This is a film that brings an end to the ongoing films in this Franchise. This is a Franchise that includes all the Batman stories with Damian Wayne, the different Justice League films, the Teen Titans films and Justice League Dark. So, how does it stick to landing? Without going into spoilers I liked a fair amount of the world that we see and the character dynamics but some bad performances and the ending ruin what could have been a dark ending with hope. In the end, this is not a film I’d recommend as I feel the ending cancels out all the choices that were made over the course of the film.
The film was directed by Matt Peters and Christina Sotta and written by Mairghread Scott.
The story follows the Justice League as they plan an attack on Darkseid’s world of Apokolips in order to prevent an invasion of Earth.
The Failed Attack on Darkseid – I like how our heroes attacking Darkseid fails and we see through him hacking Cyborg and seeing the invasion plans that it was doomed from the start. The rest of the story is us dealing with the fallout as he dominates Superman and makes the rest of the Justice League he caught into Cyborgs under his control. When Darkseid wins he really wins and the failed invasion sets the tone for the rest of the story. We learn the reason for his victory lies in his Paradooms. Parademons with Superman’s DNA, making them a mixture of Parademon and Doomsday. They are an awesome threat and win any battle they are in.
Earth’s Resistance – Earth’s resistance of Darkseid’s rule includes Lois Lane, Clark Kent and Raven primarily with Etrigan and Constantine until they are pulled in as well. From here we have the League of Shadows and the Suicide Squad join forces and eventually Lex Luthor himself changing sides to fight Darkseid. They are fighting a losing battle on occupied Earth and come up with a last ditch plan to rescue Batman and stop Darkseid. The resistance has a wonderful dynamic to them as the Suicide Squad controls the prison, which is one of the safest places in the world under the occupation and Clark Kent and Raven are the wanderers recruiting the last remaining heroes.
Clark Kent / Superman – Superman is defeated by Darkseid who decides his punishment will be to pump him full of liquid kryptonite, neutralizing him and after returning him to Earth. It is well done as we see that Clark Kent never stops fighting and is willing to risk it all to save the world. His power doesn’t define him, which is the kind of Superman story I enjoy. Besides Constantine and Raven, Clark’s is the main perspective that drives the narrative. The plan is eventually a success and in the Superman fights Darkseid once again after Trigun is purged from his body and in turn the liquid Kryptonite is too.
Lois Lane – Rebecca Romijin (Mystique and Number 1) voices Lois Lane and I got to say I like this version of Lois Lane. She is a military brat who has learned how to fight and clearly trained with Superman. She is the one who defeats Harley Quinn in a brawl that convinces Harley to give them control of the Suicide Squad. She is one of the faces of the resistance and I love how she drives the story. In the end she dies with Lex and the Suicide Squad to prevent the Paradooms from returning to Apokolips.
John Constantine – Matt Ryan continues to be the voice of Constantine and he is great in this. In this film we have a Constantine wracked with guilt as he ran from battle during the assault on Apokolips. His story arc is facing that guilt and loss of his love Zatanna as it is his final acts that help prevent Darkseid’s plans for Earth. We also see his pansexuality as we learn he and King Shark were once together. Sadly though, he is also behind one of the stupidest part of the film as he convinces Barry Allen to reboot this entire universe in another Flashpoint. We also learn he ran away because Zatanna cast a spell when they talk in heaven together.
Damian Wayne – I didn’t hate Damian Wayne in this film. It is still annoying how he doesn’t immediately help Clark Kent and the resistance, but his relationship with Batman is really well done as you see how much they care for each other. It is Damian’s risking of his life that frees Batman from Darkseid’s control.
Raven – Raven is so bland in this film. She spends most of the story reacting to Trigun wanting to be freed and her only act of agency is bringing Damian back to life after he is killed. She is central to the story but it doesn’t feel that way. Trigun feels like a much bigger part and he is only a voice for the majority of the film.
The Flash – Flash is super bland in this and is captured and used by Darkseid after the failed assault on Apokolips. He reboots this entire film but he isn’t even a POV character, all he is is a plot device. I wasn’t a fan of the voice acting as he sounded bored and tired. Christopher Gorham was fine in the other animated films so I’m not sure what was going on here. His act of rebooting the universe is the final act of the film and it feels tacked on, like his role in this story.
When in Doubt, Reboot – I hate that this film ends in a reboot. A world rebuilding with cyborg heroes freed from Apokolips seeking to save the world from destruction could still be an awesome story. Instead all the growth and development we get of these heroes means nothing. I’ll still probably watch whatever the reboot is, but the fact that they thought the reboot was how to end this story really shows how little confidence they had in the world they’d made.
This is a film that I’d only recommend to those who have been watching the DC animated films in this continuity up to this point. If you want to see Darkseid as a threat and some good Clark Kent and Constantine work you will find things to enjoy. Sadly you can’t hang a story on that and if you reboot the story the audience is left wondering what the point of telling the story was in the first place. I wouldn’t recommend this film to any fans of the animated films and the ending ruins the potential for a lot of great stories that could have come out of the story this film tells.
6 / 10 Giving some points for telling a story with consequences but penalizing it for the reboot that potentially do away with those consequences.