Batman: Return of the Caped Crusaders (2016) – An Enjoyable Animated Adventure in the 1960’s Batman Series

  Adam West is a man who has left quite a legacy on the world. I knew primarily as the neighbor of Quahog on “Family Guy,” but got an appreciation for him when I reviewed the film that came out of the  Batman 60’s TV show, which I’ll post later in the review. The longer I’ve been with dark and gritty Batman the more I’ve come to appreciate the anti-fascist Batman. The one who is a public servant and at the end of the day is honorable, rather than the sometime psychopath of the modern incarnation that has existed since at least Burton’s Batman. West is a man who is going to be missed and this review is in honor of him.

“Batman: Return of the Caped Crusaders” was directed by Rick Morales and written by Michael Jelenic and James Tucker.

The story takes place within the same universe as the 1960’s tv show as Batman and Robin face off against Catwoman, The Riddler, Penguin and the Joker as they come up with a plan to turn Batman evil in order to pull of an devious heist and steal a powerful device.

SPOILERS ahead

The Pros: The Writing – The writing is clever, from Robin’s word play and the articulation of Adam West to the many visual and verbal puns that cover this film like music…I really enjoyed the dialogue in this film and it is a big part of what kept me watching.

Batman and Robin – The dynamic duo are the only competent ones in Gotham as the Police Chief and Commissioner Gordon don’t know how to do anything but call Batman and Robin for help. I really like the duo, they have a great mentor/student and father/son relationship that is only further developed over the course of the film such as when Robin has to save Batman and we see Batman take his crime fighting to a fascist degree after he gets infected by Catwoman’s concoction. West’s Batman is wonderful in this as he always appeals to the villains’ better natures before fighting them. Like how Superman once was in film, he appeals to the good in people and Robin is the one striving to do the same. This innocence and lack of cynicism really lends power, especially in all the crap going on currently.

A Stand Against Vigilantism and Fascism – When Batman gets infected her turns into a dictator and takes over every role in Gotham City with the Replicator gun. He arrests everyone or takes their jobs and makes everything about him and his great nobility. It is a great critique of the Batman who does this and is rewarded for it…the Nolan, Snyder and Burton Batmans at the end of the day are not public servants…they are vigilantes that have no regard for the law outside of what they get out of it. This makes Batman an anti-hero, which isn’t bad but I hardly consider him a hero anymore…even though he is one of my favorite comic book characters. This Batman is an actual hero and his corruption to becoming like modern day Batman illustrates the flaws in the ideology of the current incarnations of the Dark Knight.

Okay: The Villains and their Plan – The villains just want to steal art…that is it and there is Penguin creeping on Catwoman. They are okay in that Joker just wants to have a good laugh and the Riddler needs clever Riddlers but they never become more than the one note villains which was a waste. I enjoyed when other classic villains from the show face off against them (an early Mr. Freeze!) as they each had potentially a bit more going on, given they were working with Catwoman and Robin to defeat the evil Batmen.

The Cons: Catwoman and Sexism – Catwoman pretty much only uses her sex appeal and the heroes’ chivalry as a weapon. This was a shame as her master plan to turn Batman evil is successful though she switches sides after being betrayed and again randomly wants to kill Robin and run away with Batman, implying she never changed before killing one of her lives? She is the only woman in the film and she is entirely defined by the male gaze, whether it is Batman or Penguin. This was a damn shame given how central she is the story. I really was hoping for better from her character and it was this issue that kept the film from being good, even though I found it enjoyable.

The film was a lot of fun and a lot better than the 1960’s film, which in many ways had camp that didn’t quite work and was really unfocused (https://cameronmoviesandtv.wordpress.com/2016/04/10/batman-1966-fun-camp-that-doesnt-quite-work/). This one was self aware but wasn’t insulting as I could tell how much passion was put into this project. I really hope that “Batman: The Caped Crusaders vs. Two-Face” which has Shatner playing a 60’s Two-Face. I really enjoy this Batman now and plan on checking out the show as whole, knowing that I’ll probably being seeing more of the sexism in regards to Catwoman, but I’ll also see Eartha Kitt who is one of the people I highly admire and of course Adam West in one of his most iconic roles. R.I.P. Adam West, may the good always defeat evil.

Final Score: 7.5 / 10

 

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Son of Batman (2014): A Decent Telling of Damian Wayne’s Origin Story

Son of Gotham poster

    “Son of Batman” is alright. At times this film has moments of greatness only for it to be shot down by bad writing and not developing some of the intriguing characters more. This is a story that really deserved more time than the running time of an hour, which really brings it down the most it in the end. This is a film that is the origin story of Damian Wayne, but in many ways he is the least interesting character in this, and that isn’t completely is his fault, it is the fault of the writers, which I’ll get into deeper into the review.

     The film was directed by Ethan Spaulding and written by Joe R. Lansdale and produced by James Tucker and based on the story “Batman and Son” by Grant Morrison and Andy Kubert.

    The story involves the assassination of Ra’s Al Ghul by his former heir Deathstroke forcing Talia to take her son, who is the son of Bruce Wayne to Gotham City and Batman to escape. It is here Batman must deal with the reality of being a father and Damian must face a world outside of League of Assassins.

The Pros: The Animation – DC animation continues to put out beautiful looking work, and this is no exception. I’d almost say it is worth it just for the character designs as you make take inspiration for your own character work if you are comic artist.

The Soundtrack – The soundtrack is haunting and beautiful and reminded me of McCreary’s “Battlestar Galactica” soundtrack. Fredrick Weidmann did a great job.

The World – The world is cool but underdeveloped. The League of Assassins is huge and going through a civil war between the Ghul’s and Deathstroke and we even get glimpses of this Gotham and Batman.

The Characters – The characters who receive development are pretty great or okay. Sadly not all of them got development but the ones who did are a pro for me.

Slade Wilson / Deathstroke – The apprentice abandoned by his master out for revenge…this is Slade’s arc and it is great as he schools anyone he faces until the very end when he loses to Batman easily and just loses to Damian. I wanted more of this character and why Ra’s didn’t choose him to lead. Thomas Gibson did a great voice acting job.

Dick Grayson / Nightwing – Sean Maher (Dr. Simon from “Firefly”) is my favorite character in this. He has depth and reason for what he does and you get him moving on from Batman. He is a warning and promise for what his future may hold. I like how he clashes with both Batman and Damian too.

Bruce Wayne / Batman – Jason O’Mara is okay but his Batman is like a softer spoken Val Kilmer. I like Val Kilmer but most Batman are a lot better and same goes here. He is good but doesn’t even touch great. I wanted more of his relationship to Talia and further development with Damian, sadly we didn’t get that.

Okay: Ra’s Al Ghul – Ra’s is around for a little bit and dies. We see how much of a zealot he is and also how he is a caring Grandfather but that is about it. He dies way too early and his legacy is never fully explored.

Talia Al Ghul – Talia seeks revenge and gets easily beat by Deathstroke. Wasn’t impressed at all with that, though her relationship to Damian feels real as well as her love for Bruce Wayne. Morena Baccarin does a good job with what little she’s given.

Damian Wayne – Damian is a little too perfect. He hacks Batman’s computer, beats Slade in the final fight and gets over his anger way too quickly. For a guy raised in trauma he’s surprisingly well put together, which just made him feel like a Gary Stu/Mary Sue. He’s the core character and the driver of the narrative so I expected more.

The Cons: Killer Croc – Guy is just a giant monster and gets zero development. Great design but that means nothing when there is zero character behind it.

Doctor Langstrom – Beyond caring for his family we get none of the mad scientist tendencies. Why was he working for Ra’s prior? This is never answered, or how he got connected to Killer Croc. This was a shame as they are both Batman rogues, but this connection never went anywhere.

Deathstroke’s Plan – An army of Man-Bat’s…really? Batman defeated these guys so easily, you think the military is going to be that unprepared that they wouldn’t have some kind of sonar weapon. It was a stupid plan when Ra’s made it and Deathstroke continuing it was a shortfall on his part.

   This was an okay film. It strikes for good but never fully reaches there largely because so many of the characters that would be great in different contexts don’t get the agency and development they deserve. This film aimed high as it was giving us the origins of the one of the most famous Robins, yet I didn’t care about him. He was overpowered and seemed to have no flaws beyond anger that we never got to see him fully face. He was the definition of a Mary Sue/Gary Stu and it took away from the story. I wanted to know more about Deathstroke, Talia and Ra’s but an hour was not long enough to do so and the overall narrative suffered because of it. This is what made the film okay in the end…lack of development, too short of time and Damian’s too perfect tendencies as well as the main’s outside of him not being enough to carry the story. If you like Batman, check it out for sure. DC Animation hasn’t made any bad films I’ve seen yet, but this could have been so much more.

Final Score: 7.4 / 10

The Dark Knight (2008): A Masterpiece That Explores Virtue, Liberty and the Nature of Humanity

The Dark Knight

    “The Dark Knight” is a masterpiece in every sense of the word. It is more than just a great Batman film, it is a classic that illustrates just how great the medium of storytelling can be through the use of film. The best films can capture the best and worst of humanity and ask us questions about what it means to be ourselves. The best films challenge are assumptions and “The Dark Knight” is one of those films. This is also the Batman film with two of my favorite Batman villains. Both the Joker and Two-Face are two of the more complex Batman Rogues of all time and most of the stories that explore them are at least good.

     The film was directed, written and produced by Christopher Nolan who wrote it along with Jonathan Nolan. The film was produced by Emma Thomas and Charles Roven.

   The story involves Batman (Christian Bale) a year into his time protecting Gotham and explores the rise of the Joker (Heath Ledger) who escalates the war as Harvey Dent (Aaron Eckhart) target the Mob with Batman and James Gordon (Gary Oldman) leading to the mob putting their fate in the Joker’s hands.

The Pros: The Cinematography – The cinematography is the best it’s ever been in the “The Dark Knight Trilogy.” The contrasts of light and dark are best illustrated in the transformation of Harvey Dent and Two-Face and the scenes involving the Joker or Batman and the Joker together. This is a story of contrasts and the cinematography captures it beautifully. Wally Pfister once again did a great job.

The Soundtrack – Hans Zimmer and James Newton Howard created their best soundtrack thus far as we get the haunting theme of the Joker mixed with rising tension intermixed throughout the score. The story feels on edge because of how the music weaves so seamlessly with the plot. The aura of terror never goes away.

The Writing – The Nolan Brothers when they write together are better than when one of them teams up with Goyer. I think this is probably due to them understanding each other better which in turn allows them to explore the characters better and work the themes in without having what little fat there was in “Batman Begins.” The fact that it takes inspiration from “The Killing Joke” and “The Long Halloween” (two of my favorite “Batman” comics) is part of what gives the writing so much power. It pulls from great stories.

The World – The World is rich and feels lived in. From Sal Maroni taking over the Mob, the politics and corruption within both the District Attorney’s office and the Police and the politics between them. Batman is the one who holds this brittle vase together but the Joker gives it the push that makes it all fall apart.

The Characters – The characters are amazing in this. From the minor characters who were once faceless antagonists, to the large characters who express the themes of the story. The characters in this are a lot better than I realized until my most recent viewing.

Jonathan Crane / Scarecrow – He has a small role and is taken out early by Batman. The fact that he survived for so long is to his credit. He’s pretty minor compared to Joker and Two-Face is what the film shows as well as that he and Batman are both fit for Arkham.

Commissioner Loeb – Loeb actually gets exploration in this! We see all he’s doing to take out the mob and the consequences he takes for it, like his heavy drinking which makes it easier for the Joker to kill him. I like that we actually get to know the character this time.

Mayor Garcia – The Mayor is pretty great in this too as we see his courage in how he goes forward with the parade to honor Loeb and to give Harvey Dent the power he needs to go after the mob. I liked this character and wanted to get to know him more. His “real talk” with Harvey Dent is a powerful scene as it illustrates the growing war as the Joker’s victim is hanging at the Mayor’s window after the talk.

Detective Ramirez – Ramirez is a great character. She’s flawed as she’s looking out for her mother and this leads to her being in with the mob. We see that she isn’t all bad though she’s just ruled by fear which leads to her getting Gordon’s family to Two-Face. She is the symbol of the broken system.

Lau – Lau is a great character. The fact that he saves the Mob’s money on his own is great and he would have won if not for Batman ignoring international borders (one reason I don’t believe the 8 years or Retirement in “The Dark Knight Rises”). He ends up being burned alive on a pile of money buy the joker showing his role reversed as in the mob he was the most powerful person for protecting the money, but in the Joker’s city money means nothing.

Sal Maroni – Sal is great, he has a young arrogance about him that makes him fun anytime he’s on screen. He’s also a guy who can’t see all that long term as he is the one lets the Joker run havoc all over Gotham and in turn he can’t even escape because of it as Two-Face is waiting for him, changed by the Joker and with it Sal’s choice comes back to end him. In that way, he’s tragic in his own way.

Lucius Fox – Freeman gets more exploration in this as we see his ideals are strong on the side of personal liberty (one reason he might like Batman as an individual under no one) and when he stand against Batman’s NSA Spying Machine we see that it doesn’t matter how much he likes Bruce, he won’t let him become the Emperor of Gotham. No individual in Gotham should have all the power and Lucius stands by this even as he uses the machine once to help catch the Joker.

James Gordon – Gordon’s story in this is a tragedy. We see his distrust of Harvey Dent yet his belief in him too and how all of that is lost when the Joker breaks Harvey and James in unable to save Rachel Dawes. He is promoted to Commissioner when Loeb is murdered and never catches a break after that. For much of the film he is trying to save people from the Joker as the Joker is always one step ahead and the war against the Mob that he was working on with Batman and Harvey becomes nothing. In the end the war nearly costs him the life of his son though it does cost the life of Harvey Dent, which is something he is never able to live down as he embraces the lie that Batman killed Harvey Dent and hiding Dent becoming Two-Face.

Alfred – Alfred is great in this as Caine gives the mentor role power again. In this he illustrates how much it takes to defeat some enemies as we learn that Alfred was a pretty terrible person in Burma as he burned down an entire forest to catch one thief. This metaphor leads Batman to creating his NSA spying device showing that Batman did learn from Alfred and embraced the worst aspects of the fascist state that Alfred had once worked for. Luckily they both move on from that, but it shows how far both of them will go, in a way proving the Joker’s point about people.

Bruce Wayne / Batman – This is the film that tests the limits of Batman’s code as we see him fighting a losing war against the Joker when the Mob unleashes him when Batman, Gordon and Dent have almost defeated them. He never leaves his ideals of not killing in this but we see how far he’s willing to go as he metaphorically burns the forest of Gotham by spying on everyone to catch the Joker. It’s powerful and shows that Batman is willing to become a villain to stop a villain. In that way he is the Emperor of Gotham as the narrative of the Emperor being chosen in times of trial in Rome to protect the populace and how it lead to it becoming a permanent position. Batman not only loses his love in this and the respect of the city, but he loses his purpose as well as the Joker is proven right in many ways with the “Tragedy of Harvey Dent.”

Dark Knight Joker

The Joker – The Joker is an anarchist who lives to upset the status quo. He loves playing with people’s mind and comes up with different stories related to his scars to get into the heads of whoever his enemy is. Heath Ledger’s performance is one of the best villain performances of all times and is a classic for a reason. There is a reason you see at least one his Joker’s on Halloween or Comic Cons. His point is that humanity is just animals and civilization is a lie, so the only way to live is to live uninhibited by rules and he does this by destroying powerful figures or breaking them to make his points true. it is enough to turn Harvey Dent into Two-Face even if his “Prison Experiment” using the ferries doesn’t work. He doesn’t care about his life (as seen when he lets Harvey Dent flip the coin on his life) and lives purely for his ideals. For him the ideals are enough (like Batman) and like Batman it gives him power and makes him a symbol that can never fully be defeated. Even though Batman physically defeats him at the end (but is unable to kill him). R.I.P. Heath Ledger, you not only changed cinema forever but the culture with the character you played.

Dark Knight Two-Face

Harvey Dent / Two-Face – Harvey Dent is the idealist who in many ways represents humanity’s potential to rise to ideals and to fall into despair. His fall into Two-Face happens when he realizes all his plans to stop the mob are falling apart and his allies can’t even save the woman he loves. This makes him easy prey for the Joker who turns him into Two-Face leading to him embracing chance as his code of justice as he saw the law was unable to trap and prosecute the Joker, stop the Mob or save Rachel. In the end Two-Face is despair and in becoming a “Punisher” like vigilante proves the Joker’s point about how anyone can become a killer after a really bad day.

Liberty v. Security – Liberty v. Security is a major theme in this as we see Batman impeding on Liberty to stop the Joker when he taps into everyone’s cell phones. His very existence is an infringement upon Liberty too in a way as he is above the law yet enforces them. The Joker is one of the answers to this as is Lucius Fox who show that becoming a Dictator isn’t the answer.

Does Vigilantism Help? – Does becoming a vigilante help? We see in this that it probably doesn’t. From inexperienced look alikes who dress up like Batman and put themselves and others at risk and in turn lead to the rise of the Joker, who was never on the scene until Batman appeared. The question is never fully answered as Batman does capture the Joker, but since he might have helped create the Joker in the first place…does Batman’s existence help or hinder more in the end?

Fascism v. Anarchy – The main theme is one of fascism versus Anarchy. Batman is fascism incarnate as he is above the police and the law and enforces his own brand of justice that is everything but killing. In answer to that there is the Joker who seeks to destroy all systems that uphold the law so the people can do whatever they want and become their base selves. While Batman seeks to scare others into becoming their best selves.

Codes – The Joker’s code is that a person should live how they want and that life itself doesn’t matter, what is important is tearing down structures of power to get people back to their basic selves. Batman doesn’t kill because he sees the good in people and sees Batman as the hope that can inspire that. Harvey’s ideal at first is to the law and using it to stop corruption. It isn’t until he loses everything that his ideal becomes chance as he blames chance and entropy on all his sorrow.

The Nature of Humanity – Is humanity good or bad at it’s base? The Joker would say bad as shown by how the city turned on itself when he caused fear and terror while Batman who believes that humans are good as shown by the Ferry Experiment where the prisoners and civilians don’t kill each other…showing that humans can rise above their fears like he did. Who is right? That’s really up to you as throughout human history you will find proof of both, though I think there is more on the Joker’s side…humans have historically been far more cruel and selfish than good and giving.

Okay: Rachel Dawes – Rachel Dawes is an idea and never gets beyond that. For Harvey she’s the thing worth living for that feeds his idealism and keeps him strong, for Bruce Wayne she’s the way out of him being Batman and having a normal life. For both she is an escape and her death triggers the change in both our characters. She’s a plot device so never becomes great. She always is just okay.

Pacing – The pacing is alright but doesn’t quite work. There are many times where the film feels like the climax has happened but before you know 3 more climactic events have happened. This is the only real downside the film has besides Rachel Dawes.

    “The Dark Knight” manages to make even it’s minor characters compelling, even as the main drama goes down between Gordon, Dent, the Joker and Batman through whose perspectives we explore the ideas and get the drama. This film isn’t afraid to tackle big ideas and the possible consequences of those ideas. Not only that we get to see it through the eyes of fascinating villains or compelling heroes we care about. This gives power to the consequences are characters make that illustrate the ideas the film explores. These deeper ideas and complex characters keep me coming back and this is a film I will never grow tired of. It is always worth a second look as he each time the ideas are explored by the characters it gives a chance to explore one’s own thoughts on the answers to the questions. This film is one of the greatest films of all time.

Final Score: 10 / 10

Batman (1966): Fun Camp That Doesn’t Quite Work

Batman (1966)

     An important thing to remember in regards to “Batman” is he hasn’t always been the grim Dark Knight. For much of his history he’s actually been the one popularized by the live action show that brought about this movie where he was pretty much a mortal good guy with a side kick who used gadgets to solve issues and had a colorful collection of rogues. I’m going to state up front, I have a bias against the camp of this era. I grew up on Burton’s 1989 “Batman” and “Batman: The Animated Series” that came out of it, which in turn introduced me to “The Dark Knight Returns,” “The Long Halloween” and “The Killing Joke” all of which are some of my favorite Batman stories. I’ve always been a fan of noir and the early camp Batman had none of that noir feel to it.

     Given my bias, I am going to judge this film on it’s own merits though, even if due to the nature of my bias I did not enjoy it as much as the Burton or Nolan films, this is a film that can still compete against “Batman and Robin” and “Batman Forever.”

    “Batman” was directed by Leslie H. Martinson and written by Lorenzo Semple Jr. and produced by William Dozier.

The Pros: Bat and Penguin Gadgets – This is one bit of comedy that I actually enjoyed. Penguin has Rocket Umbrellas that the Rogues fly on, Batman has Bat Repellent and the list goes on. The list of gadgets was rather inventive and I like how it was this era of comics that inspired the Monarch and the gadgets in “The Venture Bros.”

The Rogues – The Rogues all have distinct personalities and work sort of…The Penguin and Catwoman are the only competent ones though. The Riddler and Joker could have been replaced by Pirate thugs and the story wouldn’t have changed at all.

Catwoman – Lee Meriwether is great as Catwoman as she is the one who actually manages to infiltrate and hurt Batman as a secret identity she takes is one Batman falls in love with and when he learns they are the same person it breaks his heart, which is sadly the only real damage anyone faces in this film. So she gets point for that. She clearly had fun in this role too.

The Penguin – The Penguin is all about the gadgets and they are fun! He also manages to infiltrate the Batcave too. Seriously, the Joker and the Riddler weren’t needed at all. The Penguin on his own manages to be the greatest threat of the bunch in regards to the capture of the device and turning the world leaders into dust (don’t worry, they are turned back). Burgess Meredith is fantastic.

Batman – Adam West makes a great Batman. He has charm and is easily the best part of this film besides Catwoman and the Penguin. Seeing him as Bruce Wayne is fun too as he goes through convoluted means to keep his identity secret.

Okay: Camp – The camp doesn’t always work. When it does (Penguin’s vehicles, Batman’s devices, etc.) When it doesn’t it is bad…from the Riddler ruining plans to our heroes being really really stupid.

Joker – The Joker has a great design but he basically functions as a minion. There is nothing he did in this film that couldn’t have been done by one of the pirate minions. He is a useless character in this.

Riddler – Like the Joker he has a great design but he spends most of the film sabotaging the Villains plans because of his need for riddles, making him also a useless figure in regards to the story. He isn’t a threat or is no more a threat than Penguin’s hired muscle.

The Humor – The humor is hit and miss…I liked all the Bat devices and Penguin devices as well as the Penguin’s submarine, but besides that it felt too forced. If it had been a funnier film I would have rated it higher.

The Soundtrack – The soundtrack is standard camp and isn’t anything I’d listen to again.

The Cons: The Cinematography – The filming looks cheap. This clearly looks like a made for television movie and there isn’t anything unique about it.

Authority Figures Who are Allies – Comissioner Gordon, the President and others appear in this but don’t really do anything but give Batman and Robin their missions. There is nothing unique about any of them, making them cons. Gordon in Burton’s movies had the same problem.

Robin – The wonder kid is just annoying. He is useful at least but he comes off like Wesley Crusher in “Star Trek: The Next Generation.” He is solving all of Batman’s issues and solving the Riddles when that should be Batman. Robin isn’t needed in this at all.

Don’t Drink and PSAs – I get kids watched this show but this was really annoying. It felt like the IHOP in “Man of Steel.” It wasn’t needed and had no place in the film.

Stupidity of our Heroes – Batman and Robin have to have every clue given to them, usually by the Riddler. Our heroes are not really competent at all, but everyone around them isn’t either so I guess it balances out?

  For what it is worth I did enjoy this film at times, even if at other times I found myself bored or the humor not quite working. Part of the issue was Batman and Robin had to have the answers handed to them in very obvious riddles by the Riddler most of the time and it was impossible to take any threats they made seriously since they took at 5 minutes to do a PSA about not drinking and remembering to stay in school. If this was a satire it would have worked a lot better, but because it was played straight it was brought down some. This was still fun camp and I’d honestly say it is worth checking out. This was Batman’s history for a long time and Adam West manages to be a very charming and corny Batman.

Final Score: 7 / 10

“Batman” in Film – Upcoming Reviews

Batman Symbol

     After the “Disney Marvel Franchise Adventure” I figured it was time to return back to DC and to visit the area of DC Comics where the greatest amount of live action films have been good…so Batman, which seems to be the only thing that DC live action can seem to get right some of the time versus their other heroes which have either not been tackled beyond television (Flash, Green Arrow) or have even more bad films to their name (Green Lantern, Superman). Batman is the only one has enough live action films to really show a range in quality that can give a full illustration of what keeps bringing us back to this amazing character.

     I’ll be staring with the Adam West “Batman” from 1966, going through Burton’s “Batman” and “Batman Returns,” as well as doing “Batman Forever” and “Batman and Robin” before I get to Nolan’s “Dark Knight Trilogy.” I’ve already reviewed “Batman v. Superman” but will include it when I get to rating the different takes on Batman and rating all of the Batman films as a whole from Worst to Best.

    This is going to be quite an adventure and also a change of pace, which should be good. Batman is one of my favorite parts of the DC Universe and I can’t wait to see the Affleck’s solo flick if it comes together. This is a character who speaks to human vulnerability and strength better than nearly any hero in comics, which is why there has been so many films made about him.

   Many of these films are my favorite and some are some of the worst to come out of cinema. Suffice to say this is going to be a fun reviewing adventure and I look forward to hearing your own thoughts on the films that are reviewed and the final ratings at the end.

Batman: The Animated Series – Season 1, Episode 57, 58 – Shadow of the Bat – The Beginning of Batgirl

Shadow_of_the_Bat-Title_Card

 

“Shadow of the Bat,” is a Two Parter that explores the beginning of Batgirl and her welcome into the Bat Family. The premise of the Episode is Commissioner Gordon gets framed after Rupert Thorne is taken down by a mysterious benefactor in relation to the rise of a new detective named Gil Mason. After Commissioner Gordon is framed Barbara takes on the mantle of the bat to defend him to the public and find the perpetrator. From here the story unfolds.

Here is the assessment of the episode:

Pros: Rupert Thorne – He is only in the first 10 minutes of the episode before he is a plot device for the main baddie but he reeks havoc before he is caught. You see him fight every step of the way before finally being brought in.

Commissioner Gordon – Is great as the father to Barbara and the man who comes to sympathize with the plight of criminals after being in prison. He makes a comment about changing the food they’ll receive after this time in there.

Harvey Bullock – Bullock is great as the unswerving friend who believes in the Commissioner. You see him keep faith even after Gordon is being framed before his eyes.

Gil Mason – Is a sociopathic sicko. He is ambitious and will work with anyone to get the power he desires. Commissioner Gordon makes a comment on how the real baddie is one he has more respect for because he is at least honest about what he has become.

Two-Face – Two-Face ascended is the story for most of this episode…and I wish he’d gotten away. He traps Batman, Batgirl and Robin in the subway and even has a clue on who Batman is after while in disguise Batman gives himself away when he warns Robin. He takes out the man who scarred him in the first place (Rupert Thorne) and the cops who had caused him so much pain. He almost wins it all this episode. Two-Face has won and Harvey Dent is dead at this point in the story.

Robin – I almost put him in the okay or con area but decided against it due to him coming to respect Batgirl in the end. He is the Boy Wonder for much of the episode and it is annoying…but he does come through and manages to help save Batman and treat Batgirl like part of the team and family.

Batman – Comes around to treating Batgirl as an equal much sooner in regards to when he’s met her and when she becomes part of the team. He does a good job figuring everything out and he actually gets caught and almost discovered showing that he does in fact make mistakes in the field.

Batgirl – This is Batgirl’s episode and it is a good introduction. We see how her gymnastics are used when she is fighting crime and the process of her learning how to be a vigilante is great…as well as all the effort put in to saving Batman, Robin and her father.

Okay: The Music – The music is forgettable, which is a shame. Batgirl could have received a great theme this episode.

Two-Face Caught – He should have escaped. It would have made the threat of him complete and completed his revenge. Right now no one controls the gangs leaving a power vacuum that is never addressed.

Because of the power vacuum with the gang, the capture of Two-Face can’t give this episode full points. It is still a favorite and one I would recommend though.

Final score is 9 / 10.

 

 

 

Batman: The Animated Series – Season 1, Episode 49 – I Am The Night – Is Being Batman Worth the Cost?

I_Am_the_Night-Title_Card

“I Am The Night,” is one of the more reflective Batman episodes that explores the cons of Batman and the guilt that Bruce Wayne lives with everyday. The story’s premise is that Batman is visiting Crime Alley where his parents are killed which leaves Commissioner Gordon in a setup against the Jazzman that leads to him getting mortally wounded…from here the story unfolds.

Here is the assessment of the episode:

Pros: Bullock – Bullock is the voice against Batman. He blames Batman for not showing up (basically admitting the police force hasn’t advanced at all because of it’s dependence on the vigilanty) and that he plans to take Batman on for the injury of Gordon.

Barbara Gordon – Defends Batman and her father from the Jazzman. The set-up to become Batgirl continues.

Robin/Dick Grayson – Is there to remind Bruce Wayne of why he became Batman in the first place. Also is there for Barbara Gordon.

Commissioner Gordon – Explains to Batman how he admires him and would have liked to be him if he was younger. It is a touching scene. “You are already a hero.” Is what Batman tells him.

Batman/Bruce Wayne – Actually postulates some good questions. Why don’t I move on? Am I actually helping this city? Do I do any good in the end? (Paper had Penguin getting free). He brings up how Gotham has become a tourist attraction because of him and in a way that he has inspired some of the way the crazy is expressed in Gotham. In the end it is a “Yes,” because he recognizes the role he plays and how others depend on him (from the small time criminal who reforms after Batman saves him) to the Gordons and Robin.

The Music – Catches the reflectiveness of events since when the drama goes down it is on the anniversary of Bruce Wayne’s parents’ death.

Cons: The Jazzman – He is just a crook with a personal grudge. I’m surprised one of the bigger fish wasn’t used. Like the Joker to do a callback to the 1989 “Batman” movie.

This was a great episode that begins to explore the cons of vigilantism and also personal responsibility. It would have been better with a bigger rogue and more time to explore Batman’s morose but it still works and is a favorite. Definitely recommend this episode.

Final score is 9.75 / 10.