Top 5 Films of 2019

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2019 was an interesting year for film. There were quite a few types of film I didn’t see. I didn’t see any of the live-action Disney remakes as I had no desire too. I skipped quite a few remakes such as the “Men in Black,” “Hellboy” and “Charlie’s Angels” remakes. I didn’t see any of the Stephen King books adapted to film. I will probably review them at some point but I had no desire to watch them in the theatre. I was much more picky about films I saw this year and it certainly lead to a better viewing experience. I list some of the films I saw this year below and for a few there are reviews upcoming, but they didn’t make my Top 5.

Now for what I did see. For the films I saw this year that were bad were “The Dead Don’t Die,” “Velvet Buzzsaw” and “Glass.” These trashfires all looked great but had stories that were crap. Either there was no bigger point, the characters were unlikable or the story was simply crap.

Most of the films that I thought were good or enjoyable but didn’t make my Top 5 were the MCU films that came out this year, “How to Train Your Dragon 3,” “Rise of Skywalker,” “The Irishman,” and “Joker.” These were films I may or may not see again in the future and were good for the outings they were but left me with no lasting investment. Some were fine ends or complete stories, while others were good experiences that didn’t stay with me after or whose deeper point just wasn’t there or didn’t stick.

For great films that were in competition for making the list so will get honorary mentions here are “Once Upon a Time in Hollywood,” “El Camino,” “John Wick 3,” “Shazam!” “The Man Who Killed Don Quixote” and “Toy Story 4.” Each of these captured an element of what I love in films and if they didn’t have a deeper point at least were beautifully crafted films that brought more than the sum of their parts.

Now without further ado, here are my Top 5 Films of 2019:

 

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5) Midsommar

Directed by Ari Aster

Last year Ari Aster’s “Hereditary” made my Top 5 films of the year, and he once again pulls it off this year. “Midsommar” is a haunting horror film that explores the themes of trauma and isolation while managing to make daylight and summer creepy. The one thing that keeps this film being higher on the list is the fact that besides the main character, none of her friends are likable. For the purpose of the narrative, them being unlikable works as it plays into Dani’s isolation that she is going through after the death of her parents and sister and the events that take place in the small Swedish cult village celebrating midsummer. If you are a fan of horror films or enjoyed “Hereditary” I highly recommend this film. There are layers of storytelling in this beautifully told horror story and I can’t wait to see what Ari Aster does in the future.

https://cameronmoviesandtv.wordpress.com/2019/10/19/midsommar-2019-an-amazing-film-about-grief-and-isolation/

 

4) What We Left Behind – Looking Back on Star Trek: Deep Space Nine

Directed by Ira Steven Behr and David Zappone

I’m a Trekkie and this has been a rough year in regards to that, especially as it relates to “Star Trek: Deep Space Nine.” Aron Eisenberg (Nog) and René Auberjonois (Odo) both died during 2019. In this documentary they feature prominently and we even get to see a hypothetical Season 8 with Captain Nog at the helm. This is a documentary made for the fans and it explores so many amazing aspects of the show and what makes it one of my favorite shows of all time. Whether it is social justice that is explored through sci. fi. lens, the cost of war or countless other ideas these are presented to us by the showrunner Ira Steven Behr as he explores the show he created. Documentaries have never made my Top 5 Films at the end of the year, until 2019. If you are a fan of “Star Trek” and especially of “Deep Space Nine,” you really should see this film. This last year it became even more personal, because of all those left behind, but remembered.

https://cameronmoviesandtv.wordpress.com/2019/06/06/what-we-left-behind-looking-back-on-star-trek-deep-space-nine-2019-the-perfect-star-trek-deep-space-nine-documentary/

 

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3) Jojo Rabbit

Directed by Taika Waititi

“Jojo Rabbit” is a genius satire and drama that feels like the best of Wes Anderson meets the best of Mel Brooks. The story follows Johannes (Jojo) as he discovers his mom (played by Scarlett Johansson) is sheltering a Jewish girl from the Nazis. From here is his unlearning of how toxic and evil fascism and Nazism is, while dealing with his imaginary friend Adolf Hitler (played by Taika Waititi). The film is brilliant, powerful, intelligent and full of so much heart. In the era we live now, with the rise of facism around the world and the targeting of the most vulnerable in refugees, immigrants and so many others. This film is extremely relevant to modern day problems facing so many communities around the world and here in the United States. This film is definitely worth your time.

https://cameronmoviesandtv.wordpress.com/2019/12/14/jojo-rabbit-2019-a-masterpiece-of-satire-and-heart/

 

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2) Parasite

Directed by Bong Joon-ho

“Parasite” is above “Jojo Rabbit” just barely and that is largely due to character nuance. This is a film that explores class and privilege in South Korea while giving us some great character studies in the process. The story follows two families. One family is a bunch of cons called the Kims who con their way into fulfilling roles of help that the Park family needs. During the con we see the nuance and complexity to both families as well as how class, whether it is upper or lower class carries on through generations. This is a film where the nuance of the characters grew on me, you see their flaws but they are also not all they appear to be either. Both members of the families have moments of compassion or cruelty which leads to the ending being so powerful and tragic. I won’t give away anymore than that, but I highly recommend you check this one out.

https://cameronmoviesandtv.wordpress.com/2019/12/19/parasite-2019-a-thrilling-deconstruction-of-class/

 

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1) The Lighthouse

Directed by Robert Eggers

“The Lighthouse” is a beautiful, amazing and disturbing film. This is a film that explores isolation and madness as well as the human desire for connection even in the worst places in the mind. The story follows Ephraim (Robert Pattinson) as he fulfills a contract as a wickie at a Lighhouse of the coast of New England. It is here his only company is the boss of the Lighthouse, the half-mad Thomas Wake (Willem Dafoe). Over the course of the film we see what isolation does to both of them as we are given symbolic visions of what may have brought Ephraim here to the contract in the first place and Wake’s obsession with “The Light” that has an almost religious power for him. I won’t give anywhere than that as you should see it yourself. This is a brilliant phsychological horror film and easily the best performance I’ve seen from Pattinson and Dafoe. I saw a lot of great films this year, but none of them reached the perfection that was this film.

https://cameronmoviesandtv.wordpress.com/2019/11/08/the-lighthouse-2019-the-haunting-light/

Jojo Rabbit (2019): A Masterpiece of Satire and Heart

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     Taika Waititi is brilliant. “Jojo Rabbit” is one of the best satires I have ever seen as it mixes the feel of a Wes Anderson film with the biting edge of a Mel Brooks comedy. This film has so much heart and the powerful message alone are reason enough to see it. This might be my favorite film from Taika and will most likely make my Top 5 Films at the end of the year.

The film was directed and written by Taika Waititi and based off the story Caging Skies by Christine Leunens.

The story follows “Jojo” Betzler (Roman Griffin Davis), a German child at the end of World War 2. He’s fully bought into the Nazi propaganda and has an imaginary friend Hitler (Taika Waititi). His world is soon changed when he finds his mother (Scarlett Johansson) is sheltering a Jewish girl named Elsa (Thomasin McKenzie) in their home.

SPOILERS ahead

The Pros:

The Characters and Performances – The main characters are wonderful. You have the naive Jojo who grows out of the fascist propaganda over the course of the film. You have his mother Rosie who is fighting against the Nazis trying to spread the word of resistance through Berlin, this is one of the best performances I’ve seen Scarlett Johansson do. Elsa is the heart of the film as the Jewish refugee who forms a friendship with Jojo over the course of the film.

The Satire – The satire is brilliant. Like Mel Brooks mocked Hitler in “The Producers,” Taika does this hear with a cartoonish Hitler who acts like a child that is eventually seen by Jojo to be the insane man he is. It is gradual but we see how it is from made up mythological stories that Hitler built his brand on in the lies told about what it means to be German and the lies about anyone considered an enemy of Germany. Be they Jewish, Romani, Russian, etc. Over the film you see this revealed in the people fed up with the lie or those embracing it even as it ruins their lives and those of the people around them.

Dangers of Fascism – One of the strongest themes of the film is the danger of fascism. In it you see how the populace suffers and only a very small group of the delusional are those who profit from the status quo they create. A women’s role becomes to bear children for the Empire, minorities are killed off and anyone who is injured or damaged is cast aside and forgotten about. Any difference from the ideal has no place and it is this ideal that is used to blind enough people to fulfill the will of those in power. This film illustrates all this beautifully and it is part of what gives the film so much power.

The Emotional Core – The emotional core of the film is in witnessing everything Nazism has destroyed and our heroes finding life at the end. Elsa lost her betrothed and family to the Nazis. Jojo goes from “Othering” Elsa to becoming her friend and it is powerful seeing him go through deprogramming himself from all the fascist propaganda. Jojo’s mother is hung for fighting against the Nazis and in the end one of the Nazi soldiers who protects Elsa risks his life to save Jojo. These moments lend the film so much power. It is this heart that makes it more than simply a brilliant dark satire.

The Cons:

Ending Length – This was a film that could have gotten to the final scene faster. The last third of the film drags at times, which does a good job of putting you into Jojo’s mindset but also hurts the narrative flow, since before this I never noticed pacing at all. This is the only con I could find though, which says a lot for how great this film is.

This is a powerful film that is well worth your time. The message of fascism’s danger and the evil in “Othering” people is relevant as ever now. I hope more people see this film and that the message is taken to heart. This film is a masterpiece and I can’t wait to see what other films Taika Waititi makes in the future.

Final Score: 9.8 / 10 Near perfect.