Spider-Man: Far From Home (2019) – Strong Villain With a Promise for the Next Phase

   “Spider-Man: Far From Home” was a really good film. It is easily the best Marvel Cinematic Universe film of 2019. Tom Holland and Jake Gyllenhaal have great chemistry together as Spider-Man and Mysterio and there are some really great twists. This film also has two great after-credits scenes and some of the best action in any of the films in the MCU. If you are a fan of the MCU or this version of Spider-Man from “Homecoming,” I strongly recommend you check it out. I can’t wait to see where the story goes from here.

The film was directed by Jon Watts and written by Chris McKenna and Erik Sommers.

The story takes place after “Endgame” and involves Peter and his class taking a trip to Europe. While there Elementals attack and Nick Fury commissions Peter Parker as they work with Mysterio to take on the Elemental threat.

SPOILERS ahead

The Pros:

The Action – This film has better action than  “Homecoming” though “Homecoming” has a better emotional core in regards to Parker’s friends. This is a movie that fully embraces the action and that is both a pro and  a con and for me the pro won out. We see giant monsters facing off against Spider-Man and Mysterio using Venice or Prague as the places where the battle is taking place. The action has consequences and you get why Peter chooses the choices he does. You see how Spider-Man is usually fighting losing battles and it is only through his mind and cleverness that he pulls a win out of potential losses.

S.H.I.E.L.D. – S.H.I.E.L.D. is screwed after the “Blip” (the 5 year gap between “Infinity War” and “Endgame”). Fury admits he doesn’t know the state of the world and that most of the heroes are gone, which lets Mysterio step and Spider-Man being forced to step-up. I love the how they are still a threat and undercover but also are secret agents acting with limited information, which ends up paying off later.

The Blip – “The Blip” is the five  year gap between “Infinity War” and “Endgame” and here it is recognized and played for laughs sorrows. It is played for laughs as in a band concert has people pop in on the same day and cause chaos and sorrow in that Aunt May and Spider-Man are raising money for the homeless blipped. The fact that half the population was gone for five years has consequences and Spider-Man knows that better than anyone.

Mysterio – Gyllenhaal carries so much of this film as Quentin Beck / Mysterio. He relates to Peter enough to give up his gift and we see him willing to risk it and all and even win when he loses. Mysterio was the engineer who invented the holograms that Tony Stark used for therapy in “Civil War.” Out of resentment of Tony naming his technology B.A.R.F. he finds others who were wronged by Tony in the past and together they create Mysterio. He is such a fun threat and you can see why he is angry and that he does want to be a hero, even though his way of going about it is villainous. He is easily one of the best Spider-Man live action film villains. His final revenge is brilliant, which is a pro I list later.

Spider-Man / Tom Holland – Tom Holland is amazing as Spider-Man. In this we see the core “With great power comes great responsibility” when Tony Stark gives him the A.I. E.D.I.T.H. The Network controls drones and satellites all over the world and is used through a pair of glasses. At one point Peter nearly gets his classmates killed and after he gives Mysterio E.D.I.T.H. When he finally realizes his mistakes and goes to face Mysterio he is nearly broken and it is only through working with Happy that he is able to finally defeat Mysterio. The lesser plot is his crush on MJ. They do end up together but it is one of the weaker parts of the film.

The End Credits Reveals – There are 2 end-credits scenes and both are great. The first involves a deep fake video from Mysterio’s organization that has Mysterio reveal to the world that Peter Parker is Spider-Man and that he was responsible for the drones and that Mysterio was trying to stop him. This was made even more powerful by J.K. Simmons being back as J. Jonah Jamison who in the MCU is an Alex Jones reporter type. It is such a great scene. Simmons owns this role and the MCU was smart to pull him into their version of the character.

The second film reveals that Nick Fury and Anita Hill were Talos and a Skrull the entire time. He calls Nick Fury and it is revealed that Fury is with the Skrulls in space. Both endings give so much possibilities for the next phase in the MCU. It also explains why S.H.I.E.L.D. had limited information. They were aliens who didn’t know the modern Earth after “The Blip.” The first after-credits scene is stronger but I loved them both.

 

Okay: MJ – Zendaya is a great actress but her character doesn’t do much in this beyond being a love interest. She finds out who Spider-Man is over the course of the school trip and her and Peter end up together. Overall her character is okay in this, which is a shame as she was great in “Homecoming.” They should not have put MJ in the “Love Interest” box. I wish that there had been potential for romance but Peter’s responsibility pulling him back from that, given Mysterio’s plans and what happens after.

Aunt May and Happy – This is an awkward romance that is also mostly played for laughs due to how it makes Peter feel. It wasn’t bad but it was screen-time that could have gone to developing MJ as a character, more about life after “the blip” or more Mysterio time. It wasn’t bad but it could have been cut.

The Cons:

The Teachers – The Teachers are played for jokes and really lame. I wish they weren’t so much at the front of the film. Their humor is awkward and they cause a clash of tones with how serious the main Mysterio plot is. The jokes at times are sitcom level bad and we aren’t given a reason to care about either. The rival had better development for me and he was still a con.

The Rival Brad – Peter has a rival in this film, his name is Brad and he is weak. He takes away from MJ’s development and feels tacked on. We at least get some recognition of “The Blip” where it sounds like he was Freshman before and now he is a Senior but it is only briefly touched upon. If they plan to make him a venom, that might work but only as finding his own self worth. Brad only exists as an outcropping of Peter’s insecurities which doesn’t develop MJ. The character was pretty forgettable and I would have traded his role for more screen-time for Peter’s friends or Mysterio and his organization.

This is a film that could have been great. You have a compelling villain, romance and Peter Parker growing but it having consequences. So why do I not see this film higher? This was easily the best Marvel Cinematic Universe film but that doesn’t give it a pass. This isn’t “Guardians of the Galaxy Vol. 2” or “Infinity War.” I really like this version of Peter Parker and what the MCU has done with him. He isn’t in personal stakes like Morales and his Uncle but the personal wishes versus responsibility are still key. Mysterio lets him give up responsibility and he pays the price for it at the end. That is is quintessential Peter Parker and Spider-Man. I really enjoyed this film and I think any Spider-Man fan will enjoy it immensely. This is a film that Holland and Gyllenhaal could have carried on their own.

Final Score: 8.9 / 10

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Spider-Man: Into the Spider-Verse (2018) – The Best Spider-Man Film

       Sony has made so many crappy films recently. “The Emoji Movie,” the past “Amazing Spider-Man” films just got worse over time and felt like commercials for franchise management. The clips I’ve watched of “Venom” haven’t helped that as the writing I witnessed was just awful so I really don’t want to spend money to even rent that film, it makes “Suicide Squad” look like a work of amazing art. So Sony doesn’t have a good track record with Spider-Man outside of the first 2 Raimi films and their co-operation with Disney with “Homecoming,” until this film. This is my favorite Spider-Man film and easily one of my favorite films of the year, and is likely to end up in my Top 5 Films of 2018.

“Spider-Man: Into the Spider-Verse” was directed by Bob Persichetti, Peter Ramsey and Rodney Rothman who was one of the writers along with Phil Lord. Phil Lord is the writer behind “The Lego Movie” and he brings that same fun and surprising level of depth here.

The story follows Miles Morales (Shameik Moore) who is a young kid in Brooklyn is bit by a radioactive spider in an abandoned ally and witnesses Peter Parker facing off against foes. He soon realizes there are many other Spider-Men and must deal with the consequences of their plans as well as coming to terms with becoming Spider-Man himself.

SPOILERS ahead

The Pros:

The Soundtrack – The soundtrack is on it. It taps into the core emotions of Miles and the other characters and when they reach their highs it soars, and when there is a threat you can feel the tension eating at your skull. Daniel Pemberton did an amazing job. This music explores the full spectrum of what it means to live and is energizing at so many moments in the film. The impact of scenes would not have been the same without the power of this music.

The Animation -They started work on this film back in 2014, and I can see why. “Into the Spider-Verse” combines multiple animation styles (anime for Peni Parker, black and white for Spider-Noir, WB Cartoon for Spider-Ham and real life inspired for Gwen, Peter B. Parker, Peter Parker and Miles) and never stops being beautiful. From the Particle Accelerator being activated and the colliding of multiple dimensions, with the creation of a near black hole at the finale, to a forest with golden leaves contrasted with the red of Peter and Miles and the White of Gwen…this team knew how to use color and styles to make a seamless masterpiece. This film better win best animated when the Oscars role around.

The Villains – This is a film with some well designed and sometimes extremely compelling villains. I’ll cover 3 of them here. There is Liz Octavius who works for Kingpin and invented the Particle Accelerator that brought all the Spider-Men out of their universe in the first place. She is the passionate mad scientist and I love how she is never afraid of Kingpin even when we know he will kill anyone for failure.

Kingpin is the main baddie and his motivation is to bring back his wife Vanessa and their son as they died in a crash when he as about to kill Spider-Man years ago. You get his motivation as he is a man full of guilt who is ready to risk everything for another chance with the people he loves. This is no Netflix’s “Daredevil” Kingpin but he serves his purpose well. I wanted to see more of who he was and know more about his past, so he succeeded at keeping me interested.

Prowler is the best of the villains. Prowler we learn is Miles’s Uncle who has been supporting his art and is in deep with owing his life to the Kingpin. We see the threat of who he is as he helps Kingpin kill the original Peter Parker, but also his empathy as when he is given the choice to kill Miles, he saves him and admits he admires the person Miles is becoming. In the books Prowler is a black-mailing, gas-lighting bastard and inspires Miles to be better by how terrible he is. The complexity is still there, but I enjoyed this version so much more. Mahershala Ali is also one of my favorite actors and him voicing Prowler helped. I loved seeing his dynamic with Miles and that even though he was doing bad, he never stopped loving his nephew.

The Heroes – The heroes are easily the best part of this film and they do more in less time than Marvel’s MCU. Most of the characters of the MCU we love have had at least one film of development. These are character who don’t receive that but accomplish more, largely from the writing, acting and animation that is able to add a level of depth that is wholly unique to the film while still taking inspiration. If the Villains had been on this level chances are this film would be the best film of the year, they were great…but not as great as the heroes and I’m going to explore why.

Miles’s Parents are great in that his dad is a police officer who has so much suppressed masculinity he can’t talk to his own son and is showing him up early on until he is willing to open up after he is afraid he is going to what relationship he has.

Aunt May is the heart of the film as she is the one who is carrying on Peter Parker’s legacy after he is killed by Kingpin. She is the mentor figure for all the different Spider-People and can hold up her own. Lily Tomlin gives so much gravitas and empathy to the role. I loved every scene she was in as each time it revealed something more about whatever Spider-Person she was interacting with.

Peni, Spider-Ham and Spider-Noir are the support characters and play off the core leads of Gwen, Peter B. Parker and Miles really well. You have Peni who is the young sincere anime girl, Spider-Ham as the classic cartoon  pig who jokes but works with cartoon physics so is quite powerful and the grim and gritty Spider-Noir (voiced by Nicolas Cage) who is the edgy private eye who spends his time fighting Nazis in his universe. The way they play off the villains the heroes is a lot of fun and I’d watch films from all of their universes. Spider-Noir I especially found intriguing.

Gwen Stacey / Spider-Woman is one of the core leads of the film as she is one of Miles’s teachers and saves him and Peter B. Parker after they steal from Kingpin in order to stop his plan. I’ve read the first “Spider-Gwen” comic and I like the world. The righting for Volume 0 isn’t the best but I’m willing to read on because I love the character, the art and the world. This version is not quite that Gwen Stacey (this one dances) but takes inspiration from it, just as Miles takes inspiration from the “Ultimate” comics universe he was created in. She is a character alone until her friendships with the other Spider-People and seeing her open up is a really cool arc. Hailee Steinfeld is wonderful in the role. I hope they do some spin-offs in her universe as I think she is the best character in the movie outside of Miles Morales.

Peter B. Parker is from a world where Spider-Man’s personal life falls apart. In his world he buried Aunt May, he ends up getting divorced from Mary Jane and is wholly Spider-Man. He has no life outside the character so is a perpetual child. He takes up the mentor role when the machine pulls him into Miles’s world and it is from this he grows up, discovering that he even wants kids. His arc is really cool as he has a death wish for most of the film because of how miserable his life is and it is only through Miles showing him there is another way that he finds a reason to live again. Jake Johnson does a fantastic job in the role and gives the character a lot of depth.

Peter Parker is voiced by Chris Pine and exists in Miles Morales’s universe (like in the “Ultimate” comics). He rescues Miles but is killed by Kingpin before he can teach Miles how to be Spider-Man. It is a powerful death that you feel through the entire film. Mary Jane makes a speech on how Parker shows anyone can be Spider-Man and Stan Lee as a comic book owner says the same thing. This Spider-Man is very much the Parker from the comics but with inspiration from the Sam Raimi films and it is wonderful how they blend those elements together (Spider-Man has a flashback of him doing the dance from “Spider-Man 3”) and it is because this Peter is at the top of his game and still so young (having married Mary Jane pretty recently it seems) has his life together, only for Kingpin to take it all away. It is a tragedy that matters and he doesn’t come back. Death matters in this world and it means everyone we lose during the film is felt.

Miles Morales is the main character of the film and his arc is taking responsibility for the role that was thrust upon him. He is full of so much fear (new fancy school, new powers by accident) and that is a difficult path for him. What makes things complicated as well is his relationship with his dad, who is a cop who doesn’t let anyone close. It is only in the death of Prowler (when Prowler chooses not to kill Miles) that healing finally happens. Miles was always closest to his Uncle Aaron (Prowler) and his dad regrets the relationship he lost with his brother. This motivates both Miles and his dad to try and make a relationship happen. It is beautiful and organic and I can’t wait to see how things develop further. Miles is also the rookie out of all the Spider-People and none of them take him seriously except for Peter B. Parker so he has to not only prove that he can be a hero to himself, but to those already excelling in their roles as heroes. I loved how it was executed. Miles is one of my favorite characters and I highly recommend Bendis’s “Ultimate Spider-Man” run where Miles is introduced to anyone. This one has more heart than that run (Prowler is handled better) but both are amazing and if you loved Miles in this film, you will love him in the comics. Shameik Moore gives this character so much heart.

This was the perfect film and I hope it at least wins Best Animated Film at the Oscars. There is so much heart in all the characters who are each compelling, there is loss with the deaths our heroes experience and each action has consequences. This is a film that pays tribute to the creators (Ditko, Lee and Bendis) and truly shows that anyone can be a hero. If you enjoy great animation (seriously this is one of the most beautifully animated films I’ve ever watched) and amazing stories you owe it to yourself to see this film. Sony has put out a lot of crap and there hasn’t been a great Spider-Man film since “Spider-Man 2.” As a Spider-Man fan this was everything I could ever want in a film and I can’t wait to see it again.

Final Score: 10 / 10. Can’t wait to see what they do with the Spider-Verse in the future.