces and fully aware of it and experiencing the pain of it all. Was too good for him.

The Cons: Kirito the Hero – He finds his inner power and Kayaba’s echo reminds him that he was there fight and break the game because of his will. We’ve already been here there is no reason to do this again.

Asuna’s Rape – Asuna gets declothed and licked and a whole bunch of other horrible shit while Kirito is trapped because of the gravity and his own sword stabbed in his back. It’s presented like Sansa’s rape scene and is gratioutous and serves no purpose except to victimize one of the strongest people in this show who has been victimized for the entire second part of this arc. Really “Sword Art Online?” What purpose did this serve?

Oberon/Nobuyuki – One dimensional baddie rapes an innocent victim he’s been harassing this entire episode and the entire second half of the series. This is not good writing and this character served no purpose but to victimize Asuna and glorify Kazuto/Kirito. What a waste.

The fact that a character getting tortured is a pro shows just how far down this episode is. The players and Asuna being freed doesn’t even mean anything until the next episode because the tonal shift and rape on screen kind of make that feel meaningless. Serious “SAO” writers, what were you getting at with this crap? It is weak writing that does nothing and is like the writers are actively trying to sabotage their heroes (Asuna) and their show.

Final Score: 1 / 10

Sword Art Online – Episode 21 – “The Truth About ALfheim” – Gratuitous Victimization

SAO Ep 21

    This is where the series takes a sharp tonal shift and where it lost all potential to be great as it went for cheap victimization while downplaying the victimization and stealing Asuna’s agency just as she claims it this episode. Yeah, this episode was terrible and sadly it isn’t the worst example of what happens to her, the worst is yet to come in regards to one of the most empowering characters on this show. Okay, here we go…

     The story involves Asuna’s escape and her discovering the lab where the 300 other players are being experimented on by Oberon. She makes it her mission to free the other trapped players. Elsewhere Kirito and Leafa arrive at the World Tree.

The Pros: The Trapped Players – Seeing them as brains floating over a metal tube reminded me of something out a Philip K. Dick novel so I enjoyed that, shame more wasn’t done with those other trapped players.

The Cons: The Slugs – Who the crap makes their avatar a purple slug? Really? They are already made to look bad and being uninteresting and what come is worse.

The Rape of Asuna – One of the Slug Scientist rapes her with his tendrils…yep, it happens and the only way she gets to fight back and show us the Asuna who is Kirito’s equal is biting the tendril making it drop her and stealing the Admin Key. It is still played off as no big deal by the animators though and even played as a joke given the other slug calls the one who did a perv. God damn it anime…

  There was almost nothing good about this episode besides Asuna stealing the key and managing to fight back at the end. The scene was gratuitous and pervy and did nothing but establish what we already knew…Oberon and his men are bastards. If only this would be the last time this happened…

Final Score: 2 / 10

Star Trek: The Animated Series – Season 1, Episode 15 – “The Jihad” – Too Much Tell and not Show

Star Trek TAS S 1 E 16 The Jihad

     “The Jihad” had some interesting ideas, for example Spock and Kirk being on a secret mission with a bunch of other alien representatives to prevent a war is pretty cool. Sadly we get almost entirely tell and not show which makes it one of the worst episodes of the “Animated Series.”

    The episode was directed by Hal Sutherland and written by Stephen Kandel.

      The story involves Kirk and Spock being chosen by a powerful and ancient species to recover a Skorr artifact of religious significance in order to prevent a Jihad on the galaxy as the Skorr were once a war like species and it was only their religious awakening that now keeps them in check. Kirk and Spock must work with other aliens to retrieve the artifact and prevent the war.

The Pros: The Alien Team – The idea behind the alien team is really cool, with Kirk and Lara as the human representatives who flirt with each other a few times while the others are more extreme in emotion or balanced. Tchar is the leader who betrays them in the end as he wants the war and to re-establish “greatness” in his people again.

Spock and Kirk – Spock is logical and sound and is always a pleasure and these two have great chemistry again that shows why slash fic exists, especially as Kirk is way more interested in the mission and Spock than her even though she is down with hooking up over the course of the mission on the dangerous planet.

The Cons: The Writing – The script is really bad. Everything is explained and  because we are told everything it makes the very bad animation all the more apparent. If the writing had been okay this would be an okay episode, but because it is terrible it makes the episode terrible. Doesn’t matter how good your actors or ideas are if the script can’t carry the episode.

  This is an episode I would not recommend at all, at it is a shame since there was so much potential here. We should have spent more times with the different aliens and gotten to know the Skorr more, instead we had a very poor execution of “Man vs Nature” and an obvious betrayal that never really made sense.

Final Score: 2 / 10

Star Trek: The Animated Series – Season 1, Episode 15 – “The Eye of the Beholder” – Obvious Message not Done Well

Eye of the Beholder Star Trek TAS Season 1 ep 15

   The idea of aliens seeing humans as animals is a cool idea but really hard to execute, and honestly the original “Planet of the Apes” did this idea so much better. I wasn’t sure who the aliens were in the end or why they thought humans and Vulcans were animals, they were supposed to be higher beings without it ever being demonstrated and that more than anything brought the story down.

The episode was directed by Hal Sutherland and written by David P. Harmon.

The story involves the crew of the Enterprise seeking out Markel who had made a command decision that had got him and his crew trapped on an unknown planet. When the crew of the Enterprise arrives they are trapped and put into a zoo and must find a way to communicate with their captors or escape.

The Pros: The idea – The idea of aliens seeing humans as animals is a good one but the slugs are so boring we got know idea of their culture of society.

Okay: The Crew – Kirk tries to escape and the others talk to Markel but we don’t really get much. Scotty has a moment of the baby alien getting into his head and that is the extent of the interesting stuff, it was just that unmemorable.

The Cons: Execution – The zoo was poorly designed, the aliens culture was completely unknown and our crew  does nothing of significance. It’s just a bad episode.

The Message – Animals are just trying to communicate with us and are the same or could be the same as us someday. Not a bad message but very poorly done and if there is another message it was unclear to me.

This was not a good episode. Not much happens or is fleshed out and an interesting idea of first contact is completely wasted and goes cliche (they’ll be ready to meet us in 30 of their years). Was not a fan.

Final Score: 3 / 10

Star Trek: The Animated Series – Season 1, Episode 10 – “Mudd’s Passion” – Mudd is a Terrible Person and this Episode is Weak

Harcourt_Fenton_Mudd_2269

    Harry Mudd is a terrible character and I’m not looking forward to my eventual watching of “Mudd’s Women” his introduction episode. In this he is a simple and very selfish con who has no redeeming qualities. This episode also suffers from “Star Trek” not being all that good at comedy. Still, there were a few things I enjoyed, though this is still not an episode I’d recommend.

“Mudd’s Passion” was directed by Hal Sutherland written by Stephen Kandel.

The story involves Mudd conning some minors with love crystals that end up working and leading the crew to act crazy as he makes his escape and must be captured once again to be brought to justice within the Federation.

The Pros: Spock and Kirk – The crystals make these two lovy with one another and I love it as I have always been a fan of Spock and Kirk as more than friends but also potential lovers, as they had more chemistry with one another than any woman that was supposed to be a love interest.

The Rock Monsters – At one point Rock Monsters are attacking Mudd and Nurse Chapel and they have a great design.

The Cons: The Premise – They to go to stop a con job by Harry Mudd on a world that isn’t even under the Federation, it is pointless from the beginning and Nurse Chapel falling for the con against a proven con is just bad writing.

The Message – Love can be induced by artificial means? I don’t think this episode knew what it was exploring and any message gleaned is a negative.

The Characters – With the exception of Kirk and Spock everyone is written terribly. So much flirting and acting stupid for contrived reasons. Not worth your time.

Harry Mudd – Why did they bring this guy back? He is useless, annoying and if he is anything like this in his introduction episode I am going to run into an episode that I will probably hate. Of all the people to bring back…why not Kor or one of the Klingons or the Romulan Empress? Not Harry “fracking” Mudd.

Mudd and terrible writing are the biggest problems with this episode. It reminds me why in improv my mentor Brian told was that acting drunk was a copout, this was that with contrived writing. It was trying to be easy rather than telling a good story. I do not recommend at all and and Harry Mudd is a terrible character.

Final Score: 2 / 10

Sleepy Hollow – Season 2, Episode 7 – “Deliverance” – A Lack of Creativity

Sleepy Hollow Deliverance

 

At one point in this episode Ichabod and Abbie have broken into the Hellfire Club to get a Mcguffin Ben Franklin created to stop War and Moloch’s latest plan. Ichabod is trying passwords and Abbie yells at him to use 666 (Since the Hellfire Club is an Apocalyptic organization). It works and Ichabod calls it a lack of creativity. That pretty much sums up this episode. Contrived, lacking creativity and shoe-horning in the Redemption theme when it should not apply to Abraham or Henry at this point. I’ll get into what I mean in the assessment, but this is my least favorite episode so far this season.

The episode was written by Sam Chalsen and Nelson Greaves and directed by Nick Copus.

The episode picks up where were left off with the poison spider  going inside of Katrina and impregnating her. War arrives with the Hellfire Club on orders of Moloch and Abarham the Headless Horseman fights him to protect her. She escapes and meets up with Abbie and Ichabod who rescue her from the hospital and the story unfolds from there as we learn she’s been impregnated with Moloch.

Here is the assessment of the episode:

The Pros: Henry Parish / Horseman of War – He always wins, even when he loses and they better not redeem this character. He chooses Moloch again and again. He impregnated his Mom with Moloch knowing she’d die, he set the Weeping Lady on her and he buried his father alive. This character doesn’t care about redemption, so let him be a villain. We see his power in action as when the pregnancy is stopped by the plot Mcguffin he gets red mist that might be Moloch’s essence. He also has a good moment tormenting Ichabod where he tells him chooses Moloch and care nothing for his parents.

Detective Irving – Small role but he asks to talk to Henry so that Ichabod can talk to him.

Ichabod in the Modern World – Ichabod in the modern world is great…from his anger at low voter turnout to “Wanting to Internet.” His modern antics and phrases make this episode enjoyable, as the character was hit with the stupid stick.

Abbie Mills – Abbie is the one character who gets it and I hope she kills Henry since Katrina and Ichabod are holding out for his redemption. They are so blinded by their love they ignore all the ways he has harmed them and others. Abbie is the only one who gets it because of how Moloch hurt her and Jenny…and Henry serves Moloch. Sadly she is a support character in this episode and Ichabod is the the one who does all the saving. We see her use the Police Force though to take out the Hellfire Club and helps Crane get an identity as as a Criminal Profiler as well as earning Reyes respect for taking out the Hellfire Club.

The Headless Horseman / Horseman of Death / Abraham – This guy is a great villain. He loves Katrina and he fights for her against Henry and the Hellfire Club before Henry finally defeats him with sunlight a few times. He isn’t loyal to Moloch as an end all be all, he cares much more about being with Katrina. This makes him compelling and I’d like to see him more an an enemy and complex antagonist.

The Cons: Moloch the Demon Baby – Really? His plan was to impregnate Katrina to get into the world? What a silly idea. Way to turn Katrina into a plot device (Though she’s been that quite a bit already). Also Ben Franklin defeats him using a device he created that Ichabod uses that recreates the Northern Lights. Yup, what a stupid contrived plot.

Ben Franklin Has All the Answers – This needs to stop. Franklin is all powerful at this point at giving our heroes out against Moloch’s and Henry’s plots. The fact that it was predicted that when he was brought up the baddies would be stopped shows how overused this plot device is now. Purgatory Key, Kindred and now this…Did not like.

No Jenny – Abbie was going to raise an army to fight the Hellfire club and didn’t bring her sister. She should have been around, at least as backup in case Henry pulled something.

Katrina and Ichabod – This episode was all about them, and worse for it. Katrina was in a permanent place of needing to be rescued, Ichabod was angry and jealous of Abraham and they both insist that Henry can be saved, where if he is this season it would kill the show for me. He has no desire to be saved and loves being inhuman. They need to face that given all the crap he’s pulled on them. Both of these two are destroying the plot in their need to redeem Henry and denial of who and what he is.

Final Score: 4 / 10. Looked good but plot issues brought it down a lot. Worst episode of “Sleepy Hollow” so far this season and maybe overall after I rewatch Season 1.