Top 5 Films of 2019

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2019 was an interesting year for film. There were quite a few types of film I didn’t see. I didn’t see any of the live-action Disney remakes as I had no desire too. I skipped quite a few remakes such as the “Men in Black,” “Hellboy” and “Charlie’s Angels” remakes. I didn’t see any of the Stephen King books adapted to film. I will probably review them at some point but I had no desire to watch them in the theatre. I was much more picky about films I saw this year and it certainly lead to a better viewing experience. I list some of the films I saw this year below and for a few there are reviews upcoming, but they didn’t make my Top 5.

Now for what I did see. For the films I saw this year that were bad were “The Dead Don’t Die,” “Velvet Buzzsaw” and “Glass.” These trashfires all looked great but had stories that were crap. Either there was no bigger point, the characters were unlikable or the story was simply crap.

Most of the films that I thought were good or enjoyable but didn’t make my Top 5 were the MCU films that came out this year, “How to Train Your Dragon 3,” “Rise of Skywalker,” “The Irishman,” and “Joker.” These were films I may or may not see again in the future and were good for the outings they were but left me with no lasting investment. Some were fine ends or complete stories, while others were good experiences that didn’t stay with me after or whose deeper point just wasn’t there or didn’t stick.

For great films that were in competition for making the list so will get honorary mentions here are “Once Upon a Time in Hollywood,” “El Camino,” “John Wick 3,” “Shazam!” “The Man Who Killed Don Quixote” and “Toy Story 4.” Each of these captured an element of what I love in films and if they didn’t have a deeper point at least were beautifully crafted films that brought more than the sum of their parts.

Now without further ado, here are my Top 5 Films of 2019:

 

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5) Midsommar

Directed by Ari Aster

Last year Ari Aster’s “Hereditary” made my Top 5 films of the year, and he once again pulls it off this year. “Midsommar” is a haunting horror film that explores the themes of trauma and isolation while managing to make daylight and summer creepy. The one thing that keeps this film being higher on the list is the fact that besides the main character, none of her friends are likable. For the purpose of the narrative, them being unlikable works as it plays into Dani’s isolation that she is going through after the death of her parents and sister and the events that take place in the small Swedish cult village celebrating midsummer. If you are a fan of horror films or enjoyed “Hereditary” I highly recommend this film. There are layers of storytelling in this beautifully told horror story and I can’t wait to see what Ari Aster does in the future.

https://cameronmoviesandtv.wordpress.com/2019/10/19/midsommar-2019-an-amazing-film-about-grief-and-isolation/

 

4) What We Left Behind – Looking Back on Star Trek: Deep Space Nine

Directed by Ira Steven Behr and David Zappone

I’m a Trekkie and this has been a rough year in regards to that, especially as it relates to “Star Trek: Deep Space Nine.” Aron Eisenberg (Nog) and René Auberjonois (Odo) both died during 2019. In this documentary they feature prominently and we even get to see a hypothetical Season 8 with Captain Nog at the helm. This is a documentary made for the fans and it explores so many amazing aspects of the show and what makes it one of my favorite shows of all time. Whether it is social justice that is explored through sci. fi. lens, the cost of war or countless other ideas these are presented to us by the showrunner Ira Steven Behr as he explores the show he created. Documentaries have never made my Top 5 Films at the end of the year, until 2019. If you are a fan of “Star Trek” and especially of “Deep Space Nine,” you really should see this film. This last year it became even more personal, because of all those left behind, but remembered.

https://cameronmoviesandtv.wordpress.com/2019/06/06/what-we-left-behind-looking-back-on-star-trek-deep-space-nine-2019-the-perfect-star-trek-deep-space-nine-documentary/

 

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3) Jojo Rabbit

Directed by Taika Waititi

“Jojo Rabbit” is a genius satire and drama that feels like the best of Wes Anderson meets the best of Mel Brooks. The story follows Johannes (Jojo) as he discovers his mom (played by Scarlett Johansson) is sheltering a Jewish girl from the Nazis. From here is his unlearning of how toxic and evil fascism and Nazism is, while dealing with his imaginary friend Adolf Hitler (played by Taika Waititi). The film is brilliant, powerful, intelligent and full of so much heart. In the era we live now, with the rise of facism around the world and the targeting of the most vulnerable in refugees, immigrants and so many others. This film is extremely relevant to modern day problems facing so many communities around the world and here in the United States. This film is definitely worth your time.

https://cameronmoviesandtv.wordpress.com/2019/12/14/jojo-rabbit-2019-a-masterpiece-of-satire-and-heart/

 

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2) Parasite

Directed by Bong Joon-ho

“Parasite” is above “Jojo Rabbit” just barely and that is largely due to character nuance. This is a film that explores class and privilege in South Korea while giving us some great character studies in the process. The story follows two families. One family is a bunch of cons called the Kims who con their way into fulfilling roles of help that the Park family needs. During the con we see the nuance and complexity to both families as well as how class, whether it is upper or lower class carries on through generations. This is a film where the nuance of the characters grew on me, you see their flaws but they are also not all they appear to be either. Both members of the families have moments of compassion or cruelty which leads to the ending being so powerful and tragic. I won’t give away anymore than that, but I highly recommend you check this one out.

https://cameronmoviesandtv.wordpress.com/2019/12/19/parasite-2019-a-thrilling-deconstruction-of-class/

 

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1) The Lighthouse

Directed by Robert Eggers

“The Lighthouse” is a beautiful, amazing and disturbing film. This is a film that explores isolation and madness as well as the human desire for connection even in the worst places in the mind. The story follows Ephraim (Robert Pattinson) as he fulfills a contract as a wickie at a Lighhouse of the coast of New England. It is here his only company is the boss of the Lighthouse, the half-mad Thomas Wake (Willem Dafoe). Over the course of the film we see what isolation does to both of them as we are given symbolic visions of what may have brought Ephraim here to the contract in the first place and Wake’s obsession with “The Light” that has an almost religious power for him. I won’t give anywhere than that as you should see it yourself. This is a brilliant phsychological horror film and easily the best performance I’ve seen from Pattinson and Dafoe. I saw a lot of great films this year, but none of them reached the perfection that was this film.

https://cameronmoviesandtv.wordpress.com/2019/11/08/the-lighthouse-2019-the-haunting-light/

Parasite (2019): A Thrilling Deconstruction of Class

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       “Parasite” is a film that stays with you. This is a film that explores class in South Korea as well as the complicated nature of the human psyche. None of the characters you meet are really likable but they are compelling and I found myself drawn in through the entire film. I wanted to see what would happen next, and the film did not disappoint. This is an amazing thriller and the beautiful cinematography and soundtrack elevate it further. I definitely recommend this film.

The film was directed and co-written by Bong Joon-ho who co-wrote the story along with Han Jin-wan.

The story follows the Kim family who cons their way into fulfilling roles needed by the wealthy Park family. All is not as it appears to be though as the history of the house and the weaknesses into con begin to be revealed.

SPOILERS ahead

The Pros:

The Cinematography – The cinematography is absolutely beautiful and does a good job of pulling you in. Light is used to illustrate tension or discomfort as even the Park household never feels fully lit. This does a great job of growing the tension between characters, be it love, friendship or distrust. The use of light and dark helps illustrate the class divide between the characters as well as the Park house is filmed primarily during the day, while the Kim house is filmed primarily at night. The areas that are darkest is the hidden basement which feels like a horror film in how it shot and it is here where the Climax of the film really begins. This area of the house is filmed in sickly yellows and greens. Hong Kyung-pyo did an amazing job.

The Soundtrack – The soundtrack like the cinematography keeps you drawn in. There are sharp string instruments used at certain points and most of the soundtrack gives a sense of foreboding and melancholy. This plays into the theme and feel of the film and elevates it. Jeong Jae-il’s composition is absolutely beautiful.

The Characters and Nuance – This is a film that is full of character nuance. Most of the characters are more complicated than they appear to be. The father from the Kim family Ki-taek forms a friendship with the wife of the Park family Yeon-gyo and seems to care about her more than her husband does. The Kim daughter Ki-jeong helps the Park boy Da-song who she is art teacher for to calm down and there are little moments like this between characters scattered through the film. It is beautifully done. I kind of hated most of the characters at first until I noticed that nuance, which makes the con falling apart all the more tragic as everyone in this film suffers or dies in the end when the con comes crashing down.

Deconstructing Class – One of the lines in the film is that the Park family is kind because they are rich. There is truth to this in that they aren’t desperate to live so have formed relationships beyond survival, while the Kim families relationships are entirely based on eating and keeping their house. Why the class structure that exists is never explored but the consequence upon how people behave is. Desperation leads to selfishness and living well off can lead to a level of detachment.

The Ending – The climax starts when the former housekeeper returns after the Kim family is celebrating and drinking while the Park family is away. What we discover is her husband worked for the home’s prior owner and has gone insane. When the con is revealed the former housekeeper after the Kim mother refuses to help. This leads to the housekeeper ending up accidentally killed and her husband breaking out and attacking the Kim son and killing the Kim daughter. Kim Ki-taek kills the houskeeper’s husband and attacks the Park father after the Park father reacts to his “smell,” and escapes. After the Kim son Ki-woo recovers in the hospital he learns that his father survived and is living in the underground area where the housekeeper’s husband had been. He vows to earn money to get the house so that someday his father can be free and the story ends. There is so much that happens and it stays with you.

The Cons:

Backstory and Motivation of the Mothers – I wanted more story on what had brought the Mothers to be in the situations they were in. The con mother Chung-sook used to be an athlete, but we don’t know why she is so harsh on the housekeeper. What drove her to be the meanest of her family? How did Yeon-gyo end up in the relationship with a husband who never admits to loving her? They both love their children and that clearly drives them, but I wanted more on how they came to be in the places they were. I feel like that would have defined more of the choices they make in the film.

This was a film I came to love the more I thought about it. The characters have nuance and humanity to them, even as they do horrible things and in the end there is growth for at least 2 of the family members who did the con as well. This film could have easily just clearly painted one side as wholly bad but it doesn’t. Instead you see what greed and desperation do to people as well as how money changes how people view one another. This is powerful and relevant and the only thing keeping it from getting a higher score is I wanted more backstory from the mothers. They really needed more development for what defined who they were.

Final Score: 9.8 / 10

The Art of Self-Defense (2019): An Amazing Critique of Toxic Masculinity

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    “The Art of Self-Defense” is a film that was so close to the film I wanted. If you like black comedies and thrillers, chances are you will enjoy this film. This film is good, the cast is great, the writing and plot structure is solid. Most of the issues I have are with the larger world the story takes place in and how consequences are expressed. This a film that should have been longer given how much I found went unexplained. Before I get into spoilers though, I definitely recommend it.

The film was written and directed by Riley Stearns. This is the first film I’ve seen him do, so I hope he makes more.

The story follows Casey (Jesse Eisenberg) who after being attacked and nearly killed by bikers joins a Karate Dojo in order to learn self-defense. He soon learns all is not as it appears as he transforms under the tutelage of the Sensei.

SPOILERS ahead

The Pros:

Casey’s Arc – Casey’s story is strong. You have a guy who is afraid and at one point doesn’t even want to leave his house after he is nearly killed by a group of mysterious bikers. After he joins the Dojo he improves from Sensei in that he stands up for himself and starts to finally form connections with others. Where it falls apart is that his Sensei is a fanatic and his whole philosophy is based on dominance and destruction over others. Casey loses his job because he punches his boss in an asserting his dominance and Sensei uses this to make him his accountant at the dojo. When Casey realizes this and that Sensei was the one who had beat him up in the first place he gets revenge and finally changes the dojo. Jesse Eisenberg is wonderful in this role as the character he plays is anti-social and it is only among the other anti-social people of the dojo that he finds friends. Anna is his ally in the dojo and after learning her story and seeing how she saved his life when Sensei and the motorcycle gang almost killed him, he makes her Sensei after killing the prior one with a gun.

Toxic Masculinity – The main theme running through the story is that of toxic masculinity. Sensei believes that everything should be masculine and that masculine things are the only things men should like. This is expressed in that he believes in not just as martial arts as the only way to truly fight but also that heavy metal music, choosing to start fights and make others like you or destroying them and that women aren’t capable of this and are weaker in all things (she is up to brown belt but will never be black belt even though she is the strongest person in the dojo). This is all in reaction to the loss of his wife and him abandoning his “feminine” name.

The Cons:

Unfocused on the World Being Personal or Large – The main con in this film is that there is a larger story going on in the sidelines that never truly becomes part of the main narrative. Casey kills an undercover cop for the dojo but there aren’t any consequences for it. The dojo is so impenetrable from consequences outside of it that it comes off as unrealistic. This unfocus also related to the theme of the film in toxic masculinity. I wish the story had been told through Anna’s eyes, because it is through Casey’s we only get see so much of the ideology of Sensei and because he is new we don’t see why the others follow him so mindlessly. Why does Anna stay? These are all things I wanted to know that should’ve been fleshed out. There needed to be more reasons for motivations and beliefs beyond Sensei’s.

This is a solidly great film. The writing is sharp and the story flows. If the problem of consequences and it either staying focused on the small world of the dojo or truly making the world feel large the problem would have been solved. In the end scale is really what kept the film from landing higher on the list. I definitely recommend this film. It won’t make my Top 5 at the end of the year but I can’t wait to see what this director does next.

Final Score: 9 / 10

The Lighthouse (2019): The Haunting Light

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     “The Lighthouse” is worth the hype. This is a film that feels that taps into the human psyche and the terror of both isolation and the monsters people are capable of being. It does all this while still having nuance within the script and giving us complicated characters. It helps that it is beautifully filmed. I really hope we see more films like this. It certainly feels like a film that Hitchcock would make or any of his contemporaries. From the almost stage nature and the symbolism and depth that carries the film, beyond the amazing performances by Pattinson and Dafoe. Before I get into spoilers, I highly recommend this film.

The film was directed and co-written by Robert Eggers, with Max Eggers being the other writer.

The story follows Ephraim Winslow (Robert Pattinson) who is contracted out to be wickie for 4 weeks on an Island of the coast of New England. He meets impatient man in charge Thomas Wake (Willem Dafoe), and begins to experience strange visions after finding a statue of a mermaid buried within his bed.

SPOILERS ahead

The Pros:

The Cinematography – This film is beautiful. The use light in black and white is used to create a haunting and isolating environment. Jarin Blaschke truly did a beautiful job.

The Writing – The script feels like a stage play at times while still being natural. Characters will give monologues and the two of them read from a book, and that book becomes part of the theme and narrative. Myths and legends are weaved into the lives and lies of our characters. This is all used in the theme of the dreams tied to what the characters preach about. There is a sense of the supernatural through the entire narrative.

The Characters – Dafoe and Pattinson fully inhabit their characters. You have the superstitious Wake whose story about his bad leg is all lie but clearly is connected and worthy of the light from the Lighthouse. Both of them are so incredibly flawed and seeing them build trust with one another that falls apart is tragic and powerful. Each of them carries lies from their past and origins and over the course of the story those truths are revealed and come at costs to the different characters. Each of them are people who wouldn’t have a relationship as colleagues unless they had to. Wake likes his solitude and has committed crimes to keep it and has regret from it just as Winslow regrets what has driven him here. He clearly doesn’t want to be a drifter but feels as if he has no choice and because of it he can’t trust. Neither of them are good people but them being complicated makes their going mad all the more fantastic to witness.

Isolation, Loneliness and Lies and delusions – Some of the major themes of the story involve the isolation of our characters, the lies they tell one another and the loneliness they each face. The characters are consumed by visions and delusions. Winslow dreams of a mermaid and killing or having sex with it and sees visions of tentacles rising from Wake and him looking like a sea deity. The only time the characters aren’t alone is over meal time or when Winslow finally drinks with Wake. It is here we see the connection they come to share that is destroyed by the truth of their actions and past and the all consuming madness of the light.

The Consuming Truth – What ends up being a major theme of the story is consuming truth. As the characters go mad they learn more about one another see in the end the revelation of the lies and truth destroys their sanity and lives. It is powerful as both characters are murders and in turn meet their ends as they attack one another and give mortal injuries that signal that there is no escape for either from the truth.

The Haunting Light – The light from the Lighthouse is used hauntingly throughout the film. Winslow goes from not caring about it it becoming his obsession. He kills to see the light and in turn it leads to his eyes burning and him being punished by the gulls. The light is never peaceful and even when there is ecstasy it always has a dark implication. Wake masturbates to it and it is when Winslow watches him do it he sees tentacles above for the first time, an early sign of his madness. It is unknown if the light brings about the madness or simply reveals it but it is center to the story and I loved it.

I loved this movie. It is truly worth the hype. I really want to see Pattinson’s Batman now and this easily one of the best performances Willem Dafoe has done. If you like movies full of rich themes, psychological horror and are beautifully filmed, this is the film for you. This film doesn’t feel long at all. This might be my favorite film of the year and I can’t wait to see what Robert Eggers creates next.

10 / 10 The film is perfect and well worth your time.

Midsommar (2019): An Amazing Film About Grief and Isolation

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   “Hereditary” was one of my favorite films last year and this year “Midsommar” has the potential to be that too. This is a psychological disturbing horror film that delves into the depths of grief. The only thing that really holds it back is the only likable character is our main character.

The film was written and directed by Ari Aster.

The story follows Dani (Florence Pugh) after her sister kills herself and her parents she finds herself isolated and alone. When her boyfriend Christian (Jack Reynor) and his friends when they travel to an isolated Swedish village that is the hometown of one of the friends for the village’s midsummer festival.

SPOILERS ahead

The Pros:

Cinematography – The cinematography is some of the best I’ve seen all year. There are wide shots that suck in just how isolating open spaces can be. The film largely takes place in daylight and Pawel Pogorzelski uses this to give an ethereal alien feel to our characters as they are drugged by their hosts and the midsummer 9 day festival begins.

Soundtrack – The music uses lots of chants and quick strikes on the strings and drums. This plays beautifully into the isolation and the nature focus of the cult and it plays into the isolation. The music is striking and it makes the scenes and experiences of the characters stand out.

Dani’s Isolation – Dani’s isolation is our primary perspective in the film. It is done beautifully and nature is used to portray it. She is alone, even when she is with people and this is reflected in wide shots of wherever she is (her college or the village) and her visions. The drugs cause some of those visions as well which compounds how alone she is feeling. In the end she is the Cult’s mark and her isolation she feels from the beginning the film is what is taken advantage of.

The Terror of the Cult – The cult is creepy. They view themselves as part of nature and will kill themselves when they reach a certain age or to keep the balance of how many people are in the village. This extends out to people bringing sacrifices to keep alive longer and to sustain the village bloodline. The creepiness is there the moment you enter the village. The villagers never give much information and there are hints in the art on what will happen to the tourists. They are the scariest part of the film and seeing it from Dani’s fear and isolation only makes it more powerful especially as she chooses Christian as the final sacrifice for the festival showing just how in the cult she has become.

Facing Grief – The main arc of the story is Dani facing her isolation and grief over her sister killing herself and their parents. The cult has a life built around the seasons and villagers willingly give up their lives for the cause. This acclimates her to death to the point that by the end she smiles even as her friends and ex are now all dead. For her the breaking scene is when she finds Christian in a sex ritual with a girl from the village. It is here the village women cry with her and in the burning of the past she is reborn in the village and smiles for the only time the entire film.

Okay:

The Characters as Expendable Tropes – The characters are all jerks except for Dani. Her boyfriend doesn’t want to be in the relationship and never listens to her, his friends are a partier and the one who is studying the village for his Thesis and never shows kindness to anyone. The friend who brought them there is terrible as well as he knew he was bringing them there to be sacrificed. The one reason it isn’t a con is it does play well into Dani’s isolation and her eventually becoming the May Queen and a member of the Cult.

If you enjoy horror films or Ari Aster, this is a film I highly recommend. The film is long but it doesn’t feel that way at all. “Midsommar” has has a Kubrickesque feel as it has you sit with characters and scenes so they sink in and you feel uncomfortable by what is happening or what might be about to happen. This is the kind of horror enjoy and the fact that the film uses the theme of grief as an exploration adds another layer to an already great film.

Final Score: 9.7 / 10 If the other tourists with Dani had been likable it would be perfect.

El Camino: A Breaking Bad Movie (2019) – Bringing Closure to the Amazing Show

    I loved this film. “El Camino” is the perfect Epilogue and closure for Jesse Pinkman and “Breaking Bad” as a whole. “Breaking Bad” is one of my favorite shows of all time, and this film captures so many of those reasons why it is. Like the show the filming is stark in coloration, the music also gives it that intensity and the writing is the perfect example of showing and not telling. No wonder Vince Gilligan created a masterpiece in the show, as he does this so well again here. If you are a fan of the show, you will at the very least enjoy the film. I highly recommend it.

The film was directed and written by Vince Gilligan.

The story follows Jesse after his escape from the Neo-Nazis as he tries to find a way to freedom away from all that has happened as he seeks out his friends and connections for help.

SPOILERS ahead

The Pros:

The World – As a fan of the show, it was great finally getting closure. I enjoyed seeing all the characters still alive interact and their connection to Jesse as well as those who were dead and how they were defining the way he would live. The world of “Breaking Bad” is harsh and cruel and there isn’t much hope. Most of the series involves Jesse taking a literal and metaphorical beating so it was wonderful seeing that there were still moments of light in the dark. The soundtrack and cinematography bring this to life too with how stark scenes are shot and even the brightest day can be one of complete isolation and claustrophobia. Dave Porter’s soundtrack brings this world to life to the point that it is like being back in the show once more.

Jesse Pinkman – Aaron Paul is truly an underrated actor. This is a film where we get to fully know the depths of who Jesse is. Jesse is complicated, but in the end he is someone who wants to do good by others. We see that he only kills in self-defense, he wants to give everyone a chance and will surrender if he is ever caught while still doing all he can find freedom and start over. In the end he gets that when he gets revenge against those who built his cage for the Neo-Nazi Meth Game who had enslaved him and when Ed keeps his word and grants him a new identity in life in Alaska. Leading up to this we see Mike talk to him about Alaska being the best place to start over, Walt talking to him about going into business and college, Jane talking about meaning and making your own choices and the support from his friends Skinny Pete and Badger who risk everything for him as he retraces the cook for the Neo-Nazi’s Todd to reclaim his money. It is powerful and I love how much we learn about Jesse.

Is Redemption Possible? – The major theme of the film is redemption and if it is even possible. Jesse has hurt a lot of people and this is a film where we do see him try to make amends. He tells his parents it isn’t their fault he is who he became, and the cleaner Ed he gets him the money and kills to do so, knowing what it will cost him inside, even if revenge is still part of it. Jesse is so broken when he first escapes and it is Skinny Pete and Badger’s compassion that even gives him a chance at a life again and chance for redemption as they do a car swap and give him money to keep the police off his back. Jesse carries that with him. All he has is his life and the desire to live and to not hurt anymore, and in the end the film says there is a chance. The last conversation wouldn’t have been with Jane talking purpose otherwise.

Responsibility and Moving Forward – How redemption is possible is through responsibility. This is fulfilled in the show in Walter sacrificing himself to atone to Jesse and getting the money to his family and we see it once more with Jesse in how he doesn’t kill and at every chance the law accuses him he is surrenders willingly. Ed, giving him his out shows it too as he calls the cops but leads them away and tells Jesse, once he has the money the deal for a new life will happen. They even have a great talk at the end and Ed talks about how he doesn’t care about Jesse’s feelings, he made his choices. He is the closest thing to a father for Jesse in the end and I love their relationship as his stubbornness and in the end helping Jesse does help him to heal. R.I.P. Robert Forster, you were one of the best parts of “Breaking Bad” and this film.

Okay:

Film to Show as New Trend? – The fact that this is a film that is based off a streaming show is a trend that I’m putting as okay, as in I’m a little worried. I look towards Disney plus and see how they could you this trend to gain an even greater monopoly on television than they already have. This is a horrifying thought and I really hope that in the competition between streaming services we get more gems like this that are in no way tied to Disney.

This is a character study of Jesse Pinkman and in that it fully succeeds. We get the beautiful score and cinematography of the show and a bittersweet ending, showing us that maybe there can be hope even in the worst of despair. Like the ending of “Breaking Bad,” this film works. It completes Jesse’s story and I’m glad it was made. Aaron Paul’s Jesse and the amazing supporting cast appearing in this film make this an unforgettable ride. The only way I could see this working again is with a character like Saul Goodman who also has so many characters tied to his story. I don’t think that will happen and that I think that is good. This epilogue gives the show a completion I didn’t know it needed. It was a great ride and one I would highly recommend.

Final Score: 9.6 / 10 The near perfect television film. I wish it had been longer.

Toy Story 4 (2019): A Powerful Exploration of Purpose and Relationship

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    “Toy Story 4” was a great film that I didn’t think was probable. This was a series that had ended pretty definitively at the end of “Toy Story 3” so I wasn’t sure what else they were going to do. I’m happy to say I was surprised. This is a film that is powerful and explores identity, mortality, purpose. The main cast are the heart of the show and at this point it is easily one of my favorite films of the year. If you are a fan of Pixar, definitely check this one out.

The film was directed by Josh Cooley and written by Stephany Folsom and Andrew Stanton.

The story follows Woody and his friends on a road trip after Bonnie has created a new toy name Forky who believes himself to be trash. Woody mentors him but soon finds himself questioning what he’s known when he runs into Bo Peep who is a now a living the life of a “lost toy.”

SPOILERS ahead

The Pros:

The Animation – Pixar does such a great job building off each of their latest films. This is simply a stunningly animated movie that has more realistic looking people, the detail of fur on animals and tons of different surfaces that make-up the many toys. I hope Pixar continues to thrive and brings us more of this amazing art. Every few films introduce something new worth exploring. After this my wife and I went to the Pixar exhibit and got to see the science behind it first hand. If it is ever in your area, check it out.

The Characters – The strongest part of most Pixar films are the characters. This film is no exception. The support characters have the least to do so it is hard to call their story good but it is still fun. This film is truly about the new characters, Bo Peep and Woody.

Gabby Gabby – Gabby Gabby is the antagonist of the film. She is a doll who wants to be loved but thinks because her voice box is broken she will never be loved. Because of this she kidnaps Forky to get Woody’s voicebox. They clash through the film with her eventually winning in her aims to get the voice box, only to be tossed aside. She is is a complex antagonist in that you can see where her drive is coming from and that she doesn’t destroy others the way Stinky Pete, Sid or Lotso does in the original Trilogy. She comes around to love and respect Woody because of what he does for her and becomes friends with Forky. Christina Hendricks gives so much depth to this role and she is easily the best antagonist in any “Toy Story” film, and that is because she shows that there is more a broken toy can become. Her final act is leaving Woody and Bo to care for a lost girl at the carnival.

Bo Peep – Bo is a toy who has found independence in the lost toy life and is loving it. She spends her time helping other toys found enjoyement from being played and though she misses her toy family from before she lives what she has become. She has a role beyond being there for a kid and it is in this role that Woody is given the choice for his own future.

Forky – Forky is the toy Bonnie creates when she is alone at Kindergarten. It is a powerful moment and Forky is born with an existential crisis. For much of the film he is trying to return to the trash, since that was what he was made from. Woody is the one who convinces him that he has a purpose to live (as well as Gabby Gabby) and from here he accepts his place as Bonnie’s favorite toy. The process is devastating and his arc is like a newborn learning to think and reason. We’ve never witnessed the birth of sentience in a toy until this film within the “Toy Story Franchise.”

Woody – Woody’s arc this film is learning to find purpose beyond devotion to a kid. The beginning of this is when Bonnie no longer cares to play with him, which kicks things off and ends with the finding of Bo Peep and joining her with the carnival, knowing that there they can help other toys find kids. His arc is a gut punch though as it is after Buzz comes back to rescue him that he says good-bye and passes on his sheriff star to Jessie who had become the Sheriff for Bonnie when she played. It was neat and a great releasing of his ego on Woody’s part. Tom Hanks once again adds so many layers to this wonderful character.

Identity and Purpose – The main theme running through the story is that of identity and purpose. What this is for most toy’s is the devotion of a kid. This is what helps make Forky no longer seek death and is what drives Woody through the story up to this point. It isn’t until he meets Po that he sees that she is bringing joy to those who are lost or don’t have toys. Woody finds purpose in this and in his love for her. It is powerful and over the course of the film is set up really well. We get the flashback of when she leaves, Woody being left in the closet and the birth of Forky who Woody than mentors. This exploration of identity and purpose is really the core of the story and what makes it so great.

Okay:

The Support Characters – The support characters are alright. Woody’s friends get some good comedy, but we never see them grow. Buzz, who has the most screen time among them is the same character at the beginning as he is at the end. The same goes for Jessie. She is still the same Jessie the film began with as she was always a leader. Key and Peele play a comedic duo Ducky and Bunny. There are others as well who work on a comedic level, but it is hard to call what they have arcs. For this reason the supporting cast is only okay.

This is a film I highly recommend. I can’t wait to go back and watch the original “Toy Story Trilogy” again and see just how far Pixar has come in their animation and really storytelling too. If you are a fan of the other films, chances are you won’t be disappointed by this one. So far it is easily one of my favorite films of the year and I can’t wait to see what else Pixar creates and the future stories they tell.

Final Score: 9.6 / 10