Black Panther (2018): Seeking Justice in a Broken World

       “Black Panther” is easily one of my Top 5 favorite MCU films. This is a film that expands on the lore of the MCU, has great characters with amazing arcs, some of the best action and villains in any Marvel film. It also explores deeper themes of resistance and sovereignty adding up to a movie that is well worth your time.

The film was directed by Ryan Coogler who co-wrote it with Joe Robert Cole and produced by Kevin Feige.

The story involves T’Challa (Chadwick Boseman), after “Captain America: Civil War,” as he takes the mantle as King of Wakanda but suddenly finds his world transformed as an enemy from Wakanda’s past upsets the status quo they’ve known for so long. This forces him and his allies to confront the past and what the choices they make will mean for Wakanda’s future.

SPOILERS Ahead

The Pros:

Wakanda – Wakanda is such a cool country. This is a Afro-Futuristic nation with advanced technology, hidden by a cloaking device that intermixes ancient tradition with tech. Wakandans are ruled by the King and a Tribal Council whose upholding of tradition drives the primary conflict in the shaping of Wakanda’s future. Each tribe differs in ideology, whether it is defending the King, the Border or trade. This world is rich and fully realized, each tribe is distinct and I wanted to know more about their histories in the foundation and development of Wakanda.

The Characters – The characters are definitely one of the most enjoyable parts of this great film, with Boseman once again killing it as T’Challa. Whitiker is fantastic as the Tribal Shaman whose history is intertwined with Wakanda’s past sins. The other minor characters, like the tribal leader W’Kabi, also have intriguing performances as well. In many cases it is these characters prideful choices that drive the conflict that T’Challa must untangle. Below, I’m going to explore some of my favorite characters of the film, as it was who they were that drew me into the story the most.

Okoye – Okoye, played by Danai Gurira, is Wakanda’s General and she owns this role. Not only does she one of the major focuses is some breathtaking actions scenes every action scenes, we see how important her role is for her as at one point following tradition has her on the opposite side of some of our heroes. She serves the Crown and Wakanda, and that is a complicated dance when T’Challa is believed dead and the sociopath Killmonger is now King of Wakanda. I can’t wait to see more of her in future films.

Shuri – Shuri is the Princess of Wakanda and T’Challa’s sister. She is one of the most intelligent characters in the MCU, as she is the inventor of the advanced technology of Wakanda, she is very much the Tony Stark of Wakanda.  Like Stark, she doesn’t care about tradition and is far more invested in the relationships around her and the beauty of discovery and invention. She has some great scenes, and like Okoye, she was one of the main reasons to see this film. 

Ulysses Klaue – Andy Serkis has a lot of fun as the weapons merchant who is almost Joker-like in how little he cares about anything. This is a guy who is selfish, and racist, and every reason why Wakanda is isolationist. He is an insane character and his chaotic and manipulative nature leads to some explosive conflict in the first act of the film. It is also great to see Serkis in anything. 

Killmonger – Michael B. Jordan’s Killmonger might be one of Marvel’s most complicated villains. This is a boy who grew up homeless in Oakland when T’Challa’s father kills his father, who was connected to the royal family through blood. He is driven by revenge from this moment on, but also by a desire to help the oppressed, driven by all he has lost. Killmonger is also a complete sociopath (his body is covered in self-inflicted scars for every person he has killed), but that doesn’t stop him from being complex. You can see where he is coming from, even if his way of going about it is all wrong.

Isolationism and its Consequences – The main idea explored is isolationism and the consequences of it is the main theme of the movie. T’Challa’s father commits a grave sin to keep Wakanda hidden from the rest of the world and it is up to T’Challa to face the consequences of his father’s sins. As Killmonger reminds T’Challa there are Africans both on the continent and in the world that Wakanda left behind. Wakanda let great evils like slavery, apartheid and countless other atrocities take place, when they could have done something to fight it. The primary conflict within Wakanda is to become an Empire to help oppressed groups (Killmonger’s vision), or stay hidden and protect Wakandan technology from those who would use it for ill (T’Challa’s father’s vision). T’Challa’s arc is finding that balance between perspectives and owning the mistakes of the past…and it is beautifully executed.

Okay:

Final Fight -The final fight is fine but compared to the rest of the film comes off as weak, especially in regards to the relationship between Okoye and W’Kabi. The emotional setup earlier in the film does not add up to the payoff during this fight, and so much more could have been done with some of the locations.

Okoye and W’Kabi – These two are star-crossed lovers who are on opposite sides and leaders of their tribes. I wanted more with both of them as they are both great actors, but we never got to see them in love, it is only ever given to us through exposition. Fully fleshing out their relationship could have given us the perfect film. 

This is a film that had the Marvel problem only in that Act 3 was still a battle, and there were some plot holes that I wish had been expanded upon. Regardless, this is a film that is deserving of all the hype and praise it has been receiving. It really is that good and I can’t wait to see what else they do with T’Challa and the Wakandans in later films. This film has social awareness you don’t always get in action films and at the core it seeks justice in a broken world.

Final Score: 9.7 / 10 One of my favorite films of the Marvel Cinematic Universe.

If you noticed something different about this review it is because I am now working with an editor! He is friend Brandon Cabusas and you can find him on instagram @brandoncabusas. If you need editing work, you should check him out.

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Sherlock – Series 4, Episode 1 – “The Six Thatchers” – Of Secrets, Betrayal and a Needless Death

the-six-thatchers

     “Sherlock” is a show I greatly enjoy but have a complicated relationship with at this point, and this episode does a great job capturing everything I like and hate about this show. Oh it is still a favorite, I still like “Doctor Who” for all the crappy stories that have come out of that show (the good still carries) and the same rules apply to “Sherlock,” and as it both so happens both are current Moffat projects and his writing problems become more apparent the longer I’m in both enjoying and critiquing his worlds he is showrunning or involved in.

      “The Six Thatchers” was directed by Rachel Talalay, written by Mark Gatiss and produced by Sue Vertue.

   The story involves Sherlock being pulled from exile to solve the Moriarity hack. Issues soon become more complicated though as Sherlock gets back into being a detective expecting Moriarty’s game to be revealed in time as a destroyed Margaret Thatcher bust ties him into conspiracies tied to Mary, Mycroft and British intelligence as a whole.

SPOILERS ahead

The Pros: The World – The world of “Sherlock” is a fascinating one. You have sociopaths, spies, geniuses, serial killers, governments and countless other players all with agendas and games that it is up for John and Sherlock to solve. It more often than not makes for a fascinating journey.

The Cinematography – The cinematography is beautiful as always and I enjoyed the use of blue to show drowning as that is a major theme of the episode. Our characters are isolated, each in their owns ways and it is in their isolation that the drama plays out.

The Characters – The characters are compelling and usually the best part of the show. All of them are flawed and it makes for good drama.

Greg Lestrade – Lestrade has become a bit of Sherlock fanboy at this point, though I like that he is still a member of the team, even if it just to bring cases and to remind Sherlock at least a little of his humanity. Rupert Graves is fantastic as always.

Vivian – Vivian is the one who is responsible for the death of Mary’s mercenary team and in the process of that one of them blaming Mary. She’s a secretary who is always listening and even outsmarts Mycroft. I have respect for her for that and even though I hate the writing choice, she does kill Mary which is more than any other villain has done up to this point. Marcia Warren does a good job.

Ajay – Ajay was a member of Mary’s mercenary team who blamed her for them all dying. He is a tragic figure as it was him keeping his mouth shut that lead to him being tortured into insanity. I felt bad for the guy as he wasn’t a bad person to begin with, just flawed like Mary.

Mycroft – Mark Gatiss is the best version of this character thus far and it is wonderful seeing him in over his head and his organization being compromised. This was an episode where we see brilliant Mycroft does not know anything and that he was played just as much as everyone else by Vivian’s manipulations.

Mary – Mary being a secret agent was made to finally work in this and it is dealt with in a respectful way, we also see that she is a great mom and a wonderful partner to Sherlock. I could have watched many more episodes of her team ups as even if her relationship with John is falling apart, she keeps Sherlock human in many ways. Her death by Vivian was a tragedy in more ways than one that I don’t know if the show could ever recover from fully. Amanda Abbington in the end made this show better.

John Watson – Martin Freeman is such a charming actor, even though this episode does a lot to show he can be just as awful as Sherlock. We see him cheating on Mary even as he’s doing a great job raising the kid and we see him feeling inadequate to her, which is stupid given he is good at what he does. In the end his arc returns to the stupid status quo it was at the end of last season. John hates Sherlock for not saving Mary. We’ve been here before and I hope Gatiss can write himself out of this hole. He never should have killed her character.

Sherlock – Sherlock is his usual sociopathic self with many more moments of humanity now though…from his conversations with Mary and Lestrade or his awareness when he’s being a jerk. Cumberbatch of course is wonderful in the role and that there isn’t much more I can say on that. The one thing that is different is how the episode was filmed makes Sherlock much more of an alien and isolated…and it works.

The Reveal – The real that Vivian had did everything to cover up her selling state secrets was beautiful. She was humanized even as a villain and in the end it is Sherlock’s stubbornness that helps lead to Mary’s death. The episode is a tragedy and the reveal works towards that.

Okay/Con: John and Sherlock Hating Again – We were here in Series 3 and we’ve been there before even before that. This is a tired trope and it loses power each time it happens. Unless we are doing their own individual stories, we know this isn’t going to last, so it cheapens the drama.

The Cons: The Death of Mary and an Overall Problem – “Sherlock” is not very good in how it handles it’s protagonists who are women. This article goes into a whole of a lot better.( https://www.theatlantic.com/entertainment/archive/2017/01/sherlocks-women/512141/ ) and in the end it serves no purpose but to bring us back to the needless drama of the two. Mary’s death was pointless and she didn’t even get to get her own justice against the one who had wronged her. Mary was a plot device for Sherlock and John’s drama just like Adler was and that is a problem with this show that could be easily fixed by simply writing these protagonists as players rather than pawns of the plot.

     I really like that “Sherlock” is back and I appreciate the fact that it was good rather than sucking like the beginning of Series 3. I don’t know if Moffat and Gatiss’s problem with writing women who can be part of the team or at least not objectified in some way will ever happen, but until it does I will critique it when I see it and enjoy it for the art that does come out of it. Moffat and Gatiss are extremely talented men and I know just how much they are capable of in this show and their other projects like “Doctor Who.”

Final Score: 8.5 / 10

Sherlock – Special – “The Abominable Bride” – Confusing at Times but a Powerful Message

Sherlock The Abominable Bride

      “The Abominable Bride” is an episode that is a bit unfocused but comes together at the end and never stops being fun. It more than makes up for the end of Season 3 and even the overall message of the internal mystery is powerful too and is timeless, which is something Moffat usually doesn’t cover in his episodes. I’ll get into more of the details later but this episode was a trip (in more than one way) and for non-spoiler thoughts, is well worth checking out.

      The episode was directed by Douglas Mackinnon and written by Steven Moffat and Mark Gatiss.

Spoilers ahead

       The episode takes place in Victorian England where Sherlock is seeking to solve the case of the Abominable Bride who killed herself but has come back from the dead and is hunted down her husband and other evil men. All is not as it appears to be though as even the story is meta.

The Pros: Cinematography – The cinematography is beautiful per usual, which one thing that has been true of even the weakest episodes of “Sherlock.” There is great use of freezing the frame and using the London fog to cast mystery and shadow and with it an element of horror which lended strength to the narrative both main and meta. Suzie Lavelle did a great job.

Soundtrack – The music continues to be one of the strongest parts of this series and plays into the mystery, horror and self reflection that really defines this episode and the series at it’s best when it is at it’s strongest. David Arnold and Michael Price did a wonderful job.

Dialogue – The dialogue is snappy, sharp and natural and fit the characters beautifully. This was an episode that didn’t drag because the writing kept things moving, especially in how the different characters interacted.

Characters – Characters have always been the strongest part of the show and the Special is a shining example of this. Though there are some glorified cameos I won’t really mention since I don’t really feel the cameos got exploration.

Mary – Mary is fighting for equality in England and she is the one who discovers the organization that created the Abominable Bride. It is wonderful seeing her front and center and I hope she becomes part of John and Sherlock and that they become a trio. Amanda Abbington once again does a fantastic job.

Moriarty – Andrew Scott is back, though it is only in Sherlock’s mind palace as we learn part of his plan was to trap Sherlock inside his head as he really did die and wanted to bring Sherlock down with him, like he did in the story of the Reichenbach Fall. In the end he fails to account for Watson though and it is his downfall as within his mind Sherlock is able to realize that Moriarty is not alive and that all of this was a ploy to trap him so that his final attack on the world could go forward.

Mycroft – Mark Gatiss is my favorite Mycroft and in this we see the tender side of his relationship to Sherlock as he was there to pull Sherlock out of his addiction and cared for him. We also see a fat Mycroft in the past (and how he looks in the stories and novels) which is a treat. He never stops being Mycroft though and we see him team up with Mary to help and protect John and Sherlock. Gatiss truly owns this role and he gets great character development this episode.

Watson – Martin Freeman’s Watson gets some wonderful character development in this as in the past we see that Sherlock uses how Watson sees him in order to solve cases and build himself up and that Watson truly is smart and has learned a lot from Sherlock. He saves Sherlock from his mind Moriarty and helps him wake up as well as solving the Abominable Bride case with him and his wife Mary. He is a great character as always.

Sherlock – Benedict Cumberbatch really owns this role and is a natural Sherlock Holmes. I really liked seeing his Victorian self solving the case and them actually dealing with the dangers of his addiction as it takes him going under to solve the case of the Abominable Bride and realize that Moriarty is dead but he put things in place in case that ever did happen. His arc is learning to accept help and letting go of his addiction to needing a case or drugs to feel alive. It’s very well done and Sherlock actually grows over the course of the episode.

Equality and Justice – The suffragette movement is addressed and the fact that some of them are using the Abominable Bride for justice against evil men. It’s really cool as it uses the sexism of Victorian society to show how far we’ve come and how far there is to go.

Letting Go and No Longer Alone – Sherlock’s arc is letting go of Moriarty in his mind and accepting his death and accepting the love from his friends….that his brother, John and Mary are there for him and that is how he can defeat and has defeated whatever has come his way. No longer the superhuman, he is now human.

Okay/Pro: The Ending – We know now that Moriarty truly is dead but he put something in place for when he does die and now it is up to Sherlock and John to solve it. I liked them talking in the past, it was some of the best John and Sherlock moments…and Sherlock did get some great monologues. I’m doing it as okay since it took Sherlock overdosing to get there.

Okay: The Bride – The organization the Bride is a part of is wonderful, but the bride is a plot device and never fully grows beyond it. She isn’t a bad plot device but a plot device is not a character. Lestrade had the same problem.

Lestrade – Graves does a good job with what he’s given but he’s just kind of there to give Sherlock the plot to solve. I would have liked to see more with him as he’s never given the chance to fully be his own character.

    This was a favorite episode and clearly showed that Gatiss and Moffat are back in their game when it comes to this show. I was disappointed with Series 3, especially in it’s treatment of Mary in the finale and how the kill was handled, as well as the villain being one note…but this got back on track. Sherlock has always been about the characters and this episode showed once more why we keep coming back to this show and what drew us to the stories of Sherlock Holmes in the first place.

Final Score: 9.4 / 10

The World’s End (2013): Alien Invasion Meets “Hangover” Meets the Apocalypse

The World's End

    “The World’s End” is better on a second viewing but is not as good as “Shaun of the Dead” or “Hot Fuzz.” It’s a film that has too many similarities to the party comedies like “Hangover” and comes off weaker because of it, the arcs are also less apparent in many cases which hurts the overall story and there are a few other issues too I’ll get into further in the review, though I do still recommend this film and consider it good. It isn’t bad, I don’t think Wright and Pegg together are capable of creating a bad film.

   Being the 3rd film in The Cornetto Trilogy the film was directed by Edgar Wright and who also co-wrote the film with Simon Pegg and produced by Nira Park, Tim Bevan and Eric Fellner.

     The film involves Gary King (Simon Pegg) getting his old childhood friends together to finish “The Golden Mile” where they hit up all the pubs in Newton Haven but conflict occurs when all of them have grown up while Gary is still the same Gary and soon they realize the unchanged town is more than it appears to be.

SPOILERS ahead

The Pros: The Cinematography – Bill Pope does a wonderful job on the cinematography creating a picture perfect image of the town and later a sci. fi. nightmare when the alien invasion is revealed.

The Soundtrack – The soundtrack has lots of great rock and is good at capturing the mixed perspective of our drunk protagonists as well as the rising tension as the aliens slowly close in around them. Steven Price did a great job.

The Characters – The main characters are still great, and even a few of the minor characters even if they don’t have the same level of depth and comedy of the minor characters in other films.

Basil – David Bradley is back as the conspiracy theorist and one of the few people who doesn’t get turned into a blank by the network. He does a great job as the clearly mad man who in this instance happens to be right.

Oliver – Oliver is the guy who is all business and whose sister tends to be the but of jokes. Martin Freeman is awkward and does a great job as the one who is mostly doing things out of obligation. When he is turned into a blank (an android) he still keeps his personality as a Realtor after the world ends at the end of the film.

Steven – Paddy Considine plays the one good guy of the group whose arc is finally falling in love and starting a life with Sam as he shows that he is the most mature person of the group. He was a good minor character.

Sam – Rosamund Pike is awesome! In this she is great at setting boundaries with characters and also is able to find happiness and to save the guys when they are living their idiocy of the pub crawl as the Network slowly kills and replaces them with Blanks. She like Steven is one of the few mature characters.

Andy – Andy is Gary’s former best friend and played by Nick Frost. For him it is standing up to Gary and them resolving their issues with one another as Andy becomes the most hardcore drunk once the alien invasion is in full swing and is their biggest threat. In the end he becomes a child again but finds himself as the storyteller and friends again with Gary though he loses Gary after the World and Newton Haven are destroyed leaving an apocalyptic wasteland.

Gary King – Simon Pegg is great as the friend who is an ass and assumes privilege over everyone. His arc is realizing that he really is a mess up and it is at the end of the world that he finds his place in the world as a man fighting for the Blanks who are recreations of his childhood friends as they wander the wasteland together. He also no longer drinks as the end of the world solved his drinking problem. A better film would have been their adventures in the Wasteland not the “Hangover” type Satire that we got.

The Blanks – The Blanks are androids/robots until the end when they come into their own and deal with discrimination from the populace. Them as a sect of the people is wonderful to see and deal with and I wish they had received more development.

The Message – The message is to choose to be free and not conform even if the rest of culture sees you as a loser. To some degree I think this makes sense, at least in the political sense when dealing with fascism and control…but eventually you have to grow up as it seems Gary King does as he is a good survivor after the end.

Okay: The Satire – I never felt the films like “Hangover” were being fully satired, it was almost like celebration at times and the alien invasion story that was “Invasion of the Body Snatchers” and “Day the Earth Stood Still”esque fell apart due to the Network being such a weak villain and idea. The satire was sill there and decent but the fact that it wasn’t as clear as “Hot Fuzz” and “Shaun of the Dead” was obvious, also at the end of the day this film was just less funny.

The Cons: The Network – Villain that replaces people with robots blind to it’s will and apparently it part of a larger collective of aliens? The proposal struck me as full of crap and a okay satire of “The Day the Earth Stood Still” where a fascist alien collective wants to raise humanity up but sees they are too ruled by fear. Same deal here with the Network but it replaces those who don’t conform. So glad it left. Poor villain which brought down the script and story.

The Drunk Film Tropes – The guy who doesn’t drink gets drunk, Gary can’t remember anything, drunk man confesses feeling and gets the girl (Steven and Sam) and drunk man becomes a hero (Gary and Andy). These tropes are tired and they weren’t pulled off creatively at all.

   This is the weakest of the Trilogy but is a lot of fun on a second viewing. It is truly a good but not great film and it is not a favorite by any stretch of the imagination, but it is still a good film. Simon Pegg and Edgar Wright are geniuses at their craft and really, I’d so far recommend anything they’ve worked on and this film is no exception…with it’s flaws and all.

Final Score: 8 / 10

Hot Fuzz (2007): A Brilliant Satire of Cop Films with a Compelling Story

Hot Fuzz

      “Hot Fuzz” is amazing, though it is in steep competition to be the best film in Pegg’s and Wright’s Cornetto Trilogy. This is a film that captures the absurdity of both television and film cop dramas, while also shining a light and critiquing small town and city culture at the same time…while giving our stars character arcs! There is a lot that is needed for a comedy to work, and this film manages to achieve that.

     The film was directed by Edgar Wright who also wrote it with Simon Pegg while being produced by Nira Park, Tim Bevan and Eric Fellner.

SPOILERS ahead

      The story involves Sgt, Nick Angel (Simon Pegg) the best cop in London being sent to the village of Sandford since his stats are making his fellow cops look bad on the force. In Sandford he soon learns all is not as it appears to be as mysterious deaths continue to pop around town accompanied by hooded figures running from the scenes of the crimes. He must work with the Police Chief in Sandford’s son PC Danny Butterman (Nick Frost) in order to solve the case and the dark side of the village.

The Pros: The London Police Authorities – Martin Freeman appears as Nick Angel’s higher up as do two other actors but Freeman was the most memorable as the one trying to make the demotion look like a promotion. By the time the highest one is reached he tells Angel that he being sent away because he is too good and makes them all look bad. It’s a really hilarious joke and critique of the City.

The Cinematography – Jess Hall did a fantastic job on the cinematography. The film is polished and looks like a modern day cop drama as it emphasizes eyes, guns and loss whenever someone gets shot. It’s really good work and we see the use of darkness used to build tension.

The Writing – The writing is hilarious. Wright and Pegg are a great pair and know their comedy well, and not just comedy…they give their characters arc. Nick Angel and Danny Butterman are not static characters, events and circumstances change them and help them to grow into better people than they were before.

Callback Jokes – The callback jokes are wonderful! At one point they run into an old man named Webler (played by David Bradley) who has a whole bunch of guns and a water mine which doesn’t work…Nick and Danny later use the guns to attack the NWA and the mine is used to kill the last one who tries to kill Nick at the end before the mine destroys the Station.

The Satire – The Satire is brilliant! From the NWA being so concerned with appearances that they murder for it, Danny being obsessed with cop films and doing events from said films (“Point Break” and “Bad Boys” as an example) and Angel rejecting it not realizing he is the trope before he finally embraces at the end, and with it all the paperwork.

Sandford – Sandford is an idyllic small town, it is mostly farms with a few stores and we see that everyone knows everyone. All the small town tropes exist here, from the village gossip, the crappy journalist and the overbearing Police Chief in a town obsessed with conformity.

Simon Skinner – Timothy Dalton does a good job as the CEO of the convenience store who is set up to be the big bad but is only one of the many members of the NWA responsible for the murders. He is good at being creepy and overbearing to everyone around him as he only speaks in threats.

The Sandford Police Force – The Sandford Police Force is wonderful, Olivia Colman plays the only woman on the police force and there are two mustached guys and one nervous guy who does whatever Nick says but is also a good strategist…they all break and embrace the tropes they were written into leading to a great faceoff in Skinner’s store at the end.

Frank Butterman – Jim Broadbent is wonderful as the likable but for appearance of useless Police Commissioner who is all about village appearances. He is a good antagonist as we see he is the way he is after his wife killed herself since she was so obsessed with winning the competition. He is good at leading Nick Angel on false leads and he is the unspoken leader of the NWA.

PC Danny Butterman – Danny’s arc is realizing how serious it is to be a cop and dealing with the truth of his father…after he does he is able to turn the police force against his dad and help take out the NWA with Nick as we see that they now compliment each other as Danny’s socialness is what helps Nick Angel get outside of his obsession with the job as Nick’s obsession rubs off on Danny and helps Danny to become a hero and good cop.

Sgt. Nick Angel – Nick is man obsessed with being the best cop to the point that he lost his relationship and is alone with his plant. It takes Danny (who he arrests when he first arrives in Sandford) slowly getting him out of his shell and helping him open up that we see him mellow out and become not just a good cop in doing the right things to catch the bad guys, but also in how he treats others…this arc is completed in him choosing to stay in Sandford at the end, rather than returning to London when Freeman’s character offers him the chance (since things have gotten so bad after him leaving). Simon Pegg is brilliant and the best part of the film.

Okay/Cons – Pacing – There are a few moments where the film drags, this is partially due to the film being very quick in it’s action. This is the only real con outside of a plot hole I’ll list in the next one.

The Cons: Where are the Families of the Missing People – The Neighborhood Watch Alliance and Associates (NWA) kills anyone who makes the town look bad (the hoodies, the kids who were drinking in the pub) so that they continue to win town of the year…where were the families of the people killed? My theory was that they were living in fear of the NWA but we never have conformation of this, so that was a small thing that bothered me in the film.

   This might be my film in the Cornetto Trilogy, though “Shaun of the Dead” is hard to beat and may still be better. Regardless, this is a film I’d highly recommend. If you like a great satire, comedy and film that celebrates Cop Dramas while at the same time celebrating aspects of them and the tropes they invented, you will like this film. It’s one of my favorites and one I will no doubt watch again in the future.

Final Score: 9.6 / 10

“Sherlock” Pilot – Series 1, Episode 1 – “A Study in Pink” – The Thrill of the Hunt and Dangerous Detachment

a study in pink sherlock

   “Sherlock” has become far greater than the show it initially come from as it has not only boosted Cumberbatch’s career it also brought about a resurgant interest in the character and stories of “Sherlock Holmes.” This is also the show that put Steven Moffat as a writer and director on the map and you can see his ideas in this show rub off him being the showrunner of “Doctor Who.”

    “A Study in Pink” was directed by Paul McGuigan and written by Steven Moffat.

     The story involves Dr. Watson’s return from Afghanistan and his attempts to get acclimated to life again as he is pulled into a mystery from a possible flatmate Sherlock Holmes in which a string of similar suicides are tied to something far more sinister taking place.

The Pros: Cinematography – The cinematography is beautiful! There is a dark tone over everything and it captures the isolation that both Watson and Sherlock feel as they are both outsiders in different ways where the thing that connects them is their thrill of the chase and the mystery in life’s game.

The Soundtrack – David Arnold and Michael Price did a fantastic job on this soundtrack! It captures the methodic feel of Holmes as well as the thrill that Watson and Holmes take in the hunt.

The Mystery – The mystery is fascinating as we have supposed suicides but as we learn more that it is based on a 50-50 chance of murder dying as well. From here it is how well a dying man does mind games on his victims and how others react to the bodies left behind. The clue that makes finding the murder possible is a lady pink not having her pink suitcase present which lead to the discovery that she planted the phone on the murder allowing Sherlock and Watson to find the murder.

The Cabbie – The Cabbie is a great threat as he sees himself as carrying for his children’s future as he lost his wife and is terminally ill. To this end he gets sponsorship from Moriarty and is willing to risk his own life each time as he knows each death means his children get more. His story is tragic and shows how desperation can change people.

Mycroft Holmes – Mark Gatiss is how I envision Mycroft to be, a brilliant, over-controlling man who at the end of the day wants to do his duty and protect his brother. Gatiss shows this in Mycroft perfectly and we get a fake out initially where he is presented as possibly being Moriarty but later we see that clearly is not the case.

Dr. Watson – Watson is a veteran from the war and his arc is finding the thrill in the chase again as the lack of stimulation makes him feel isolated in his return to England. He does not have friends which is one reason Sherlock is able to attach to him and vise versa, they are both people outside what is normally considered good and it makes them compelling to watch as they grow to like one another. Martin Freeman is great in the role.

Sherlock – Sherlock drives the story and he is a dick. We see him completely oblivious to people’s feelings towards him unless it is hate and he is constantly berating the police force for their stupidity. His arc is coming to treat others with more respect and having greater social awareness, Watson functions as his external conscience in this way as he is there to shoot the cabbie when Sherlock is about to play the game where he has a 50-50 chance of taking the pill that will kill him. Benedict Cumberbatch is fantastic!

Okay: Ms. Hudson – She is a kind old lady with a string of unstable relationships. She is the mother figure to them and is there to remind them to be outside themselves as she is always present at 221B Baker Street.

Lestrade – Lestrade is the well meaning leader of the police who is empathetic and in over his head. I wanted to see more of the character as usually in Sherlock adaptations he is the faceless antagonist there to make Sherlock look good. This time he feels like an actual character just doing the best he can. Rupert Graves is good in what little he is able to do in the plot.

The Cons: Talking at Women – Whether it is Ms. Hudson, Mycroft’s assistant or others most of the women are talked at and are there to spit exposition at. This was annoying as they deserved to be fleshed out more and Sherlock, though he is a dick was usually always courteous in the books as he had to hear the person to learn.

Faceless Minor Characters – There are a few people on the police force who are antagonistic for the sake of being antagonistic and it struck me as petty and only there to make Sherlock look better by comparison. They serve no purpose but to be in the way to solving the case.

When the Police Became Stupid – There is one point where they are tracking the phone that we know the killer has and the police just stop looking for it and leave…this is after they came to Sherlock’s flat to get the evidence of the suitcase. This was plot stupidity as they should have followed up on finding the phone as they would have found the killer. There was no reason for this except to make Watson and Sherlock the heroes without any outside help.

“Sherlock” is a favorite show though as I have watched it more the problems in Moffat’s writing become more apparent…and I would rate “Hannibal” above “Sherlock” at this point, and not only because “Hannibal” had dignity enough to end. When you are dealing with human characters the story can’t be continuously rebooted as it is with “Doctor Who” and though I’m excited to watch more “Sherlock,” Season 3 was troubling in a lot of ways that I’ll get into when I review this show as a whole.

    For now, I recommend this episode as it is a great introduction to this show and Martin Freeman as Watson and Benedict Cumberbatch as Holmes are two very amazing interpretations that are worth coming back too.

Final Score: 9  / 10