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The Lighthouse (2019): The Haunting Light

Image result for The Lighthouse 2019

     “The Lighthouse” is worth the hype. This is a film that feels that taps into the human psyche and the terror of both isolation and the monsters people are capable of being. It does all this while still having nuance within the script and giving us complicated characters. It helps that it is beautifully filmed. I really hope we see more films like this. It certainly feels like a film that Hitchcock would make or any of his contemporaries. From the almost stage nature and the symbolism and depth that carries the film, beyond the amazing performances by Pattinson and Dafoe. Before I get into spoilers, I highly recommend this film.

The film was directed and co-written by Robert Eggers, with Max Eggers being the other writer.

The story follows Ephraim Winslow (Robert Pattinson) who is contracted out to be wickie for 4 weeks on an Island of the coast of New England. He meets impatient man in charge Thomas Wake (Willem Dafoe), and begins to experience strange visions after finding a statue of a mermaid buried within his bed.

SPOILERS ahead

The Pros:

The Cinematography – This film is beautiful. The use light in black and white is used to create a haunting and isolating environment. Jarin Blaschke truly did a beautiful job.

The Writing – The script feels like a stage play at times while still being natural. Characters will give monologues and the two of them read from a book, and that book becomes part of the theme and narrative. Myths and legends are weaved into the lives and lies of our characters. This is all used in the theme of the dreams tied to what the characters preach about. There is a sense of the supernatural through the entire narrative.

The Characters – Dafoe and Pattinson fully inhabit their characters. You have the superstitious Wake whose story about his bad leg is all lie but clearly is connected and worthy of the light from the Lighthouse. Both of them are so incredibly flawed and seeing them build trust with one another that falls apart is tragic and powerful. Each of them carries lies from their past and origins and over the course of the story those truths are revealed and come at costs to the different characters. Each of them are people who wouldn’t have a relationship as colleagues unless they had to. Wake likes his solitude and has committed crimes to keep it and has regret from it just as Winslow regrets what has driven him here. He clearly doesn’t want to be a drifter but feels as if he has no choice and because of it he can’t trust. Neither of them are good people but them being complicated makes their going mad all the more fantastic to witness.

Isolation, Loneliness and Lies and delusions – Some of the major themes of the story involve the isolation of our characters, the lies they tell one another and the loneliness they each face. The characters are consumed by visions and delusions. Winslow dreams of a mermaid and killing or having sex with it and sees visions of tentacles rising from Wake and him looking like a sea deity. The only time the characters aren’t alone is over meal time or when Winslow finally drinks with Wake. It is here we see the connection they come to share that is destroyed by the truth of their actions and past and the all consuming madness of the light.

The Consuming Truth – What ends up being a major theme of the story is consuming truth. As the characters go mad they learn more about one another see in the end the revelation of the lies and truth destroys their sanity and lives. It is powerful as both characters are murders and in turn meet their ends as they attack one another and give mortal injuries that signal that there is no escape for either from the truth.

The Haunting Light – The light from the Lighthouse is used hauntingly throughout the film. Winslow goes from not caring about it it becoming his obsession. He kills to see the light and in turn it leads to his eyes burning and him being punished by the gulls. The light is never peaceful and even when there is ecstasy it always has a dark implication. Wake masturbates to it and it is when Winslow watches him do it he sees tentacles above for the first time, an early sign of his madness. It is unknown if the light brings about the madness or simply reveals it but it is center to the story and I loved it.

I loved this movie. It is truly worth the hype. I really want to see Pattinson’s Batman now and this easily one of the best performances Willem Dafoe has done. If you like movies full of rich themes, psychological horror and are beautifully filmed, this is the film for you. This film doesn’t feel long at all. This might be my favorite film of the year and I can’t wait to see what Robert Eggers creates next.

10 / 10 The film is perfect and well worth your time.

El Camino: A Breaking Bad Movie (2019) – Bringing Closure to the Amazing Show

    I loved this film. “El Camino” is the perfect Epilogue and closure for Jesse Pinkman and “Breaking Bad” as a whole. “Breaking Bad” is one of my favorite shows of all time, and this film captures so many of those reasons why it is. Like the show the filming is stark in coloration, the music also gives it that intensity and the writing is the perfect example of showing and not telling. No wonder Vince Gilligan created a masterpiece in the show, as he does this so well again here. If you are a fan of the show, you will at the very least enjoy the film. I highly recommend it.

The film was directed and written by Vince Gilligan.

The story follows Jesse after his escape from the Neo-Nazis as he tries to find a way to freedom away from all that has happened as he seeks out his friends and connections for help.

SPOILERS ahead

The Pros:

The World – As a fan of the show, it was great finally getting closure. I enjoyed seeing all the characters still alive interact and their connection to Jesse as well as those who were dead and how they were defining the way he would live. The world of “Breaking Bad” is harsh and cruel and there isn’t much hope. Most of the series involves Jesse taking a literal and metaphorical beating so it was wonderful seeing that there were still moments of light in the dark. The soundtrack and cinematography bring this to life too with how stark scenes are shot and even the brightest day can be one of complete isolation and claustrophobia. Dave Porter’s soundtrack brings this world to life to the point that it is like being back in the show once more.

Jesse Pinkman – Aaron Paul is truly an underrated actor. This is a film where we get to fully know the depths of who Jesse is. Jesse is complicated, but in the end he is someone who wants to do good by others. We see that he only kills in self-defense, he wants to give everyone a chance and will surrender if he is ever caught while still doing all he can find freedom and start over. In the end he gets that when he gets revenge against those who built his cage for the Neo-Nazi Meth Game who had enslaved him and when Ed keeps his word and grants him a new identity in life in Alaska. Leading up to this we see Mike talk to him about Alaska being the best place to start over, Walt talking to him about going into business and college, Jane talking about meaning and making your own choices and the support from his friends Skinny Pete and Badger who risk everything for him as he retraces the cook for the Neo-Nazi’s Todd to reclaim his money. It is powerful and I love how much we learn about Jesse.

Is Redemption Possible? – The major theme of the film is redemption and if it is even possible. Jesse has hurt a lot of people and this is a film where we do see him try to make amends. He tells his parents it isn’t their fault he is who he became, and the cleaner Ed he gets him the money and kills to do so, knowing what it will cost him inside, even if revenge is still part of it. Jesse is so broken when he first escapes and it is Skinny Pete and Badger’s compassion that even gives him a chance at a life again and chance for redemption as they do a car swap and give him money to keep the police off his back. Jesse carries that with him. All he has is his life and the desire to live and to not hurt anymore, and in the end the film says there is a chance. The last conversation wouldn’t have been with Jane talking purpose otherwise.

Responsibility and Moving Forward – How redemption is possible is through responsibility. This is fulfilled in the show in Walter sacrificing himself to atone to Jesse and getting the money to his family and we see it once more with Jesse in how he doesn’t kill and at every chance the law accuses him he is surrenders willingly. Ed, giving him his out shows it too as he calls the cops but leads them away and tells Jesse, once he has the money the deal for a new life will happen. They even have a great talk at the end and Ed talks about how he doesn’t care about Jesse’s feelings, he made his choices. He is the closest thing to a father for Jesse in the end and I love their relationship as his stubbornness and in the end helping Jesse does help him to heal. R.I.P. Robert Forster, you were one of the best parts of “Breaking Bad” and this film.

Okay:

Film to Show as New Trend? – The fact that this is a film that is based off a streaming show is a trend that I’m putting as okay, as in I’m a little worried. I look towards Disney plus and see how they could you this trend to gain an even greater monopoly on television than they already have. This is a horrifying thought and I really hope that in the competition between streaming services we get more gems like this that are in no way tied to Disney.

This is a character study of Jesse Pinkman and in that it fully succeeds. We get the beautiful score and cinematography of the show and a bittersweet ending, showing us that maybe there can be hope even in the worst of despair. Like the ending of “Breaking Bad,” this film works. It completes Jesse’s story and I’m glad it was made. Aaron Paul’s Jesse and the amazing supporting cast appearing in this film make this an unforgettable ride. The only way I could see this working again is with a character like Saul Goodman who also has so many characters tied to his story. I don’t think that will happen and that I think that is good. This epilogue gives the show a completion I didn’t know it needed. It was a great ride and one I would highly recommend.

Final Score: 9.6 / 10 The near perfect television film. I wish it had been longer.

Toy Story 4 (2019): A Powerful Exploration of Purpose and Relationship

Image result for toy story 4 poster

    “Toy Story 4” was a great film that I didn’t think was probable. This was a series that had ended pretty definitively at the end of “Toy Story 3” so I wasn’t sure what else they were going to do. I’m happy to say I was surprised. This is a film that is powerful and explores identity, mortality, purpose. The main cast are the heart of the show and at this point it is easily one of my favorite films of the year. If you are a fan of Pixar, definitely check this one out.

The film was directed by Josh Cooley and written by Stephany Folsom and Andrew Stanton.

The story follows Woody and his friends on a road trip after Bonnie has created a new toy name Forky who believes himself to be trash. Woody mentors him but soon finds himself questioning what he’s known when he runs into Bo Peep who is a now a living the life of a “lost toy.”

SPOILERS ahead

The Pros:

The Animation – Pixar does such a great job building off each of their latest films. This is simply a stunningly animated movie that has more realistic looking people, the detail of fur on animals and tons of different surfaces that make-up the many toys. I hope Pixar continues to thrive and brings us more of this amazing art. Every few films introduce something new worth exploring. After this my wife and I went to the Pixar exhibit and got to see the science behind it first hand. If it is ever in your area, check it out.

The Characters – The strongest part of most Pixar films are the characters. This film is no exception. The support characters have the least to do so it is hard to call their story good but it is still fun. This film is truly about the new characters, Bo Peep and Woody.

Gabby Gabby – Gabby Gabby is the antagonist of the film. She is a doll who wants to be loved but thinks because her voice box is broken she will never be loved. Because of this she kidnaps Forky to get Woody’s voicebox. They clash through the film with her eventually winning in her aims to get the voice box, only to be tossed aside. She is is a complex antagonist in that you can see where her drive is coming from and that she doesn’t destroy others the way Stinky Pete, Sid or Lotso does in the original Trilogy. She comes around to love and respect Woody because of what he does for her and becomes friends with Forky. Christina Hendricks gives so much depth to this role and she is easily the best antagonist in any “Toy Story” film, and that is because she shows that there is more a broken toy can become. Her final act is leaving Woody and Bo to care for a lost girl at the carnival.

Bo Peep – Bo is a toy who has found independence in the lost toy life and is loving it. She spends her time helping other toys found enjoyement from being played and though she misses her toy family from before she lives what she has become. She has a role beyond being there for a kid and it is in this role that Woody is given the choice for his own future.

Forky – Forky is the toy Bonnie creates when she is alone at Kindergarten. It is a powerful moment and Forky is born with an existential crisis. For much of the film he is trying to return to the trash, since that was what he was made from. Woody is the one who convinces him that he has a purpose to live (as well as Gabby Gabby) and from here he accepts his place as Bonnie’s favorite toy. The process is devastating and his arc is like a newborn learning to think and reason. We’ve never witnessed the birth of sentience in a toy until this film within the “Toy Story Franchise.”

Woody – Woody’s arc this film is learning to find purpose beyond devotion to a kid. The beginning of this is when Bonnie no longer cares to play with him, which kicks things off and ends with the finding of Bo Peep and joining her with the carnival, knowing that there they can help other toys find kids. His arc is a gut punch though as it is after Buzz comes back to rescue him that he says good-bye and passes on his sheriff star to Jessie who had become the Sheriff for Bonnie when she played. It was neat and a great releasing of his ego on Woody’s part. Tom Hanks once again adds so many layers to this wonderful character.

Identity and Purpose – The main theme running through the story is that of identity and purpose. What this is for most toy’s is the devotion of a kid. This is what helps make Forky no longer seek death and is what drives Woody through the story up to this point. It isn’t until he meets Po that he sees that she is bringing joy to those who are lost or don’t have toys. Woody finds purpose in this and in his love for her. It is powerful and over the course of the film is set up really well. We get the flashback of when she leaves, Woody being left in the closet and the birth of Forky who Woody than mentors. This exploration of identity and purpose is really the core of the story and what makes it so great.

Okay:

The Support Characters – The support characters are alright. Woody’s friends get some good comedy, but we never see them grow. Buzz, who has the most screen time among them is the same character at the beginning as he is at the end. The same goes for Jessie. She is still the same Jessie the film began with as she was always a leader. Key and Peele play a comedic duo Ducky and Bunny. There are others as well who work on a comedic level, but it is hard to call what they have arcs. For this reason the supporting cast is only okay.

This is a film I highly recommend. I can’t wait to go back and watch the original “Toy Story Trilogy” again and see just how far Pixar has come in their animation and really storytelling too. If you are a fan of the other films, chances are you won’t be disappointed by this one. So far it is easily one of my favorite films of the year and I can’t wait to see what else Pixar creates and the future stories they tell.

Final Score: 9.6 / 10

What We Left Behind – Looking Back on Star Trek: Deep Space Nine (2019) – The Perfect “Star Trek: Deep Space Nine” Documentary

  “Deep Space Nine” is my favorite of the “Star Trek Series.” This is a series that was willing to explore philosophy, religion war and give the minor characters full arcs. It is no wonder Ronald Moore created the rebooted “Battlestar Galactica” from this show, which is also one of my favorite sci. fi. shows. He was on the writing team while Ira Steven Behr was the showrunner. This is easily the best documentary I’ve ever watched. It has comedy, heart, philosophy, depth and explores the relationships and characters who made up the show. My bias being that “Deep Space Nine” is my favorite of the “Star Trek Franchise” and in Sci. fi. shows as a whole. It certainly has flaws and wasn’t perfect and this is a documentary that honestly explores that.

The documentary was directed by Ira Steven Behr and David Zappone, produced by 455 Films and released by Shout! Studios.

The documentary traces the origins of “Deep Space Nine’s” creation, the actors and their thoughts on the show, gives us a hypothetical new season with many of the original writing team and explores the legacy the show left behind.

SPOILERS ahead

The Pros:

The Into and Ending – The Into and ending were so corny and perfect. “Deep Space Nine” had Vic Fontaine’s Jazz lounge as a major part of the show and the Documentary paid tribute to that by having Max Grodénchik (Rom) kick it off with a corny song about leaving his heart on “Deep Space Nine.” In the end he is joined by Jeffrey Combs (Grunt and Weyoun on Ds9), Casey Biggs (Damar) and Armin Shimermen (Quark) to finish the song. It had so much heart, even if the lyrics don’t always work. The four of them are also great singers.

The Reaction to the Show – Throughout the documentary the cast reads fans letters as Ira Steven Behr interviews them. These are glimpses of history that show just how much the show was hated by some in it’s initial release. People hated that the show was darker and that it wasn’t daily exploration on a ship. The reactions are nuanced (Ira on making sense of how people saw it as a dark show) to funny when Aron Eisenberg (Nog) reads a reaction from someone who hated it. This was one of the aspects that added character to the documentary.

The Making of the Show – Making the show an episodic story beyond single bottle episodes or two-parters was revolutionary. This was a major part of the film, and beyond that how when most fans talked about the show in interviews it was largely about the Dominion War arc. It was the arc that changed everything outside of the arcs of “Babylon 5.” We also got to see the Writers Room when Behr got together with Ronald Moore and some of the other writers from the show to draft a pilot for a new season. It was really neat seeing that as well as the relationship between the showrunner, directors, actors and crew. They also went into the Evolution of the Dominion and how they evolved into a collection of species versus a single one.

The Actors’ Stories – Part of what makes the story so compelling are getting the stories of the actors and the relationships formed over the course of the show. We learn about how Armin Shimerman (Quark) used to host the other actors who played Ferengi at his home to go over the scripts. “Deep Space Nine” was full of Ferengi episodes and seeing how friendships grew out of it was so wonderful. We also got to see that Alaimo (Dukat) had a crush on Nana Visitor (Kira), and Avery Brooks (Captain Sisko) and how to this day he is friends and mentor to his show son Cirroc Lofton. The actors also talked about their characters and created interludes. Andrew Robinson (Garak) appeared early on and later to talk about how when he first played the character he played him as wanting to have sex with Doctor Bashir and how the character relationships evolved into a deep friendship. It was awesome hearing that first hand as Robinson always played Garak as Bisexual and him voicing that made me happy.  They also touched on Terry Farrell (Jadzia Dax) leaving the show and the disrespect from the directors as well as when Nicole de Boar (Ezri) took over for the last season of the show. Even with all that happened there are still so many friendships among the cast.

Taking Responsibility and Impact in Social Justice – This was a show that tackled the themes of poverty, race, war, philosophy and Behr took responsibility the fact that they didn’t explore gender and sexuality very well. They recognized the existence sexuality and LGTBTQ rights but didn’t advocate. Behr owned it and it made me respect him a lot. “Star Trek” has always been a progressive show and it has dropped the ball on LGBTQ justice all of this time until “Discovery” really.

The New Season Pilot – One of the arcs through the documentary getting what writers he could together to write a new season of the snow. The new season pilot is awesome. It starts with Captain Nog being attacked and a reunion of all the characters returning to “Deep Space Nine.” Kira is a priestess and the station is a religious site, Worf is in line to takeover after Martok to rule the Empire, Julian Bashir is a captain with Ezri serving together on a ship and O’Brien is a professor at Starfleet academy while Jake is a successful author. From here things unfold as it starts out with Nog being attacked by an unscene show before arriving at the station. From we learn of a Bajor / Jem’Hadar plot that Kira is tied to and the return of Sisko as he reaches out to his children. I would watch it and I wish it would get made. Sadly I doubt it will exist beyond the fandom of this documentary though.

What You’ll Get on the DVD – The documentary ended with Nana Visitor talking to Behr about everything that wasn’t covered. Whether it was her failed marriage to Alexander Siddig (Julian Bashir), her having a baby and how they wrote that into the show, “In the Pale Moonlight” and quite a few other things. Behr said they’d all be on the special features of the dvd and that it was cut for time. Hearing that lead me to pre-order the dvd. I can’t wait to see all of the things that didn’t make it and rewatch this perfect documentary again.

If it wasn’t obvious already, “Star Trek: Deep Space Nine” is one of my favorite shows of all time. This was the “Star Trek series” I felt was good to great all the way through and explored the themes I love in stories. It gave politics, philosophy, war, identity and history all in deep and respectful ways. If you are a sci. fi. fan I highly recommend this show. This show started so much and any time I have the chance to see these actors and writers if they end up in Portland at a Comic Con, you bet I’ll be there. This was a show funded by the fans and created for them and the time and love put into it made it the perfect documentary and film. I’ll be surprised if any film compares when this year is done.

10 / 10. “Deep Space Nine” is one of my favorite Science Fiction shows of all time and I can’t think of a better way to honor it. The actors in this cast are folks I’d go to comic con for if they make it over my way.

The Man Who Killed Don Quixote (2019): An Exploration of Art and Obsession

         Terry Gilliam is one of the Director’s who has a vision I really respect. He brings magical realism to all his work and brings a tragic undercurrent to every story. His characters are flawed and he gives us worlds without heroes that are relatable and broken. “Fisher King” and “Brazil” are some of my favorite films and this is a great film that deserves to be among them. This was also a film that was hell to make. It was in some form of development for 29 years. It is a success that it finally was made and turned out as great as it is. Before I get into spoilers this is a great film and one I’d recommend to any fan of Gilliam’s work. It has all of his visual strengths and flawed characters and also the flaws of his films as many of the women he writes are more ideas than characters.

Terry Gilliam directed and co-wrote the film with Tony Grisoni.

The story follows Toby (Adam Driver) an advertising director who has returned to Spain to film a commercial about Don Quixote. After stumbling onto his student film where he changed a life of a small town forever with his film. Toby returns to the town and finds that all those involved with the town have come upon misery or death…with the cobbler Javier (Jonathan Pryce) who played Don Quixote, now believing himself to be the figure from the books. From here Toby is pulled into Javier’s adventure as he must own up to his own selfishness and the man he has become.

SPOILERS ahead

The Pros:

The Cinematography – Nicola Pecorini does a wonderful job bringing Gilliam’s vision to life. From the use of stark colors when they are filming the commercial in the desert, to the final showdown in an old Castle that has been turned into a costume show…his use of color presentation brings each scene to life. It is from this presentation that the dreamlike nature is brought to the film and shows how many of the characters blur the lines between fantasy and reality.

The Soundtrack – Roque Baños López handled the soundtrack well and blends his influences to give us classic Spanish guitar work combined with the more epic operatic feel of the core adventure. He also works tension into every scene with the way he weaves the soundtrack through the film. The final showdown is a great example of this as it emphasizes the nightmarish costume party taking place and the fall of our heroes.

The World – The world that the film takes place is compelling as it mixes the story of “Don Quixote” into the real narrative of a town controlled by a Russian Gangster, sociopathic Hollywood executives and a crew who exploit one another and the people around them. This is a terrible world in regards to most of the characters who make up it, which ends up making sense why Javier became Don Quixote because the cruelty of life where there isn’t justice was too much for him to bare. This world is a beautiful tragedy and I look forward to watching it again. There are so many sad and comedic moments that I found it impossible not to be drawn in.

The Leads – The leads are really what carry the film. Adam Driver’s Toby is an egomaniac who eventually learns to be good but goes mad in the process (becoming Don Quixote after he accidentally kills Javier). Jonathan Pryce’s Javier is a madman who is driven by idealism but by the end of the film finds himself in death and Joana Ribiero’s Angelica is wonderful in how she calls each of them out in different ways while seeking freedom from the Mob.

When Creation and Art Leads to Obsession – The major theme of the film is the creation of art and how it can lead to obsession. The Russian mob boss has everyone dress up so that they can all live in his illusion, Javier once he figures out how the play the role of Don Quixote becomes the character and Toby in his initial obsession is what consumes the town and later himself when he adopts the role of Don Quixote after accidentally killing Javier. Given Gilliam’s own obsession in making this film, this film is most likely true to his life in many ways.

The Cons:

Presentation of Women – The women in this film are not fully realized characters. You have the Producer’s wife who is presented as a sign of temptation and corruption and you have Angelica as the fair maiden to be saved. Thankfully Angelica is shown to be more than this caricature by the end of the film but the Producer’s wife is not so lucky. They are also the only actresses that have any major role in the film so the fact that they are put into these awful roles by the men stands out all the more. This was definitely what brought the film down the most for me. The objectification by the cruel men is never called out. They just end up experiencing a different form of objectification.

I’m grateful this film got made. Gilliam has such a unique vision as a director and I love his magical realism. It isn’t perfect but the magical realism of Gilliam is something that I’ve always enjoyed, it is one of my favorite genres of fiction. There is something to be said for an artist who can so beautifully mix fantasy and reality into his narrative and comment on the nature of that blending in the process. I can see why Gilliam had been trying to make this film for so long. What he created is beautiful and amazing and to any Terry Gilliam fan I highly recommend. I’m planning to check out the documentary “Lost in La Manche” as it goes into the failed attempts to make this film. If you are a fan of Gilliam or this genre too, check it out.

 

Final Score: 9.5 / 10

Shazam! (2019): A Beautiful Tale on What it Means to Have Family

New Shazam Poster Reminds You the Movie Is Fun | Collider

    “Shazam!” is easily the best film so far in the DC Cinematic Universe. I’m speaking as someone who thought “Wonder Woman” was great and enjoyed “Aquaman” and “Man of Steel.” This film is better than all of those and is the most fun I’ve had in a DC film since “The Dark Knight Rises.” I’m glad they got this win. “Shazam!” captures what makes super heroes and comics books so enjoyable and fun in the first place. This is a film that never stops being fun. For non-spoiler thoughts, it is worth seeing for that reason alone. This film is comedic, dark, adventurous and explores the concept of a family better than so many films that say that is their theme. Not only that, the film looks great and has a fantastic soundtrack.

The film was directed by David F. Sandberg with screenplay by Henry Gayden and produced by Peter Safran.

The story follows foster boy Billy Batson as he is given to the last foster family who will give him a chance, as he has ran away from all those prior. Left with the choice as he searches for his missing mother other threats are plot and act as Dr. Sivana (Mark Strong) is empowered by an evil and only the wizard Shazam can empower someone pure of heart who can stop him in his quest of destruction.

SPOILERS ahead

The Pros:

The World – Finally the DCCU works. This film calls upon classic “Shazam!” villains who were part of his universe before Faucet Comics were bought out by DC and when he was Captain Marvel. The villain is Dr. Sivana who is a classic foe who DC brought into their universe. As someone who loves the rich lore of comics this was a movie that hit me on so many levels. There is more related to the lore that I’ll get into later in the review, but this is a world that doesn’t need the rest of the DC universe to be good but enriches it by existing.

The Action and Cinematography – The action is visceral, colorful and feels like it has been pulled from the pages of a comic. It isn’t the same beautiful the way “Spider-Verse” did it with it’s animation (blending anime, modern, noir, etc.) but it does it using the dark and light in the character’s abilities and where they choose to shoot the fights. For example, the final fight takes place in a carnival. This use of the dark and light contrast makes the fight sequences stand out and when they happen (because when they happen they matter) it adds to the narrative and is a brilliant use of storytelling.

The Characters – The characters and their relationships are what makes this movie work in this end. I would have rated this movie as at least very good if all I had to go on where performances and the character relationships, and this film delivers on those in spades. The relationships are a big reason I want to go back as I think I’ll notice more in the rewatch as far as how the characters see one another and what that means in the finale.

Billy Batson – Billy Batson / Shazam / Captain Marvel is the main character, who as the foster kid is seeking his mother. He is a kid who only looks out for himself and tells his foster family as much. He does grow more attached to them over the course of the film, which is part of his essential arc. When he becomes the Champion empowered by Wizard we see Billy’s arc go from selfish kid seeking his mother to hero who has found his true family. Both Zachary Levi as Shazam and Asher Angel as Billy give so much depth to the role.

Freddy – Freddy is one of Billy’s foster siblings and the closest thing he has to a friend. He’s also a huge comic book nerd and becomes Billy’s mentor on how to become a hero when he becomes the Champion / Shazam. At first they are both really selfish but Freddy figures out the bigger picture first and calls out Billy for how he has become a selfish bully with his abilities. Freddy does have his arc payoff though, but I’m not revealing what that is, since it is one of the best parts of the film.

Shazam Family – Billy’s adopted family becomes the Shazam Family at the end to fight the Seven Deadly Sins and it is awesome! Each of them is a hero as strong as Billy and together they face off against the Sins. How it happens is fascinating too as it Billy realizing that he needs to open his heart to find his true power and it is in sharing power, not taking it (like Dr. Sivana) where true power lies. Each of the family members has distinct personalities contrasted by their grown up identity and I can’t wait to see them further. I won’t describe more as the seeing their story payoff is one of the best parts of the film.

Dr. Sivana – Dr. Sivana was one of the people chosen by the wizard a long time ago to be the hero but failed because of the temptations from the Demons who are the Seven Deadly Sins. From that point on he seeks out the Sins and frees them before seeking out the hero who he envies for having the great power that is only capable of defeating him. We see why he is this way too as he comes from an abusive family and power was the only thing his dad and brother ever respected. What innocence and pure of heart that he needed to be the Champion was stamped out a long time ago.

Mr. Mind – This is a classic villain for the Fawcett comics who DC brought back when they revamped the character. He is this caterpillar looking worm who is a genius. He meets up with Dr. Sivana in prison and tells him there are more ways to power than simply magic. It is a great set-up for future films as Mr. Mind is a villain unlike anything we’ve seen so far in Marvel or DC.

Okay:

The Foster Parents – The Foster Parents are kind but kind of generic. We get glimpses of their past but never in relation to their kids, only in relation to one another. They both grew up in the Foster system so I’m not saying it is a negative but them opening up to any of their foster kids about their past would have added a layer of depth the story wasn’t able to do. Not entirely a con but definitely the weakest part of the film.

This is a great film. Shazam is such a fun hero and I can’t wait to see how Mr. Mind and Shazam and his foster family are used in later films. In both there is so much potential there to be explored. This was also a film that doesn’t need an expanded universe to work. Billy’s relationship to his foster family and his biological mother give this film more than enough heart to make this film wholly great on it’s own merits. If you are looking for a film that has a deeper point while still managing to be a hilarious comedy, you will probably love this film as much as I did. It is definitely one of my favorite films.

Final Score: 9.6 / 10

Sorry to Bother You (2018): A Surreal Exploration of Race, Class and Privilege

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