The Man Who Killed Don Quixote (2019): An Exploration of Art and Obsession

         Terry Gilliam is one of the Director’s who has a vision I really respect. He brings magical realism to all his work and brings a tragic undercurrent to every story. His characters are flawed and he gives us worlds without heroes that are relatable and broken. “Fisher King” and “Brazil” are some of my favorite films and this is a great film that deserves to be among them. This was also a film that was hell to make. It was in some form of development for 29 years. It is a success that it finally was made and turned out as great as it is. Before I get into spoilers this is a great film and one I’d recommend to any fan of Gilliam’s work. It has all of his visual strengths and flawed characters and also the flaws of his films as many of the women he writes are more ideas than characters.

Terry Gilliam directed and co-wrote the film with Tony Grisoni.

The story follows Toby (Adam Driver) an advertising director who has returned to Spain to film a commercial about Don Quixote. After stumbling onto his student film where he changed a life of a small town forever with his film. Toby returns to the town and finds that all those involved with the town have come upon misery or death…with the cobbler Javier (Jonathan Pryce) who played Don Quixote, now believing himself to be the figure from the books. From here Toby is pulled into Javier’s adventure as he must own up to his own selfishness and the man he has become.

SPOILERS ahead

The Pros:

The Cinematography – Nicola Pecorini does a wonderful job bringing Gilliam’s vision to life. From the use of stark colors when they are filming the commercial in the desert, to the final showdown in an old Castle that has been turned into a costume show…his use of color presentation brings each scene to life. It is from this presentation that the dreamlike nature is brought to the film and shows how many of the characters blur the lines between fantasy and reality.

The Soundtrack – Roque Baños López handled the soundtrack well and blends his influences to give us classic Spanish guitar work combined with the more epic operatic feel of the core adventure. He also works tension into every scene with the way he weaves the soundtrack through the film. The final showdown is a great example of this as it emphasizes the nightmarish costume party taking place and the fall of our heroes.

The World – The world that the film takes place is compelling as it mixes the story of “Don Quixote” into the real narrative of a town controlled by a Russian Gangster, sociopathic Hollywood executives and a crew who exploit one another and the people around them. This is a terrible world in regards to most of the characters who make up it, which ends up making sense why Javier became Don Quixote because the cruelty of life where there isn’t justice was too much for him to bare. This world is a beautiful tragedy and I look forward to watching it again. There are so many sad and comedic moments that I found it impossible not to be drawn in.

The Leads – The leads are really what carry the film. Adam Driver’s Toby is an egomaniac who eventually learns to be good but goes mad in the process (becoming Don Quixote after he accidentally kills Javier). Jonathan Pryce’s Javier is a madman who is driven by idealism but by the end of the film finds himself in death and Joana Ribiero’s Angelica is wonderful in how she calls each of them out in different ways while seeking freedom from the Mob.

When Creation and Art Leads to Obsession – The major theme of the film is the creation of art and how it can lead to obsession. The Russian mob boss has everyone dress up so that they can all live in his illusion, Javier once he figures out how the play the role of Don Quixote becomes the character and Toby in his initial obsession is what consumes the town and later himself when he adopts the role of Don Quixote after accidentally killing Javier. Given Gilliam’s own obsession in making this film, this film is most likely true to his life in many ways.

The Cons:

Presentation of Women – The women in this film are not fully realized characters. You have the Producer’s wife who is presented as a sign of temptation and corruption and you have Angelica as the fair maiden to be saved. Thankfully Angelica is shown to be more than this caricature by the end of the film but the Producer’s wife is not so lucky. They are also the only actresses that have any major role in the film so the fact that they are put into these awful roles by the men stands out all the more. This was definitely what brought the film down the most for me. The objectification by the cruel men is never called out. They just end up experiencing a different form of objectification.

I’m grateful this film got made. Gilliam has such a unique vision as a director and I love his magical realism. It isn’t perfect but the magical realism of Gilliam is something that I’ve always enjoyed, it is one of my favorite genres of fiction. There is something to be said for an artist who can so beautifully mix fantasy and reality into his narrative and comment on the nature of that blending in the process. I can see why Gilliam had been trying to make this film for so long. What he created is beautiful and amazing and to any Terry Gilliam fan I highly recommend. I’m planning to check out the documentary “Lost in La Manche” as it goes into the failed attempts to make this film. If you are a fan of Gilliam or this genre too, check it out.

 

Final Score: 9.5 / 10

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Top 5 Films of 2018

           Today was a busy year for me. Married my best friend, got a new job and because of all the planning and saving lead up to said events, like the wedding, I did not see as many films as I usually do. I also did not seek out bad films this year, and if I was going to see a crappy film I better to have least thought it would be good. Because of this there is only one film I can say I didn’t at least have fun with, and that film was “Mute.” Seriously, that film has beautiful cinematography but the story and characters are absolute garbage. It feels like a bunch of hacks got their hands on “Blade Runner” and that was their creation. So one film that I saw that I wouldn’t recommend for 2018.

Some of the fun forgettable films were “Ant-Man and the Wasp,” “Aquaman,” “Pacific Rim: Uprising,” and “Ready Player One,” that I would only ever see once. They were good for the experience but I don’t ever plan to buy them.

Now for the honorable mentions. There were a lot of great films that came out this year, some of which were in pretty steep competition for 4th and 5th place. Choosing those films took a while. For the great films that weren’t in the running for 4th or 5th place there was the Coen Brothers “Ballad of Buster Scruggs” which is a wonderful western vignettes, there is the heavy metal fantasy horror of “Mandy” that is beautiful and stunning with it’s visuals and music and I did enjoy “Solo: A Star Wars Story” even though it has a really stupid name. These were some of the greats that came out this year that weren’t competing to be on the list.

Now for the honorable mentions. For the ones that were on the list or nearly made the list at different points there is “Black Panther,” which has an amazing cast, one of my Marvel’s best villains in Killmonger and a great soundtrack. The reason it didn’t make the list in the end is I did find the story a bit predictable and had seen those story beats before in other films, but I did still enjoy it immensely.

https://cameronmoviesandtv.wordpress.com/2018/02/19/black-panther-2018-seeking-justice-in-a-broken-world/

The other runner up was “Avengers: Infinity War,” like “Black Panther” we have a great villain, an amazing cast and solid soundtrack. Where it falls apart is in how it is Part 1 of 2 and if 2 fails that will effect the overall story and at times it was a bit cluttered because of all the moving parts. I also found the big battles with large armies in both “Black Panther” and “Infinity War” not as creative as they could have been given how powerful the characters are. Visually more could have been done to raise the stakes and tension. Both are still favorite films by the way, but that kept them from making my Top 5.

https://cameronmoviesandtv.wordpress.com/2018/05/21/avengers-infinity-war-2018-the-power-of-a-compelling-villain/

The final film that nearly made the list was “A Quiet Place.” “A Quiet Place” is one of my favorite horror films and feels like a classic Spielberg horror film akin to “Jaws.” Where it doesn’t work is character stupidity and the monsters, when you finally see them they look stupid. This movie showed me that it is often better to not see the monster at all if you can’t come up with something frightening. The film’s horror worked because of what you didn’t see, once you saw the horror went away.

https://cameronmoviesandtv.wordpress.com/2018/07/19/a-quiet-place-2018-the-beauty-of-silence/

Now for the Top 5 films of 2018.:

5) Bird Box

Directed by Susanne Bier

Where “A Quiet Place” ceased to be scary once you saw the monsters, “Bird Box” kept me invested through the entire film. This was a film where it is all about what you don’t see. Whatever disease or cosmic horror has effected those who have gone outside it leads them to insanity or to kill themselves, all it takes is you looking outside for them or it to get you. As a concept I already love it and what makes it work is a wonderful cast of complex characters. John Malkovich plays the bitter man whose house the survivors are staying in who loses his wife early on in the event but who develops empathy over the course of the film. Sandra Bullock’s Malorie also has a similar arc where she learns to trust and develop empathy and even eventually love the people around her.  BD Wong and Trevante Rhodes also do an amazing job as the more empathetic characters who already care and are taking care of others whose actions help shape Malorie and the survivors. The horror element of not seeing what the terror is is the basic plot of the film. I was invested in the events of the film and want to see what Susanne Bier does next. This film has received a lot of press and become a living meme of sorts. It definitely isn’t everyone’s pot of tea but for me it was worth the hype.

https://cameronmoviesandtv.wordpress.com/2019/01/01/bird-box-2018-a-fantastic-post-apocalyptic-horror-thriller/

4) Sorry to Bother You

Directed by Boots Riley

“Sorry to Bother You” is Boot Riley’s first film, and I can’t wait to see what he does next. This is a film that is a surreal trip and exploration of race, class, passing and tackling corrupt people and systems as well as how easy it is to get caught up in and becoming a part of those systems of oppression. The story follows Cassius “Cash” Green who becomes a telemarketer to pay the rent. He soon finds himself pulled into a conspiracy when he joins his friends on strike and his bosses give him a chance to take the Golden Elevator up where all the big sales happen. The story is very Terry Gilliamesque akin to “Brazil” as we see Cash changed as he rises up among the elites as it all presented in a dreamlike state before the horror is revealed underneath. I won’t give away any more, but if you like films that have a deeper point you will probably love this film.

https://cameronmoviesandtv.wordpress.com/2018/12/31/sorry-to-bother-you-2018-a-surreal-exploration-of-race-class-and-privilege/

3) Hereditary

Directed by Ari Aster

“Hereditary” is a brilliant film that explores layers of trauma. For much of the film I questioned if the supernatural element was even there because the layers of pain that exist in the abuse that the mother has faced from her own mother and in turn carried onto her children is so heartbreaking and real. It truly is no wonder why all the characters are on edge and lashing out as the story unfolds of a family’s history and the darker secrets that were kept from the mother Annie who has experienced the brunt of this trauma and manipulation. The way they express the story through symbolism is stunning too as Annie is a famous artist who creates scenes of her life growing up in miniatures that give visual cues through the film. The ending is one of the most difficult horror scenes to get through as it takes you deep into some pretty horrible events but they payoff is amazing. If you are into horror you will love this film as it is easily one of the best horror films I have ever watched.

https://cameronmoviesandtv.wordpress.com/2018/07/19/hereditary-2018-layers-of-horror-and-history-in-a-beautiful-miniature/

2) Spider-Man: Into the Spider-Verse

Directed by Peter Ramsey, Rodney Rothman and Bob Persichetti

Spider-Man: Into the Spider-Verse is a masterpiece. This is a film that was made by Sony, so already my expectations were pretty low going in given their history of messing up the Spider-Man Franchise, but this film changes everything. This is easily the best Spider-Man film I have ever watched. We get complex heroes in Peter B. Parker, Gwen Stacey and Miles Morales (whose coming of age and becoming Spider-Man is the heart of the story) and wonderful villains like the Kingpin and Liv Octavius. This is a film that I hope suceeds as I want to see more of Gwen Stacey’s story as The Ghost Spider / Spider-Woman, I want to see more of Miles Morales and his story and I want to see the potential stories that remain in the expanse of possiblities that is the Spider-verse. This is a film that stands solidly on it’s own and even if nothing comes out of it, it was easily the best Super Hero film of the year for me and is one of the best animated films of all time (they mix different animation styles for the different characters and it works amazingly). If you haven’t seen this film yet, check it out.

https://cameronmoviesandtv.wordpress.com/2018/12/16/spider-man-into-the-spider-verse-2018-the-best-spider-man-film/

1) BlackKklansman

Directed by Spike Lee

Coming in at first we have “BlackKklansman.” This is a long film that doesn’t feel long at all given how well the character beats and message flow through the film. The story follows the first African-American cop Ron (John David Washington) in the police force in Colorado Springs and the racism and both personal and systemic that he comes up against. Sidelined within the force he calls David Duke and in turns forces the force to infiltrate the KKK in how he’s forced them to action. From here his complex relationship with Flip (Adam Driver) unfolds. This movie is full of great tension as Flip has to explore the prejudice him for being Jewish while helping the police force take down their operation they have planned in the area. The film has an amazing ending and even if the film didn’t have the exploration of racism and prejudice it’d be worth it just for the buddy cop relationship between Flip and Ron. I didn’t know what to expect going in but I came out impressed. This is an all-star cast and the writing is nearly flawless while also having some impressive cinematography that illustrates how trapped so many of the characters feel during the film. For me, this was easily the best film of the year.

https://cameronmoviesandtv.wordpress.com/2018/12/29/blackkklansman-2018-a-powerful-and-relevant-masterpiece/

BlacKkKlansman (2018): A Powerful and Relevant Masterpiece

 

Along with “Hereditary,” “BlacKkKlansman” is my favorite movie of the year thus far. This is a movie that shows why Spike Lee is considered one of the greats. He tackles issues that matter related to race and class and creates compelling characters. This film is a shining example of his expertise and I look forward to checking out more of his past work.

Spike Lee directed, produced and wrote this movie along with quite a few other folks. For producers, you might know Jason Blum, from Blumhouse Productions, and Jordan Peele, from “Get Out”. Charlie Wachtel, David Rabinowitz and Kevil Willmott wrote it with Spike Lee. You can definitely see their influence in all the best ways, as Blum at his best brings tension and Peele brings awareness.

The story follows Detective Ron Stallworth (John David Washington, son of Denzil Washington) as the first African-American police officer in Colorado Springs, Colorado. He infiltrates the KKK after a phone conversation with their leader David Duke (Topher Grace) leading to the department assigning Detective Flip Zimmerman (Adam Driver) to be the face people see as they uncover the operation the KKK has in the area.

SPOILERS ahead

The Cinematography – The cinematography is great at creating tension and Chayse Irvin does a fantastic job of making each scene feel a claustrophobic. This is a film where you feel the pressure of being undercover and just how awful humans can be. At times, it has the closeness of a documentary, but it still manages to capture the feel of an action film through the entire run. We see this from the beginning with Ron appearing small and confined in the Black Student Union events as well as the full room feeling small as well. This makes a second appearance at the end when the KKK burns a cross on the hill across from Patrice’s and Ron’s apartment in retaliation for the events of the film. The camera gets in close on their panic and pans out a small window to reveal the large seen of terror meant to overwhelm them. Claustrophobia is simply used masterfully for both symbolism and fear.

The Characters – The characters are the strongest part of this film. Each of them gives a different perspective in relationship to racism and justice. How that is explored gives different dimensions to all of them as the film progresses.

Flip – Adam Driver plays Detective Flip, a Jewish-American detective who goes undercover in the KKK as Ron Stallworth. It is here that he realizes just how deep anti-Semitism goes in the United States.  From this, he begins to relate much more to Ron’s struggle as an African-American man in Colorado Springs. He questions the mission at first, but after coming around he gets angry at the Police Department for shutting down the investigation after they prevent a KKK terror attack.

Patrice – Patrice is the President of the Black Student Union at Colorado College. She doesn’t trust the police and we see why when one of them sexually abuses her after a march. Laura Herrier (Liz from “Spider-Man: Homecoming”) does an amazing job. She is wholly focused on justice and brings in speakers to the college. These lectures are throughout the film and boost the main themes present in the movie, as speakers talk about structural racism that exists and pervades in the United States.

Ron – Ron is the detective who is undercover in the Colorado College Black Student Union. As someone who relates to all they are going through (he is the first African-American cop in this small town and obviously grew up facing extreme racism) he speaks in defense of them and eventually uses his place on the force to infiltrate the Ku Klux Klan. He calls their headquarters and gets membership, convincing David Duke he is a white. Over the course of the film we see how his relationship with Patrice develops, with him eventually revealing that he is an undercover cop and why he was at Black Student Union events in the first place. This changes their relationship, but they get through it. She never ever trusts him fully, given her own past experiences and privileges provided to police and abuses she has experienced and witnessed. Ron understands this but doesn’t leave the force even though the chief at times looks down on him and he is never given the chance to do undercover work. Him calling David Duke was him taking action because he was bored and saw being on the narcotics force as doing nothing to help people. Any action he takes to make things better is him coming up against the system that he is a part of and it makes his relationship as a cop on the force intriguing.

History and Structural Racism – On what I said before, racism has not gone away. This is a film that recognizes that (it is Spike Lee, I’d be surprised if it didn’t). Spike Lee digs into the power of the KKK, of how the one guy who wants to go after them (Ron, and later his partner) get turned away by the police department because those in power don’t want those who sympathize or help the KKK to get heat. This is still reality. It is hard to say it has gotten better when the President says, “There are good people on both sides,” at a White Nationalist Rally where a counter protester was murdered. The current President of the United States said that, and that cannot be understated. Things don’t just change when laws are passed, racism is real as is the fact that if you are white in America, you are privileged and more likely to be in positions of power. History isn’t just erased, it moves forward with everything else and current events illustrate that horrifyingly.

The Past and Today – The end of the film ends with Trump failing to condemn the White Nationalists / KKK folks and saying there were good people on both sides. Something that should be easy wasn’t… who does someone like that surround themselves with? That is the reality of where we are today and why the fight for civil rights is ongoing. You don’t kill racism or upend structural racism in a generation. It takes time, generations and work. Look at anywhere around the world that has gone through extreme turmoil and oppression. The story of humanity isn’t pretty and the only way anything gets done is by speaking.

This was a film that deals with the modern terrors of the KKK, racism and the structural racism of the past and present and tells it through compelling history and characters. The demons of the past have never left the United States and I believe in this movies call to action. Call out racism where you see it and work to make things better for everyone. Structural racism and the sins of the past that seep through the present can’t be ignored. This country can be so much better, as can all the individuals who make up the U.S.A.

Final Score: 10 / 10. Perfect and relevant.

Star Wars Episode VIII: The Last Jedi (2017) – An Amazing Subversion of Expectations

   “The Last Jedi” is my second favorite Star Wars film. This is a series that is second only to “The Empire Strikes Back,” and in many ways has greater depth even though the structure of this film is a bit of a mess. What this film does though is upset the status quo, delve into the reasons the First Order and Resistance have for even existing in the first place and also a much deeper analysis of “The Force” that we haven’t really gotten since the Original Trilogy. Before I get into spoilers, this is a film with the best characters and themes thus far, amazing character development and emotional payoff, amazing action and it is easily the most beautiful of all the Star Wars films. Seriously, check it out.

The film was directed and written by Rian Johnson while being produced by Kathleen Kennedy and Ram Bergman.

The story involves the Resistance attempting to escape from the First Order who are attacking them after the destruction of Starkiller Base, while Rey is seeking Luke’s help in their fight. Things soon get more complicated when the First Order executes a trap that forces members the Resistance to seek outside help  to escape the First Order trap, and a clash within the Resistance itself between Poe and Vice-Admiral Holdo after General Leia is incapacitated.

SPOILERS

The Pros: The Cinematography – This is visually the best looking of any film in the Star Wars franchise. Whether it is the filming of fight sequences in space or within a ship…the camera executes the action beautifully and each planet was somewhere I wanted to return back to after it was done.

The Universe – This Star Wars has quite a few different environments and animals. From the adorable porgs, to crystal foxes, to the salt world of Crait, Luke’s Island and Snoke’s Flagship and a Casino World. I was never bored because there was always more to see as each environment was so rich.

The Reason for Resistance – One of the major themes of the film is the reasons to resist. We see this as a class struggle in regards to oppression through the eyes of kids and Rose, a character we are introduced in this film…and also that personal identity is a huge role too and that finding the balance between them is important. Poe is driven by ego and glory for much of what he does but comes to see that it is bigger than each fight, the war is larger than any one person as the individuals and groups define what it means to resist, just as much as if not more than the personal reasons to fight.

The Cost of War – So many people die in this film. There are lots of heroic sacrifices, but also the people who are being oppressed by those profiting from the war, the deaths of so many soldiers on both sides who die. You feel that in this and it does a good job humanizing both the Resistance and the First Order. War is hell and sometimes no one wins, this film captures that theme beautifully.

The Characters – The characters are the best part of this film. This film is all about relationships between characters, be it Leia and Poe, Rose and Finn, Kylo and Rey or Luke and Rey. Each relationship gets developed over the course of the film and reveals layers to the characters that didn’t exist in “The Force Awakens.”

Vice Admiral Holdo – Holdo is a character who has got a lot of crap from the fanbase, but she was one of my favorite characters in the film. She was respected for winning in the past but Poe doesn’t get that. She is presented as an antagonist through a good portion of the film, and the payoff of who she actually is and what she is doing is great.

Rose and Finn – It is through these characters that we get to see another face of the Resistance and why they fight. Finn is originally a part because of his friends and is even willing to leave in order to protect Rey but Rose reminds him of the bigger picture and that at the core they exist to fight oppression. It is handled on the casino world and seeing their friendship bloom was one of the more memorable parts of this film.

Master Luke Skywalker – Luke is done with everything. Like before in the Original Trilogy guilt defines him and it is mistake that helped lead to Kylo Ren’s creation and that guilt is something he carries with him and resists until the end. He is wanting to destroy the Jedi order and die as the last Jedi until Rey helps him realize there is so much more that he’s forgotten and that he can still make a difference and change things. Mark Hamill is fantastic.

General Leia Organa – I miss Carrie Fisher. It was great seeing her in this, her whole drive is survival and protecting the Resistance from the First Order. She is the mentor who is there to remind the young folks there is a time and place for glory but you have to work to keep everyone alive, or there won’t be anyone else left to fight. This was my favorite presentation of her besides “Empire Strikes Back” and I’ll miss her in these films, now that she’s gone.

Rey and Kylo Ren – One of the core relationships is that between Kylo and Rey both of who are alone and seeking more beyond the old order as so much of who they were was tied to the legends of the past. They are connected but still adversaries and it is great relationship to see explored as Ren becomes more confident and much more of a bully and Rey finds an identity outside of her parents and her expectations of Luke and the Jedi.

Subverting Expectations – If you go in expecting “The Empire Strikes Back” or another version of “Return of the Jedi” or “A New Hope” prepare to be surprised. This is a film where most things don’t work out for any characters. Things change, both in the First Order and the Resistance in regards to their identities…but it doesn’t repeat the cycle. We get away from The Ring Cycle a bit here and from that “Star Wars” seems to finally be developing it’s own identity outside of the past. We also see The Force not being tied to bloodlines and the fantasy feel of the past films and midichlorians are implied to no longer be a factor (Rey’s background and the last scene of the film). I loved that, this is no longer the Skywalker show, Star Wars has to be bigger than one family drama and I can’t wait to see where the series goes.

Everybody Loses – Poe finds out he was wrong, Rose and Finn get betrayed, Rey isn’t able to turn Kylo Ren and even the Resistance only barely survives. The First Order isn’t in great shape either after the events that take place and it is going to be transforming further or it will collapse. That is powerful and with it we see the most potential for change both within the Resistance and the First Order. They’ve lost too much to remain static.

Okay: Welcome to the Casino / Side Quest – This first point is related to the second point, there is a side plot on a casino world in order for Rose and Finn to get a code breaker in order to break onto Snokes’s ship so that they shutdown the Empire’s ability to track the Resistance’s fleet. It explores the meaning of the Resistance so I’m not putting it as a total negative but it could have been shorter and achieved the same purpose in the plot, and I would have traded a few Finn and Rose scenes for more scenes with the codebreaker played by Del Toro named DJ. He is fun.

Structure and Clutter – The greatest issue with this film for me was the structure and how cluttered some of the different plots are. It wasn’t bad, I saw this film twice but it does feel long during some of the side tangents. The overall story and themes greatly overwhelm this in quality though and it didn’t take away from my enjoyment of the film.

This is probably going to be in my Top 5 films at the end of the year. This is a film I’ve watched twice and is easily the most fun I’ve had at a film this year since “Baby Driver.” I can’t wait to see where things go after this film as it upsets so much of the status quo. I am a guy who loves the original Extended Universe and I always will, but I’m glad they didn’t repeat it (and I still enjoy it as another timeline of Star Wars). By the time of “The Force Awakens” I was done with the Skywalker drama, predictability will kill this franchise as so many of the problems that plagued the Prequels was the lazy recycling of the Original Trilogy. This film is strange, different, takes chances and changes things and honestly, it is the only way Star Wars can grow beyond the corner it was written in to. Here is to Disney embracing that change and giving us more great stories like this film.

Final Score: 9.8 / 10. Second best Star Wars film thus far.

 

Logan Lucky (2017): A Critique and Celebration of the Southern Culture Through an Amazing Heist

   “Logan Lucky” is a great film. This is a film that will probably make my Top 5 at the end of the year and gives us some amazing performances, as well as having a great larger point as it critique and celebrates southern working class culture through the lense of West Virginia and a NASCAR Heist. The only real downside to this film that I  can think of is the lead up to the heist has a few scenes that drag and I felt the Robin Hood message should have been so much bigger than the two families who are a part of it. Given how much this film critiques Southern Culture (even as it is celebrating it) it doesn’t really address the elephant in the room. The elephant I’ll address further down in the review.

The film was directed Steven Soderbergh and written by Rebecca Blunt and produced by Channing Tatum, Gregory Jacobs, Mark Johnson and Reid Carolin.

The story involves Jimmy Logan (Channing Tatum) planning a heist after he is laid off from his construction job due to a limp he received during his football days. This leads him to teaming up with his Iraqi War vet brother Clyde (Adam Driver) and and explosives expert Joe Bang (Daniel Craig) as he plans to steal from the NASCAR speedway so he can still have a future with his young daughter, who is moving away.

The Pros: Rules of the Heist – The planning of the heist is meticulous, as we see that Jimmy has the 10 rules of robbing a bank (which 3 times has be sure your on board, expect the unexpected). This is wonderful as we see the chaotic elements come in (bringing in more people on the job) and how they deal with it in different ways. I also bring this up because the action of the heist and payoff are tied to these rules and each outcome or part of the plan brings in new elements that raise the tension. Also Joe Bang is key to it all and Daniel Craig is amazing as this threatening, yet charming crook.

The Working Class Struggle – One of the major themes of the film is the working class struggle. Clyde is an injured Iraqi war vet who runs a bar and gets harassed by patrons because of his injury, Jimmy loses his job because of an injury during the time he was a football player (when it had never been an issue before), their sister Mellie is always being harassed by Jimmy’s ex-wife’s husband and the Bangs live on the outskirts of society. They are smart but are nearly invisible to those around them.

Big Business and Corruption – We see a lot of examples of big business and corruption in the South. From Jimmy’s boss letting him go for cost cutting reasons, from the NASCAR owner who harasses Clyde for having one arm and how the FBI isn’t able to do their investigation all that well because the race course wants to hide the fact they don’t know how much money is going out of the track, showing that all the unchecked money has them probably making far more than their ledgers show (part of what the heist is working around). We also see it in the prison and how the Warden uses his guards to abuse the prisoners and his focus on making everything seem fine to the outside, even as an emergency could be occurring.

The Cons: The Unaddressed Racism and Payoff – This film takes place in West Virginia and so much of the class difference is tied to race, this is true everywhere in the United States but especially in the South were laws were passed to keep African-Americans from opportunity. Jim Crow wasn’t that long ago and it can still be felt today. Hell we had Nazis and Confederate flags in Charlottesville not to long ago. The KKK and Neo-Nazis and those who may sympathize with their ideology due to privilege or class have always been around and been the ones keeping what Jim Crow did in place even after. Racism doesn’t just go away when a new law is passed. Given the Robin Hood nature of the film and that it is correcting wrongs through the heist this could have been handled better minus the only African-American character being unnamed and getting no character development beyond helping cause a riot in the prison to help with the heist.

This is a film that has great character development and payoff. I’m not going to spoil anything, because you should really see this film. A lot of characters who are horrible and corrupt find themselves with less, while our strapping heroes have payoff in their character arcs and what they want in their lives and also among one another. There is comradely that we did not see at the beginning of the film. This is a film where our heroes start out as isolated players and by the end are cohesive team that the antagonists always underestimate because of their working class backgrounds. Seriously, I can’t recommend this film enough given that my only critique is that working class should have meant more than white (especially in the South) and that even though we get a good bit of class justice, outside of a single scene with a character from the prison, there is no racial justice to be found in a setting that once had slavery and Jim Crow.

Final Score: 9.7 / 10. So close to being the perfect film. Still one of my favorite films of the year though.