Spider-Man: Far From Home (2019) – Strong Villain With a Promise for the Next Phase

   “Spider-Man: Far From Home” was a really good film. It is easily the best Marvel Cinematic Universe film of 2019. Tom Holland and Jake Gyllenhaal have great chemistry together as Spider-Man and Mysterio and there are some really great twists. This film also has two great after-credits scenes and some of the best action in any of the films in the MCU. If you are a fan of the MCU or this version of Spider-Man from “Homecoming,” I strongly recommend you check it out. I can’t wait to see where the story goes from here.

The film was directed by Jon Watts and written by Chris McKenna and Erik Sommers.

The story takes place after “Endgame” and involves Peter and his class taking a trip to Europe. While there Elementals attack and Nick Fury commissions Peter Parker as they work with Mysterio to take on the Elemental threat.

SPOILERS ahead

The Pros:

The Action – This film has better action than  “Homecoming” though “Homecoming” has a better emotional core in regards to Parker’s friends. This is a movie that fully embraces the action and that is both a pro and  a con and for me the pro won out. We see giant monsters facing off against Spider-Man and Mysterio using Venice or Prague as the places where the battle is taking place. The action has consequences and you get why Peter chooses the choices he does. You see how Spider-Man is usually fighting losing battles and it is only through his mind and cleverness that he pulls a win out of potential losses.

S.H.I.E.L.D. – S.H.I.E.L.D. is screwed after the “Blip” (the 5 year gap between “Infinity War” and “Endgame”). Fury admits he doesn’t know the state of the world and that most of the heroes are gone, which lets Mysterio step and Spider-Man being forced to step-up. I love the how they are still a threat and undercover but also are secret agents acting with limited information, which ends up paying off later.

The Blip – “The Blip” is the five  year gap between “Infinity War” and “Endgame” and here it is recognized and played for laughs sorrows. It is played for laughs as in a band concert has people pop in on the same day and cause chaos and sorrow in that Aunt May and Spider-Man are raising money for the homeless blipped. The fact that half the population was gone for five years has consequences and Spider-Man knows that better than anyone.

Mysterio – Gyllenhaal carries so much of this film as Quentin Beck / Mysterio. He relates to Peter enough to give up his gift and we see him willing to risk it and all and even win when he loses. Mysterio was the engineer who invented the holograms that Tony Stark used for therapy in “Civil War.” Out of resentment of Tony naming his technology B.A.R.F. he finds others who were wronged by Tony in the past and together they create Mysterio. He is such a fun threat and you can see why he is angry and that he does want to be a hero, even though his way of going about it is villainous. He is easily one of the best Spider-Man live action film villains. His final revenge is brilliant, which is a pro I list later.

Spider-Man / Tom Holland – Tom Holland is amazing as Spider-Man. In this we see the core “With great power comes great responsibility” when Tony Stark gives him the A.I. E.D.I.T.H. The Network controls drones and satellites all over the world and is used through a pair of glasses. At one point Peter nearly gets his classmates killed and after he gives Mysterio E.D.I.T.H. When he finally realizes his mistakes and goes to face Mysterio he is nearly broken and it is only through working with Happy that he is able to finally defeat Mysterio. The lesser plot is his crush on MJ. They do end up together but it is one of the weaker parts of the film.

The End Credits Reveals – There are 2 end-credits scenes and both are great. The first involves a deep fake video from Mysterio’s organization that has Mysterio reveal to the world that Peter Parker is Spider-Man and that he was responsible for the drones and that Mysterio was trying to stop him. This was made even more powerful by J.K. Simmons being back as J. Jonah Jamison who in the MCU is an Alex Jones reporter type. It is such a great scene. Simmons owns this role and the MCU was smart to pull him into their version of the character.

The second film reveals that Nick Fury and Anita Hill were Talos and a Skrull the entire time. He calls Nick Fury and it is revealed that Fury is with the Skrulls in space. Both endings give so much possibilities for the next phase in the MCU. It also explains why S.H.I.E.L.D. had limited information. They were aliens who didn’t know the modern Earth after “The Blip.” The first after-credits scene is stronger but I loved them both.

 

Okay: MJ – Zendaya is a great actress but her character doesn’t do much in this beyond being a love interest. She finds out who Spider-Man is over the course of the school trip and her and Peter end up together. Overall her character is okay in this, which is a shame as she was great in “Homecoming.” They should not have put MJ in the “Love Interest” box. I wish that there had been potential for romance but Peter’s responsibility pulling him back from that, given Mysterio’s plans and what happens after.

Aunt May and Happy – This is an awkward romance that is also mostly played for laughs due to how it makes Peter feel. It wasn’t bad but it was screen-time that could have gone to developing MJ as a character, more about life after “the blip” or more Mysterio time. It wasn’t bad but it could have been cut.

The Cons:

The Teachers – The Teachers are played for jokes and really lame. I wish they weren’t so much at the front of the film. Their humor is awkward and they cause a clash of tones with how serious the main Mysterio plot is. The jokes at times are sitcom level bad and we aren’t given a reason to care about either. The rival had better development for me and he was still a con.

The Rival Brad – Peter has a rival in this film, his name is Brad and he is weak. He takes away from MJ’s development and feels tacked on. We at least get some recognition of “The Blip” where it sounds like he was Freshman before and now he is a Senior but it is only briefly touched upon. If they plan to make him a venom, that might work but only as finding his own self worth. Brad only exists as an outcropping of Peter’s insecurities which doesn’t develop MJ. The character was pretty forgettable and I would have traded his role for more screen-time for Peter’s friends or Mysterio and his organization.

This is a film that could have been great. You have a compelling villain, romance and Peter Parker growing but it having consequences. So why do I not see this film higher? This was easily the best Marvel Cinematic Universe film but that doesn’t give it a pass. This isn’t “Guardians of the Galaxy Vol. 2” or “Infinity War.” I really like this version of Peter Parker and what the MCU has done with him. He isn’t in personal stakes like Morales and his Uncle but the personal wishes versus responsibility are still key. Mysterio lets him give up responsibility and he pays the price for it at the end. That is is quintessential Peter Parker and Spider-Man. I really enjoyed this film and I think any Spider-Man fan will enjoy it immensely. This is a film that Holland and Gyllenhaal could have carried on their own.

Final Score: 8.9 / 10

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“A Series of Unfortunate Events” Season 1 – A Good Adaptation and What Should Have Been Done in the First Place

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     Netflix continues to create gold and we finally get the adaptation of this series we’ve been waiting for since “The End.” “A Series of Unfortunate Events” by Lemony Snicket was one of my favorite books growing up. I read it through Middle School and High School and truly enjoyed how it never pretended to have a happy ending while being a brilliant satire of society and how easily it is that people are selfish or allow their flaws to overcome their better natures or ignorance. I won’t give anymore away but you truly should read the series, it is a fast read and brilliant Gothic Fiction.

      How the show does it is it breaks the books in to two episodes so I’m going to review each Book and give the final score based on how each of the individual books stood all together when their scores are measured against one another.

      This series was created by Mark Hudis and Barry Sonnenfield. I’m surprised this came through given the flop that was the original film, but I’m grateful it did.

     The premise is the Baudelaire orphans Violet, Klaus and Sunny are given to Count Olaf, an evil actor who wants to steal their fortune and will go to any means to do so after their parents are killed in a horrible fire.

SPOILERS ahead

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Book 1 – The Bad Beginning

  The first 2 parts feel just like the book. The dark tone is fully captured, you have the ally in the Judge played by Joan Cusack and we are introduced to Count Olaf (Neil Patrick Harris) and his troup and Patrick Warburton’s Lemony Snicket. The story is the darkest of the four this season except maybe “The Miserable Mill.” This is how these stories should be and solid acting on the part of the child stars who play the Baudelaires make this a solid episode as like in the book each of them have their chance to shine with Violet inventing, Klause’s knowledge saving her from having to marry Count Olaf. The only confusing bit are the bits with the Quigley Parents who early on seem to be implied to be the Baudelaire parents and nothing is done to show the audience this isn’t the case.

Final Score: 8 / 10 Solidly good. True to the book and doesn’t drag.

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Book 2 – The Reptile Room

   Aasif Mandvi is wonderful as Uncle Monty, and this is the first episode the really incorporate the Spy World in. The first story doesn’t but this one makes it relevant and gives us pieces for the Baudelaire’s to put together the mystery…be it from the connection to Peru, Monty’s spyglass and his connection to their parents. Olaf is threatening in this when he has his full squad and for the fact that he kills Uncle Monty, but sometimes the comedy is played a bit too hard and that keeps it from being a perfect episode as it makes the tone of the episode a little all over the place when Olaf and his troupe are in play. Olaf’s character of Stephano is pretty weak too and didn’t feel inhabited at all. The purposeful bad acting really came out in this character.

Final Score: 9 / 10

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Book 3 – The Wide Window

   “The Wide Window” is the story that drags the most, both in comparison to these four stories and in the show as well. Aunt Josephine is never given the chance to do much, though Alfre Woodward is a favorite actress (Mariah from “Luke Cage”) so it is a shame the adaptation didn’t do more with her character. She introduces the Baudelaire’s to code like in the books and like the books is overwhelmed by fear. Count Olaf’s Captain Sham is fantastic and the threat and charm of his character never goes away (unlike the zero of both that were in Stephano). He is the strongest part of this episode besides the Baudelaire’s taking their agency into their own hands and seeking to solve the riddles as well as running away from Poe at the end so they can learn what happened to their parents and how they connect to Lucky-Smells Lumber Mill.

Final Score: 7 / 10 Neil Patrick Harris carries this episode.

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Book 4 – The Miserable Mill

      Up to this point, Shirley is the most threatening character of Count Olaf’s, largely because he has help from Dr. Orwell (Catherine O’Hara) who controls the workers by hypnotizing them. This creates an aura of threat around the mill as all of them are prisoners and Count Olaf is friends with the one with all the power and Klaus being controlled by Orwell and Olaf. Sir is just greedy and only cares about money and lets the corruption occur as he profits from the control of his workers and the Baudelaires. Thankfully he is chased away by his workers when the hypnotic trance is broken, which gives his partner Charles to give the children the article that shows that their parents saved the Mill and the town from being entirely burned down. This was the darkest episode besides the first story and returns to that same charm. I really enjoyed Count Olaf’s Shirley as a character too, as well as Count Olaf’s jealousy of Orwell for succeeding in villainy while he is still only striving to fully succeed. This is where we see the Parents reveal of them not being the Baudelaire’s or in the same time and place showing that all our heroes have to count on, is one another. This is where the Baudelaire’s courage finally pays off and luckily the next season sets up them meeting allies at the boarding school that Mr. Poe leaves them at at the end.

Final Score: 9 / 10

     This is a series that should have never been done as a film. There is far too much material to cover and it is hard to slim it down while still honoring the source material. The original film did not and though I liked some things about it, it was not like this. This is a perfect adaptation and the only flaws it has are those that exist in the source material itself. Excited for Season 2 and am looking forward to “The Penultimate Peril” and “The End,” as this is one of those series that has one of the endings I was greatly impressed with growing up. Lemony Snicket giving us his thoughts as narrator is powerful too and Warburton gives us a powerful, comedic and somber performance through the narrative. The side characters were cast extremely well as are the three actors who play the orphans. The only thing that really brings the series down is the tone sometimes has extreme shifts and the source material really didn’t give us much to go off originally and this is true to that source material so is bound by those same limitations. We get tiny answers but most of it is mystery and grey….which has potential depending on how they handle the mystery and reveals. Suffice to say, I highly recommend this series to any lover of the books as I am or if you are just looking for another amazing Netflix series.

Final Score: 8.6 / 10