Tag Archives: Bear McCreary

Colossal (2017): An Amazing Exploration of Monsters as Metaphor

     “Colossal” is an amazing film. This is a film that has giant monsters, explores ideas of addiction and abuse through use of the monsters and has a great script and actors to go along with it. Hathaway is empathetic but also monstrous at times and Sudeikis’s Oscar is this constant threat through the film that lends power to the narrative.  All this is explored masterfully by Sedakis and Hathaway and Vigalondo’s script is so tight that it flows from scene to scene in exploring each scene and never feels bogged down with McCeary’s music to help better express these themes. I’m a fan of Monster and Kaiju films and this is my favorite type of these films since “Pacific Rim.”

     The film was directed and written by Nacho Vigalondo and produced by Nicolas Chartier, Zev Foreman, Dominac Rustam, Nahikari Ipiña and Shawn Williamson.

      The story involves Gloria (Anne Hathaway) getting kicked out of her boyfriend’s apartment in New York after her life of drinking and joblessness has come to a breaking point. Having nowhere to go she returns to her childhood home where her childhood friend Oscar (Jason Sudeikis) gets her a job at his bar. She soon realizes that the recent monster attacks in Seoul are from her as everytime she enters a playground the monster appears. From here she must deal with the consequences of becoming the monster while facing addiction and abuse.

SPOILERS ahead

The Pros: The Premise – The premise is powerful as the idea of someone controlling a monster when they enter a certain area is really neat as it allows for human psyche to be explored. The monster works as metaphor and lends power to the themes of addiction, abuse and going from selfish to selfless.

An Exploration of Abuse and Recovery – The main arc is Gloria getting over her alcohol addiction when she’s kicked out of her apartment in NY and returns to her childhood home where she reconnects with a childhood friend who starts gas-lighting her (as he does his other friends). It comes to a head when she realizes that in the park she becomes a monster and begins getting her life back on track when she realizes her drinking and walking through the park is killing people. As she realizes how toxic her boss is she tries to leave but he finds that he becomes a giant robot in South Korea so begins destroying Seoul or threatening too if she leaves the town. At this point she’s over her addiction and now it it getting rid of an abuser which she does by leaving to South Korea and in doing her Monster appears in the small town and throws him away, ending his threat and in turn she finally has freedom as she has cut out the addiction and stopped the abuse.

 Okay: The Location of the Monsters – Narratively it honestly would have made more sense for the Monsters to be fighting in NY since that is where Gloria leaves from when she is causing a lot of damage to those around her when she leaves. Because the location is South Korea we don’t get the perspectives of any of the South Koreans unlike traditional Kaiju movies where the people in the location are the ones who drive the plot and story. It was still okay as her going to South Korea was powerful and underspoken, no one knew she was the Monster so to the people of it was very much it’s own thing (she never gets credit for being the monster outside of her small friend group), a being in and of itself not being controlled but acting as a protector. If she’d been Korean it would have made more sense that the Monster was located there…instead her only connection is a school project to honor South Korea where her and Oscar get their powers. Again, it wasn’t bad but it still could have been better. She’s from NY so put the Monsters in NY or have her be Korean so we can get the perspective of the people there outside of news reports…and so it makes what is happening even more personal.

     As I said before, this is the best monster film I’ve watched since “Pacific Rim.” This is a film that is intelligent, explores big ideas and has really rich and flawed characters. The villain feels like a threat and someone you’d meet in real life and even my one issue with film is more of a nitpick, which really comes with being a critic. Go and check this film out if you have the chance. I saw it at Salem Cinema, the indie art house in my town, so that is probably your best bet for catching it…though if it becomes popular it will no doubt get the wider release it deserves. I highly recommend this film and hope we see more smart films like this in the future as this is easily one of my favorite films to come out this year.

Final Score: 9.7 / 10

Advertisements

10 Cloverfield Lane (2016): A Nearly Perfect Thriller That Chokes at the End

10 Cloverfield Lane

   “10 Cloverfield Lane” is a nearly perfect “Twilight Zone” or “Black Mirror” type movie as so much of what makes it work is subverting expectations of a reality and telling a personal story through the eyes of a single person. This story would have been a 10 / 10 if not for what it does at the very end. Also, this is not a sequel to “Cloverfield.” This is a story that stands individually and isn’t connected to the other film at all, “Cloverfield” is more of a marketing way of connecting an anthology of these type of films from what I understand…though if they choose to do a sequel they could keep going the anthology route or make them all connected within the universe as a whole. Non-spoiler thoughts before my review. You should see this film, even though the problem I have in the 3rd act brought it down from perfect to merely great.

   The film was directed by Dan Trachtenberg and written by Josh Campbell, Matt Stuecken and Damien Chazelle and produced by J.J. Abrams and Lindsey Weber.

      The story involves Michelle (Mary Elizabeth Winstead), who is running away from her fiance when she is ran off the road and wakes up chained in a bunker. From here she must figure out what happened to the outside world and why Howard (John Goodman), the owner of the bunker and Emmett (John Gallagher Jr.), someone who fought to enter the bunker that he helped make.

SPOILERS Ahead

The Pros: Tone and Tension – The tone is dark and there is an aura of threat throughout the film, from the cramped nature of the bunker…to the threat of Howard and his constant entitlement on those around him as he sees them as only existing for him. You never feel safe with the character and the outside world is threat too…making it a lose lose situation for the characters we follow.

Cinematography – Jeff Cutter is great at cinematography…this is a film that focuses on the individual and personal, the trapped and wanting to be free from that cramped space. The use of dark and light capture that wonderfully and the bunker and outside world never stop feeling like a cage until the very end.

Soundtrack – Bear McCreary is one of my favorite directors and he is a master at using music to create tension. From his work in “The Walking Dead,” and “Battlestar Galactica,” this is a guy who owns the darker soundtrack, and this film captures that brilliantly.

The Bunker – The bunker is awesome. It shows us Howard’s humanity and the threat of this person too, as we see his collection of DVDs and VHSs and how the family room looks like a family room. We also see how it is a prison too as Michelle’s room looks like an actual prison and Emmett doesn’t even have a room. This is Howard’s playground and he is the Warden of their prison.

The Mystery – The mystery is two-fold. Who is Howard and why did he knock Michelle off the road? What happened to the outside world? What was the event? Over the course of the film we learn Howard is most likely a pedophile murder, definitely a murder as he kills Emmett when Emmett says he tried to steal his gun to impress Michelle and aliens are invading the outside world, proving one of Howard’s conspiracy theories true. The reveals are handled so well and it built slowly over time.

Emmett – Emmett built the bunker and had to fight to get into it as he built it for Howard. This was a free living guy and we learn that he is full of regrets but is capable of being present with  people and living for more than himself. He is the one who tries to help Michelle escape and gives his life to help her escape. John Gallagher Jr. really did a great job.

Howard – Howard is the antagonist and is creepy and human. He is most likely a pedophile murder as Michelle discovers “HELP” written from the inside of one of the escape hatches and he sees Emmett and Michelle as entitled to him. He is toxic, even though he is given human moments too as we see him connect to Michelle at a few points as he describes her as his daughter, though we never know if he’s telling the truth and that works. This is a character who is broken and it is hard to pin down the full reasons why. Him creating the Bunker makes complete sense, and it takes a lot for Michelle to beat him and escape. John Goodman better get a nomination for this. He deserves it.

Michelle – Michelle is our hero and who begins the story running away from her relationship but over the course of the film chooses to stop running and stand…from making a gas mask and suit to protect from radiation on the outside and her fighting Howard and using all her skills to get out and finally making the choice to join the human Resistance in rebellion against the aliens. Mary Elizabeth Winstead does an amazing job. I felt for everything she was going through and seeing her growth through the film is handled so well.

The Cons: The Alien Fight – This was stupid. The aliens have a boring look, where they are a mouth and that is it and they have bioships. The fight goes on way too long and happens right after she escapes the house. Seriously, there was no reason for this fight to happen. Michelle had gained control of her life already when she rebelled against Howard’s control and made her own escape. The fight serves no purpose, she already fought Howard, let her reward be that she chooses to fight on without having to deal with the aliens the moment she escapes the Bunker.

 This was a film that would have made the Top 5 I think, if not for that alien fight at the end. She was out of the house. Her being free should have been the point, as she could have learned about the Resistance in the Bunker and it would have set things up better so she still drives to Houston. Instead we get a pointless fight versus the fight against Howard, which was the one that mattered. I would still recommend this film, it truly is great…but it chokes at the end and that is why I will only score it as a solid great. This is a film that could have been perfect, but falls merely to great.

Final Score: 9.2 / 10