Olaf’s Frozen Adventure (2017): A Crappy Christmas Special With Good Music


   They played this crap before “Coco.” I think one reason I wasn’t prone to like it going in is Pixar has amazing shorts, and this was around 20 minutes. Seriously, the best thing that is happening in regards to this film is Disney pulling it from theaters. This is a thing that should have existed as an extra on “Frozen’s” Blue Ray. I enjoyed “Frozen,” I think it beats “Tangled” and is up there with the rest of the modern greats of this new 3D Disney renaissance…I did not enjoy this though.

When it comes to Christmas or really any holiday specials I am pretty picky. The only one that I could stay is great are the different retelling of “A Christmas Carol,” and that is largely because they are about more than just trees, myths and gifts…they have a larger purpose and it is a man forced to grow and see the world beyond himself. This film has none of that depth, with the exception of only one scene that could have been 2 minute sequence in “Frozen 2,” when it eventually comes out.

That scene is where we see that Elsa and Anna shared pictures of of Olaf as “Do you want a Build a Snowman?” Was the only connection they had growing up since Elsa was under room arrest after those events. It is touching and if the movie had just been that it would have been great, instead we get Marketing^TM! Got to sell those Olaf dolls. Also the cast is all back so their voices sound lovely, even though the lyrics are awful and on the nose. (Holiday Tradition is repeated in every scene in what felt like at least 3 times).

Olaf isn’t bad but what he is used for is. He goes around the village collecting traditions so he can do jokes with Sven and so there will be more Olaf toys to market. Olaf appeals to everyone and the most important thing is stuff! God, I can understand if people hate the holidays after this short…Olaf is in everyone’s business and in the end has to be found because of his own mess up and in the end he was the tradition all along! This is a story with no consequences that is just there to remind you these characters exist and “Frozen 2” is coming!

After that they have a big feast on the lake and you know what, the fruit cake that was given in his search is dropped on him from the hawk who took it. Oh joy, more stupid humor! Buy that “Frozen” gear! They all have new costumes in this! Get Olaf with a bow tie! Look at Elsa and Anna’s new dress! Christmas is coming, better buy those new toys!

This should have been an extra in a DVD, ideally in “Frozen 2” or the “Frozen” re-release. This film crapped all over the beautiful shots Pixar usually makes and even took time away from developing characters in “Coco,” which is the best Pixar film since “Inside Out.” This film purely exists for marketing and my guess is it will sell a lot of Olaf dolls, because of course it will. If your theatre is showing it, skip it if you can and find out when “Coco” actually starts. If this is the new normal for “Pixar” openings Disney is on the way to ruining one of the best artistic companies they own.

Final Score: 5 / 10. 5 only because the voice actors and animation are good even if the writing and story are garbage.

The Nightmare Before Christmas (1993): Great World But Story Doesn’t Quite Deliver

The Nightmare Before Christmas

    Before I get into my thoughts, this is going to be one of a few Holiday themed film reviews leading up to Christmas. This review is probably going to be one of my more controversial ones as I know I am most likely in the minority here, but I don’t think “The Nightmare Before Christmas” is great. I think it’s alright but when it came to characters and story it didn’t quite deliver, even though the world it takes place in is fascinating and I see why “Kingdom Hearts” keeps returning to it. Tim Burton is a director and artist who creates wonderful worlds, sadly what I’ve noticed is he doesn’t always fully flesh out the events or characters of said world and this movie truly is a good example of that.

       The film was directed by Henry Selick, written by Caroline Thompson with story by Michael McDowell and produced by Tim Burton and Denise De Novi.

     The story involves Jack Skellington the “Pumpkin King” of Halloween Town having a crisis of want and identity that changes him when falls into Christmas Town. From here he brings Christmas back to Halloween Town and takes up the identity of Santa Claus which causes dire consequences around the world.

The Pros: The World – Tim Burton created an amazing world. The basic theory is each holiday has a town where the denzines of the holiday live…whether it Halloween, Christmas, Easter, etc. They can crossover to one another as well, as seen by Jack’s discovery of the place.

The Animation – The stop motion animation is really beautiful. Each place whether it is Halloween Town, Christmas Town or our world has a distinct flavor and tone to it, which lend strength to the events that go down.

Halloween Town – Halloween Town is the best town and is based all around scaring people. The monsters in this town have great designs and everyone in the town is either mad or demented. Sally and Jack are the most normal members of the population.

The Mayor of Halloween Town – The Mayor is literally two faced and has a happy and unhappy face that turns on his head. He can’t do anything himself and is all about Jack the celebrity. He’s a funny character and has some great lines.

Oogie Boogie – Oogie Boogie is a fun villain as he loves to gamble with lives and is a sentient living mass of bugs. He is threatening and is very much the bully of the town who lives to stick to himself unless his boys bring him lives to play with. Ken Page was great.

Okay: The Soundtrack – This isn’t Elfman’s best work, mostly because the songs aren’t all that good. They are okay but “Darkman” had a much stronger soundtrack, as did “Batman.” This one is a very weak Disney soundtrack and I can’t think of any song that really stood out beyond the main theme.

Jack Skellington – Jack is okay, if he wasn’t a major celebrity he would have been more sympathetic but from the beginning he is the man who has everything. All the people of Halloween Town love him, he always wins the Halloween events and the only thing not going for him is he’s bored and feels lonely. I didn’t get the loneliness given everyone wanted to be with him and he just had to open up. He was okay, Chris Sarandon was a good voice acting choice though.

Sally – Sally is the woman trapped in the castle by her evil creator Dr. Finklestein. She keeps poisoning him and escaping, so she is an active character…but I didn’t know why she liked Jack beyond the fact that everyone liked Jack because he was popular. She could have done a lot more and I wish she’d gone from quiet to active. She tries to stop the Nightmare Before Christmas with Fog with Jack’s ghost dog Zero had a glowing nose. I really liked the idea of her character, but like Jack she didn’t feel fully formed.

Message – The message is largely to be comfortable in yourself and don’t try to be other people. This is good but I felt the execution would have been better if Santa had been more explicit to Jack or if Sally had.

The Cons: Santa Claus – The character is pretty useless. All he does is fix the Nightmare Christmas Jack causes on the populace, but for a Magic guy he was useless against Oogie Boogie.

    This is a film that even given my criticisms of it, and the fact that it is a bit overrated is still worth seeing at least once. Tim Burton’s creativity is on full display and Halloween Town is a lot of fun. This is a also chance to see some beautiful Stop Motion animation and even though this world isn’t fully formed on screen, it is still a lot of fun to visit.

Final Score: 7.3 / 10

Tokyo Godfathers (2003): An Amazing Tale of Love Among the Outcasts

Tokyo Godfathers

      “Tokyo Godfathers” is one of the two films I’ll be reviewing with a holiday theme related to love and family and the different forms those take. It’s a rich tale and I was glad it was requested. The animation style and the soundtrack are beautiful, and every single character who has dialogue is complicated on some level, making for a rich narrative as the story unfolds. The fact that one of the scriptwriter behind one of my favorite animes “Cowboy Bebop” was a part of this I think lended to the overall quality of the production. Keiko Nobumoto is one of the best anime writers out there.

      The film was directed by Satoshi Con who was also the one who wrote the story and was one of the writer’s of the screenplay, the other director was Shogo Furuya and the other screenplay writer was Keiko Nobumoto.

       The story revolves around three homeless people The runaway girl Miyuki, the alcoholic gambler Gin and the trans woman and former drag queen Hana. Their lives transform when they discover an abandoned baby and begin the search for it’s parents as they soon realize how connected they are to one another, the people around them and those connected to the baby. From here the story unfolds as each reveals the reason they are homeless and their scars they carry. The story itself takes place over Christmas Eve.

The Pros: The Soundtrack – The soundtrack has jazz as well as a french feel to it that give it a life and charm that simply adds to scenes, whether characters are running or bearing their hearts Keiichi Suzuki made a great soundtrack.

The Cinematography – The animation of this film is fantastic. Whether it is the details of faces or the brilliance of the landscape of a city, or the nitty gritty of the alleyways and dark sides of town, you feel like you are living in this place. Katsutoshi Sugai did an amazing job.

The Script – The script is gold. Everything we are told is minimum and only when needed, and the characters are three dimensional and their struggles are compelling. The animation could have been terrible but the script alone could have carried this movie. Only issue is narrative chopyness because of all the coincidences.

The Characters – The characters in this film are complex, and through their struggles we really get an idea of the theme, which I’ll get into later. Suffice to say, of the main cast ther was not a single character I didn’t like.

Gin – Gin is a liar, drunk and debtor and the one who finds redemption in caring for the lost baby and in his love for his lover Hana and the runaway Miyuki. We see his relationship with them grow, especially after he meets his biological daughter and she forgives him. It is then he learned how deeply he was loved and feels shame. You get the feeling after that he builds the relationship with her and he’s finally learned to value the relationships in life and himself after he nearly dies in the hospital. Toru Emori is great as the grizzled man who has stopped believing in himself or anything and learns to care and love again.

Miyuki – Miyuki takes the approach of someone who doesn’t care about anything. We soon see she does care though when she goes from not caring about the baby to reading books on how to care for it. The next step for her is when she opens up about hurting her father and finds acceptance and love from Hana and Gin. This leads to her later being in the place where after they save the baby, she can finally accept love from her father.  Aya Okamoto does a wonderful job in the role.

Hana – Yoshiaki Umegaki plays my favorite character in the film. She is a trans woman who left her drag bar after she attacks a man for insulting her. She later finds out her adopted mother accepts her though and saw the incident as small and is just happy she is alive. Given how fatalistic Hana is this is just what she needs to stand up to Gin and tell him the truth which leads to their relationship and love. She is the mother of the group and takes care of the baby that was left in the dumpster, that they later make their mission to get back to the parents. She is a hero but can be cruel and feel strongly about everything. This makes her compelling and her arc is learning that her life is worth living and that she doesn’t have to leave the ones she cares about behind, because they want her in their life.

The Message – The biggest message is that you are loved and that there are those who care about you. We see this when Hana visits her foster mom and her foster mom forgives her for attacking the client who had insulted her and tells her it was no big deal, in the moment when Gin’s daughter forgives him for being away and said that she just wanted to be with him again…and at the end when Miyuki’s father sees her and there is only acceptance and surprise there…as well as what all of them do to save the baby and get the baby back to it’s parents. The theme of love is strong and that we get trapped in thinking far less of ourselves than the ones who love us do and that they are there to support us if we just reach out. I loved this message as it showed hope and that as long as you are connected to others, you will find the help you need to heal.

       We also see the message of acceptance and love as Hana is never discriminated against for being a drag queen or trans and that Gin in facts loves her and she loves him. For Miyuki it was never an issue, they were the parents she chose when she lived on the street and she loves them both deeply.

The Ending – The message of acceptance and love is there at the end when the three of them are made Godfathers by the baby’s parents and in the implied reunion of Miyuki and her father. I really liked it given all the suffering it took for our characters to get there and how much they grew. They learned how to love others and in turn accepting themselves.

The Cons: Choppy Narrative – The premise of the story was a bunch of coincidences happening all at once, and it achieves that but ends up coming off as contrived at times. In many ways it distracted from the message more as side characters appear and disappear and we are given no reason to care about them. For this reason I have to put the narrative structure as a con. Way too choppy at times.

      This was a film I’d highly recommend. The story and message are timeless and powerful, we see human connections, growth and it is executed beautifully in the cinematography, writing and music.

Final Score: 9.5 / 10. Definitely a favorite film.