Glass (2019): A Film That Almost Worked

Glass Poster Ahead Of Comic-Con | Cosmic Book News

      “Unbreakable” was the film that put Shyamalan on the map for me. I was not a fan of “Split.” I thought it was a passable horror film that of preyed off people who did suffer from multi-personality and making them villains (which is sadly a common trope of horror of making “The Other” the enemy). It is part of the “Unbreakable Trilogy” and as far as non-spoiler thoughts, “Glass” is the weakest part of the Trilogy. I’d choose flawed “Split” for at least knowing what it was. This film doesn’t know what it wants to be. At times it wasn’t to be a psychological thriller, other times it wants to be a super hero film. Because it can’t settle I feel like it muddles whatever message it was trying to say, which is a big reason this film will never be more than passable entertainment.

The film was written and directed by M. Night Shyamalan who was also one of the producers.

The story picks up after “Split” with Kevin / “The Horde” (James McAvoy) capturing a few cheerleaders as as David Dunn “The Overseer” (Bruce Willis) seeks out his location in order to rescue them. In the end they are captured and put in an asylum under Dr. Staple (Sarah Paulson). Here they find Elijah / Mr. Glass (Samuel L. Jackson) is also a member of the asylum and must face the reality of what they are while people connected to them seek answers.

SPOILERS ahead

The Pros:

Cinematography – This is a beautiful looking movie. Even though it is Blumhouse Studios the use of colors here to represent the different characters look amazing. Mr. Glass with dark purples, Kevin with yellow clothing and the ever present green whenever David Dunn is the “Overseer” or thinking of embracing the roles. This is handled best in Mr. Glass’s plan to free them all and reveal heroes to the world as the color contrasts bring scenes to life during the escape.

What is Real? – The basic premise is pretty good and I wish it had focused on this and not given us an answer. In the asylum we are given plenty of examples of how our main characters aren’t supernatural in any way. Being very strong does not make one Superman and being very smart does not make one Lex Luthor. As Dr. Staple breaks down the barriers of defense our characters have put on their beliefs it gives us some really good slow tension. I wish this had been the film as the ending could still happen without the ending we got, which says “Superheroes are real.” In this way it could have stuck to landing as a more psychological piece.

The Main Characters – The main 3 who the story is built around are the best parts of the film. Seeing Mr. Glass manipulating everything, David Dunn being conflicted over his identity and the many personalities in Kevin / The Horde. They are what keep this movie from sucking and I wish we’d gotten more time with them and didn’t have the minor characters at all.

David Dunn / The Overseer – Bruce Willis is back and we finally get to see some development on who he’s become post “Unbreakable.” In this he has embraced his role as vigilante and is the reason that Kevin and him get captured as it his action that leads to the rescue of the captured cheerleaders but also the arrival of the Police who capture the two of them. He spends the most time questioning his role and nearly decides not to take action at the end because he believes he isn’t a hero. In the end he comes through to begin rescuing people from The Horde, only to be taken down by Dr. Staple’s organization with the other 2.

Kevin / The Horde – The Horde are a wonderfully creepy villain and Kevin being the child who lead to them coming about when he reacted to abuse from his Mother is fascinating. This is explored more in the story as we see the Horde exists to protect the core personality and within the different personalities there isn’t always consensus, which makes the Dr. Staple conversations fascinating. In my opinion he never stops being a villain even though Shyamalan tries his best to give an undeserved redemption story via one of his victims helping Kevin come out (only for Kevin to be killed shortly after in the final fight).

Elijah Price / Mr. Glass – Mr. Glass is only in the movie interacting with people for a short amount of time, and the movie could have used so much more of him. He’s the most interesting out of all of our characters and seeing his mind in action is easily the best part of the film. I wanted more of that. We get a flashback of when his bones break when he was younger, but we don’t get scenes of him as the super villain or him realizing that that is what he wants to become. Him questioning being a “Super” would have been the most profound as well, as he as the strongest believer in the concept dating all the way back to “Unbreakable.”

The Cons:

The Minor Characters – Casey, the surviving victim of the Horde is now drawn to him and feels connected to him because she was abused by her Uncle. Mr. Glass’s Mom is around but seems to be just there to witness things and David Dunn’s son believes his dad is a super hero. The characters when they have anything interesting are awful in how they seem to glorify abuse via Casey and Kevin’s connection (The movie never admits and calls out that Kevin is a serial killer who eats people) and David Dunn’s son has no personality. In the end they reveal the videos of heroes existing, which just struck me as stupid. We follow these characters but none of them work for different reasons. I would have preferred they not be in it all and us left with just with “The Supers.”

Glorifying Abuse – This ties into Kevin being a serial killer never being called out. Again, Casey cares about the serial killer who killed her friends because Kevin was abused to be that way and we learn recently that she’d been abused by her Uncle. This ends up feeling like a tactic glorifying of abuse as in the end Kevin finds human connection with Casey and she ignores all the people he has killed. I’m not sure what point Shyamalan was trying to make with their relationship but it really hurt the story.

The Final Reveals – There are multiple reveals, none of which I felt work. One is that the asylum is a place suppressing that super heroes exist and the other reveal is that the train that killed David Dunn’s wife also killed Kevin’s dad. I hated that reveal so much, it was bad storytelling and there was zero reason for it happen beyond giving The Horde a reason to turn against Mr. Glass, when that didn’t matter because they were all going to be killed by Dr. Staple’s organization anyway. In the end the reveals canceled out any point the story might have had.

For all of the cons that I mentioned, this film could have still worked if it had known what it wanted to be. We spend so much time in the asylum that I wanted that to be the truth. The truth is that they weren’t “Supers” and there isn’t a conspiracy. That could have been a good psychological thriller. Or, don’t have the asylum at all, just give us the heroes facing off against one another as the ending was really strong and worked as that type of film. Be a psychological thriller that makes you question reality or be a super hero film with elements of reality more akin to “The Dark Knight” or “Super.” It is in this that the opening and the escape are the strongest parts of the film, but the lack of focus and the very obvious cons kept it from being good.

Final Score: 6 / 10. Lower than the other 2 in the Trilogy because at least those films knew what they were trying to be.

Get Out (2017): A Brilliant Horror Film That Tackles Racism and Privilege

    “Get Out” is one of my favorite horror movies at this point. This is a film that explores deeper ideas while still giving great moments of tension and horror in turn making it so much more. Whether it is racism, power and privilege, this film has a larger point but also does the tension and horror so well. Non-spoiler thoughts, you really should see this film. If you like horror films are even just smart films, check this one out.

  The film was written, directed and produced by Jordan Peele with the other producers being Jason Blum, Edward H. Hamm Jr. and Sean McKittrick.

     The story involves Chris (Daniel Kaluuya) going up to meet his girlfriend Rose’s (Allison Williams) parents in the suburbs. All is not as it appears to be though as the overly nice of the town underlays a dark secret as the only other African-Americans in the town give him hints of the mystery in their odd behavior.

SPOILERS ahead

The Pros: The Idea – The idea reminds me a lot of “The Stepford Wives” and as that film tacked feminism in critiquing the 1950’s housewife and showing the literal patriarchy in how the wives were constructed to be servants. This is done similar with how objectification of African-Americans. I’ll get into how with the reveal and the characters.

The Writing – The writing is smart and shows the dimension to our characters as well as the humor (which is mostly through Jeremy and Chris’s sarcasm). I always enjoyed Jordan Peele’s shorts which did a great job satirizing some segment of society or culture. This time he does it on a cinematic movie scale. Not many writers can tackle racism and privilege in a subtle way, but it is done here beautifully.

The Soundtrack – The soundtrack is fantastic and does a great job and raising the tension throughout the film. Michael Abels did a fantastic job.

The Characters – The characters are the strongest part as they are characters and not ideas, they would have become ideas to carry the message in a lesser writer’s hands.

Chris – Chris drives the story and is photographer trying to get into college. He’s clearly happy in the relationship with Rose but is smart as he notices when things are off and even tries to go (when he doesn’t know what is fully going on just that he is under threat). It is rewarding when he gets back at the family who was going to use his body for one of the older people in the town (which is why the town exists). Kaluuya does an amazing job.

Jeremy – Jeremy is the genre savvy friend who knows something is up the moment Chris goes to town as for him the warning was Rose not telling her family she had a black boyfriend and when Chris describes the town’s odd behavior, especially those of the African-Americans, he thinks they are being used as sex slaves. He’s wrong about the reasons they are acting weird but was right about how off the town was, and in the end he saves Chris. Jones is hilarious in this role as Jeremy is the character who provides the most comedy with his genre savvyness.

Rose – Rose is a great villain! Through most of the film she is the caring girlfriend who doesn’t justify her parents racist statements but things come to a head at the end where we learn she’s the lure who finds the people for the townspeople to use. She is a great threat and almost kills Chris. Williams has quite the acting range as we see her kindness as well as when she is the cold hunter, finding more targets.

The Family – The family is brilliantly creepy as they act like they are trying to help Chris while having a sick undercurrent. Whether it is her angry brother who says Chris could get strong like an animal thanks to his racial genes and the mother hypnotizes him and uses his own smoking addiction against him, and the father who is the collector and intellectual who clearly sees Chris as a thing the entire time.

The Reveal – The reveal is that the town is using people who come to the town (who Rose collects) for their bodies so the older members can live forever. The original host is nearly dead except for their brain stem (which the movie presents as them watching their body being controlled from a distance).

Objectification in Racism – The objectification starts with the family in how Chris is never really talked to, he is talked at (which plays into the privilege part) and extends to how the family and town talk about his body or people like him. It is brought to it’s fullest degree in the fact that Chris is only wanted for what he can give (his body) not the person he is. That is part of what makes racism, racism. Whether it is excoticizing his form or seeing him as something to be exploited. In the end he was only a thing to the town, not a person. He was wanted for his race not his personhood.

The Power of Privilege – Privilege is the assumption of power over another and this is the core of the terror in the film. The town assumes they have a right to Chris and any other black person they bring to the town. It is through their privilege that they believe they have the right over his body and the body of others and rationalization is their justification.

Okay: The Townspeople – The town could have been developed more. They do fall into the horror pitfall of being the toxic sweetness in how they treat Chris, but they are all part of the organization that wants to live forever. It would have been great to see their motivations and the reasons they want to live forever.

   Jordan Peele is truly a great writer and director. This was a film that Blumhouse produced and I’ve honestly never seen a good film from their studio, until this film. It is kind of sad how good horror movies are hard to find. They are generally made on the cheap, are exploitative, usually by their nature and rarely have a deeper point that is illustrated well. “Get Out” manages to avoid all of these pitfalls and in doing so is up there with the original “Halloween” as one of my favorite horror films of all time. Seriously, check this film out.

Final Score: 9.8 / 10 The townspeople could have been developed a bit more.