Sherlock – Series 4, Episode 3 – “The Final Problem” – Bad “Sherlock” Fan Fiction

sherlock-the-final-problem

    God, I hate what Moffat did to “Sherlock.” He pretty did to “Sherlock” what did with Amy and making her “The Impossible Girl” and a plot device that only existed for the Doctor and nothing more. This episode has more of that too and ruins what could have been a great character if she hadn’t been turned into really bad fan fiction. If they make another season of “Sherlock,” and Moffat and Gatiss are in charge, I probably won’t watch it…not after the finale like this. This was an episode that was so bad on so many levels and makes me worried for the next season of “Doctor Who,” as Moffat is still the showrunner on that show.

   “The Final Problem” was written by Stephen Moffat and Mark Gatiss (the creators of the show so you’d think they’d know better than to write crap like this) and directed by Benjamin Caron.

SPOILERS ahead

  Sherlock and Mycroft’s sister has escaped from an asylum and it is up to the brothers and Watson to stop her as she tries to kill them with a drone that is also a bomb and reveals to them that she now controls the asylum, putting them through tests so that she is entertained.

The Pros: Cinematography – The cinematography is always beautiful (though the slow motion jumping out of an explosion was stupid and took away from some of the nice cinematography). Still, it looked nice even though the writing was crap.

Soundtrack – Music has always been one of the solid parts of that show and there are some great violin pieces, but that is it. The music this entire season has been great but it doesn’t save this episode.

The Cons: Character Assassination – Did you think Mycroft, Sherlock and Watson were fleshed out characters…well prepare for them to become caricatures of themselves!

John Watson – Watson is there to be the soldier, he says this multiple times and reminds Sherlock to be the soldier…and that’s it. It’s like someone heard about who Watson was on this show and wrote the only thing we were told about in the first episode in the first series…

Mycroft Holmes – Mycroft is manipulative and cares…we see this Sherlock and Eurus…I guess? Nope the writers don’t know what to do with Mycroft. He is manipulative and has a good heart and isn’t as smart as he thinks he is. He is only descriptors and not a character.

Sherlock Holmes – Sherlock is the genius who cares who apparently now  will do anything to save anyone no matter how monstrous they are. Given there was no bases for this prior I’m not sure where it came from given he killed someone at the end of last season. He apparently really loves his sister even though she killed a bunch of people including his best friend. Sherlock ceases to be a character though too as all his past actions are erased so that he can have a relationship with his sister and grow even though both have become plot devices though more so Eurus since Holmes is still driving the story and gets the emotional payoff.

Eurus Holmes the Plot Device – Eurus is crazy in the same way Carrie from “Carrie” is and Jean Grey is in “X-Men 3.” She exists only as a plot device to explore Sherlock’s trauma. She is crazy for the sake of being crazy and no reason is given. She is crap writing and is like “The Impossible Girl” in relationship to the Doctor. She exists only for Sherlock’s and Mycroft’s emotional growth and nothing more.

Happily Ever After – The ending is corny and apparently Mary being dead is okay since it was all about Watson and Sherlock the entire time! God this script is a hack script.

     This was an episode that started out with so much promise…the ending of the lying detective at least set up Eurus as being a fully fledged human being, apparently that was too much to ask though and Gatiss and Moffat had to “Carrie” / “Jean Grey” her. Everything that happens in this episode is for Sherlock and it doesn’t even fit within his character. The episode is literally retconning memories so that everything is about Eurus and Sherlock’s relationship, a relationship that never existed before. I can’t recommend this episode and I honestly fear for Moffat’s last season of “Doctor Who.” If we get this level of writing than Capaldi’s Doctor is going to be ruined. Watch at your own risk but this is an episode of television that I wouldn’t recommend to anyone as you won’t get back that time and the writing is a whole list of what not to do.

Final Score: 3 / 10

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Sherlock – Series 4, Episode 1 – “The Six Thatchers” – Of Secrets, Betrayal and a Needless Death

the-six-thatchers

     “Sherlock” is a show I greatly enjoy but have a complicated relationship with at this point, and this episode does a great job capturing everything I like and hate about this show. Oh it is still a favorite, I still like “Doctor Who” for all the crappy stories that have come out of that show (the good still carries) and the same rules apply to “Sherlock,” and as it both so happens both are current Moffat projects and his writing problems become more apparent the longer I’m in both enjoying and critiquing his worlds he is showrunning or involved in.

      “The Six Thatchers” was directed by Rachel Talalay, written by Mark Gatiss and produced by Sue Vertue.

   The story involves Sherlock being pulled from exile to solve the Moriarity hack. Issues soon become more complicated though as Sherlock gets back into being a detective expecting Moriarty’s game to be revealed in time as a destroyed Margaret Thatcher bust ties him into conspiracies tied to Mary, Mycroft and British intelligence as a whole.

SPOILERS ahead

The Pros: The World – The world of “Sherlock” is a fascinating one. You have sociopaths, spies, geniuses, serial killers, governments and countless other players all with agendas and games that it is up for John and Sherlock to solve. It more often than not makes for a fascinating journey.

The Cinematography – The cinematography is beautiful as always and I enjoyed the use of blue to show drowning as that is a major theme of the episode. Our characters are isolated, each in their owns ways and it is in their isolation that the drama plays out.

The Characters – The characters are compelling and usually the best part of the show. All of them are flawed and it makes for good drama.

Greg Lestrade – Lestrade has become a bit of Sherlock fanboy at this point, though I like that he is still a member of the team, even if it just to bring cases and to remind Sherlock at least a little of his humanity. Rupert Graves is fantastic as always.

Vivian – Vivian is the one who is responsible for the death of Mary’s mercenary team and in the process of that one of them blaming Mary. She’s a secretary who is always listening and even outsmarts Mycroft. I have respect for her for that and even though I hate the writing choice, she does kill Mary which is more than any other villain has done up to this point. Marcia Warren does a good job.

Ajay – Ajay was a member of Mary’s mercenary team who blamed her for them all dying. He is a tragic figure as it was him keeping his mouth shut that lead to him being tortured into insanity. I felt bad for the guy as he wasn’t a bad person to begin with, just flawed like Mary.

Mycroft – Mark Gatiss is the best version of this character thus far and it is wonderful seeing him in over his head and his organization being compromised. This was an episode where we see brilliant Mycroft does not know anything and that he was played just as much as everyone else by Vivian’s manipulations.

Mary – Mary being a secret agent was made to finally work in this and it is dealt with in a respectful way, we also see that she is a great mom and a wonderful partner to Sherlock. I could have watched many more episodes of her team ups as even if her relationship with John is falling apart, she keeps Sherlock human in many ways. Her death by Vivian was a tragedy in more ways than one that I don’t know if the show could ever recover from fully. Amanda Abbington in the end made this show better.

John Watson – Martin Freeman is such a charming actor, even though this episode does a lot to show he can be just as awful as Sherlock. We see him cheating on Mary even as he’s doing a great job raising the kid and we see him feeling inadequate to her, which is stupid given he is good at what he does. In the end his arc returns to the stupid status quo it was at the end of last season. John hates Sherlock for not saving Mary. We’ve been here before and I hope Gatiss can write himself out of this hole. He never should have killed her character.

Sherlock – Sherlock is his usual sociopathic self with many more moments of humanity now though…from his conversations with Mary and Lestrade or his awareness when he’s being a jerk. Cumberbatch of course is wonderful in the role and that there isn’t much more I can say on that. The one thing that is different is how the episode was filmed makes Sherlock much more of an alien and isolated…and it works.

The Reveal – The real that Vivian had did everything to cover up her selling state secrets was beautiful. She was humanized even as a villain and in the end it is Sherlock’s stubbornness that helps lead to Mary’s death. The episode is a tragedy and the reveal works towards that.

Okay/Con: John and Sherlock Hating Again – We were here in Series 3 and we’ve been there before even before that. This is a tired trope and it loses power each time it happens. Unless we are doing their own individual stories, we know this isn’t going to last, so it cheapens the drama.

The Cons: The Death of Mary and an Overall Problem – “Sherlock” is not very good in how it handles it’s protagonists who are women. This article goes into a whole of a lot better.( https://www.theatlantic.com/entertainment/archive/2017/01/sherlocks-women/512141/ ) and in the end it serves no purpose but to bring us back to the needless drama of the two. Mary’s death was pointless and she didn’t even get to get her own justice against the one who had wronged her. Mary was a plot device for Sherlock and John’s drama just like Adler was and that is a problem with this show that could be easily fixed by simply writing these protagonists as players rather than pawns of the plot.

     I really like that “Sherlock” is back and I appreciate the fact that it was good rather than sucking like the beginning of Series 3. I don’t know if Moffat and Gatiss’s problem with writing women who can be part of the team or at least not objectified in some way will ever happen, but until it does I will critique it when I see it and enjoy it for the art that does come out of it. Moffat and Gatiss are extremely talented men and I know just how much they are capable of in this show and their other projects like “Doctor Who.”

Final Score: 8.5 / 10

Doctor Strange (2016): Fantastic Universe and Protagonists With Sadly Forgettable Villains

doctor-strange

      “Doctor Strange” is a really fun, this is a film that would have easily gotten into my Top 5 if it had managed to get over the hurdle that most Marvel Cinematic Universe films face…as in having a compelling villain who exists as more than just a hurtle to be defeated and if the love interest had actually been more than a plot device. These are problems that this film has right off the bat and I’ll get into more details with the spoilers below. Suffice to say, this is still a great film you should see…the protagonists are all fantastic and the world is a compelling one that I can’t wait to return back to.

     The film was directed by Scott Derrickson who co-wrote the screenplay with C. Robert Cargill and was produced by Kevin Feige.

       The story involves Doctor Strange, a famous surgeon whose world is thrown upside down when after a car accident he can no longer use his hands, which forces him to seek out help leading him to the Ancient One and a universe full of dimensions, magic and threats.

SPOILERS ahead

The Pros: The World – The world is amazing! This is a world where other dimensions and being exist, where people can create magic from energy from those worlds and the limits of imagination are explored (something I wish we could have got more of in “Inception”). The World is easily the biggest reason to see this movie.

The Special Effects – How the world is visualized is through the magic of special effects and these are the best ones I’ve seen and unlike “Inception” which sticks with the grey of the city this one embraces the acidic trippy roots of “Doctor Strange” and does in fact go “Far out.” It’s a trip and a good one.

The Action – The action is wonderful largely due to the effects and how magic is visualized in this universe. It takes the idea of energy and uses it to empower artifacts and to create weapons and gateways. This leads to some fantastic sequences as reality, time and dimensions are twisted in quite a few fantastic fight sequences.

The Protagonists – I’m not including the love interst in this because she’s a disposable prop like the villains, but the sorcerers are amazing and compelling, each in their own ways.

The Ancient One – Tilda Swinton does a wonderful job as this complex master of Celtic origins who is of unknown age. She manages to show compassion and also bluntness and vulnerability and strength, be old and young and appear genderless. She is the Ancient One and her relationship with her pupils is compelling in how those relationships grow or fall apart over the course of the film. One issue that the film tries to skirt and never addresses is the fact that the Ancient One was was originally Tibetan. They attempt to skirt this with an endogenous female Ancient One in Swinton, and she does a good job in the role but it does white wash a group (Asian Americans) who are rarely represented in Hollywood and rarely represented in this film though the location of Tibet is still used as the home and Headquarters of the Ancient One and her organization.

Wong – Benedict Wong plays my favorite character in this Universe. We are introduced to him as the new Librarian after Mads Mikkleson (villain name is irrelevant and he isn’t compelling enough to call him by his name) kills him so he’s strict about the rules of the Library. Over the course of the film we see that he has a sense of humor, such as when Strange reverses time to save him and the world and he embraces it showing living matters more to him than any rules and he loves the fight.

Mordo – Mordo is a Paladin, he’s all about the rules and what is right and when he finds the Ancient One was bending the rules and dealing with the Dark in order to fight it it leads to his loss of faith, especially after Strange also makes a deal with the Dark as he leaves them deciding that there are too many magicians and that he needs to reestablish the Natural Order that they are all upsetting.  Chiwetel Ejiofor plays the fall so well and I can’t wait to see him as an antagonist in future films. He was my second favorite character in this film, the third being Doctor Strange.

Doctor Strange – Doctor Strange is an arrogant dick who using the loss of his hands was the best thing that happened to him since it offered him to see beyond himself and his ego. This is his arc and what separates him from Tony Stark is he comes off as a much bigger dick than Tony even in “Iron Man 2.” In this way his bending the rules even after he’s learned makes sense and why he’s willing to face eternal pain to save the world. He realizes just how much of a monster he was and makes amends. Benedict is great in this role and I can’t wait to see more of this character.

The Ending – Strange crosses into the Dark Dimension to make a deal with the Dark One Dormammu and gets killed many times before Dormammu makes the deal Strange has been offering the entire time. It is humorous and fitting and I really like that it wasn’t a fight scene. It showed that Strange is a mind based hero and sometimes you can’t beat the big bad you can only keep it away or outsmart it.

The Cons: Disposable Characters – The villains could have been anyone and Rachel McAdams’s character could have been played by anyone. These characters exist as props to advance the plot of Doctor Strange, nothing more.

The Love Interest – She saves his life and makes him realize he cares about people….that’s it. What is her family life like? No idea. We here about when her and Strange hooked up….Why? We never find out. Why does she like Doctor Strange? No clue. She is a plot device and the plot didn’t need her which is a shame because McAdams is a great actress.

The Villains – Mads Mikkleson is an evil wizard who wants to bring the Dark One to Earth and have immortality. Beyond that and his falling out with the Ancient One it is never explored further. Dormammmu is just kind of there, an evil Special Effect and together they could have been any Villain of the Week (Like Mads’s character). There is no reason to care about either of these characters and neither of them ham it up like Ronan enough to make it interesting. But you are seeing a Marvel Movie, you got to go into knowing they don’t know how to make good villains usually and this film is a shining example of it.

    This was a great film but the problems that underwrite it as a Marvel Film that doesn’t take risks keep it from becoming more. This is a film that if the villain had been more humanized (as Mordo is leading to his fall) or the love interest had been more than a plot device would have elevated it into my Top 5. For now I’d say it’s below “Ant-Man” for sure but above some of the sequels like “Thor 2” and “Iron Man 2,” as it could have been so much more if characters had been disposable in the plot, be they the antagonist or lover. You should still go see this film, just know these problems going in and you’ll have a better experience all the more for it. This is a film that is standing proof of just how well the Marvel Model works and I can’t wait to see more of this character and his world.

Final Score: 9 / 10

Sherlock – Special – “The Abominable Bride” – Confusing at Times but a Powerful Message

Sherlock The Abominable Bride

      “The Abominable Bride” is an episode that is a bit unfocused but comes together at the end and never stops being fun. It more than makes up for the end of Season 3 and even the overall message of the internal mystery is powerful too and is timeless, which is something Moffat usually doesn’t cover in his episodes. I’ll get into more of the details later but this episode was a trip (in more than one way) and for non-spoiler thoughts, is well worth checking out.

      The episode was directed by Douglas Mackinnon and written by Steven Moffat and Mark Gatiss.

Spoilers ahead

       The episode takes place in Victorian England where Sherlock is seeking to solve the case of the Abominable Bride who killed herself but has come back from the dead and is hunted down her husband and other evil men. All is not as it appears to be though as even the story is meta.

The Pros: Cinematography – The cinematography is beautiful per usual, which one thing that has been true of even the weakest episodes of “Sherlock.” There is great use of freezing the frame and using the London fog to cast mystery and shadow and with it an element of horror which lended strength to the narrative both main and meta. Suzie Lavelle did a great job.

Soundtrack – The music continues to be one of the strongest parts of this series and plays into the mystery, horror and self reflection that really defines this episode and the series at it’s best when it is at it’s strongest. David Arnold and Michael Price did a wonderful job.

Dialogue – The dialogue is snappy, sharp and natural and fit the characters beautifully. This was an episode that didn’t drag because the writing kept things moving, especially in how the different characters interacted.

Characters – Characters have always been the strongest part of the show and the Special is a shining example of this. Though there are some glorified cameos I won’t really mention since I don’t really feel the cameos got exploration.

Mary – Mary is fighting for equality in England and she is the one who discovers the organization that created the Abominable Bride. It is wonderful seeing her front and center and I hope she becomes part of John and Sherlock and that they become a trio. Amanda Abbington once again does a fantastic job.

Moriarty – Andrew Scott is back, though it is only in Sherlock’s mind palace as we learn part of his plan was to trap Sherlock inside his head as he really did die and wanted to bring Sherlock down with him, like he did in the story of the Reichenbach Fall. In the end he fails to account for Watson though and it is his downfall as within his mind Sherlock is able to realize that Moriarty is not alive and that all of this was a ploy to trap him so that his final attack on the world could go forward.

Mycroft – Mark Gatiss is my favorite Mycroft and in this we see the tender side of his relationship to Sherlock as he was there to pull Sherlock out of his addiction and cared for him. We also see a fat Mycroft in the past (and how he looks in the stories and novels) which is a treat. He never stops being Mycroft though and we see him team up with Mary to help and protect John and Sherlock. Gatiss truly owns this role and he gets great character development this episode.

Watson – Martin Freeman’s Watson gets some wonderful character development in this as in the past we see that Sherlock uses how Watson sees him in order to solve cases and build himself up and that Watson truly is smart and has learned a lot from Sherlock. He saves Sherlock from his mind Moriarty and helps him wake up as well as solving the Abominable Bride case with him and his wife Mary. He is a great character as always.

Sherlock – Benedict Cumberbatch really owns this role and is a natural Sherlock Holmes. I really liked seeing his Victorian self solving the case and them actually dealing with the dangers of his addiction as it takes him going under to solve the case of the Abominable Bride and realize that Moriarty is dead but he put things in place in case that ever did happen. His arc is learning to accept help and letting go of his addiction to needing a case or drugs to feel alive. It’s very well done and Sherlock actually grows over the course of the episode.

Equality and Justice – The suffragette movement is addressed and the fact that some of them are using the Abominable Bride for justice against evil men. It’s really cool as it uses the sexism of Victorian society to show how far we’ve come and how far there is to go.

Letting Go and No Longer Alone – Sherlock’s arc is letting go of Moriarty in his mind and accepting his death and accepting the love from his friends….that his brother, John and Mary are there for him and that is how he can defeat and has defeated whatever has come his way. No longer the superhuman, he is now human.

Okay/Pro: The Ending – We know now that Moriarty truly is dead but he put something in place for when he does die and now it is up to Sherlock and John to solve it. I liked them talking in the past, it was some of the best John and Sherlock moments…and Sherlock did get some great monologues. I’m doing it as okay since it took Sherlock overdosing to get there.

Okay: The Bride – The organization the Bride is a part of is wonderful, but the bride is a plot device and never fully grows beyond it. She isn’t a bad plot device but a plot device is not a character. Lestrade had the same problem.

Lestrade – Graves does a good job with what he’s given but he’s just kind of there to give Sherlock the plot to solve. I would have liked to see more with him as he’s never given the chance to fully be his own character.

    This was a favorite episode and clearly showed that Gatiss and Moffat are back in their game when it comes to this show. I was disappointed with Series 3, especially in it’s treatment of Mary in the finale and how the kill was handled, as well as the villain being one note…but this got back on track. Sherlock has always been about the characters and this episode showed once more why we keep coming back to this show and what drew us to the stories of Sherlock Holmes in the first place.

Final Score: 9.4 / 10

Black Mass (2015): A Decent Biopic about the Rise and Fall of “Whitey” Bulger

Black Mass Poster

    Biopics, specifically gangster biopics are hard to pull off. For one you are starting with someone who by the very nature of what they do is unsympathetic and it often times depends way too much on whomever the star is in order to carry the story rather than the power of the writing and story itself. These were the main issues with “Black Mass” that kept it from being great, though it is good to see Johnny Depp in form again and there is a lot to like about this film, even though it missed some great opportunities to raise stakes and humanize the characters.

      The film was directed by Scott Cooper who was also one of the producers and written by Jez Butterworth and Mark Mallouk while the other producers were Josh Lesher, Patrick McCormick, Brian Oliver and Tyler Thompson. It was also based on the book of the same name by Dick Lehr and Gerard O’Neill.

      The story involves the rise of fall of Whitey Bulger (Johnny Depp) and his relationship with his brother the Senator Billy Bulger (Benedict Cumberbatch) and their childhood friend who joined the FBI but stayed close to them John Connolly (Joel Edgerton).

The Pros: The Cinematography – The cinematography is dark and does a good job capturing the tone of the piece as we follow the life and times of the criminal Whitey Bulger. It never pretends to be anything but a crime biopic and the cinematography beautifully captures it. Takayanagi did a great job.

Whitey Bulger – Johnny Depp is great when he has the chance to play more than a Tim Burton stock character and we get to see him play a truly creepy and scary guy in this. He has relationships he cares about like his son, mother and brother but at the end of the day human life means nothing to him and we see that really well. His paranoia also continues to grow throughout the film as he becomes even more unstable than when we first meet him.

Billy Bulger – Cumberbatch does a fantastic Boston accent and is great as the brother who looks the other way and gives a good public face to the family as he is never corrupt as far as we can see, he is corrupt in how he hides his brother’s crimes by refusing to prosecute or do anything about what others bring forward. It is for this reason he eventually gets arrested we learn in the post credits scene when he stays in contact with his brother the fugitive.

Fred Wyshak – Corey Stoll does a fantastic job as the one who cleans house in the FBI leading to the eventual arrest of Connolly and Bulger and his gang. He is all about work and and it is great seeing him figure everything out, while holding it all close to his chest so that what informants Bulger has in the FBI won’t get out.

Charles McGuire – Kevin Bacon plays the FBI agent trying to do his job on a corrupt force and does a good job of it and clashing with Connolly. Kevin Bacon was great doing the no-nonsense boss shtick.

Okay: John Connolly – It was hard to care about this guy as he was so blatantly corrupt that I was just waiting for the eventual ax to fall.

The Cons: The Minor Characters and Women – Most of the minor characters were completely unmemorable, be they part of Whitey’s gang or the wives of the FBI agents. They were nothing be scenery and for this reason it was hard to care about what happened to any of them. They weren’t given agency.

The War with the Mafia – We never really see the face of the mafia so the war that the FBI fights and the Bulger is fighting with them doesn’t mean anything. They are only ever mentioned and we get the fallout and that really took a lot of the stakes out of the film as we don’t really get tension until Wyshack appears and does all he can to clean out the FBI and catch Whitey.

  This was a decent film that is worth seeing if you are into crime dramas. Depp is memorable but the script needed work as the stakes aren’t executed well and the minor characters never rise above being stock crime drama characters. This is what kept it from being great and why I could see people not enjoying this film as you cannot count on stars to carry a film. “The Martian” worked because of the writing, directing and all of the cast being interesting. In this the only interesting characters are the main characters played by stars who are usually always good.

Final Score: 7.5 / 10

“Sherlock” Pilot – Series 1, Episode 1 – “A Study in Pink” – The Thrill of the Hunt and Dangerous Detachment

a study in pink sherlock

   “Sherlock” has become far greater than the show it initially come from as it has not only boosted Cumberbatch’s career it also brought about a resurgant interest in the character and stories of “Sherlock Holmes.” This is also the show that put Steven Moffat as a writer and director on the map and you can see his ideas in this show rub off him being the showrunner of “Doctor Who.”

    “A Study in Pink” was directed by Paul McGuigan and written by Steven Moffat.

     The story involves Dr. Watson’s return from Afghanistan and his attempts to get acclimated to life again as he is pulled into a mystery from a possible flatmate Sherlock Holmes in which a string of similar suicides are tied to something far more sinister taking place.

The Pros: Cinematography – The cinematography is beautiful! There is a dark tone over everything and it captures the isolation that both Watson and Sherlock feel as they are both outsiders in different ways where the thing that connects them is their thrill of the chase and the mystery in life’s game.

The Soundtrack – David Arnold and Michael Price did a fantastic job on this soundtrack! It captures the methodic feel of Holmes as well as the thrill that Watson and Holmes take in the hunt.

The Mystery – The mystery is fascinating as we have supposed suicides but as we learn more that it is based on a 50-50 chance of murder dying as well. From here it is how well a dying man does mind games on his victims and how others react to the bodies left behind. The clue that makes finding the murder possible is a lady pink not having her pink suitcase present which lead to the discovery that she planted the phone on the murder allowing Sherlock and Watson to find the murder.

The Cabbie – The Cabbie is a great threat as he sees himself as carrying for his children’s future as he lost his wife and is terminally ill. To this end he gets sponsorship from Moriarty and is willing to risk his own life each time as he knows each death means his children get more. His story is tragic and shows how desperation can change people.

Mycroft Holmes – Mark Gatiss is how I envision Mycroft to be, a brilliant, over-controlling man who at the end of the day wants to do his duty and protect his brother. Gatiss shows this in Mycroft perfectly and we get a fake out initially where he is presented as possibly being Moriarty but later we see that clearly is not the case.

Dr. Watson – Watson is a veteran from the war and his arc is finding the thrill in the chase again as the lack of stimulation makes him feel isolated in his return to England. He does not have friends which is one reason Sherlock is able to attach to him and vise versa, they are both people outside what is normally considered good and it makes them compelling to watch as they grow to like one another. Martin Freeman is great in the role.

Sherlock – Sherlock drives the story and he is a dick. We see him completely oblivious to people’s feelings towards him unless it is hate and he is constantly berating the police force for their stupidity. His arc is coming to treat others with more respect and having greater social awareness, Watson functions as his external conscience in this way as he is there to shoot the cabbie when Sherlock is about to play the game where he has a 50-50 chance of taking the pill that will kill him. Benedict Cumberbatch is fantastic!

Okay: Ms. Hudson – She is a kind old lady with a string of unstable relationships. She is the mother figure to them and is there to remind them to be outside themselves as she is always present at 221B Baker Street.

Lestrade – Lestrade is the well meaning leader of the police who is empathetic and in over his head. I wanted to see more of the character as usually in Sherlock adaptations he is the faceless antagonist there to make Sherlock look good. This time he feels like an actual character just doing the best he can. Rupert Graves is good in what little he is able to do in the plot.

The Cons: Talking at Women – Whether it is Ms. Hudson, Mycroft’s assistant or others most of the women are talked at and are there to spit exposition at. This was annoying as they deserved to be fleshed out more and Sherlock, though he is a dick was usually always courteous in the books as he had to hear the person to learn.

Faceless Minor Characters – There are a few people on the police force who are antagonistic for the sake of being antagonistic and it struck me as petty and only there to make Sherlock look better by comparison. They serve no purpose but to be in the way to solving the case.

When the Police Became Stupid – There is one point where they are tracking the phone that we know the killer has and the police just stop looking for it and leave…this is after they came to Sherlock’s flat to get the evidence of the suitcase. This was plot stupidity as they should have followed up on finding the phone as they would have found the killer. There was no reason for this except to make Watson and Sherlock the heroes without any outside help.

“Sherlock” is a favorite show though as I have watched it more the problems in Moffat’s writing become more apparent…and I would rate “Hannibal” above “Sherlock” at this point, and not only because “Hannibal” had dignity enough to end. When you are dealing with human characters the story can’t be continuously rebooted as it is with “Doctor Who” and though I’m excited to watch more “Sherlock,” Season 3 was troubling in a lot of ways that I’ll get into when I review this show as a whole.

    For now, I recommend this episode as it is a great introduction to this show and Martin Freeman as Watson and Benedict Cumberbatch as Holmes are two very amazing interpretations that are worth coming back too.

Final Score: 9  / 10

First “Sherlock Holmes” Week

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   Sherlock Holmes is a fascinating character and one of the few characters in literature to have so numerous adaptations that initially I didn’t really know here to start in going about tackling the different versions of him.

      This is a character who connects to the way we are the “Other” and also is more than human in how he is able to put things together and solve difficult puzzles that are placed before him. It is little wonder why Sir Arthur Conan Doyle’s books have inspired so many versions and adaptations.

      The versions of Sherlock Holmes I will be covering will be Benedict Cumberbatch’s Sherlock from “Sherlock”  and his pilot episode “A Study in Pink.”

        Jeremy Brett’s version (who to me has always captured the character best) in his pilot episode of “A Scandal in Bohemia.”

        Jonny Lee Miller’s Sherlock from “Elementary” and his pilot episode simply labeled “Pilot.”

     Peter Cushing and his introduction as the character in the Hammer Films in “The Hound of the Baskervilles” for one of the said films and his first appearance as Sherlock.

      Finally, Sir Ian McKellan in “Mr. Holmes” the new film that is out to end it.

    Sherlock Holmes is one of my favorite characters in fiction and what he has brought to the cinematic world can never be fully comprehended as so many greats (only a few named here) got their chance to play the great detective.