Tag Archives: 2017

Top 5 Films of 2017

This was a great year for film. Hell, the honorable mentions I’ll be talking about were in tight competition for 5th place and it was only due to multiple viewings it won as there was no other film I saw a second time in theatres this year. As always, I’m curious to hear about your lists and what films would be your Top 5, Top 3, Top 10 or Worst of as well. Lists are a lot of fun to do, and I stick to 5 because I want the 5 to mean something. Making a Top 10 would be far too easy given how great this year (and past years) have been for film so keeping it tight makes the order actually mean something. So lets kick things off with some Dishonorable mentions before I get into the films I actually liked.

Dishonorable Mentions:

This was a year where a few films had great premises but horrible execution. I walked out of “Justice League,” so I can’t recommend that, “The Circle” was technology paranoia garbage with an amazing cast who could not save it, “The Dark Tower” missed the entire point of the book and series and felt like a forgettable cheap action flick, and “Split” was an insult to those suffering through mental disorders while being a poorly done horror film and “Deathnote” is a film that misses the entire point of the source material and is a poorly cast and acted Netflix endeavor. These are my dishonorable mentions and films not worth your time I saw this year.

Honorable Mentions:

This was  great year for film and choosing my 4th and 5th place were difficult so I’m going to do something different and say a little bit more than my dishonorable mentions in regards to the honorable mentions.:

Wonder Woman – This was a film we needed this year, from the “Metoo” movement to a sexual predator being elected president..”Wonder Woman” was the answer to that as we got Gal Gadot rocking it as the only thing keeping the DC film afloat. I loved her film and how Robin Wright as her mentor is just fantastic. It only really falls apart in the 3rd Act, and the fact none of the villains work, but you should check it out. I own this film and I can’t wait to watch it again.


Guardians of the Galaxy Vol. 2 – This film was also in tight competition for making the list as I love how it explores toxic masculinity (Ego being one of the best Marvel villains thus far), father figures and abuse and explores my favorite characters in the MCU (Yondu and Rocket). For me it was on par with the first film, but there were sadly films that were better in both loss and character exploration.


Logan Lucky – This is a heist film told through the eyes of the southern working class stealing from Nascar. It is beautifully done with Daniel Craig’s Joe Bang and Adam Driver’s injured vet Clyde Logan as the stand out performance. Only thing against it is the 3rd act is overlong. I did drowse off a little during the heist which is the worst thing that can happen in a heist film. Loved the movie though.


Coco – “Coco” is easily one of the best films Pixar has put out. This is a film that explores family, mortality, death, loss and does it all through the lense of “The Day of the Dead.” The biggest thing going against it is I hated the protagonist until he finally stops acting selfish, but his family, especially those in the the Land of the Dead are awesome. I can’t recommend this film enough.


Colossal – “Colossal” is a powerful indie film that explores abuse and healing from it. Anne Hathaway does an amazing job as the unlikable drunk who has burned all her bridges but is trying to put her life back together while Jason Sudeikisis’s Oscar is a fantastic villain and threat. The fact that it is also a monster film on top of all of this is a reason why it was so hard for me to keep it from making 5th place, the characters aren’t really likable except for Hathaway’s character until the end though, so that was a dealbreaker for me.


Logan – The post-apocalyptic genre is popular and this is a film that is essentially “The Last of Us,” but with X-Men. There is no hope in this film as both Professor X and Logan are the last of the X-Men in a broken world. They both find purpose in X-23, Laura an experiment who escapes and has Logan’s power. This film is one I own and highly recommend seeing. It didn’t make 5th though because in the end it didn’t have a point. This is a film with no hope, though it gives our protagonists some amazing sendoffs.


That was the competition, and believe me it was close, so without further ado, here are my Top 5 Films of 2017:

5) Star Wars Episode VIII: The Last Jedi

Director Rian Johnson

“The Last Jedi” was a film that not only managed to subvert what expectations I had (was expecting an “Empire Strikes Back” rehash) but was also about the Resistance and First Order finding an identity beyond the Original Trilogy. This film explores this through the minor characters of Rose and Holdo as well as through Kylo Ren’s choice. The themes of resistance through class are given voice as well as showing the corrupt can be more than Jabba’s gangsters. Every action has consequences and no one wins. This is a film where you feel loss and it doesn’t stop hitting you with that loss, but it is still Star Wars and it remembers hope, even in despair. This was Carrie Fisher’s last film and in this we see why she is both one of the last Skywalkers and the General of the Resistance. R.I.P. Carrie, you got quite the sendoff as your film was the only film this year I saw in theatres twice and loved just as much each time.


4) War for the Planet of the Apes

Director Matt Reeves

Much like “The Last Jedi” this is a film full of loss and explores the themes of resistance and in the end what sentience means. This is the end of the Caesar’s story and the Prequel Trilogy and it is powerful all the way through. This film brought me to tears a few times as you see both Caesar’s humanity and pain. The Ape characters are once again the most human but Woody Harrelson’s Colonel is one of the best villains this year in how warped and nationalist he is, while still being vulnerable…as you see this is after the nuclear fallout and all that remains are military outposts in a world that is ready to leave humanity behind, while at the same time we have hope through the young Nova, who recognizes the apes humanity and in turn it shows her own. Andy Serkis deserves an Oscar for this role and I hope Matt Reeves gets to make his Batman film. He is a brilliant director and in this we see what happens when humans lose and gain their humanity as we lead into the world of “The Planet of the Apes.”


3) Get Out

Director Jordan Peele

I can’t wait to see what Jordan Peele’s next project is, as “Get Out” is his first full length film he both directed and wrote. This brilliant social satire is fantastic in how the mystery unfolds and why our hero returning to this nice small town full of rich white people is so horrifying as nothing is as it appears to be. As a thriller, an exploration of racism and classicism and as a horror movie it really works. The only place where it falls flat is we never get the motivation of the people who inhabit the town and I would have liked to learn more about the protagonist’s girlfriend’s motivation in the film.  Regardless, this is a film I highly recommend, and was number 1 for me for a long time until the other 2 upcoming films came out.


2) Baby Driver

Director Edgar Wright

“Baby Driver” is a work of musical, editing and cinematic genius. You are shown rather than told so much and every character is a flawed anti-hero with the exception of Debra, who is Baby’s (our protagonists) girlfriend. The music is genius and I love how it tackles the different ways certain characters are trying to escape or to free themselves, whether it is through internal redemption through an act of bravery, seeking revenge or owning up to mistakes and actions. This film is so much fun and the soundtrack by Steven Price, is easily the best soundtracks of the year. I can’t wait to see what Edgar Wright does next, but I’m glad he left “Ant-Man” and the MCU as this was the work of art we got in return as this was a film be both wrote and directed. Again, this film has an amazing story but the film is worth it for the music and visuals alone. Up until yesterday, this was my Number 1 film of the year.


1) The Shape of Water

Director Guillermo de Toro

Sometimes you have to wait and the order of a list can be upset. The first Top 5 I created in 2014 had “Noah” as Number 1 until I saw “The Grand Budapest Hotel” and the genius of Wes Anderson upset Darren Aronofsky. This happened once more with the genius of del Toro upsetting Wright. Why is “The Shape of Water” Number 1? Because it does what all the other films do as either better or on par. Like “War for the Planet of the Apes,” “The Last Jedi,” and “Get Out,” it explores the themes of resistance and the voiceless as our mute protagonist Elisa fights to save the creature who is being tortured by the government agent in the lab, as her closeted roommate Giles and co-worker Zelda hep her succeed. The villain like in “War” and “The Last Jedi” is an insecure Colonel (in a creepy and powerful performance by Michael Shannon) who abuses others while assuming he has a right to others because of his position and privilege. The music is on par with “Baby Driver” while the cinematography and story are like a surrealist fairy tale. This is easily one of the best movies of all time and I can’t wait to buy it when it comes out. There was steep competition this year in films but after seeing this film, this film deserves its place at the top, and I can’t wait to see what else is born out of the fantastic imagination of Guillermo del Toro who not only directed but co-wrote and co-produced this unforgettable film.


This was an amazing year for cinema, though a crappy year for politics and many of the people these movies were fighting for. I’m curious to hear what your Top 5, Top 10 or worst films of the year are as well and I can’t wait to see what 2018 brings in regards to the fantastic stories that can be born out of the art of film.


The Shape of Water (2017): A Transcendent Romantic Fairy Tale

   “The Shape of Water” might end up being my favorite film of the year. This is a film that is beautifully told and reminds me of “Beauty and the Beast,” meets “Amelie” but with so much more going on than either of those stories. This is a film where every character, whether minor or major matters and out of it we get a compelling love story that is so much more. This is a story about characters who aren’t given a voice (both literally and metaphorically) finding their voice and from there, a level of transcendence or change within themselves or their situation. The cast was wonderfully done and for my non-spoiler thoughts…I can’t wait to watch it again. This is easily one of Guillermo del Toro’s best work, and given that he was co-writer and co-producer as well as the director, this story was clearly his vision and it is beautiful. Seriously, check this film out if you get the chance.

The film was directed, co-wrote and co-produced Guillermo del Toro, co-written by Vanessa Taylor and co-produced with J. Miles Dale.

The story follows Elisa (Sally Hawkins), a mute woman who works at a secret government agency with her friend Zelda (Octavia Spencer) and sharing an apartment with her closeted friend Giles (Richard Jenkins). Her world is soon changed when a government agent Colonel Richard Strickland (Michael Shannon) brings in a mysterious “asset,” a creature who changes Elisa’s life forever.


The Pros: The World – The world is that of the 1950’s of the United States but with fairy tale, fantasy and sci. fi. elements…both in how the story is presented and the amphibian man being so central to the plot, as well as the abilities he has. It is also a world full of twists since spies and government agents inhabit this cold world universe and the secret lab where most of the action takes place.

The Characters – The characters are the best part of this film. From Octavia Spencer’s Zelda, who is Elisa’s translator and calls out how bad their situation is (as the help no one notices or cares about them, just takes them for granted), Giles, who understands Elisa’s love for the creature and helps protect them and both rescue the creature from the lab and getting them both the docks. He is the narrator. Michael Shannon’s Colonel is unhinged and broken and is sympathetic in that, even though he never stops being a threat and monster. Elisa’s and the creature’s romance drives the story and it is awesome. I loved how confident Elisa is in her sexuality and her attachment to the creature as well as the creature’s humanity slowly being revealed as he opens up to her. Doug Jones once again owns this alien type role he is in. I can’t wait to buy this movie when it comes out.

The Soundtrack and Cinematography – The soundtrack has a fairy tale and jazz feel to it, intermixed with this dark foreboding when we are at the lab and the Colonel is on screen. The cinematography is amazing too, it reminded me of “Amelie” with the use of color contrasts but focusing in on Elisa’s perspective. Alexandre Desplat did a great job on the soundtrack and I loved Dan Laustsen’s cinematography.

The Romance – The romance is the main drive of the story and it is beautifully done. It starts with Elisa and the creature touching hands separated by glass, to her leaving him eggs, to eating in his area with him and teaching him sign language…to his rescue and eventually having to let him go as he dies not being in the salt water but has given Giles back his hair and healed a wound he caused on Giles accidentally. The romance is the core of the film and because it illustrates different aspects of the characters and the world they inhabit.

Surrealism and Fairy Tales – The Fairy Tale element is revealed most profoundly in the opening shot where Giles is giving the premise of a monster who turned two lovers’ world upside down…as we see a drowned how with Elisa floating, as if sleeping in the water. There is other imagery like this that gives the film a surrealist element and from that the fairy tale elements of the love story are given more power in their presentation. I love stories like this (“One-Hundred Years of Solitude, most Haruki Murakami, etc.) and this is one of the best presentations of this type of story.

Fighting Adversity and the Voice of the Voiceless – This is a film about giving voice to the voiceless in both the literal sense (our heroes being a mute and an amphibian creature who cannot speak), Zelda, who is black lady with an oppressive husband and Giles being in the closet and kept out from the wealth he once bad before as the marketing world just sees him as a has been. Each of them are trapped (the monster) or oppressed in different ways in a society that ignores them and it is the rescuing and finally freeing of the monster that Zelda finally speaks up against her husband and calls the cops on the Colonel, Giles fights and defends the monster and Elisa and Elisa transcends as she sacrifices herself to save the creature and her cuts she received as a baby are turned into gills, she is reborn by the creature and free to be with the creature, something that would have never been possible before. It is also her drive that helps the others to change their lives too, as she is directly fighting to system by freeing their “asset.”

Okay: First Act Goes a Little Long – The only real criticism I could find with the film is the first third of the film does go on a little long, but it picks up the moment the rescue plan is put into action by Elisa and after that, it doesn’t stop…and it does a good job setting up the world so I can’t put it is a con.

I highly recommend “The Shape of Water.” This film is going to make my Top 5 films of 2017 and if you are looking for a film where you will notice more each time around, as well simply enjoying a beautiful fairy tale that gives voice to the voiceless and has wonderfully compelling characters, who each get full arcs. I cared about where each their arcs were going, even the villain as no one was as simple as they first appeared to be. The film was all about layers and reveals, both in the nature of the characters and the creature and the payoff of their arcs. Check this film out, if you haven’t yet. Guillermo del Toro has done it again and I can’t wait to see what masterpiece he makes next.

Final Score: 10 / 10

Bright (2017): Good Ideas Trapped in a B Movie

“Bright” is a film that is built on a wonderful idea. Take Tolkien fantasy and make it the modern day world…from here the story tells itself and it is that core idea that keeps the film from ever being bad, even though some of the writing doesn’t work at all. David Ayer also worked on “Suicide Squad,” and I honestly enjoyed this film more as the action and editing are much more solidly done and even though there are many holes in the universe in regards to magic and lore…it never stops being fun or forget what drives the core characters. This is a film that has been panned by critics and honestly doesn’t deserve the hate. I’ll explain more on why, deeper into the review.

“Bright” was directed by David Ayer (who was also one of the producers), written by Max Landis and produced by Eric Newman and Bryan Unkeless.

The story takes place in a world where an ancient Dark Lord was defeated and 2000 years later on modern day Earth, humans, orcs, elves and the other 9 races live together in a separate class structure, with the Elves as upper class, humans in the middle and Orcs as the disenfranchised outsiders. The story follows human LAPD cop Daryl Ward and the first orc cop Nick Jakboy as they investigate a mysterious cult tied to the ancient Dark Lord defeated long ago.


The Pros: The World – The world is amazing, take a Tolkien level backstory with the whole 9 races and the defeat of a Dark Lord (who it implies as an elf) and now it is modern day and how the war went defined the class structure of the realm with orcs being lower class for having served the Dark Lord years ago. There cultures are really unique too, humanity is basically us but the orcs have blood honor and getting blooded as earning respect, elves are tied to magic and own the government but also have a cult tied to the Dark Lord…and there are 6 other races we learn nothing about.

The Action – This is a good action movie. Even in dark scenes you can see which people are fighting and there is constant tension that drives each scene as we have the build up post Daryl surviving getting shot by an orc. I was never bored during this scene, essentially it didn’t have the Sorceress fight from “Suicide Squad.”

Fantasy Races as an Analogy for Race and Class – Orcs live in the poor areas and the only rich orcs we see tend to be gangsters, humans walk between the different areas and there are elf only areas of town. The analogy for racism is obvious and it works, from “Orc Lives Matter,” and the graffiti in the opening…this is a movie that has a deep under current that it doesn’t need to do much to explore as the story tells itself in regards to the clash between orcs, humans and elves.

The Main Three Characters – The main reason this film isn’t awful are the three main characters have arcs that work. Each of them has changed by the end of the story and that is what I’ll go into in their individual character profiles.

Daryl Ward – Daryl is played by Will Smith and is a family man who was once admired by the LAPD but messed up later on, which is why the force put him with the first orc police officer. His arc is overcoming his prejudice and by the end he discovers he is a Bright (someone who can wield magic wands and magic) and considers Nick his partner as he discovers just how bad orcs have it and grows as a cop and person.

Nick Jakoby – Nick’s arc is embracing his role as a cop and finding a wider role in his people as when Tikka (the elf who escaped the Dark Lord cult with a wand) resurrects him after a orc gang leader kills him he is seen as their savior. His arc is learning to trust Daryl and finding his place in the force and his partner. It is really well done and I loved how earnest his character is. Edgerton did a good job in the role.

Tikka – Tikka is the Bright elf who escapes the cult she is a part of and steals the cult leader (Leilah’s) wand in the process. She is a damsel through a lot of it, which I hated, but once it is revealed to have been a ruse it is fantastic as she both resurrects Nick and saves Daryl quite a few times. She is presumed did until Daryl spots her at the end, though whether this is her or the return of the Dark Lord or something else, is left up to the sequel.

Okay: Leilah and her Cult – The cult is threatening and it is cool seeing elves fight with magic and daggers and Noomi Rapace is fun as Leilah, but her and the cult get almost no exploration. This was a shame as she and the other actors are in it are talented people…but we never got their motivation or learned anything new about the Dark Lord.

Magic Task Force – This is the FBI who arrive at the very end and cover up the events with the cult. They are lead by an elf who has a huge issue with the cultists and sees them as embarrassing to elves. He is compelling but we never get his motivation either, and the Magic Task Force is mostly useless though they work as a plot device.

The Writing – There are gaping holes in the lore and some of the dialogue is cringe-worthy. I’m not putting this as a con because sometimes it works and the world does feel lived in. But it isn’t a pro and does bring down the overall quality of the film.

The Cons: Predictability – The biggest con is predictability, I knew Nick would be brought back to life, I knew that Daryl would end up being a bright and I knew they’d have to learn to work together. I could have used a lot more twists than just corrupt cops and Tikka just pretending to need to be rescued.

Holes in the World – Who are the 9 races? We see some random ones but know nothing about them and their roles, how does magic work? Who created the wands? How did this world become as it was in the present? These are just some of the questions that keep the film from being great as the fact it isn’t fully fleshed out is the biggest detriment to the story.

This is a movie that aspired for greatness and because it did, managed to be overall enjoyable, even with the flaws. “Bright 2” has already been slated and I can’t wait to see what they do with this universe as we know nothing about the other 6 races, nothing about the Dark Lord and even how magic works. If these questions had been answered than this would have been a really good film. I still recommend this one though, it isn’t perfect, but it is a lot of fun and it is a universe I can’t wait to return back to. This is a total B movie, largely because of some of the hokey dialogue and the plot holes but it is worth seeing once.

Final Score: 7.8 / 10

Star Wars Episode VIII: The Last Jedi (2017) – An Amazing Subversion of Expectations

   “The Last Jedi” is my second favorite Star Wars film. This is a series that is second only to “The Empire Strikes Back,” and in many ways has greater depth even though the structure of this film is a bit of a mess. What this film does though is upset the status quo, delve into the reasons the First Order and Resistance have for even existing in the first place and also a much deeper analysis of “The Force” that we haven’t really gotten since the Original Trilogy. Before I get into spoilers, this is a film with the best characters and themes thus far, amazing character development and emotional payoff, amazing action and it is easily the most beautiful of all the Star Wars films. Seriously, check it out.

The film was directed and written by Rian Johnson while being produced by Kathleen Kennedy and Ram Bergman.

The story involves the Resistance attempting to escape from the First Order who are attacking them after the destruction of Starkiller Base, while Rey is seeking Luke’s help in their fight. Things soon get more complicated when the First Order executes a trap that forces members the Resistance to seek outside help  to escape the First Order trap, and a clash within the Resistance itself between Poe and Vice-Admiral Holdo after General Leia is incapacitated.


The Pros: The Cinematography – This is visually the best looking of any film in the Star Wars franchise. Whether it is the filming of fight sequences in space or within a ship…the camera executes the action beautifully and each planet was somewhere I wanted to return back to after it was done.

The Universe – This Star Wars has quite a few different environments and animals. From the adorable porgs, to crystal foxes, to the salt world of Crait, Luke’s Island and Snoke’s Flagship and a Casino World. I was never bored because there was always more to see as each environment was so rich.

The Reason for Resistance – One of the major themes of the film is the reasons to resist. We see this as a class struggle in regards to oppression through the eyes of kids and Rose, a character we are introduced in this film…and also that personal identity is a huge role too and that finding the balance between them is important. Poe is driven by ego and glory for much of what he does but comes to see that it is bigger than each fight, the war is larger than any one person as the individuals and groups define what it means to resist, just as much as if not more than the personal reasons to fight.

The Cost of War – So many people die in this film. There are lots of heroic sacrifices, but also the people who are being oppressed by those profiting from the war, the deaths of so many soldiers on both sides who die. You feel that in this and it does a good job humanizing both the Resistance and the First Order. War is hell and sometimes no one wins, this film captures that theme beautifully.

The Characters – The characters are the best part of this film. This film is all about relationships between characters, be it Leia and Poe, Rose and Finn, Kylo and Rey or Luke and Rey. Each relationship gets developed over the course of the film and reveals layers to the characters that didn’t exist in “The Force Awakens.”

Vice Admiral Holdo – Holdo is a character who has got a lot of crap from the fanbase, but she was one of my favorite characters in the film. She was respected for winning in the past but Poe doesn’t get that. She is presented as an antagonist through a good portion of the film, and the payoff of who she actually is and what she is doing is great.

Rose and Finn – It is through these characters that we get to see another face of the Resistance and why they fight. Finn is originally a part because of his friends and is even willing to leave in order to protect Rey but Rose reminds him of the bigger picture and that at the core they exist to fight oppression. It is handled on the casino world and seeing their friendship bloom was one of the more memorable parts of this film.

Master Luke Skywalker – Luke is done with everything. Like before in the Original Trilogy guilt defines him and it is mistake that helped lead to Kylo Ren’s creation and that guilt is something he carries with him and resists until the end. He is wanting to destroy the Jedi order and die as the last Jedi until Rey helps him realize there is so much more that he’s forgotten and that he can still make a difference and change things. Mark Hamill is fantastic.

General Leia Organa – I miss Carrie Fisher. It was great seeing her in this, her whole drive is survival and protecting the Resistance from the First Order. She is the mentor who is there to remind the young folks there is a time and place for glory but you have to work to keep everyone alive, or there won’t be anyone else left to fight. This was my favorite presentation of her besides “Empire Strikes Back” and I’ll miss her in these films, now that she’s gone.

Rey and Kylo Ren – One of the core relationships is that between Kylo and Rey both of who are alone and seeking more beyond the old order as so much of who they were was tied to the legends of the past. They are connected but still adversaries and it is great relationship to see explored as Ren becomes more confident and much more of a bully and Rey finds an identity outside of her parents and her expectations of Luke and the Jedi.

Subverting Expectations – If you go in expecting “The Empire Strikes Back” or another version of “Return of the Jedi” or “A New Hope” prepare to be surprised. This is a film where most things don’t work out for any characters. Things change, both in the First Order and the Resistance in regards to their identities…but it doesn’t repeat the cycle. We get away from The Ring Cycle a bit here and from that “Star Wars” seems to finally be developing it’s own identity outside of the past. We also see The Force not being tied to bloodlines and the fantasy feel of the past films and midichlorians are implied to no longer be a factor (Rey’s background and the last scene of the film). I loved that, this is no longer the Skywalker show, Star Wars has to be bigger than one family drama and I can’t wait to see where the series goes.

Everybody Loses – Poe finds out he was wrong, Rose and Finn get betrayed, Rey isn’t able to turn Kylo Ren and even the Resistance only barely survives. The First Order isn’t in great shape either after the events that take place and it is going to be transforming further or it will collapse. That is powerful and with it we see the most potential for change both within the Resistance and the First Order. They’ve lost too much to remain static.

Okay: Welcome to the Casino / Side Quest – This first point is related to the second point, there is a side plot on a casino world in order for Rose and Finn to get a code breaker in order to break onto Snokes’s ship so that they shutdown the Empire’s ability to track the Resistance’s fleet. It explores the meaning of the Resistance so I’m not putting it as a total negative but it could have been shorter and achieved the same purpose in the plot, and I would have traded a few Finn and Rose scenes for more scenes with the codebreaker played by Del Toro named DJ. He is fun.

Structure and Clutter – The greatest issue with this film for me was the structure and how cluttered some of the different plots are. It wasn’t bad, I saw this film twice but it does feel long during some of the side tangents. The overall story and themes greatly overwhelm this in quality though and it didn’t take away from my enjoyment of the film.

This is probably going to be in my Top 5 films at the end of the year. This is a film I’ve watched twice and is easily the most fun I’ve had at a film this year since “Baby Driver.” I can’t wait to see where things go after this film as it upsets so much of the status quo. I am a guy who loves the original Extended Universe and I always will, but I’m glad they didn’t repeat it (and I still enjoy it as another timeline of Star Wars). By the time of “The Force Awakens” I was done with the Skywalker drama, predictability will kill this franchise as so many of the problems that plagued the Prequels was the lazy recycling of the Original Trilogy. This film is strange, different, takes chances and changes things and honestly, it is the only way Star Wars can grow beyond the corner it was written in to. Here is to Disney embracing that change and giving us more great stories like this film.

Final Score: 9.8 / 10. Second best Star Wars film thus far.


Olaf’s Frozen Adventure (2017): A Crappy Christmas Special With Good Music

   They played this crap before “Coco.” I think one reason I wasn’t prone to like it going in is Pixar has amazing shorts, and this was around 20 minutes. Seriously, the best thing that is happening in regards to this film is Disney pulling it from theaters. This is a thing that should have existed as an extra on “Frozen’s” Blue Ray. I enjoyed “Frozen,” I think it beats “Tangled” and is up there with the rest of the modern greats of this new 3D Disney renaissance…I did not enjoy this though.

When it comes to Christmas or really any holiday specials I am pretty picky. The only one that I could stay is great are the different retelling of “A Christmas Carol,” and that is largely because they are about more than just trees, myths and gifts…they have a larger purpose and it is a man forced to grow and see the world beyond himself. This film has none of that depth, with the exception of only one scene that could have been 2 minute sequence in “Frozen 2,” when it eventually comes out.

That scene is where we see that Elsa and Anna shared pictures of of Olaf as “Do you want a Build a Snowman?” Was the only connection they had growing up since Elsa was under room arrest after those events. It is touching and if the movie had just been that it would have been great, instead we get Marketing^TM! Got to sell those Olaf dolls. Also the cast is all back so their voices sound lovely, even though the lyrics are awful and on the nose. (Holiday Tradition is repeated in every scene in what felt like at least 3 times).

Olaf isn’t bad but what he is used for is. He goes around the village collecting traditions so he can do jokes with Sven and so there will be more Olaf toys to market. Olaf appeals to everyone and the most important thing is stuff! God, I can understand if people hate the holidays after this short…Olaf is in everyone’s business and in the end has to be found because of his own mess up and in the end he was the tradition all along! This is a story with no consequences that is just there to remind you these characters exist and “Frozen 2” is coming!

After that they have a big feast on the lake and you know what, the fruit cake that was given in his search is dropped on him from the hawk who took it. Oh joy, more stupid humor! Buy that “Frozen” gear! They all have new costumes in this! Get Olaf with a bow tie! Look at Elsa and Anna’s new dress! Christmas is coming, better buy those new toys!

This should have been an extra in a DVD, ideally in “Frozen 2” or the “Frozen” re-release. This film crapped all over the beautiful shots Pixar usually makes and even took time away from developing characters in “Coco,” which is the best Pixar film since “Inside Out.” This film purely exists for marketing and my guess is it will sell a lot of Olaf dolls, because of course it will. If your theatre is showing it, skip it if you can and find out when “Coco” actually starts. If this is the new normal for “Pixar” openings Disney is on the way to ruining one of the best artistic companies they own.

Final Score: 5 / 10. 5 only because the voice actors and animation are good even if the writing and story are garbage.

Coco (2017): An Amazing Pixar Epic That Explores Family and Love

     Pixar has done it again. “Coco” is easily the best film their studio has put out since “Inside Out” and is definitely in my  Top 5 films made by the studio. This is film full of beautiful creativity, action that matters, a powerful message and enthralling characters. For my non-spoiler thoughts, this is Pixar and it isn’t a sequel, go and see it. Hopefully “Olaf’s Frozen Adventure” will have been taken out before you see it too, I’m doing that as a separate review but it was the worst part of the viewing experience.

The film was directed by Lee Unkrich, written by Adrian Molina and Matthew Aldrich and produced by Darla K. Anderson.

The story follows Miguel (Anthony Gonzalez) a young boy who wants to be a musician but whose family has abandoned music after their ancestor left his wife long ago and never returned to become a musician. From here he finds himself pulled into the Land of the Dead as he seeks his ancestors blessing in order to return to the Land of the Living before he a curse he brought about sets in on himself and his family.


The Pros: The Animation – This is easily one of the best looking Pixar film since “Inside Out.” Like “Inside Out” it is colorful and full of contrasts and our characters are each distinct both in look and the voices portraying them. This is also Pixar, so great animation isn’t too much of a surprise, it just really stood out in this film.

The Family and Their Dynamics – The main drama that drives the story is Miguel’s relationship to his family and the relationship between his last known living ancestors. The story starts out with Miguel wanting to be a musician and believing the famous celebrity who died named Ernesto de la Cruz is his ancestor because of the picture on his mantel and the fact that he was from his village. His family does all they can to keep from music (his grandmother even breaks his guitar), leading him to go the Land of the Dead where he seeks de la Cruz’s blessing (as his ancestor Imelda will not give it). The story unfolds from here as the ancestors try to get him back to send him home so they won’t be cursed and as the story unfolds we learn more about Imelda’s relationship to music and her missing husband as the family comes together over the course of the film.

The Land of the Dead – The Land of the Dead is wonderfully done. It is a mixture of eras and technology and they even have a travel system on Day of the Dead where your face is checked to see if someone has put your picture up in the Land of the Living. It is all creatively done and built on popularity (with Ernesto de la Cruz being the star). I wanted to see more of this place as we get to see the entrance and the city but also the underbelly where Hector lives where those who are forgotten live before they pass away forever.

Hector and Imelda – These two were my favorite characters and their drama is the core of the story as Hector went off to be a musician and was killed by Ernesto when he tried to return home. Because Imelda was living on her own supporting Coco she started her family’s obsession with shoes as that was how they built a livelihood. Their arc is coming together again and taking down de la Cruz as Imelda discovers her love of singing again and Hector becomes part of the family once more as they are both reunited with Coco a year later after she dies.

The Coco Scenes – Coco is an ancient old woman and Miguel’s Great Grandmother. For much of the film she doesn’t interact at all, except for calling out her father’s name. It is this way until the end when Miguel returns and plays her song, “Remember Me,” that Hector used to sing to her before he would travel and do concerts. We learn she held onto his songs and a portion of the photograph her mother had torn and through remembering Hector he is remembered and doesn’t die in the Land of the Dead, with Coco joining her parents a year later. It is powerful and I teared up when Miguel sings her the song that Hector always had.

Okay: Ernesto de la Cruz – Benjamin Bratt voices a great villain as Cruz is one who only cares about seizing the moment and holding onto his station in life. He killed Hector and nearly kills Miguel, all to keep his power. I wish he’d been more complex, but as a villain you think might be a good guy at first, he was fun, so not a con.

Entering the Land of the Dead – Miguel enters the Land of the Dead when he plays his father’s guitar. There isn’t a reason given minus the border between worlds being thin, so I wish we had been told more. It wasn’t bad but it just kind of happens and he becomes a ghost.

This is a film that might have you tearing up by the end, as it did me. Films like this are why Pixar is so loved and I can’t wait to see what they do next. I’ll be buying this film when it comes out and it is easily one of my favorites of the year, even if it may not make the Top 5. The main story is solid, the emotional core is strong and the world is amazing. The only things they could have improved on were the villain and how Miguel entered the Land of the Dead.

Final Score: 9.6 / 10

I Walked Out of “Justice League”

      I walked out of “Justice League.” This is a film that I will go back and review because I am a completionist but it has been a long time since I’ve been so disappointed in a film that I walked out ($10.75 for a ticket was also a major waste). What didn’t help is it was late and so my patience was much thinner and I needed to at least be entertained, and for a few scenes I was…but after an hour I was so bored and disappointed in this film that I could only think of better uses of my time.  In the end the three factors that pulled me out of this film were the Bad CGI, uninterested actors and how false some of the characterizations felt in regards to the characters.

First I want to mention some things I enjoyed in that hour. Everything with Diana was awesome. Seriously, Wonder Woman is the best part of this universe and she’s why I’ll be giving this film another chance and doing a full review in the future, even if I don’t do it this year. I also continue to enjoy Jeremy Irons as Alfred and Cyborg had potential, he was one of the few characters who felt fully realized in his portrayal.

Now for the bad, Steppenwolf and the battles he takes place in look worse than “The Fellowship of the Ring.” The closest comparison I can think of is “The Mummy Returns” in regards to how the CGI of him and his minions looks. For a movie this expensive it should have looked at least as good as “Batman v Superman: Dawn of Justice.” This also applies to the CGI on Cavill’s face to hide his mustache. He is in a shot at the beginning where kids are recording him and it feels off and weird. I think this Superman has trouble smiling in general (which feels antithetical to the character) but in this scene it really showed. This is consistent through the hour of film I saw and it took me out of it. Every Super Hero film this year looked so much better and “Wonder Woman” was made by the same studio. How could it go so wrong?

The second factor were the uninterested actors. Ben Affleck sounds bored the entire time and his inflection never changes. This also applies to Cavill’s Superman in that scene on the phone meant to humanize him. He just looked out of it and bored and sounded like it too. These guys are two of three in DC’s Trinity. I can understand now why Affleck is getting recast. His heart isn’t in this if the best takes they could get from him were what I saw in the film. He clearly doesn’t want to be there.

The final factor was characters and how they acted unlike themselves. This was the last straw as I felt when Steppenwolf was attacking Atlantis. Aquaman comes off like a human douchebro and not like an alien from Earth. Based off his performance I have no idea how Atlanteans are different from humans minus them living underwater. This is not the Aquaman I knew from the comics or DC animated films….which is a shame because Momoa can be a great actor, I loved him in “Stargate: Atlantis” and “Game of Thrones.” A major reason I left was this was the second time that Batman’s secret identity meant nothing to civilians. First a criminal he is threatening hear’s him call his butler Alfred (so much for secrecy) and second Aquaman calls him Bruce Wayne and Batman in front of a crowd of people. First off Affleck doesn’t react at all in either scenes (he doesn’t take in the criminal, he ignores Aquaman, etc.). Barry Allen / The Flash is also a rich drifter for some reason so how he has all that money for his computers when he see him having no basis of income is kind of crazy.

In the end these factors were too much for me to sit through another hour. This was bad and dissapointing enough as I grew up with these characters. I was DC long before I was Marvel as Bruce Timm’s “Batman: The Animated Series” and “Justice League” got me into these characters in the first place. I can’t recommend this film and the only reason I want to watch it at this point is for Wonder Woman and so I can complete it and give it a score. At this point I can only tell you why I walked out. This film isn’t worth your time. Check it out when it comes to Netflix or streaming, these characters deserved better.