Tag Archives: Mark Bomback

War for the Planet of the Apes (2017): Growing Beyond Caesar

“War for the Planet of the Apes” is easily the best of the Franchise. This is a film series I reviewed back when the blog was beginning that shows just how strong the new series has held up (Given “Rise of the Planet of the Apes” is number 1 for me until today and “Dawn” is in the Top 5″ of the series). This is a series that deserves far more credit than it has been given as it has tacked social and political issues while never forgetting the character arc of Caesar which drives the series to it’s conclusion in this film (please no more after this). This is the perfect end as Caesar’s arc is completed and we see how this series ties into the classic series completing the time cycle that has played throughout all these films. I’ll explain more in below, but for now, this a series that might make my Top 5 for this year and is easily the best of the series, both Classic and New.

‘War for the Planet of the Apes” was directed by Matt Reeves, who co wrote it along with Mark Bomback with the producers being Peter Chernin, Dylan Clark, Rick Jaffa and Amanda Silver.

The story involves the last remnants of humanity seeking to annihilate the apes under the Colonel as the virus takes away speech and the human and ape populations are on the risk of extinction, as Caesar seeks peace and home away from the struggle.

SPOILERS

The Pros: The World – The reboot world has been nothing but good for me as a re-imagining of the apocalypse. We get to see the forest slowly take over the human settlements as the apes gain more power through the spread of the Simian Flu (the virus that kills off humanity and also has other affects). Hell, there is whole mini-series before “Dawn of the Planet of the Apes” that shows the viruses decimation of mankind. It is tragic and beautiful and this film is the final payoff where militaristic mankind losing itself to the virus faces off against the apes set to inherit the world.

The Poisonous of Nationalistic Ideology – The villain of this film is portrayed through the Colonel in Woody Harrelson who is ready to kill humanity when they lose speech, which the Simian Flu has been causing since dawn. This leads to his enslavement of the apes and his turning on his own people who won’t kill their own as he sees this separation as speech as something worth ending, even if it is his son. This is powerful as he has lost himself to his belief and was willing to kill family for it, even as he became it and kills himself and all his abuse of the apes is for nothing…he is a powerless man in a world that has left him behind and he is tragic, but not sympathetic, a good villain.

Caesar and his Team – Caesar and his team are great. You have Maurice as the heart who teaches sign language to the human Nova (who Caesar kills in self-defense), you have Rocket you has been around as the Scotty/Chekov always standing by his captain and Luca, a hardened warrior who finds heart and dies to protect Caesar, and Nova herself who comes to love her adopted family and helps save the apes from the Human Nationalists.

The Ghost of Hate – Caesar has dreams of Kuba as his desire to kill the Colonel (and revenge against humanity for the death of his son too) consumes him. It is powerful and Serkis shows so much emotion in his lines and visions of Kuba telling him to die or to get revenge. This ghost haunts him until he finds an identity beyond himself and Nationalism. In the end, Caesar grows beyond his tribe.

A World Beyond Caesar – A major arc of this series is showing that the apes have an arc beyond Caesar, as does humanity. Humanity is killed because of their fight against themselves, not against the apes. The apes find peace and Caesar dies at the Oasis. Caesar’s arc is complete where no longer has hate and helped his people find more, as Nova is part of their tribe. This is powerful as it shows even in that Caesar is dead and humanity killed itself, it paradoxically lives on in the best of the survivors via Nova. Even when hope is dead, it can still live on.

Okay/Con: A Too Long Ending – This movie has a bit of “Return of the King” going on, as there are a few points it could have ended…Caesar spares the Colonel, the apes escape the prison, the apes survive the avalanche, and finally, the apes find the Oasis. Either of these could have been when Caesar dies from his injuries but they wait for the Oasis. I didn’t hate it, but it did show how long this movie went.

This is a film that might make my Top 5 at the end of the year and is the best of the “Planet of the Apes” Franchise.” It beats Rises as we are given reasons to sympathize with the villains and unlike “Dawn” the stakes and cost are that much higher. This is a wonderful end to an amazing Franchise and I hope they don’t do anything else with it, as there are enough Easter eggs here to tigh into the original “Planet of the Apes” that if you want to catch, I’d advise you see as they only add to the amazing story that takes place here.

Also, here is my past retrospect of the “Planet of the Apes Franchise”: https://cameronmoviesandtv.wordpress.com/2014/07/11/planet-of-the-apes-franchise-retrospect-worst-to-best-of-the-franchise/

Final Score: 9.8 / 10 The best of the “Planet of the Apes Franchise.”

 

Live Free or Die Hard (2007): The Dumbing Down of the “Die Hard” Franchise

live-free-or-die-hard

      There is a cliche that action movies are stupid. They are popcorn flicks where you can turn off your brain and watch people shoot and fight each other. The villains are simple and the characters are heroes and that is all it takes. This was not the “Die Hard” Franchise until this movie.  This movie is so lazy, the characters are barely fleshed out, none of the past films are even relevant to this one so it feels as if it is trying to erase history and make McClane into someone he never was and it does all the stupid romance and action cliches, where the past films managed to transcend them or give them depth. Seriously, this movie sucks and I’ll get into more of the why deeper into the reviews.

     The film was directed by Len Wiseman, written by Mark Bomback and produced by Michael Fottrell.

     The story involves a cyber-attack on U.S. infrastructure by a U.S. hacker Thomas Gabriel (Timothy Olyphant) leaving John McClane (Bruce Willis) to protect the hacker Matt Farrell (Justin Long) who holds part of the code and ability to stop him.

The Pros: The Premise – The premise of a cyber-hacker is actually pretty cool. It’s a shame the villain has no charisma and no real drive. The idea of hacking a system to cause panic is really intriguing and was done beautifully in “Skyfall,” but this is no “Skyfall.”

The Stunts – Willis still does all his stunts, so credit where it is due. He is good at this stunts and good at action even if the action is pointless.

Okay: Warlock – Kevin Smith is a super hacker who actually manages to help Willis stop the big hacker. I liked the guy since he played a paranoid basement dweller who was into all the conspiracy theories. He was fun but I only put him as okay because he doesn’t feel like a full character, he feels like the idea of a character.

John McClane – McClane has become a cartoon character. He starts out beating up his daughter’s boyfriend or at least threatening the guy, we see him throw cars at other vehicles and take on a fighter jet. There isn’t a really an arc at all and his chemistry with Matt doesn’t compare to his chemistry with Zeus.

Okay/Con: Matt and Lucy – These two have the same problem and are a part of another problem. They are written like cliches. Lucy is a flirt, Matt is a bit of a creep and they only exist to ignore and later learn from McClane. Lucy eventually loves her dad because dad saves her and Matt is given courage by McClane. If this had been done creatively I’d put those as okay or pro but they are written so cliche that it is awful to watch how it unfolds.

The Cons: The Cinematography – The cinematography looks green screened and there are so many close ups of peoples’ faces. It is lazy cinematography and directing.

Becoming a Catchphrase – He ends it with “Yippee-ki-yay mother fucker,”  and shoots himself to shoot the bad guy. Yes it is as awful as it sounds. A phrase that once had meaning as him saying “Screw you,” to the bad guys after being mocked is now just existing because. McClane is a catchphrase in this film.

The Villains – They have no depth or dimension and the lead villain is only complex in that he has a lover and wants to get paid for working for the government and creating the situation in the first place where they can hack everything. He was such a winy ass that I never felt threatened by him.

Women as Objects – Matt creeps over the phone anytime a beautiful woman is talking to him, Lucy boyfriend creeps on her and McClane with his over protectiveness comes off as a creep always getting in his daughter’s space. Seriously, women only exist as objects in this.

Contrived Romance – Lucy and Matt develop feelings for each other  and it is tacked on at the very end. God I hate this script.

Pointless Action – He fights a jet, has a car chase but none of it means anything because he has ceased to be human. He’s Bond level competency and no longer a human being anymore so we know he will survive so it no longer means anything and the villain driving the action is a bad villain. He isn’t threatening at all.

McClane is not Bond – McClane is not bond. He was a schlubby cop who often times only one because he’d notice something normal and use it, like a powerline. This film misses the fact that it is McClane’s mortality that makes him compelling. He’s supposed to be a mess and trying to get his life together, not an over-competent super cop. He never was that, he was a man who would just survive and was usually the one losing up until he could finally turn things around just barely. This film forgot all of that.

  This movie is a waste, at most of the characters are safe and at worst they are caricatures. McClane was never a secret agent or James Bond like figure so this entire film takes him out of being the cop down on his luck. He’s become an action hero when before he was a man in the wrong place at the wrong time who rose to meet circumstances. Here he is fighting jets, throwing planes into helicopters. Call him whatever you want but he is no longer John McClane, the cop who has to punch and think his way out of situations. This is what happens when Hollywood gets a hold of a Franchise and misses what made it good in the first place. They replace characters with action and turn a normal guy who happened to become an action hero into James Bond. Keep Bond in Bond films and let McClane be the cop who has grown from the past films versus the static cartoon character he is in this film. This film fell so far after the perfection that was “Die Hard with a Vengeance.”

Final Score: 3 / 10