Tag Archives: Addiction

Colossal (2017): An Amazing Exploration of Monsters as Metaphor

     “Colossal” is an amazing film. This is a film that has giant monsters, explores ideas of addiction and abuse through use of the monsters and has a great script and actors to go along with it. Hathaway is empathetic but also monstrous at times and Sudeikis’s Oscar is this constant threat through the film that lends power to the narrative.  All this is explored masterfully by Sedakis and Hathaway and Vigalondo’s script is so tight that it flows from scene to scene in exploring each scene and never feels bogged down with McCeary’s music to help better express these themes. I’m a fan of Monster and Kaiju films and this is my favorite type of these films since “Pacific Rim.”

     The film was directed and written by Nacho Vigalondo and produced by Nicolas Chartier, Zev Foreman, Dominac Rustam, Nahikari Ipiña and Shawn Williamson.

      The story involves Gloria (Anne Hathaway) getting kicked out of her boyfriend’s apartment in New York after her life of drinking and joblessness has come to a breaking point. Having nowhere to go she returns to her childhood home where her childhood friend Oscar (Jason Sudeikis) gets her a job at his bar. She soon realizes that the recent monster attacks in Seoul are from her as everytime she enters a playground the monster appears. From here she must deal with the consequences of becoming the monster while facing addiction and abuse.

SPOILERS ahead

The Pros: The Premise – The premise is powerful as the idea of someone controlling a monster when they enter a certain area is really neat as it allows for human psyche to be explored. The monster works as metaphor and lends power to the themes of addiction, abuse and going from selfish to selfless.

An Exploration of Abuse and Recovery – The main arc is Gloria getting over her alcohol addiction when she’s kicked out of her apartment in NY and returns to her childhood home where she reconnects with a childhood friend who starts gas-lighting her (as he does his other friends). It comes to a head when she realizes that in the park she becomes a monster and begins getting her life back on track when she realizes her drinking and walking through the park is killing people. As she realizes how toxic her boss is she tries to leave but he finds that he becomes a giant robot in South Korea so begins destroying Seoul or threatening too if she leaves the town. At this point she’s over her addiction and now it it getting rid of an abuser which she does by leaving to South Korea and in doing her Monster appears in the small town and throws him away, ending his threat and in turn she finally has freedom as she has cut out the addiction and stopped the abuse.

 Okay: The Location of the Monsters – Narratively it honestly would have made more sense for the Monsters to be fighting in NY since that is where Gloria leaves from when she is causing a lot of damage to those around her when she leaves. Because the location is South Korea we don’t get the perspectives of any of the South Koreans unlike traditional Kaiju movies where the people in the location are the ones who drive the plot and story. It was still okay as her going to South Korea was powerful and underspoken, no one knew she was the Monster so to the people of it was very much it’s own thing (she never gets credit for being the monster outside of her small friend group), a being in and of itself not being controlled but acting as a protector. If she’d been Korean it would have made more sense that the Monster was located there…instead her only connection is a school project to honor South Korea where her and Oscar get their powers. Again, it wasn’t bad but it still could have been better. She’s from NY so put the Monsters in NY or have her be Korean so we can get the perspective of the people there outside of news reports…and so it makes what is happening even more personal.

     As I said before, this is the best monster film I’ve watched since “Pacific Rim.” This is a film that is intelligent, explores big ideas and has really rich and flawed characters. The villain feels like a threat and someone you’d meet in real life and even my one issue with film is more of a nitpick, which really comes with being a critic. Go and check this film out if you have the chance. I saw it at Salem Cinema, the indie art house in my town, so that is probably your best bet for catching it…though if it becomes popular it will no doubt get the wider release it deserves. I highly recommend this film and hope we see more smart films like this in the future as this is easily one of my favorite films to come out this year.

Final Score: 9.7 / 10

“Elementary” Pilot – Season 1, Episode 1 – “Pilot” – Addiction, Loss and Joan Watson’s Agency

Pilot Elementary

    CBS did a good job when they created “Elementary.” The only way it is in any way like BBC’s “Sherlock” is the fact that it takes place in the present…everything else is different. From Watson having agency and actually facing her past and helping Sherlock deal with his addiction, to us being given a show that tries to have individual mysteries that stand on their own. There is no arc as of the pilot, no villain is established…(unlike Moriarty established at the end of “Sherlock’s” Pilot and we see that the main people our characters are facing are one another and themselves. This is what truly makes it great.

    The “Pilot” was directed by Michael Cuesta and written by Robert Doherty.

      The story involves Joan Watson being assigned as the sober companion to Sherlock Holmes, per his father. Together they must deal with another and reach an understanding while solving a home invasion and disappearance.

The Pros: The Writing – The writing is awesome! Actions have consequences and we see Watson and Sherlock change over the course of the episode as they face issues within themselves and how they relate to one another.

The Soundtrack – Sean Callery created a beautiful soundtrack that captures the mystery of the show and also the stress of Holmes’s addiction. It’s a wonderful score and one I plan to use for writing later.

The Cinematography – The cinematography is amazing, just like in “Sherlock.” We get slow shots of action that show objects breaking as well as glimpses of scenes giving us a picture that is slowly put together over the course of the episode.

The Characters – Whether they are minor characters or major, all the characters in the pilot feel fleshed out.

Dr. Richard Mantlo – This guy is a great antagonist! He manipulates one his patients who has a sociopathic desire to kill red headed women and makes his wife change to fit the type…all of this so he can keep the money from the fortune. The man is just as disconnected as Sherlock which leads to a great contrast in how they relate to and treat others where Mantlo doesn’t care and Sherlock makes an effort.

Captain Thomas Gregson – Gregson is the American detective who helps them with the case and brings Holmes in as a consulting detective. He is a source of stability for both Joan and Sherlock as he is always laid back and is a calming present for both their anxieties. Aidan Quinn does a great job.

Joan Watson – Lucy Liu owns this role! In her we see that she is working through trauma too as she failed as a surgeon and that is what lead her to become a sober companion. Unlike other Watson’s she does’t put up with Holmes’s abuse and calls him out or leaves him which forces him to grow and change how he interacts with people so he doesn’t take them for granted. Holmes also helps her find confidence as she helps him solve cases through their conversing and she gives empathy to others that he only really gives to her.

Sherlock Holmes – Jonny Lee Miller plays a very intense Holmes. His Holmes took addiction to the fullest and is recovering from that. This makes him intense and rebellious (a very different but fun take) and leads to him having to relate to people as he doesn’t want to be alone after how he was burned in the past. To this end we see him learn to talk to others, specifically Joan Watson who he grows to respect over the course of the episode.

    This is a show that really did everything right. It took the essence of the source material and grew beyond it…it also remembered the core art of writing and the fact that actions have consequences and characters must change. There is no real problem with this episode but there is a greater problem I had with the series…after the Finale I tried watching Season 2 but I couldn’t get into the disconnected format, the lack of arc and with it the eventual filler that came is what turned me off from the show. In the future I will give the show a full watch and assessment, but for now I stopped watching it for a reason and I have no idea if Season 3 was able to become more solid and do less side quests.

Final Score: 9.5 / 10. Only reason it isn’t higher is because it’s not really attached to the rest of the show, showing this series would have worked better as a mini-series not a 24 episode format.