Mary and the Witch’s Flower (2018): A New Studio’s Decent Introduction to the Studio Stage

With Hayao Miyazaki retiring soon and with it…I doubt his studio will ever be as strong. Hell, his son’s film “From Up on Poppy Hill” nearly put me to sleep and I’m afraid to see “Tales of Earthsea” given how much I love that series and the bad things I’ve heard about it. So lets put Ghibli’s future on hold. Who will take up the banner? Well Studio Ponoc throws their hat in the ring with this film as it captures many similar themes, from coming of age, nature v. science and other Miyazaki-esque themes. How did it do? If you like anime films I’d recommend it. It isn’t great but it is a solidly enjoyable outing. The film was released in 2017 in Japan but 2018 in the States so I’m counting it as my first 2018 film review.

The film was directed by Hiromasa Yonebayashi who also co-wrote the film with Riko Sakaguchi and produced by Yoshiaki Nishimura.

The story involves Mary, a young girl in England about to start school who stumbles upon a Witch’s Flower which transports her to a magical school where she soon finds herself in over her head as Witch Madame Mumblechook and Doctor Dee seek the flower to their own ends.

SPOILERS ahead

The Pros: The World – The world is really neat. I like that the Magic School / World lives above ours so it is hard to access, and the fact that it seem to imply anyone can access it and be changed by it. This also leads to a con though, the logic of this world is never answered…which I’ll bring up later.

The Animation – The animation is beautiful and very Ghibli-esque. It is open and gives characters a range of expression while also being fluid and full of compelling color, while remaining bright like a fairy tale. If they make more films with this aesthetic I may check out what they simply to see the animation and if they can take what great thing they have and make it better.

The Flashback – A mysterious witch is running away with the flower while being attacked by summoned water dolphin beings. The threat is high the entire time and we see her fall and her broom and the flowers become overgrown by the world below. This is an amazing setup and I wanted to know what happened.

Doctor Dee –  I saw the English dub because that was what released in theatres and Jim Broadbent is the one who voiced this mad scientist. He is really interesting as he sees unethical experiments as for the greater good and is seeking immortality. He also used to be tall but has now become short and uses machines to walk. His obsession has completely transforms him, but that didn’t change his love for Madame Mumblechook, the Headmistress of the school.

Great Aunt Charlotte – This is the character the movie should have been about. She is the witch at the beginning and we see that she’s settled down but still held onto a single flower. How did her life change after her escape? So much time has passed…but she was a witch so does her magic leave after she leaves the school? None of these questions are really answered. I wanted her story. She is way more compelling than our protagonists.

Okay: Mary and Peter – Mary and Peter are okay. Mary is clumsy and wants to help and doesn’t thing she is good at anything and Peter is a bully who ends up becoming more when he finds that Mary is friends with his cats. Mary saves Peter after becoming a witch and must stop Mumblechook and Dee…okay. This is all fine but none of them are all that complicated and I was far more invested in the side characters than our leads.

Madame Mumblechook – Madame Mumblechook is also okay, we don’t really see why the Witch’s Flower corrupted her motivation as Doctor Dee is the one doing mad scientist experiments and she is in charge of the school. We don’t really get her change beyond possibly her love for Dee? Which is a shame as Dee was driven by mad science, so he had more going on.

The Cons: World Development – Do Witch’s only get magic from the flower? Do you keep your magic if you stay at the school? How does the Witch World interact with ours? What is the difference between magic and science in this universe? This was a world of potential but it failed to fully explore the fascinating premise it started with.

I wish Studio Ponoc success, and given this is their first film they’ve released I hope they can continue releasing films of at least this quality and better. For any fans of the themes in Miyazaki and Ghibli films, check this one out. It has a lot of untapped potential but what they do explore is a lot of fun and the animation is simply beautiful. Here is to the future and hoping that Studio Ponoc will only grow from here.

Final Score: 7.8 / 10

 

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Blood Blockade Battlefront – A Powerful Anime About Letting Go and Finding Strength


 

 

 

 

 

 

 

 

If you like animes with a mystery and an emotional payoff, chances are you will enjoy “Blood Blockade Battlefront.” This is an anime that keeps the stakes up the entire time will still keeping the anime tropes of craziness and super team. I would have watched this anime just for the team, and I’m glad it got a continuation in “Blood Blockade Battlefront and Beyond” which I plan on also reviewing at some point. This is an anime with consequences where there are no easy outs and I loved that the ending had consequences. I’ll get into more of what I mean later on but for non-spoiler thoughts, I definitely recommend this series.

The series was directed by  Rie Matsumoto and written by Kazunao Furuya. 

The story involves Leonardo Watch and his interactions with the secret crime fighting organization “Libra,” who work in Hellsalem’s Lot, the place that was once New York City but after a supernatural event, the city and people are changed forever as beings from other worlds now call the city home.

SPOILERS ahead

The Pros: Hellsalem’s Lot – The incident that lead to Hellsalem’s Lot nearly destroyed NYC and it was the children of two Enchanters making a deal with higher beings that stopped the fall. This tone never leaves this world. Everything is dangerous and many people have magic now or are facing beings that alien to them. Humans are in fear mode as are many of the other humanoid beings. This gives the reason for Libra’s existence and Leonardo Watch’s ability to see the true name or nature of things with the “Eyes of God” (which he got from the incident) which complicate things further. This is a world of danger, but it never stops being fun.

The Members of Libra – I like all the members who have been explored, outside of Zapp (who continues to remain annoying even after his character arc) and Steven who is the second-in-command but whose motivations we never really get. He’s powerful but through this series is largely an enigma.

K.K. – K.K. is a minor character but she has more personality than a lot of the characters and never stops being fun. She is introduced as a gifted civilian with no special gifts (think Hawkeye in “The Avengers,” but is a lot more fun as she is much more cynical and it adds a lot.

Chain – Chain likes trolling her teammates and it is great as the one she trolls is always Zapp, who is the garbage horny character on the show (who has a very buried good side). I wanted more screentime with her and more of her fighting. She rocks.

Deldro Brody and Dog Hummer – I like this character out of the situation of their creation. A man connected to another being who is mad is wonderful. They have to work together and I love their dichotomy. It isn’t something you tend to see everyday, even in anime and fantasy as a whole.

Zed – The Blood Battle God drops Zed off after he and Zapp are forced to work together. Zed is great he is Spocklike but also more savvy and I like how he generally cares. This is a character who is noble and doesn’t put up with Zapp’s crap while also being super gifted in what he does. I would watch an episode just about him and his life as a merman.

Klaus – Klaus is the best part of Libre, he is distant but caring and he also shows that he sees the bigger picture. He is the one holding off Black until Leonardo can bring back White and help Black find the humanity he had before…and no longer be The King of Despair who inhabits him. Klaus is another character who I would watch a mini-series on. He is the most compelling member of Libra and the ideal Paladin character type. Also his Wolf-life character design adds a haunting tone to all he does.

The Kind of Despair and Finding a Reason to Live a Story of Black and White -The main arc is balance and finding a a reason to live and not destroy. Leonardo makes friends with White who is only held alive by Black (another friend) making a deal with the devil. It is only his letting go and becoming part of the protective barrier that saves Hellsalem’s Lot.

Complex Chaos, Femt Not Being All Bad – Femt is the first baddy we meet as he loves chaos, but even when he meets the Lord of Despair…he helps Leonardo whose whole point is to save the world. This was brilliant and I enjoyed the complexity. I wonder what he’ll do in “Beyond” but he is still a baddy and I have a feeling he wants existence and that is what brings fun. Regardless, it is great not to see that mindset in someone who isn’t like the Joker fully.

Okay: The Arc of the Show – The Black and White Arc and Black learning to let go and care could have been done better. The characters mentioned above could have helped with that whether I felt they were explored well or not having more people connected to Black or White could have helped the story. It was still enjoyable and worked but I’m not going to discount what took me out of the story, which was the arc.

This is a show that excels because of relationship and character. I can’t recommend overall arc simply because it needed more setup, but the characters make it worth it. This is a show I highly recommend and I can’t wait to watch the sequel series. These are characters I want to learn more about. I appreciate a series that can make the point without becoming overly long…and this one did it. If you are okay putting up with a main character who isn’t the best…stick around for his character payoff by the end of the season. Worth it for how it explores the characters and world.

Final Score: 9.3 / 10

 

Star Trek Continues – A Beautiful Continuation and Honoring of the Best Parts of the Original Series

This is the first fan series or project that I’ve reviewed on the blog, and honestly after this, the standards for what fan films or shows I would watch is pretty high. A friend at work recommended it to me and I’m grateful he did. This is a professionally made production that looks just as good if not a little better than the Star Trek: The Original Series and has writing on par with the good and great episodes from that series.

The show was created by Vic Mignogna, who also stars as Captain Kirk in the series…and you can tell he’s a fan of the series. So much love and quality was poured into the making of this that I honestly wish CBS would show it. This is more than just a love letter to the series as it takes the lore seriously and expands on it, rather than going through the same beats.

The story picks up where the Original Series left off with the continuation of the 5 year mission of the Enterprise.  As part of that mission they are first to try out the Counselor test program (on whether starships should bring on full time counselors) bringing lieutenant Dr. McKennah to the crew.

The Pros: The Universe – This is “Star Trek.” The characters act how they do in the Original Series, the ships and galactic powers are in action, the Enterprise is exploring strange new worlds. Nothing feels out of place.

The Cinematography – The cinematography in this series is beautiful and it looks like a more polished version of how the Original Series was filmed of old. Whether it is fighting a Romulan Warbird or destroying a tiny object in space, or a fight on the ship or a planet…the sets look raw and real and it gives life to the show.

The Writing – The writing team and directors (who were largely Vic Micnogna working with a few other people but usually always at least directing) did an amazing job. The stories catch the morality of what make “Star Trek” great, whether it is feminism, equality and peace and understanding aliens and other beings. This is the through line through the series and it was one thing the Original Series didn’t always do (seriously, the sexism in some of the early episodes of TOS are horrifyingly bad). I won’t give away any spoilers but these episodes are so amazing I do plan individual reviews of them down the line, as well as a Top 3 post.

Connecting to Past and Future Treks – This is a series that connects the threads between TOS and The Motion Picture really well (and even ties into TNG with the Counselor program). In this you see what happens to the psychics, the Romulan Star Empire after the Klingon Alliance, Apollo, why we never seen any female captains and how things went down in the Mirror Universe. It is all done artfully while keeping the progressive strength of what made Star Trek so great in how it saw humanity’s potential in the future.

The Guest Stars – There are some pretty great guest stars, even though some of them I wish had gotten better writing. Colin Baker shows up as an alien leader, as does John De Lancie, Rekha Sharma shows up a scientist who Kirk had a relationship with, Marina Sirtis voices the Enterprise computer and Michael Dorn voices the Mirror Universe’s Enterprise computer. The guest stars in this are gold and they do a good job with what the writers give them.

Spock and Kirk – Spock and Kirk are the strongest part of this show and that is largely due to the chemistry between Vic Mignogna and Todd Haberkorn. Both have done anime voice work so my guess is that is how they must have met and formed the rapport. These are the two who receive the most exploration as we see both of their regrets as well as their dreams and aspirations. I won’t say anymore than that as the reveals of what those things are handled really well. Even when certain episodes were just good or fun these two kept me coming back as their acting was the strongest even in weak scenes.

Okay: The Rest of the Crew – Chris Doohan (James Doohan’s son) is fine, hell most of the crew outside of Kirk and Spock who aren’t guest stars are fine but none of them really capture the characters the way Kirk and Spock do. Part of the reason is they changed the McCoy actor after two episodes and Chekov, Uhura and Sulu really don’t get any more exploration than what they did in the Original Series, so that was a wasted opportunity and kept them from ever being good.

This is a series I highly recommend to any fan of “Star Trek.” This is a series that develops the characters further, introduces new threats and situations that have to be solved, is full of hope and inspiration for the future and beautifully captures all the good that has come out of “Star Trek.” Here is the website:

http://www.startrekcontinues.com/index.html

I highly recommend you check it out if you are a fan of the series. Seriously, Vic Mignogna created something wonderful that I will be coming back to again and again.

Final Score: 9 / 10 Solidly great fan series that connects TOS to The Motion Picture.

Top 5 Films of 2017

This was a great year for film. Hell, the honorable mentions I’ll be talking about were in tight competition for 5th place and it was only due to multiple viewings it won as there was no other film I saw a second time in theatres this year. As always, I’m curious to hear about your lists and what films would be your Top 5, Top 3, Top 10 or Worst of as well. Lists are a lot of fun to do, and I stick to 5 because I want the 5 to mean something. Making a Top 10 would be far too easy given how great this year (and past years) have been for film so keeping it tight makes the order actually mean something. So lets kick things off with some Dishonorable mentions before I get into the films I actually liked.

Dishonorable Mentions:

This was a year where a few films had great premises but horrible execution. I walked out of “Justice League,” so I can’t recommend that, “The Circle” was technology paranoia garbage with an amazing cast who could not save it, “The Dark Tower” missed the entire point of the book and series and felt like a forgettable cheap action flick, and “Split” was an insult to those suffering through mental disorders while being a poorly done horror film and “Deathnote” is a film that misses the entire point of the source material and is a poorly cast and acted Netflix endeavor. These are my dishonorable mentions and films not worth your time I saw this year.

Honorable Mentions:

This was  great year for film and choosing my 4th and 5th place were difficult so I’m going to do something different and say a little bit more than my dishonorable mentions in regards to the honorable mentions.:

Wonder Woman – This was a film we needed this year, from the “Metoo” movement to a sexual predator being elected president..”Wonder Woman” was the answer to that as we got Gal Gadot rocking it as the only thing keeping the DC film afloat. I loved her film and how Robin Wright as her mentor is just fantastic. It only really falls apart in the 3rd Act, and the fact none of the villains work, but you should check it out. I own this film and I can’t wait to watch it again.

https://cameronmoviesandtv.wordpress.com/2017/06/05/wonder-woman-2017-dc-finally-finds-a-hero/

Guardians of the Galaxy Vol. 2 – This film was also in tight competition for making the list as I love how it explores toxic masculinity (Ego being one of the best Marvel villains thus far), father figures and abuse and explores my favorite characters in the MCU (Yondu and Rocket). For me it was on par with the first film, but there were sadly films that were better in both loss and character exploration.

https://cameronmoviesandtv.wordpress.com/2017/05/09/guardians-of-the-galaxy-vol-2-2017-the-greatness-of-these-characters/

Logan Lucky – This is a heist film told through the eyes of the southern working class stealing from Nascar. It is beautifully done with Daniel Craig’s Joe Bang and Adam Driver’s injured vet Clyde Logan as the stand out performance. Only thing against it is the 3rd act is overlong. I did drowse off a little during the heist which is the worst thing that can happen in a heist film. Loved the movie though.

https://cameronmoviesandtv.wordpress.com/2017/08/26/logan-lucky-2017/

Coco – “Coco” is easily one of the best films Pixar has put out. This is a film that explores family, mortality, death, loss and does it all through the lense of “The Day of the Dead.” The biggest thing going against it is I hated the protagonist until he finally stops acting selfish, but his family, especially those in the the Land of the Dead are awesome. I can’t recommend this film enough.

https://cameronmoviesandtv.wordpress.com/2017/12/05/coco-2017-an-amazing-pixar-epic-that-explores-family-and-love/

Colossal – “Colossal” is a powerful indie film that explores abuse and healing from it. Anne Hathaway does an amazing job as the unlikable drunk who has burned all her bridges but is trying to put her life back together while Jason Sudeikisis’s Oscar is a fantastic villain and threat. The fact that it is also a monster film on top of all of this is a reason why it was so hard for me to keep it from making 5th place, the characters aren’t really likable except for Hathaway’s character until the end though, so that was a dealbreaker for me.

https://cameronmoviesandtv.wordpress.com/2017/05/18/colossal-2017-an-amazing-exploration-of-monsters-as-metaphor/

Logan – The post-apocalyptic genre is popular and this is a film that is essentially “The Last of Us,” but with X-Men. There is no hope in this film as both Professor X and Logan are the last of the X-Men in a broken world. They both find purpose in X-23, Laura an experiment who escapes and has Logan’s power. This film is one I own and highly recommend seeing. It didn’t make 5th though because in the end it didn’t have a point. This is a film with no hope, though it gives our protagonists some amazing sendoffs.

https://cameronmoviesandtv.wordpress.com/2017/03/08/logan-2017-a-dystopic-western-masterpiece-that-explores-the-depths-of-pain/

That was the competition, and believe me it was close, so without further ado, here are my Top 5 Films of 2017:

5) Star Wars Episode VIII: The Last Jedi

Director Rian Johnson

“The Last Jedi” was a film that not only managed to subvert what expectations I had (was expecting an “Empire Strikes Back” rehash) but was also about the Resistance and First Order finding an identity beyond the Original Trilogy. This film explores this through the minor characters of Rose and Holdo as well as through Kylo Ren’s choice. The themes of resistance through class are given voice as well as showing the corrupt can be more than Jabba’s gangsters. Every action has consequences and no one wins. This is a film where you feel loss and it doesn’t stop hitting you with that loss, but it is still Star Wars and it remembers hope, even in despair. This was Carrie Fisher’s last film and in this we see why she is both one of the last Skywalkers and the General of the Resistance. R.I.P. Carrie, you got quite the sendoff as your film was the only film this year I saw in theatres twice and loved just as much each time.

https://cameronmoviesandtv.wordpress.com/2017/12/21/star-wars-episode-viii-the-last-jedi-2017-an-amazing-subversion-of-expectations/

4) War for the Planet of the Apes

Director Matt Reeves

Much like “The Last Jedi” this is a film full of loss and explores the themes of resistance and in the end what sentience means. This is the end of the Caesar’s story and the Prequel Trilogy and it is powerful all the way through. This film brought me to tears a few times as you see both Caesar’s humanity and pain. The Ape characters are once again the most human but Woody Harrelson’s Colonel is one of the best villains this year in how warped and nationalist he is, while still being vulnerable…as you see this is after the nuclear fallout and all that remains are military outposts in a world that is ready to leave humanity behind, while at the same time we have hope through the young Nova, who recognizes the apes humanity and in turn it shows her own. Andy Serkis deserves an Oscar for this role and I hope Matt Reeves gets to make his Batman film. He is a brilliant director and in this we see what happens when humans lose and gain their humanity as we lead into the world of “The Planet of the Apes.”

https://cameronmoviesandtv.wordpress.com/2017/07/23/war-for-the-planet-of-the-apes-2017-growing-beyond-caesar/

3) Get Out

Director Jordan Peele

I can’t wait to see what Jordan Peele’s next project is, as “Get Out” is his first full length film he both directed and wrote. This brilliant social satire is fantastic in how the mystery unfolds and why our hero returning to this nice small town full of rich white people is so horrifying as nothing is as it appears to be. As a thriller, an exploration of racism and classicism and as a horror movie it really works. The only place where it falls flat is we never get the motivation of the people who inhabit the town and I would have liked to learn more about the protagonist’s girlfriend’s motivation in the film.  Regardless, this is a film I highly recommend, and was number 1 for me for a long time until the other 2 upcoming films came out.

https://cameronmoviesandtv.wordpress.com/2017/03/17/get-out-2017-a-brilliant-horror-film-that-tackles-racism-and-privilege/

2) Baby Driver

Director Edgar Wright

“Baby Driver” is a work of musical, editing and cinematic genius. You are shown rather than told so much and every character is a flawed anti-hero with the exception of Debra, who is Baby’s (our protagonists) girlfriend. The music is genius and I love how it tackles the different ways certain characters are trying to escape or to free themselves, whether it is through internal redemption through an act of bravery, seeking revenge or owning up to mistakes and actions. This film is so much fun and the soundtrack by Steven Price, is easily the best soundtracks of the year. I can’t wait to see what Edgar Wright does next, but I’m glad he left “Ant-Man” and the MCU as this was the work of art we got in return as this was a film be both wrote and directed. Again, this film has an amazing story but the film is worth it for the music and visuals alone. Up until yesterday, this was my Number 1 film of the year.

https://cameronmoviesandtv.wordpress.com/2017/07/07/baby-driver-2017-the-unforgettable-soundtrack-of-a-life/

1) The Shape of Water

Director Guillermo de Toro

Sometimes you have to wait and the order of a list can be upset. The first Top 5 I created in 2014 had “Noah” as Number 1 until I saw “The Grand Budapest Hotel” and the genius of Wes Anderson upset Darren Aronofsky. This happened once more with the genius of del Toro upsetting Wright. Why is “The Shape of Water” Number 1? Because it does what all the other films do as either better or on par. Like “War for the Planet of the Apes,” “The Last Jedi,” and “Get Out,” it explores the themes of resistance and the voiceless as our mute protagonist Elisa fights to save the creature who is being tortured by the government agent in the lab, as her closeted roommate Giles and co-worker Zelda hep her succeed. The villain like in “War” and “The Last Jedi” is an insecure Colonel (in a creepy and powerful performance by Michael Shannon) who abuses others while assuming he has a right to others because of his position and privilege. The music is on par with “Baby Driver” while the cinematography and story are like a surrealist fairy tale. This is easily one of the best movies of all time and I can’t wait to buy it when it comes out. There was steep competition this year in films but after seeing this film, this film deserves its place at the top, and I can’t wait to see what else is born out of the fantastic imagination of Guillermo del Toro who not only directed but co-wrote and co-produced this unforgettable film.

https://cameronmoviesandtv.wordpress.com/2018/01/05/the-shape-of-water-2017-a-transcendent-romantic-fairy-tale/

This was an amazing year for cinema, though a crappy year for politics and many of the people these movies were fighting for. I’m curious to hear what your Top 5, Top 10 or worst films of the year are as well and I can’t wait to see what 2018 brings in regards to the fantastic stories that can be born out of the art of film.

The Shape of Water (2017): A Transcendent Romantic Fairy Tale

   “The Shape of Water” might end up being my favorite film of the year. This is a film that is beautifully told and reminds me of “Beauty and the Beast,” meets “Amelie” but with so much more going on than either of those stories. This is a film where every character, whether minor or major matters and out of it we get a compelling love story that is so much more. This is a story about characters who aren’t given a voice (both literally and metaphorically) finding their voice and from there, a level of transcendence or change within themselves or their situation. The cast was wonderfully done and for my non-spoiler thoughts…I can’t wait to watch it again. This is easily one of Guillermo del Toro’s best work, and given that he was co-writer and co-producer as well as the director, this story was clearly his vision and it is beautiful. Seriously, check this film out if you get the chance.

The film was directed, co-wrote and co-produced Guillermo del Toro, co-written by Vanessa Taylor and co-produced with J. Miles Dale.

The story follows Elisa (Sally Hawkins), a mute woman who works at a secret government agency with her friend Zelda (Octavia Spencer) and sharing an apartment with her closeted friend Giles (Richard Jenkins). Her world is soon changed when a government agent Colonel Richard Strickland (Michael Shannon) brings in a mysterious “asset,” a creature who changes Elisa’s life forever.

SPOILERS ahead

The Pros: The World – The world is that of the 1950’s of the United States but with fairy tale, fantasy and sci. fi. elements…both in how the story is presented and the amphibian man being so central to the plot, as well as the abilities he has. It is also a world full of twists since spies and government agents inhabit this cold world universe and the secret lab where most of the action takes place.

The Characters – The characters are the best part of this film. From Octavia Spencer’s Zelda, who is Elisa’s translator and calls out how bad their situation is (as the help no one notices or cares about them, just takes them for granted), Giles, who understands Elisa’s love for the creature and helps protect them and both rescue the creature from the lab and getting them both the docks. He is the narrator. Michael Shannon’s Colonel is unhinged and broken and is sympathetic in that, even though he never stops being a threat and monster. Elisa’s and the creature’s romance drives the story and it is awesome. I loved how confident Elisa is in her sexuality and her attachment to the creature as well as the creature’s humanity slowly being revealed as he opens up to her. Doug Jones once again owns this alien type role he is in. I can’t wait to buy this movie when it comes out.

The Soundtrack and Cinematography – The soundtrack has a fairy tale and jazz feel to it, intermixed with this dark foreboding when we are at the lab and the Colonel is on screen. The cinematography is amazing too, it reminded me of “Amelie” with the use of color contrasts but focusing in on Elisa’s perspective. Alexandre Desplat did a great job on the soundtrack and I loved Dan Laustsen’s cinematography.

The Romance – The romance is the main drive of the story and it is beautifully done. It starts with Elisa and the creature touching hands separated by glass, to her leaving him eggs, to eating in his area with him and teaching him sign language…to his rescue and eventually having to let him go as he dies not being in the salt water but has given Giles back his hair and healed a wound he caused on Giles accidentally. The romance is the core of the film and because it illustrates different aspects of the characters and the world they inhabit.

Surrealism and Fairy Tales – The Fairy Tale element is revealed most profoundly in the opening shot where Giles is giving the premise of a monster who turned two lovers’ world upside down…as we see a drowned how with Elisa floating, as if sleeping in the water. There is other imagery like this that gives the film a surrealist element and from that the fairy tale elements of the love story are given more power in their presentation. I love stories like this (“One-Hundred Years of Solitude, most Haruki Murakami, etc.) and this is one of the best presentations of this type of story.

Fighting Adversity and the Voice of the Voiceless – This is a film about giving voice to the voiceless in both the literal sense (our heroes being a mute and an amphibian creature who cannot speak), Zelda, who is black lady with an oppressive husband and Giles being in the closet and kept out from the wealth he once bad before as the marketing world just sees him as a has been. Each of them are trapped (the monster) or oppressed in different ways in a society that ignores them and it is the rescuing and finally freeing of the monster that Zelda finally speaks up against her husband and calls the cops on the Colonel, Giles fights and defends the monster and Elisa and Elisa transcends as she sacrifices herself to save the creature and her cuts she received as a baby are turned into gills, she is reborn by the creature and free to be with the creature, something that would have never been possible before. It is also her drive that helps the others to change their lives too, as she is directly fighting to system by freeing their “asset.”

Okay: First Act Goes a Little Long – The only real criticism I could find with the film is the first third of the film does go on a little long, but it picks up the moment the rescue plan is put into action by Elisa and after that, it doesn’t stop…and it does a good job setting up the world so I can’t put it is a con.

I highly recommend “The Shape of Water.” This film is going to make my Top 5 films of 2017 and if you are looking for a film where you will notice more each time around, as well simply enjoying a beautiful fairy tale that gives voice to the voiceless and has wonderfully compelling characters, who each get full arcs. I cared about where each their arcs were going, even the villain as no one was as simple as they first appeared to be. The film was all about layers and reveals, both in the nature of the characters and the creature and the payoff of their arcs. Check this film out, if you haven’t yet. Guillermo del Toro has done it again and I can’t wait to see what masterpiece he makes next.

Final Score: 10 / 10

Bright (2017): Good Ideas Trapped in a B Movie

“Bright” is a film that is built on a wonderful idea. Take Tolkien fantasy and make it the modern day world…from here the story tells itself and it is that core idea that keeps the film from ever being bad, even though some of the writing doesn’t work at all. David Ayer also worked on “Suicide Squad,” and I honestly enjoyed this film more as the action and editing are much more solidly done and even though there are many holes in the universe in regards to magic and lore…it never stops being fun or forget what drives the core characters. This is a film that has been panned by critics and honestly doesn’t deserve the hate. I’ll explain more on why, deeper into the review.

“Bright” was directed by David Ayer (who was also one of the producers), written by Max Landis and produced by Eric Newman and Bryan Unkeless.

The story takes place in a world where an ancient Dark Lord was defeated and 2000 years later on modern day Earth, humans, orcs, elves and the other 9 races live together in a separate class structure, with the Elves as upper class, humans in the middle and Orcs as the disenfranchised outsiders. The story follows human LAPD cop Daryl Ward and the first orc cop Nick Jakboy as they investigate a mysterious cult tied to the ancient Dark Lord defeated long ago.

SPOILERS ahead

The Pros: The World – The world is amazing, take a Tolkien level backstory with the whole 9 races and the defeat of a Dark Lord (who it implies as an elf) and now it is modern day and how the war went defined the class structure of the realm with orcs being lower class for having served the Dark Lord years ago. There cultures are really unique too, humanity is basically us but the orcs have blood honor and getting blooded as earning respect, elves are tied to magic and own the government but also have a cult tied to the Dark Lord…and there are 6 other races we learn nothing about.

The Action – This is a good action movie. Even in dark scenes you can see which people are fighting and there is constant tension that drives each scene as we have the build up post Daryl surviving getting shot by an orc. I was never bored during this scene, essentially it didn’t have the Sorceress fight from “Suicide Squad.”

Fantasy Races as an Analogy for Race and Class – Orcs live in the poor areas and the only rich orcs we see tend to be gangsters, humans walk between the different areas and there are elf only areas of town. The analogy for racism is obvious and it works, from “Orc Lives Matter,” and the graffiti in the opening…this is a movie that has a deep under current that it doesn’t need to do much to explore as the story tells itself in regards to the clash between orcs, humans and elves.

The Main Three Characters – The main reason this film isn’t awful are the three main characters have arcs that work. Each of them has changed by the end of the story and that is what I’ll go into in their individual character profiles.

Daryl Ward – Daryl is played by Will Smith and is a family man who was once admired by the LAPD but messed up later on, which is why the force put him with the first orc police officer. His arc is overcoming his prejudice and by the end he discovers he is a Bright (someone who can wield magic wands and magic) and considers Nick his partner as he discovers just how bad orcs have it and grows as a cop and person.

Nick Jakoby – Nick’s arc is embracing his role as a cop and finding a wider role in his people as when Tikka (the elf who escaped the Dark Lord cult with a wand) resurrects him after a orc gang leader kills him he is seen as their savior. His arc is learning to trust Daryl and finding his place in the force and his partner. It is really well done and I loved how earnest his character is. Edgerton did a good job in the role.

Tikka – Tikka is the Bright elf who escapes the cult she is a part of and steals the cult leader (Leilah’s) wand in the process. She is a damsel through a lot of it, which I hated, but once it is revealed to have been a ruse it is fantastic as she both resurrects Nick and saves Daryl quite a few times. She is presumed did until Daryl spots her at the end, though whether this is her or the return of the Dark Lord or something else, is left up to the sequel.

Okay: Leilah and her Cult – The cult is threatening and it is cool seeing elves fight with magic and daggers and Noomi Rapace is fun as Leilah, but her and the cult get almost no exploration. This was a shame as she and the other actors are in it are talented people…but we never got their motivation or learned anything new about the Dark Lord.

Magic Task Force – This is the FBI who arrive at the very end and cover up the events with the cult. They are lead by an elf who has a huge issue with the cultists and sees them as embarrassing to elves. He is compelling but we never get his motivation either, and the Magic Task Force is mostly useless though they work as a plot device.

The Writing – There are gaping holes in the lore and some of the dialogue is cringe-worthy. I’m not putting this as a con because sometimes it works and the world does feel lived in. But it isn’t a pro and does bring down the overall quality of the film.

The Cons: Predictability – The biggest con is predictability, I knew Nick would be brought back to life, I knew that Daryl would end up being a bright and I knew they’d have to learn to work together. I could have used a lot more twists than just corrupt cops and Tikka just pretending to need to be rescued.

Holes in the World – Who are the 9 races? We see some random ones but know nothing about them and their roles, how does magic work? Who created the wands? How did this world become as it was in the present? These are just some of the questions that keep the film from being great as the fact it isn’t fully fleshed out is the biggest detriment to the story.

This is a movie that aspired for greatness and because it did, managed to be overall enjoyable, even with the flaws. “Bright 2” has already been slated and I can’t wait to see what they do with this universe as we know nothing about the other 6 races, nothing about the Dark Lord and even how magic works. If these questions had been answered than this would have been a really good film. I still recommend this one though, it isn’t perfect, but it is a lot of fun and it is a universe I can’t wait to return back to. This is a total B movie, largely because of some of the hokey dialogue and the plot holes but it is worth seeing once.

Final Score: 7.8 / 10

The 12th Doctor – Doctor Who Specials – “Twice Upon a Time” – Reflecting, Critiquing and Honoring the Old to the New to Bring the 13th Doctor

For Steven Moffat’s last outing as showrunner, this is an episode that manages to both honor and critique the show’s past while capturing a great deal about what made Capaldi’s run so enjoyable, even if it was often Moffat’s writing that ruined the early episodes of his run. This is a lot better than the last Christmas Special but not as good as “A Christmas Carol,” which managed to keep the Christmas feel without losing the Doctor Who feel either. This one keeps the Christmas at a minimum and it is truly the episode’s strength. Characters drive story so often in Doctor Who and this episode remembers that.  For my non-spoiler thoughts, I enjoyed it, especially everything with Capaldi.

“Twice Upon a Time” was directed by Rachel Talalay and written by Steven Moffat.

The story involves the 12th Doctor stumbling upon his 1st incarnation as both of them debate whether they should regenerate as a mysterious threat known as Harmony forces them to confront, what it means to be the Doctor.

SPOILERS ahead

The Pros: The Sense of History – This is an episode that kicks off with the 1st Doctor’s final episode as a flashback and fills in the blank by having the 1st Doctor resist regeneration as well, which leads him running into 12 and a World War 1 captain pulled out of time, and revisiting Rusty, the good Dalek (From Capaldi’s “Into the Dalek,”) who hates Daleks and the Doctor and helps the Doctor learn who Harmony is. The sense of history is never lost as well as eventually the Captain is returned to the day he was pulled from by Harmony, the alien threat in this episode. The Captain is also significant in regards to history in relation to the Doctor, which I will go into later.

 Harmony – Harmony is a program created by future humans who record copies of people at their point of death in order to create copies of them that can exist forever. This is how the Doctor gets to adventure with Bill once more and say good-bye to Nardole. Nardole and Bill both died at their time of meeting the Doctor and there is power in that as he is dying too. I’m glad Moffat did this, even though there is a moment that cheapens the finality of death a little bit.

World War 1 and the Christmas Resolution – The Captain, who we learn is a Lethbridge-Stewart and we see how he and the Doctor are connected as the First Doctor promises to keep an eye on his family, leading to that family’s relationship with the Doctors through history. Capaldi also saves him as he leaves him a few hours ahead of his death, and in turn they experience the Christmas Truce during World War 1, which also gives more power to the Doctor being The Doctor of War as his whole goal is to save people and make miracles when so much of the universe is things not working and people not being saved. It was a great way to make it a Christmas Special without the kitch nature that inhabited so many other Moffat Christmas Specials.

Twelve’s Good-bye – Twelve ends accepting that the universe would be a much worse place without him, and before saying good-bye makes himself promise to remember what it means to be the Doctor. It is a powerful moment and easily one of the best regeneration in the series thus far.

Thirteen’s Introduction – The Doctor needs to stop regenerating in the TARDIS. When 12 becomes 13 the TARDIS is wrecked and throws out Whittaker’s Doctor before disappearing and exploding as she falls. Before she has a beautiful moment where she sees her face, and says “Brilliant,” and after that it all goes to crap. Can’t wait to see how she survives and gets the TARDIS back. Chibnall has a lot of setup to go off of to make a great series and I can’t wait to see 13 in action.

Okay: Clara – Harmony gives the Doctor back his memories of Clara and she gets on his case for forgetting him. I wanted to hate this, but I couldn’t…I just wish Donna could get her memories back too. I may not have been a fan of Clara as a companion, but she was in some solid episodes and she had a great good-byes that were ruined, but that is not her fault, that is Moffat’s fault.

The Cons: The First Doctor Versus the Era He Lived In – David Bradley is great as the First Doctor, my only issue is they play up the sexism from the era he was in when the First Doctor wasn’t like that, as far as the episodes I remember. I could be completely wrong and I’m glad Capaldi and Bill show how wrong the sexist mindset that was so prevalent in that era was, but it could have been done with the Captain Lethbridge-Stewart. I could be wrong as well, it has been a while since I watched the First Doctor but I don’t remember him ever acting that way in the episodes I watched (from treating all women as domestic helpers, assuming men as always right, etc.). I liked what Moffat was trying to do, I dislike his execution. His execution failed and just made the episode awkward as well as taking away from real exploration of lore from the First Series of Doctor Who, and who the Doctor’s First Incarnation was.

I’m going to miss Capaldi. He is my favorite of all the new Doctors as his arc felt complete. He goes from not caring about humanity, to finding reasons to care once more, to the experiencing of loss and from that not wanting to regenerate so the pain can just stop as he feels hopeless in changing things as there are always more threats…to choosing to the be the Doctor once more and letting go of his ego so he can regenerate into someone new. 11 never changed, 10 just go more marose, 9 had a very short arc of working through his PTSD from the Time War…but Capaldi got the full arc. I may write more about his era and the Moffat era as a whole later, but for now…if you like Capaldi or are excited for Jodie Whittaker, give this episode a chance. She has a great introduction sent off from a fantastic good-bye.

Final Score: 9.3 / 10