Tag Archives: Crime Dramas

Logan Lucky (2017): A Critique and Celebration of the Southern Culture Through an Amazing Heist

   “Logan Lucky” is a great film. This is a film that will probably make my Top 5 at the end of the year and gives us some amazing performances, as well as having a great larger point as it critique and celebrates southern working class culture through the lense of West Virginia and a NASCAR Heist. The only real downside to this film that I  can think of is the lead up to the heist has a few scenes that drag and I felt the Robin Hood message should have been so much bigger than the two families who are a part of it. Given how much this film critiques Southern Culture (even as it is celebrating it) it doesn’t really address the elephant in the room. The elephant I’ll address further down in the review.

The film was directed Steven Soderbergh and written by Rebecca Blunt and produced by Channing Tatum, Gregory Jacobs, Mark Johnson and Reid Carolin.

The story involves Jimmy Logan (Channing Tatum) planning a heist after he is laid off from his construction job due to a limp he received during his football days. This leads him to teaming up with his Iraqi War vet brother Clyde (Adam Driver) and and explosives expert Joe Bang (Daniel Craig) as he plans to steal from the NASCAR speedway so he can still have a future with his young daughter, who is moving away.

The Pros: Rules of the Heist – The planning of the heist is meticulous, as we see that Jimmy has the 10 rules of robbing a bank (which 3 times has be sure your on board, expect the unexpected). This is wonderful as we see the chaotic elements come in (bringing in more people on the job) and how they deal with it in different ways. I also bring this up because the action of the heist and payoff are tied to these rules and each outcome or part of the plan brings in new elements that raise the tension. Also Joe Bang is key to it all and Daniel Craig is amazing as this threatening, yet charming crook.

The Working Class Struggle – One of the major themes of the film is the working class struggle. Clyde is an injured Iraqi war vet who runs a bar and gets harassed by patrons because of his injury, Jimmy loses his job because of an injury during the time he was a football player (when it had never been an issue before), their sister Mellie is always being harassed by Jimmy’s ex-wife’s husband and the Bangs live on the outskirts of society. They are smart but are nearly invisible to those around them.

Big Business and Corruption – We see a lot of examples of big business and corruption in the South. From Jimmy’s boss letting him go for cost cutting reasons, from the NASCAR owner who harasses Clyde for having one arm and how the FBI isn’t able to do their investigation all that well because the race course wants to hide the fact they don’t know how much money is going out of the track, showing that all the unchecked money has them probably making far more than their ledgers show (part of what the heist is working around). We also see it in the prison and how the Warden uses his guards to abuse the prisoners and his focus on making everything seem fine to the outside, even as an emergency could be occurring.

The Cons: The Unaddressed Racism and Payoff – This film takes place in West Virginia and so much of the class difference is tied to race, this is true everywhere in the United States but especially in the South were laws were passed to keep African-Americans from opportunity. Jim Crow wasn’t that long ago and it can still be felt today. Hell we had Nazis and Confederate flags in Charlottesville not to long ago. The KKK and Neo-Nazis and those who may sympathize with their ideology due to privilege or class have always been around and been the ones keeping what Jim Crow did in place even after. Racism doesn’t just go away when a new law is passed. Given the Robin Hood nature of the film and that it is correcting wrongs through the heist this could have been handled better minus the only African-American character being unnamed and getting no character development beyond helping cause a riot in the prison to help with the heist.

This is a film that has great character development and payoff. I’m not going to spoil anything, because you should really see this film. A lot of characters who are horrible and corrupt find themselves with less, while our strapping heroes have payoff in their character arcs and what they want in their lives and also among one another. There is comradely that we did not see at the beginning of the film. This is a film where our heroes start out as isolated players and by the end are cohesive team that the antagonists always underestimate because of their working class backgrounds. Seriously, I can’t recommend this film enough given that my only critique is that working class should have meant more than white (especially in the South) and that even though we get a good bit of class justice, outside of a single scene with a character from the prison, there is no racial justice to be found in a setting that once had slavery and Jim Crow.

Final Score: 9.7 / 10. So close to being the perfect film. Still one of my favorite films of the year though.

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Message from the King (2017): Netflix Makes a Revenge Flick

     “Message from the King” is a film that had a lot of potential and could have been great, but doesn’t quite get there. Revenge thrillers are hard to do, I enjoy them but in the last few years the only ones that really stand out to me are the “John Wick” films and this film isn’t that. Chadwick Boseman is fantastic, he really is the only one holding this film up, which is sad because there is so much potential as he is a South African in Los Angeles and all the differences in culture or history and similarities were just dropped. So before I get into spoilers, I recommend it if you like revenge films but there is not much else to keep you here. It isn’t bad but it isn’t good.

The film was directed by Fabrice Du Welz and written by Oliver Butcher and Stephen Cornwell who produced it along with David Lancaster and Simon Cornwell.

The story involves Jacob King (Chadwick Boseman) traveling from South Africa to Los Angeles to find his sister. When he finds out what happened to her his revenge quest begins as he hunts down those responsible for what happened.

SPOILERS ahead

The Pros: Chadwick Boseman – Boseman is the best part of this film. He plays a character who feels like a failure of a brother because he couldn’t take care of his siblings. There is also more going on with him too. After his sister’s torture and murder by the gang in Los Angeles he completes his revenge spree against the gang and we learn he is a cop in South Africa who hides his killing spree from his partners. This added more layers to the character and he was the only character whose motivation I really felt I knew, and that was entirely due to Boseman’s acting.

The Action – The action is solid and you feel a lot of the punches. It is honestly a shame there wasn’t more action as that would have strengthened the film overall. The action scenes stand out because they are at each major point in the story as his revenge spree completes.

The Cons: Many Great Actors No Characters – Luke Evans, Tom Felton and Alfred Molina are all in this playing different types of creeps involved with drugs, gangs and porn. Sadly I could not describe their characters to you as they are so poorly written. This was a missed opportunity as all 3 of these folks can act, I just didn’t see any character there, just plot devices to be destroyed by the protagonist.

I wish I had more to say about this film. There are a lot of decent actors in this (like Tom Felton and Luke Evans) but besides Boseman I’d have a hard time describing them or their motivations. This was a missed opportunity as any good revenge flick should have great villains that are more than evil for being evil or if they are, are at least fun in how awful they are. This film had none of that and would be a made for television movie if it hadn’t come out on Netflix. Again, if you like revenge flicks you’ll get some enjoyment, but beyond that I can’t recommend this film.

6 / 10 Solid action and Boseman keep it from being a complete failure.

“Ozark” Season 1 – An Amazing Story of Those Bound by Secrets and Damage

   “Ozark” is a great show. This is the type of show that takes aspects of “Breaking Bad” as far as the themes of crime, redemption and corruption mixed with the threat of the FBI and the Cartel and centers it around one family, who drives the action and shapes the drama of wherever they are. This is a show I’d seriously recommend and is once again proof that “Netflix” knows how to choose the right shows to make.

The series was created by Bill Dubuque and produced by Media Rights Capital.

The story centers around Martin Byrde (Jason Bateman), a financial planner who ends in deep with the Cartel and must pay off his debt after his company’s money laundering scheme goes wrong. To save himself and wash the Cartel’s money he moves his family the Ozarks, but all is not as it appears to be as he upsets the balance of power that already exists as he races against time against both the FBI investigation and the Cartel.

SPOILERS ahead

The Pros: The Price of Secrets –  A major theme of this show is the price of secrets. Whether it is his wife’s affair and him holding back how long he knew about it, whether it is the truth behind the money he is investing in the Ozarks in order to have it washed and the people affected by this, or the FBI agent and his lover who by keeping in the dark leads to the destruction of his lover’s family and a failure of the initial investigation.

The Art of Mutually Assured Destruction – M.A.D. is a major theme of this show as so much of it is Martin keeping different powers happy, as they know he could end them just as he knows they could end him. We see this in the threat heroin dealers who run crime area called the Snells and them working things out with the Cartel, and also the Langmores, whose father pulls the strings from prison and wants Martin’s money. The reason Wendy and Martin don’t split up after everything is they are both in on it too. They are both guilty so neither will turn on the other as both more than anything want to protect the kids. This threat that the different powers face, especially the Byrds is a huge part of what creates the drama that drives the story and Martin and Wendy’s creation of scenarios where there is some level of M.A.D. against those would harm them.

The Small Push to Corruption – A major theme in the story is the small push to corruption as Martin resists his company working with Del (the leader of the Cartel in the area) until he eventually decides he wants nice things as does his wife. They know Del is dangerous but for both of them the payoff of more wins out as we see them embrace the corruption that leads up to the action that kicks off the show.

The Victory of Small Acts of Good – Even with how dark the show is, there are still small acts of good. Ruth Langmore tries to kill Martin at first under orders from her dad but ends up growing attached to the Byrdes and saves them. We also see how the small acts of the family risking for one another bring them closer together. Even though things look bad at the end as the Snells kill Del and the Cartel now has them on their blacklist, their is finally love and with Ruth almost as an adopted family member now, they’ve grown and aren’t as alone and isolated as before.

Okay: Del’s Ending – Del is played by Esai Morales, who played Joseph Adama in “Caprica.” He is an amazing actor and even though his death advances the threat of the Cartel and turns the Ozarks into a warzone, I still really liked his character and wanted him around, at least for another season as he was both likable and threatening, and it is hard to get that in shows like this…as even “Breaking Bad” only ever achieved it with Mike and Gus. Keeping him alive, even as a prisoner, would have made this issue a pro.

The FBI – I liked the FBI agents and the fact that they were lovers, but I never felt like they had anything on the people around them. They wanted Ruth and Martin so they could take out Del but in the end they gain nothing since the Snells kill Del and Ruth never admits to trying to kill Martin and in the end the Byrde’s cover for her too. I wish they could have been more of a threat as the DEA in “Breaking Bad” feels like just as big of force as the Cartel in that show. I still thought the FBI was used okay, but as of this season, they weren’t a pro.

This was another great Netflix series that I’d highly recommend. If you enjoyed “Breaking Bad” chances are you will enjoy this too as it is cut from the same cloth and tackles a lot of similar things as far as what darkness humans are capable of, as well as what it takes to get someone to the point of corruption, or to turn away from it. For me the main issues were the FBI arc felt incomplete (Glad they have more seasons) and Del’s ending was okay for keeping things in the Ozarks, but it should not have ended in his death. That actor is amazing and the constant threat his character brought, mixed with his reasonableness made him compelling. Lets see where the story goes from here as Del’s boss is still out there as is Ruth’s father, both of who will play a part as future threats for our protagonists.

Final Score: 9.6 / 10

Baby Driver (2017): The Unforgettable Soundtrack of a Life

  Edgar Wright is one of my favorite directors at this point. He has created some of my favorite films…from the “Cornetta Trilogy” to “Scott Pilgrim.” Now “Baby Driver” joins those films as one that takes a unique take on a genre (in this case crime thrillers) and adds a whole new presentation of action while giving a powerful message and some of the best written gangsters in cinema. Seriously, I can’t recommend this film enough and as of this point in time, it is my favorite film of the year.

“Baby Driver” was written and directed by Edgar Wright while being produced by Tim Bevan, Eric Fellner and Nira Park.

The story involves Baby (Ansel Elgort) who is a driver who can only function listening music, who works for Doc’s (Kevin Spacey) crime syndicate. He does one last job to get out of debt and ends up falling in love with Deborah (Lily James) a waitress at a local diner. Things soon go south when after the job all as not as it appears to be and Baby is in over his head.

The Pros: The Art of Soundtrack Intertwined Action – This is a film that is a masterful work of art and so much of that is in the sound editing and use of songs with action. The film kicks off with a heist where there is silence before the pin drop and build up of a song as the getaway occurs. This is just the first example of how the two are interwoven to show rather than tell action. You have scenes with characters with no dialogue is needed and the song and how it is edited with the action tells you all you need to know. Both “Guardians of the Galaxy” did this to some degree (Baby is even a bit like Star-lord with his family issues) but what differs is that here it is down to the details and we are given continuous shots to use a song to it’s fullest degree or whatever sound best serves to show us the action.

Flawed and Compelling, the Art of Character – The characters in this film are compelling and interesting. They are all bad to varying degrees (the exceptions being Deborah and Baby’s foster father) but even the baddies are complex. Each of the characters carry their scars and wounds and we see why some like Bats are so batty and distrust all, because of what they’d had to do, or are driven by a hedonistic love of life and one another (Darling and Buddy) or characters who are driven by a level of trust but also some longing for family connection (Doc) and in all cases this leads them to do bad and good things. These are characters who I wanted to learn more about and who revealed the different aspects of themselves over the course of a film. Even my favorite crime movies like first two “Godfathers,” “Goodfellas,” “Gangs of New York” and “Wolf of Wall Street” all didn’t quite pull off the ensemble exploration. This film does and it is part of what makes it the prefect film of it’s kind.

Letting Go and Redemption – A major theme of the film is letting go and and in turn finding redemption. We see obsession consume certain characters in the final act leading to their destruction, while others have to die to themselves and their dreams in order to care for another and in doing so find peace. I’m being purposely vague because I don’t want to spoil this movie. You really should see it.

Subverting Genre Tropes – Deborah is not a damsel in distress. She is as much an active participant in this crime thriller as Darling, Doc, Bats and Buddy. It is her choices and activeness that keep her from becoming the damsel that love interests so often become in these types of films. The ending also subverts the common tragedy trope that often happens in these types of films. I won’t say how it ends but I’ve never seen a crime thriller end this way.

You should go see this film. If you like great films and want a film that will keep you on the edge of your seat because the action has purpose, the soundtrack is amazing, the characters are compelling and the message is meaningful, than this is the film for you. This is the perfect film in it’s genre and I hope Edgar Wright wins awards for this masterpiece.  To any aspiring directors, take note of Wright’s work, he owns this craft as both a writer and director.

Final Score: 10 / 10. The first perfect film this year.

Black Mass (2015): A Decent Biopic about the Rise and Fall of “Whitey” Bulger

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    Biopics, specifically gangster biopics are hard to pull off. For one you are starting with someone who by the very nature of what they do is unsympathetic and it often times depends way too much on whomever the star is in order to carry the story rather than the power of the writing and story itself. These were the main issues with “Black Mass” that kept it from being great, though it is good to see Johnny Depp in form again and there is a lot to like about this film, even though it missed some great opportunities to raise stakes and humanize the characters.

      The film was directed by Scott Cooper who was also one of the producers and written by Jez Butterworth and Mark Mallouk while the other producers were Josh Lesher, Patrick McCormick, Brian Oliver and Tyler Thompson. It was also based on the book of the same name by Dick Lehr and Gerard O’Neill.

      The story involves the rise of fall of Whitey Bulger (Johnny Depp) and his relationship with his brother the Senator Billy Bulger (Benedict Cumberbatch) and their childhood friend who joined the FBI but stayed close to them John Connolly (Joel Edgerton).

The Pros: The Cinematography – The cinematography is dark and does a good job capturing the tone of the piece as we follow the life and times of the criminal Whitey Bulger. It never pretends to be anything but a crime biopic and the cinematography beautifully captures it. Takayanagi did a great job.

Whitey Bulger – Johnny Depp is great when he has the chance to play more than a Tim Burton stock character and we get to see him play a truly creepy and scary guy in this. He has relationships he cares about like his son, mother and brother but at the end of the day human life means nothing to him and we see that really well. His paranoia also continues to grow throughout the film as he becomes even more unstable than when we first meet him.

Billy Bulger – Cumberbatch does a fantastic Boston accent and is great as the brother who looks the other way and gives a good public face to the family as he is never corrupt as far as we can see, he is corrupt in how he hides his brother’s crimes by refusing to prosecute or do anything about what others bring forward. It is for this reason he eventually gets arrested we learn in the post credits scene when he stays in contact with his brother the fugitive.

Fred Wyshak – Corey Stoll does a fantastic job as the one who cleans house in the FBI leading to the eventual arrest of Connolly and Bulger and his gang. He is all about work and and it is great seeing him figure everything out, while holding it all close to his chest so that what informants Bulger has in the FBI won’t get out.

Charles McGuire – Kevin Bacon plays the FBI agent trying to do his job on a corrupt force and does a good job of it and clashing with Connolly. Kevin Bacon was great doing the no-nonsense boss shtick.

Okay: John Connolly – It was hard to care about this guy as he was so blatantly corrupt that I was just waiting for the eventual ax to fall.

The Cons: The Minor Characters and Women – Most of the minor characters were completely unmemorable, be they part of Whitey’s gang or the wives of the FBI agents. They were nothing be scenery and for this reason it was hard to care about what happened to any of them. They weren’t given agency.

The War with the Mafia – We never really see the face of the mafia so the war that the FBI fights and the Bulger is fighting with them doesn’t mean anything. They are only ever mentioned and we get the fallout and that really took a lot of the stakes out of the film as we don’t really get tension until Wyshack appears and does all he can to clean out the FBI and catch Whitey.

  This was a decent film that is worth seeing if you are into crime dramas. Depp is memorable but the script needed work as the stakes aren’t executed well and the minor characters never rise above being stock crime drama characters. This is what kept it from being great and why I could see people not enjoying this film as you cannot count on stars to carry a film. “The Martian” worked because of the writing, directing and all of the cast being interesting. In this the only interesting characters are the main characters played by stars who are usually always good.

Final Score: 7.5 / 10

“Narcos” Season 1 Retrospect – Colombia, Politics, Drugs and a Powerful Story

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     Netflix just keeps making gold…”House of Cards,” and “Daredevil” are already two of my favorite shows and now I must add “Narcos” to the list…though the fact that it didn’t end after this season is troubling. We are caught up to the year that historically Palbo Escobar died…where does the series go from here if it is going to take the 10 episode format? Do Murphy’s and Pena’s story really have that much steam left? Their arcs felt complete at the end of the story. Suffice to say though, season 1 is great with one of my few criticisms only being the ending.

     The series was created by Chris Brancato, Carlo Bernard and Doug Miro and directed by Jose Padilha.

SPOILERS ahead

     The story involves the Rise and Fall of Pablo Escobar (Wagner Moura) and the drama within the Medellin Cartel and the DEA agents Steve Murphy (Boyd Holbrook) and Javier Pena (Pedro Pascal) and what they and the Colombian Government do to bring him and the Cartel down.

The Pros: The History – The history that takes place through the 80’s of the politics and drama between the political groups and gangs in Colombia is fascinating, especially in relation to United States involvement as it is the United States backing of Pinochet which lead to the drug trade being exterminated in Chile but spreading over to Colombia when “Cockroach” escapes to the Escobar’s and sells them his trade helping them start their Empire. We also have the war between the Colombian Government and the Cartels and the United States and the different Communist movements in South America…it is fascinating and awesome and made me want to read and study more.

The Cinematography – The cinematography captures the beauty of Colombia and the dark underbelly of the gangs and the corruption in the government as well as the grey line our characters are always walking.

The Soundtrack – Pedro Bromfman did a wonderful job incorporating traditional and modern Colombian music to make this show truly about Colombia. We get personal moments and the gritty reality of all our characters through his amazing art.

The Characters  and Organizations – The characters are all flawed and have to make hard choices and the organizations have clear goals as well and all are a mixture of fear and idealism in order to meet their ends.

The CIA  and U.S. Government – The CIA is great as we have a military guy who is all about catching the communists but another agent played by Richard Jones who is always helping our guys go after Escobar and the Cartel. It shows how complicated it is especially as they walk a grey line of looking after their own interests but not losing the goodwill of the people. Ambassador Noonan is the one who has the most difficulty with that given the United States’s legacy in Chile next store.

The Communist Rebel Groups – The rebels are all based in idealism but are presented as being cut off from the reality of the people as they are willing to kill innocents to meet their end and still claim the high ground. This eventually leads to one of the leaders surrendering to Escobar to protect his men that the Cartel are killing off. M-19 is the one that gets the most airtime as their kidnappings bring the Cartel against them though Pablo Escobar eventually defeats and uses them to his own ends.

The Colombian Government – The government is in the Cartel’s pocket for a long time until the option of extradition comes up where the caught drug deals will be sent to a U.S. prison rather than the vacation and influence they’d have in a Colombian prison.

President Cesar Gaviria – Cesar is given a lot of tough choices and we see him eventually make peace with Escobar letting him make his own prison so that the bloodshed will stop. He isn’t a coward though and we see him avoid an assassination attempt and always walk among the people, calling the Cartel out for their crimes. He is definitely flawed but you see a man faced wit the dilemma of losing sovereignty and granting the U.S. more power or letting the Cartels have more power but have sovereignty respected.

Colonel Herrera – Herrera deals with the Escobar at first but becomes a mortal enemy after this rise as he becomes obsessed with him after an assassination on his wife and himself at a cafe. This eventually leads to him setting his men on Pablo’s cousin, ending in his death.

The Medillen Cartel – The Cartel is fascinating and the gangsters are complicated monsters as we see them humanized and love and lose and make hard choices in order to survive and to grow their business.

Gacha – Gacha is unhinged and is fun to watch as Pablo Escobar is able to keep him in line even as his killings of the politicians and prostitutes is slowly getting the government to act. He is the one who is all about taking what he wants, though he has a son (who is a monster like him) who he loves. He is eventually taken out by Pena.

The Ochoas – The Ochoas make a deal with the government and Cali Cartel to leave Pablo isolated which eventually leads to Pablo’s cousins death and makes it so the sister is no longer connected to the Escobars. They win in a way as they get the prison deal they wanted and stay under the radar.

Pablo Escobar – Escobar drives the story as we see he and his cousin but the Medellin Cartel making them some of the richest people in the world. Their bond is  core connection and it is after Pablo’s cousin is killed that he loses it and eventually kills the men he put in charge of the Cartel leading to an eventual assault on the Prison he made for himself in order to keep the government off his back. He rises and in the end his love of Colombia and desire for power and respect lead to his downfall as his escape from his prison cannot prevent him from the death that is already in the history books.

The DEA – The DEA like Escobar are the main drivers of the story as we see Murphy and Pena have to make difficult choices and sometimes act on their own and for or against one another in order to stop the Cartels.

Javier Pena – It is great seeing the Red Viper again! Pedro Pascal is one of my favorite actors and I’ve missed him since the only season he was in “Game of Thrones.” He plays a womanizer in this but he has a good heart as he looks after all of those he has a relationship with, even if it means his job and life. It is this love of the people that a lot of them reject as they see him as a DEA Gringo who only cares about American interests and not those of Colombia. He proves that assumption wrong on multiple occasions. He was my favorite character in this.

Steve Murphy – Holbrook does a good job as the mustached 80’s cop who gets hardened by Colombia and addicted to the chase and war. In the end it is his home as he is driven at taking down the Cartels as he no longer cares about his life and we see his detachment from his wife as she wants to return to the States while for him, this War is all he has as home and he has nothing in the States to go back too (his partner having been killed by the Medellin Cartel prior).

The Cons: Women Sidelined – Women are very much on the sidelines in this with a reporter being the few women with power. I get that this reflects the society, but even Pablo’s mother’s influence isn’t really shown. The exception I can think of is Connie Murphy but even she feels like a side quest to the main narrative and is only really in the story because of her marriage to Steve and she isn’t needed to drive the story.

Leaving the Story Open – Escobar should have died at the end and the point about violence always being there could have been. In the end Escobar wasn’t the point of the story, the point was Colombia and how it had shaped our characters are Murphy sees it as home even after his partner sold him out to the Cali Cartel to catch Escobar. This theme is powerful but is undercut by Pablo’s escape and not death in the final from the Search Bloc.

I recommend this story, it is overwhelmingly good and the few cons don’t take away from that. It is gives Colombia respect and also goes into quite a bit of depth with all the different players in the game that the Governments and Cartels played. I’d highly recommend checking it out, even as I’m worried about what Season 2 might bring.

Final Score: 9.3 ./ 10

In Bruges (2008): A Tragic Quest for Redemption

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“In Bruges” was a film that was recommended to me by a friend, and I got to say it didn’t disappoint. I’ll get into what I liked and disliked about in the assessment, but for now this is one of the most beautiful films in regards to cinematography.

“In Bruges” was directed and written by Martin McDonagh and produced by Graham Broadbent and Peter Czernin.

The story is that of hitmen. Two hitmen named Ray (Colin Farrell) and Ken (Brendan Gleeson) are sent to Bruges by their boss Harry Waters (Ralph Fiennes) after Ray accidentally kills a kid during a hit job. From here the story unfolds as Ray wrestles with his guilt and the world around him unfolds.

Here as my assessment of the film:

The Pros: The Cinematography – Visually, this is a stunning movie. The use of fog and light are used to capture how grey the characters are morally and emotionally through the film, and even ties to the end with the mystery of what finally happened.

The Music – The music is also reflective it shows us the dilemmas Ray faces as he considers taking his own life, and Ken has when Harry orders the hit. It is a stunning soundtrack and one I plan to use for writing in the future. Carter Burwell’s use of the piano made this soundtrack a masterpiece.

Chloe – Chloe is Ray’s love interest and the one showing him a reason to live as she’s been in deep with gangs and drugs herself and they help give each other direction and higher purpose beyond themselves. As her ex-boyfriend is a thief. She’s a very beautiful, kind and complex character. Poesy is fantastic in the role.

Jimmy – Is a drug addict Dwarf from the United States, who is in Bruges as part of a film. He has racist tendencies and thinks there will be a race war between whites and everyone else. When he is called on it by Ken who had a black wife who was murdered by a white man he changes his tune. He blames his racism later on the cocaine, but he seems to have learned from Ken. Ken really is the moral center of the film. Jordan Prentice is a great actor and I want to see him in more films.

Ken – Ken is the moral core of the film. While Ray reacts and tries to escape from his actions, Ken is always facing them. We see this in his love of history as he is the one taking in the sights and history of Bruges and really appreciating the place. He owes a lot to Harry the mob boss as Harry avenged his wife (in a deleted Harry played by Matt Smith does it) so you get the life debt he owes and why he doesn’t hold Harry killing him against him and uses the last of his will to give Ray a gun and warn him that Harry is in town. At one point he is about to kill Ray when Ray is about to kill himself so he changes his mind, saves Ray and gets him out of town. It is here that he chooses to make the right choice rather than stay a killer, which leads to why Harry tries to kill him later. Brendon Gleeson is wonderful in this role.

Harry Waters – This guy is the clear set moral mob boss. “You don’t kill kids.” Is his philosophy in regards to when he does hits, it doesn’t matter if it’s accidental or not, the person who does it will pay, even if it is him. We see the reasons why since he has a family and children of his own and this sets the stage of him killing himself after he accidentally kills a kid into perspective. He’s a character true to his word. Ralph Feinnes shows is acting depth and range again with this character.

Ray – Colin Farrell shows why he won an award for this film…from his hate of Bruges, love of Chloe, nihilistic escapism and confronting his guilt when he almost takes his life in the park while watching kids play. We never know if he dies at the end, we just know he doesn’t want to die in Bruges. He fucking hates Bruges and describes it as being in Hell for an eternity if he dies here. We’re left wondering if he’ll ever find redemption as so far he’s either been running or lost in guilt. This theme pervades the film. 

Cons: The First Third – The first third of the movie is really slow, it’s before we meet Jimmy and Chloe and the backstories of our characters haven’t been fully revealed yet. It goes on way too long and could have been cut since when it picks up it keeps going. This is the only thing keeping it from being a perfect film. Action should have been faster initially, or at least more drama in the first third of reflection.

I loved this film, the cast, music and cinematography are spectacular and it gives us very human characters facing their choices. All the choices have consequences too and there are no easy outs and asks the question of redemption being even possible. For these reasons I would recommend this film, just know the first third is a bit long before the action really picks up.

My final score for this film is 9.4 / 10.