Star Trek: Picard – Season 1, Episode 10 – “Et in Arcadia Ego, Part 2” – The Legacy of Data

Star Trek: Picard': S01.E10. “Et in Arcadia Ego: Part 2”

     “Et in Arcadia Ego, Part 2” gives us satisfying end to the first season of “Picard.” This is an episode that is long and has to accomplish a lot, which it manages to do. We get the resolution to multiple plot lines and have some good use of fanservice near the end. This is an episode that sets up the future of the show and captures the inherit optimism about the future that is so intrinsic to “Star Trek.” Without getting into spoilers, it was great and flawed and a satisfying ending for the season.

The episode was directed by Akiva Goldsman with teleplay by Michael Chabon who co-wrote the story with Akiva Goldsman.

Part 2 picks up where we left off, with Picard trapped by the Soong Synthetics, Raffi and Rios repairing the ship and Seven and Elnor taking care of the Ex-Borg. The Romulan fleet is on the way as Sutra and Soji build the tower to summon in the ancient and powerful synthetics for protection.

SPOILERS ahead

The Pros:

Narek Teams Up with the Crew – After Sutra freed him last episode we see him team up with Rios, Elnor and Raffi giving us one of the best lines in the episode, “I choose to live.” It great and shows that even though he is an enemy he thinks the grew is the best bet from stopping the arrival of the powerful synths and stopping Sutra and Soji. The dynamic is wonderful and we see him recount the legend of the last time the Synths came and wiped out everything. It sets the stakes and you get why he chose to ally.

Seven of Nine – Seven of Nine is taking care of the xBs for most of the episode until “Narissa” arrives leading to them fighting and Seven getting the chance to avenge Hugh for his death. She has a great dynamic with Elnor where he mentions he would miss her if she died and how she is a mother figure to him. By the end of the episode she is part of the main crew and might have a romantic relationship with Raffi. During the time where Picard might be gone for good she mentions how Picard pulled her back into the past she thought she’d left behind and Rios says Picard caused that same change in him. It looks like she is main crew by the end of the episode and I hope we get more of her Season 2.

Captain Riker and Starfleet – Captain Riker arrives with a Starfleet armada to protect Picard’s first contact with the Synth civilization. It is an awesome moment as he calls out Commodore Oh for her betrayal and says he wants her to fight. Given his inspiration in Kirk, it was a very Kirk like taunt and I loved their face down. I was expecting one of Picard’s allies to arrive and it made sense that it was Riker given he was still a Reserve Captain in Starfleet.

Picard and Soji – What saves the day in the end is Picard’s relationship with Soji and a Picard speech. It is here that he stalls the Romulans until the fleet arrives and uses the last of his strength to stand up for Soji and her people. It is very well done as we see courage win out over fear and as Picard dies he knows he saved Soji and her people.

Peaceful Resolution – We have a standoff between the Romulan and Federation fleet and I was worried that we’d get a big battle “Discovery” Season 2 style…thankfully we didn’t. Diplomacy is what defined “The Next Generation” and the final episode captured this beautifully. This also leads things open as Oh was in charge of Starfleet Intelligence so she knows all their secrets and may have future plans because of it. This resolution leaves things open in all the best ways as this new society can now develop further under Federation protection.

Data’s Legacy – One of the last scenes is when Picard’s consciousness is downloaded into a realm where Data’s also is. They talk and Data asks Picard to die as he knows mortality is a huge part of what defines humanity. It is a powerful scene and I loved their last interactions together as Picard finally gets to say good-bye to his friend and to honor his final wish. In this Synth civilization we see Data’s legacy live on and with the choices made by one of his children, Soji…they have a future.

Tying Things Back to Episode 1 – The show began with Picard and Data playing cards as “Blue Skies” played and ended with them having the conversation and closure Picard always wanted as Data finally got to die as his life ends to Isa Briones, his daughter singing “Blue Skies.” It was poetic and one thing I liked as the theme of mortality was one of the consistent themes for Picard through the series.

The Cons:

What Happened to Narek? – Narek is captured by Synths and we have to learn in interviews that Starfleet pics him up as prisoner. It would have been good to see that given Picard was around to make first contact with this Synth Civilization.

Copy and Paste Starfleet Armada – The new ships from Starfleet look really cool…they also were clearly all copy pasted. This was a shame as a diverse fleet could have gave us a good idea of the Federation military in this era. Instead we got the lazy copy and paste of the new flagship a hundred times. Come on CBS, you have money and can do better than this.

The Synth Threat – The Synth threat is still out there. Soji may have destroyed the tower but any member of her species could rebuild it. We also know that the powerful synths know about the cry for help and could take the long way around or build something like the beacon potentially on their end. If we had a fight this episode I was hoping it would be with the new threat and with it us hopefully learning more about them…instead they are in the wings as a potential threat for later.

I thought this was a great final that really made up for how weak “Part 1” was. We finally see a noble Federation ready to defend new life and new civilizations. We have a problem that is solved by diplomacy rather than violence and we get some wonderful character moments and fanservice to end the season. Overall, I would recommend “Picard” to any fan of “Star Trek.” It is clearly it’s own thing and I appreciate what it has added to the lore. I look forward to any future seasons.

Final Score: 9.2 / 10

Final Score for “Part 1 and 2” together: 8.3 / 10

Star Trek: Picard – Season 1, Episode 9 – “Et in Arcadia Ego, Part 1” – New Societies and Potential

Image result for Sutra and Soji

   “Et in Arcadia Ego, Part 1” is the weakest episode in “Picard thus far. We are introduced to some cool new characters and dilemmas, but not enough questions are answered. I still enjoyed the experience of this episode and the callbacks to classic Trek. If you have been watching thus far, you should watch this episode though. This episode is very much a “Part 1” of 2 and it needs the second part to complete the story.

The episode was Akiva Goldsman with teleplay by Michael Chabon and Ayelet Waldman who wrote the story with Akiva Goldsman.

The story picks up with the crew arriving on Soji’s homeworld of Coppelius. From here they must make first contact as the Romulan fleet approaches.

SPOILERS ahead

The Pros:

The Synth Society – The Synth society has designed giant plants that can defend their world, explores their different interests and is a planet of twins since that is how Soji and Dahj were created. The society feels like a culture out of “The Original Series” or “The Next Generation” and it works perfectly. They aren’t a big society and feel like an ancient Greek society in many ways. They are ruled by a council and because their culture is so young are easily influenced by others…which Sutra uses to her advantage.

Sutra – Sutra is are Lore type and Isa Briones does a fantastic job as her. She hates organics because of them killing her sister (Rios’s Captain specifically). The only thing I found strange is she learned how to mind meld? This was strange and struck me more as a plot reason to establish the overwordly big bad other dimensional synths. I hope she shows up more in the future as she is a great character and you can see the reasons she hates.

Altan Soong – Brent Spiner is playing Noonian Soong’s unknown son who has never been mentioned before. He is a fascinating character and was Maddox’s partner who created this Synthetic Civilization. He designed the bodies while Maddox designed the bodies. He is very much the mad scientist who goes along with whatever his children want to do, and it works as his father also cared far more about his creations than others.

Seven, Elnor and the Ex-Borg – Seven, Elnor and the xBs are the B-plot and honestly they really work for what time they have. We get more time with Elnor and Seven and their budding mother and son relationship and Picard drops by and we see them all connect, and Picard release Elnor given he knows he’s dying after the close call at the beginning of this episode.

Soji – Soji is conflicted in this episode and it works. She was nearly killed by Romulans, the humans she met don’t entirely trust her and if the episode delved deeper into it…Starfleet covered up the murder of her sister. All of this leads to someone Sutra can easily manipulate, much like the time Lore manipulated Data. This worked for me, Soji was easily one of the strongest parts of this episode.

The Cons:

The Romulans Were Right – I’m putting this as a con as Picard’s entire argument in this episode is that Starfleet will listen to him and protect them when we saw Starfleet kill their Ambassador they had sent years prior and no one in Starfleet is listening to Picard. For this reason the Synths are ready to bring about the end of the organics and it makes sense from their point of view, but it also proves the Romulans right. They bring back the “Reapers” from “Mass Effect” and the universe starts over. Also, given the experience with Synthetics in the “Trek” universe this is par for the course, which is why this is a con. I just hope there ends up being a good explanation why I’m wrong.

Pacing – This episode felt all over the place. We are introduced to many characters and not given much of an explanation as well as re-introduced to Picard dying, which hasn’t been touched upon for a long time. This episode needed more time to both develop the world and the new relationships. If they had done this it would have solved the pacing where at times it felt rushed or slow.

This episode was all over the board in pacing. We are re-introduced to the fact that Picard is dying, the xB’s are briefly touched upon and we are introduced to a new society and introduced to the ancient Synth threat that inspires the Zhat Vash to fight. This episode had to do a lot and I wish it had answered more questions. I wanted to know more about Altan Soong for one thing as he gave me immediate Lore vibes when he talked to Picard.

7 / 10. This episode is setup and needed to explain more. It should have been longer. I enjoyed it, but it is the weakest episode of this series.

Star Trek: Picard – Season 1, Episode 2 – “Maps and Legends” – Exploring Romulan Secrets

Image result for Maps and Legends Picard

   “Maps and Legends” is an episode that feels like a part of a whole more than a single story far more than the pilot “Remembrance.” We are introduced to more characters and the plot moves forward but it doesn’t feel as complete as the pilot. I still enjoyed the episode, especially the lore we get on the Romulans but I would have preferred a more whole story, though I know with the format of the show this is going to be less common. Taking that into account, this is an enjoyable continuation that shows more of the show’s potential.

The episode was written by Akiva Goldsman and Michael Chabon and directed by Hanelle Culpepper.

Picard seeks out knowledge behind who Dahj was and those who destroyed her, as well as seeking support from Starfleet on his investigation.

SPOILERS ahead

The Pros:

The Attack on Mars – The episode begins showing us a flashback to the attack on Mars. It is hear it is established that the Synthetics are looked on with fear by most of the humans they work with and that they were hacked to cause the attack. It is very well shot and shows that the Synthetics had no intention of living beyond the attack.

A Retreating Starfleet – Picard talks to the Commander-in-Chief of Starfleet, Fleet Admiral Clancy. It is hear we get Starfleet’s perspective and learn that member states within the Federation were threatening to leave if the Romulans were helped (showing how deep the fear of them still was, even with being allies during the Dominion War). You can see her predicament and Picard denouncing the Federation response had probably lead to her putting out even more fires. It is great getting the perspective and her voicing sorrow at the great man Picard once was shows that she doesn’t hate him, she just represents a very scared Starfleet trying to hold all the member states together.

Layers of Romulan Plots – One of the first things we learn in the episode is that the Romulan Tal Shiar had horror stories about an organization called the Zhat Vash. During this we learn Laris and Zhaban are former Tal Shiar operatives and that it is believed that Zhat Vash want to destroy all synthetic life and that is why Romulans don’t use A.I.

After Admiral Clancy talks to Picard she calls Commander Oh who we discover is most likely an undercover Romulan operative as she calls out “Lt. Rizzo” for her actions of killing Dahj, saying that they need to find out where the rest of the Synths are and that it was brutal and sloppy. Seeing how deeply the Romulans are in Starfleet and no Section 31 to be seen makes me wonder who these different factions are. Is this Tal Shiar vs Zhat Vash? What is their relationship? Rizzo and Oh clearly don’t get along so maybe they aren’t part of the same faction? This was intriguing and I can’t wait to learn more.

The Cons:

The Writing on the Borg “Artifact” – The writing on the Borg cube is very tell and not as much show. From the Romulan agent Narek saying he can go anywhere to himself (but more to us) and Soji telling us how much she cares about the “nameless” drones. There are interesting things happening and it is compelling but I wish the writing had much more show. We don’t need to be told everything that is happening.

This was an enjoyable but outing that didn’t reach the levels of good or great. Most of it was fleshing out the lore so we don’t get that compelling of the story. I would have liked Picard to have at least one ally in Starfleet he could have turned to (ideally one we’ve met prior) before asking to be a member of Starfleet again. I liked being in San Francisco again but we don’t meet anyone there who isn’t antagonistic to Picard in some way, so that was a major missed opportunity. Laris and Zhaban continue to be one of the strongest parts of the show as well as anything having to do with the Romulans.

Final Score: 7.5 / 10

Constantine (2005): A Decent Adaptation Buried Under Weird Pacing and Stilted Dialogue

Constantine

       “Constantine” is one of those strange films that doesn’t quite work. There are some great moments in it, especially when it felt like the amazing character Constantine was there (Keanu Reeves managed to pull it off when he was given good dialogue), but the weird pacing, clash of tones and overall stilted dialogue keep this film from ever reaching good. Constantine is a fascinating character who is driven by outsmarting the greater powers than himself, he’s a deal maker and cynic and I wish we could have seen more of that, as well as the personal nature of most of the stories in the “Hellblazer” series where his story is told.

     The film was directed by Francis Lawrence, written by Kevin Brodin and Frank Cappello and produced by Akiva Goldsman, Lorenzo di Bonaventura, Michael Uslan, Benjamin Melniker and Lauren Shuler Donner.

     The story involves Constantine (Keanu Reeves) facing his mortality as he learns he has terminal cancer  as Detective Angela is pulled into his world after the mysterious suicide of her sister (Rachel Weisz plays both characters). As Angela discovers the magic that exists in her family forces plot against the world as Constantine and his allies must work to save it and prevent the end.

SPOILERS ahead

The Pros: The World – The world is one of the best parts of this film! There are half-demons and half-angels, and it takes place on the world stage in a world full of broken people. There are not heroes in this and that is part of what it makes it so fun.

Cinematography – The CGI is a little dated but the style of it is still amazing. I loved how Hell was done and how they presented seeing things that are hidden from us in our world. Philippe Rousselot did a great job.

Introduction to Constantine – We are introduced to Constantine as he kicks a warrior demon out of a girl. His interactions with the people and the demon is straight up Constantine. He’s standoffish, business all the way through and after takes out. Even his friends  give him space.

Hell – Hell is a twisted version of our world above and further below you have people consuming and being consumed. It was a very creative take on Hell and added terror to the demons we met.

Luficer – This Luficer is the threatening salesman and it works. He has power to how he speaks, with an heir of threatening kindness. I liked the white suit and the detail of him leaving behind black wherever he walked was great at giving him an otherworldly feel. He ends up punishing his son for breaking out and dealing with the half-angel Gabriel to try and take over and nearly takes Constantine until God protects him when he offers his life for Angela’s sister.

Chas Kramer – Shia LeBeouf was so much more likeable before “Transformers” and his later stuff. In this he’s Constantine’s driver and shows that he’s been studying up on how to fight demons too in the final fight, even though he does die he gets a lot of humanity and shows he isn’t just a fan, he wants to be respected.

Papa Midnite – This character is cold and cruel and after is chill and acts like an old friend again with Constantine. I like both versions of the character and just wish he’d been written more consistently. Djimon Hounsou does a fantastic job.

Constantine – Keanu can act when given the chance and he shows it here. We see him mad, sad, empathetic and all the emotions of a man dealing with death. His character also gets an arc too as his friends all die to Gabriel and Mammon but God protects him in the end when he finds belief and stops smoking since he got 2 chances as he kills himself twice over the course of the film (first to end the torture his parents were putting him through, second for the meeting with Luficer).

Okay: Constantine’s Arc – the arc was too easy, he is a cynical guy who knows that there are tons of higher beings out there but knows they can’t be counted on (even God drops the ball on letting his friends die and all the people who died from the fallout of Mammon and Gabriel getting their plans together) so him becoming a sudden believer made sense in the simplest of arcs but didn’t feel quite true to the character…so putting it at okay.

The Cons: Angela Dodson – Rachel Weisz is usually always the damsel and she is here too. She learns how to have psychic powers and is used by the villains almost immediately. It’s annoying and I hated that her character only seemed to exist in this role.

The Dialogue – The dialogue is stilted and sometimes characters will make comments that are meant to be jokes but it just ruins the tone of the scene and makes the pacing feel choppy.

Tone – The tone is thankfully largely dark but the moments of attempted humor don’t always work when they try go light hearted, I almost think this was meant to be a PG-13 movie but because they went for the R it just made the tone jarring.

Pacing – Thanks to tone and dialogue the pacing doesn’t flow all the time. The pacing of the opening and middle are fine but right around the end and leading up to the climax there are scenes that linger and it ruins the pacing.

    This is a film that is worth seeing once or renting and that is it. The great moments where Constantine is the cynical anti-hero of the comics make this film a lot of fun, and Keanu has more range than he is given credit…I think he suffers from having films with bad scripts or off tones, as this film does, but he is still a positive of this film. There were moments he felt like the Constantine in the comics, even though Constantine finding God and quitting smoking felt out of character, in all the “Hellblazer” comics I’ve read, nothing close to that happens. He makes deals and cons higher powers, he doesn’t give them worship. Still, I get why they did the arc, Constantine’s growth when it happens is hard write, so these writers took the easy way to write growth rather than writing something more complex, but given that they wrote the dialogue, the story is going to be brought down regardless. Rent it if you like Constantine, DC and Vertigo comics and films or like Keanu Reeves, but don’t go in expecting a good film.

Final Score: 7 / 10

Batman & Robin (1997): Bad Puns, Writing, Acting and an all Around Disaster

Batman and Robin

    “Batman & Robin” is the worst movie I have ever watched. Rarely have I ever seen something that had no redeemable aspects to it, as even Michael Bay films have explosions and action when you can actually see the action happening. This…the actors, script, score and characters are all awful. I usually try to look for something positive to say about a film as some bad things have some redeemable traits in the end, this was film where I couldn’t find any. I’m honestly surprised this film didn’t kill more film careers…at the very least Schumacher should have realized that he can’t direct. This film is a travesty.

    The film was directed by Joel Schumacher, written by Akiva Goldsman and produced by Peter MacGregor-Scott.

    The story, if it can be called that…involves Batman (George Clooney) and Robin (Chris O’Donnell) working to stop Mr. Freeze (Arnold Schwarzenegger) and the new villain Poison Ivy (Uma Thurman) from destroying Gotham. Batgirl (Alicia Silverstone) arrives in town as well when Alfred falls ill (Michael Gough).

  There is nothing good to say about this film so I won’t even bother listing Pros and Okays, this film sucks all the way through.

The Soundtrack – The soundtrack doesn’t know if it wants to be Burton or Adam West’s “Batman” score. It’s chaotic and unfocused and doesn’t do anything to present our characters and scenes and just blends together in a score of awfulness. Elliot Goldenthal did a horrible job.

The Cinematography – The cinematography is awful…we get close ups of people’s faces and other times we have shots that are just bland and boring. There is no character in any of the scenes and it brings the entire thing down further.

The Writing – Akiva Goldman is an awful writer…maybe this film was just a fluke, but it is a pretty horrendous fluke. None of the characters have clear motivation, the drama is contrived ranging from love venom to contrived family drama…nothing works, it sucks.

The Characters – Related to the writing, the characters are nothing like their comic counterparts…and I would have settled for corny Adam West versions of these characters as that could have worked if that was the story we were given. Instead our characters kill and are supposed to be intense and cool, and just come off looking silly…from the designs of the suits, to the dialogue…nothing works about them.

Bane – Bane is a skinny prisoner who is pumped full of venom to become a big guy. He can just repeat words and is just muscle. There is nothing good about this character and he is easily defeated by the tube on the back of his head getting pulled out. What a waste of a fascinating character from the comics. This one is just muscle and could have been replaced by any goon.

Alfred – Alfred is dying, and I wish I cared but we never see our characters deal with him dying. He looks pained at times but Schumacher can’t give it the weight it deserves so it just becomes a footnote in the script as Alfred is relegated to just another body at Wayne Manor. Also they save him thanks to Mr. Freeze so what drama was there in dealing with mortality just goes away. Poor Michael Gough for being in this…

Barbara Wilson / Batgirl – Batgirl like Robin is presented as a rebel and badass but just comes off as stupid. The way she speaks makes her sound like an airhead and she doesn’t really help her case when random goons she is racing trick her and Robin leading to them almost getting killed. Making her Alfred’ niece was just contrived too. We learn nothing about this character and she contributes nothing to the picture.

Dick Grayson / Robin – Chris O’Donnell, you are an awful Robin. Your character was annoying in “Batman Forever” and here you are even worse. In this his punk tendencies and clashing with Batman are played up as he “loves” Poison Ivy. Seriously, this guy a joke of a character. Everything he does nearly leads to him getting killed and he just ends up getting captured or hurt. Screw this character.

Bruce Wayne / Batman – George Clooney is the worst Batman. His dialogue feels stilted and unnatural, he doesn’t feel disconnected like Bruce Wayne should and the only defining trait he has is that he is protective of Robin. His suit is also awful too as it has nipples and a cod piece. Clooney looks the part but he can’t act it at all, and he’s a great actor and this crappy script ruined him too.

Dr. Pamela Isley / Poison Ivy – Uma Thurman is a good actress but she is awful in this. Her character is a walking sex object and she has no character but a strange crush on Mr. Freeze and wanting to kill humanity. Her motivations are never fully explored and she’s all the worst aspects of what Hollywood does to their female villains. She only fights using sex and she is the only villain who gets punished in the end. Seriously, this script and this presentation of her character are awful. Poison Ivy is an interesting character (like Bane) but this script clearly didn’t know how to write her at all.

Mr. Freeze – Arnold makes bad puns, he loves his wife who is frozen but it’s unbelievable because his performance feels completely phoned in. It doesn’t help that he changes immediate at the end after learning about Poison Ivy’s betrayal…the tragedy of Mr. Freeze is one of the best stories to come out of animation and the comics but all of that is turned to crap as Mr. Feeze is just a gigantic buffoon whose plans change on a whim and is easily manipulated by clearly untrustworthy people (Poison Ivy). Also his costume looks awful and his goons fight with hockey sticks…really. Screw this movie for ruining another great character who may never see good live action film because of the film.

The Jokes – This film has so many bad puns, and they are one liners. It is just awful as there is no charm to any of it and all the puns feel forced. I am huge fan of puns as anyone who knows me can attest, but it is possible to do them wrong and this movie is a shining example.

The Ending – The power of friendship beats the baddies and Freeze implies he’s going to torture or do worse to Poison Ivy, you know a kids movie.

     How could so many things go wrong? Shumacher’s “Batman Forever” was at least mediocre, this doesn’t even strive for that. I can see why Tim Burton didn’t want to produce this crap and feel bad for everyone connected to this film. The acting, writing, filming and soundtrack are all just awful and there is nothing redeemable in this. The film even tries to kill Alfred but we care so little about the characters around him it doesn’t matter. Even with that, they just bring him back to life. This is a movie that could have done camp well, instead it didn’t know what it wanted to be and became an atrocity of a picture. This is a film that is only worth watching to take down as all the things not to do in film making are on display here. Seriously, Schumacher showed just how bad of a director he could be in this and Akiva Goldsman’s script is just a travesty. Let this film be a cautionary tale that it doesn’t matter how great your characters are in the comics (all the characters in this film) they can still be ruined on screen if their stories are put into the wrong hands.

Final Score: 0 / 10. Worst film I’ve ever watched.

Batman Forever (1995): A Bit Too Campy, A Cluttered Cast and Moments of Good

Batman Forever

   “Batman Forever” is okay. At moments it is fun and looks as if it could be more (whether fully embracing the dark or fully embracing the camp) but since it can’t really decide on what it wants to be it never becomes better than okay and never reaches good. One thing this film showed as well is doing Robin in a Batman Film is hard. Batman has always been the more interesting character and it is a difficult thing to write a good sidekick, especially when you only have a running time of 2 hours. So without further ado, here is the review.

     The film was directed by Joel Shumacher and written by Lee and Janet Scott Bachler along with Akiva Goldsman and was produced by Tim Burton and Peter MacGregor-Scott.

     The story involves the escape of Two-Face (Tommy Lee-Jones) from Arkham, the rise of the Riddler (Jim Carrey) and what Batman (Val Kilmer) and Robin (Chris O’Donnell) who is made an orphan by Two-Face do to stop them.

The Pros: The Color Contrasts – I like the use of color in this film. At times it feels like it was filmed in a comic book even though the cinematography isn’t great. The use of color worked despite the cinematography.

Two-Faces’s Goons – Black and Red masks…these guys look awesome and actually manage to be a threat sometimes, not many Rogues Goons can say that in any Batman film.

Alfred – Michael Gough owns this role and is great being the father figure to DIck Grayson and Bruce Wayne. I can see why they kept him around for so long. He really inhabits this role really well.

Bruce Wayne / Batman – Val Kilmer is a pro, and was a safe choice for Batman. He was a major action star at the time so choosing him to feel this role made sense. He bring humanity to the character even if doesn’t really elevate Bruce Wayne or Batman to great the way future and past actors did.

The Message – Batman heals beyond his trauma and chooses to be Batman because he wants to be, not because he has to be. This is really awesome and could have been presented a lot better.

Okay: Dr. Chase – I like the idea of the character (her being a Doctor and trying to help Bruce Wayne) but her execution ends up being nothing more than a love interest to be saved, even though she’s presented as being able to take care of herself. Nicole Kidman was a waste of talent.

Edward Nygma / The Riddler – Jim Carrey works at times when he isn’t over the top, but other times he is just too campy…and I didn’t get the character. He came off as trying to hard but he had moments of brilliance inbetween the ham, which is why I’m not putting him down as a con. He was alright but not good.

Harvey Dent / Two-Face – We never get to know what lead to Two-Face snapping beyond the acid on the face and I never believed in his friendship with Bruce Wayne (they seem to imply it existed but we never see Harvey recognize Bruce at all). This was a missed opportunity and could have made this character good. Instead he is okay. He like the Riddler could have been so much more, just like this film.

Cinematography – The color contrasts are great but their are no unique shots in this. Nothing stood out and nothing really unique was presented. It was safe, so just ended up being mediocre.

The Cons: Dick Grayson / Robin – This Robin is a punk and there is nothing likable about him. He steals from the person who took him and doesn’t respect the wishes of the person who is caring for him and steals his stuff. This was the first film where Robin didn’t work. At least in the Adam West show he worked as the Wonder Boy on some strange level.

The Riddler Plot – Stealing everyone’s intelligence through television…it feels like it is trying to be smart but just comes off as stupid.

To Kill – Batman seems to not want Robin to get revenge against Two-Face but ends up killing him anyway…sure Batman, what were you trying to teach Robin exactly? That you get the kill?

The Soundtrack – Elliot Goldenthal is awful. This film feels half assed and stolen from the old Adam West show while at the same time trying to be Burton and failing at both. Seriously, I don’t want to hear anymore of this music.

The Writing – This script has some of the most terrible and wooden dialogue in any comic book film. Fingers on a chalkboard would be an apt comparison.

Tone – This is a film that doesn’t know if it wasn’t to be  camp and fun or dark…at times we have old 60’s sound affects, which the score doesn’t help, yet we have Two-Face or Riddler murdering someone in the next scene. What exactly did the movie want the audience to feel?

   This film didn’t have many pros because so much of it was safe. I think this was largely a reaction to the sexuality and maturity in the past Burton films so the studio wanted to play it safe, which is probably why Shumacher was chosen, as he’s never been a good director. This also explains the need for 3 writers as it gives a written by committee feel to the film. This is a film that can’t find it’s soul or tone and suffers for it. It isn’t a terrible film, but mediocre is not exactly an endorsement. This is a film that could have been so much more given how great of villains Two-Face and the Riddler are and the possibilities in any Dick Grayon story.

Final Score: 7.2 / 10