Top 5 Films of 2016

rogue-one

       This was an amazing year for film! An animation was at it’s best with even sequels being good like “Kung Fu Panda 3,” and “Finding Dory.” Action films were great in films like “The Nice Guys,” “Doctor Strange,” “Star Trek Beyond” and “Rogue One.” We had an amazing western in “Hell or High Water” and the Coen Brothers’ “Hail, Caesar!” and a fantastic high concept Sci. Fi. film in “Arrival.”  These are my honorable mentions by the way, that I highly recommend you go check out.

     Of course we also had duds which I’ll give a dishonorable mention to here as well. The bloated crap of “Batman v. Superman,” the unfocused mess of “X-Men Apocalypse” the hack jobs of “The Jungle Book” and “The Secret Life of Pets” and even the boring “Warcraft” film which I really wanted to like. Beyond this there were a few that were decent that didn’t make the dishonorable list or honorable mention and sure as hell would not make my Top 5.

  So without further ado, here are my Top 5:

Captain America Civil War

5) Captain America: Civil War

Director Joe and Anthony Russo

      This position was really a toss up between 2 other films. “Moana” and “Zootopia” were vying for this place as I enjoyed both of those greatly and loved the larger points they made in their narratives. What kept them from getting this spot was too much Shakira in “Zootopia” which took me out of the film and the fact that “Civil War” took more risks while “Moana” played it safe and did the Standard Disney Hero Arc. In “Civil War” there was no hero arc and what we see is how the debate between security and freedom isn’t a simple one, especially in a world full of Gods and vigilantes. I wish it had grappled more with the question but it did not let the question take away from the core drama. This is the second year of my doing this that the MCU has had a film make the list with 2014 being the year “Guardians of the Galaxy” and “Winter Soldier” were in my Top 5. This studio clearly has the art down and even has me excited for the overly rebooted Spider-Man because of how human and awkward they make him in this film. I enjoyed this film more than “The Avengers” and that is a favorite film, so folks I seriously recommend this film and can’t wait to see where they take the Franchise, though I wish this film had truly grappled with death and loss rather than the drama of the philosophical war of ideology, and that kept it from being higher on the list.

9.7 / 10

https://cameronmoviesandtv.wordpress.com/2016/05/09/captain-america-civil-war-2016-amazing-characters-in-a-story-that-explores-war-and-responsibility/

Deadpool poster

4) Deadpool

Director Tim Miller

   “Deadpool” is an amazing satire and deconstruction of the entire Super Hero genre as a whole and it does it with a limited budget and cast…This was a film the studio was expecting to fail but now it has changed the Super Hero paradigm. From making Rated R Super Hero films a thing again and making raunchy humor okay. I laughed so much during this film. This was the best comedy I saw all year and the only real cons that keep it from being perfect is the fact that it does look cheap at times and the villain was only okay. Deadpool really needed a good foil to work off of. If you haven’t seen this film and you like a great comedy or want to see the beloved super hero film torn apart (as a fan of the Super film I loved it) you should see this. The comedy starts with the opening credits and never stops and manages to have a good emotional core that drives it all.

Final Score: 9.8 / 10

https://cameronmoviesandtv.wordpress.com/2016/02/16/deadpool-2016-a-hilarious-satire-of-super-hero-films-and-a-brilliant-action-film-romance-and-comedy/

moonlight-poster

3) Moonlight

Director Barry Jenkins

    This was a powerful film written and directed by Barry Jenkins that tells a story of a young African-American boy growing up and wrestling with and coming to peace with his sexuality in a world everyone around him is hurting or hurting others. It is in this story of trauma that he is shaped as we see him as a boy, a teenager and finally a man and how different major events shape him as he seeks peace in the turmoil of everything around him. The only reason this film didn’t get Number 2 or Number 1 is because some characters drop out and are never brought up again and I felt that the ending did go on a bit long and could have all happened in one location. Besides that this is easily one of the best films of the year.

Final Score: 9.8 / 10

https://cameronmoviesandtv.wordpress.com/2016/12/07/moonlight-2016-a-beautiful-exploration-of-sexuality-trauma-and-healing/

everybody-wants-some

2) Everybody Wants Some!!

Director Richard Linklater

    “Everybody Wants Some!!” is a film I expected to hate when I saw the preview. A bunch of college kids who party and want to get laid…why on Earth would I want to watch that? Suffice to say this a film that is so much more than that. This is a film that reveals the complexity of people as individuals, in groups and wrestling the big questions like finding one’s purpose. I loved this film and found it to be perfect. It was a deep film that managed to still have fun and the basic premise of college kids wanting to get laid before college is still there but there is so much more going on and the reasons behind all of it get explored too. This film gave us a great ensemble cast and captured so much of the complexity of what makes humanity fascinating.

Final Score: 10 / 10

https://cameronmoviesandtv.wordpress.com/2016/10/31/everybody-wants-some-2016-a-beautiful-exploration-of-groups-sexuality-and-purpose/

Kubo and the Two Strings

1) Kubo and the Two Strings

Director Travis Knight

This is the first year since I started my Top 5 Films of the Year that an animated film has made the Number 1 stop. “Inside Out” made Number 2 last year but was beat out by “Fury Road” but here “Kubo” beat “Everybody Wants Some!!” and there are a few reasons why. Kubo is a film that not only deals with growing up but it deals with trauma, loss and forgiveness better than any film I saw this year. This is a story ripe with mythology and Laika’s animation captures it beautifully as we see Kubo’s hero’s journey as his relationship is explored with his parents, aunts and Grandfather. I was in this film all the way and as great as the other films were the ending of this film hits the hardest. The film is haunting, inspiring, funny and creative and at the core it explore that when you leave on an adventure you come back changed, and sometimes you lose people along the way. This core simple message solidified this film as the best film of 2016 for me.

Final Score: 10 / 10

https://cameronmoviesandtv.wordpress.com/2016/09/04/kubo-and-the-two-strings-2016-a-masterpiece-of-animation-with-an-unforgettable-story/

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Moana (2016): Honoring Polynesian Mythology and Culture in Disney’s “Princess Model” to Create a Classic

moana

  I really liked “Moana.” It was no “Kubo and the Two Strings” but besides “Up” and “Inside Out” not many can compare to that…but this is classic Disney as it’s best. This is Disney taking the “Princess Model” (Princess goes against status quo for family, tribe, etc. for greater good) and achieves final great ends while being helped along by animal and magical companions. This is the base of Moana that the director, writer and Lin-Manuel build upon. Suffice to say I have nothing but affection for this film as it captures both my love of history (paying tribute to the Polynesian tribes and their history of exploration) and culture (how they related to one another and others).

    The film was directed by Ron Clements and John Musker, written by Jared Bush and produced by Osnat Shurer.

     The film involves Princess Moana (Auli’i Cravalho) dealing with the after affects of Maoi stealing the heart of Te Fiti as her Island slowly dies and her people become more isolated. Prompted by her Grandmother and her own desire for adventure seeks out Maoi (Dwayne Johnson) and the heart to restore peace in the world once more.

SPOILERS ahead

The Pros: The World – The world is awesome! Welcome to a world inspired by Polynesian mythology, with gods, demons  and islands connected by travel. This is a world that I only wanted to spend more time in and you should experience for yourself.

The History – The history is rich and tells a story that needs to be told. The early explorers and traders in the Americas were Polynesians but that is often ignored to history as horrible folks like Columbus get credit instead. This world recognizes what was long before Europeans came and congresses the thriving cultures that colonialism and in many ways destroyed, even though many histories and cultures still live on, as shown by this film.

The Animation – This it the best of Disney Animation and shows us a variety of animation types…from 3-D over 2-D and some fantastic visuals. The islands feel alive and real and honestly, besides “Wreck-It Ralph” this is the best animation so far.

The Soundtrack – It’s Lin-Manuel Miranda overseeing it and it shows! You’ve got musical, rap and power as just as he gave power to “Hamilton” and “In the Heights” each culture and history he touches is given his own take and with it passion and life.

The Characters – The characters drive the film and are really what make it stand out and put it above “Kung Fu Panda 3” and most Dreamworks films.

Grandma Tala – Grandma is the heart of the film. She motivates Moana’s desire to travel beyond the island her death incites Moana finally doing it. She is there for Moana through the best and worst times and her loss is felt once it happens.

Chief Tui – Chief Tui is traditional Disney Dad afraid of Daughter being free. This time it is given reason though as he lost a friend when he went beyond the reef. Sadly we don’t get more exploration though, everything he does is a reaction to Moana and it hurts his character development.

Maui – Dwayne Johnson is awesome! Maui hurts the Goddess by sealing her heart (Disney is clearly okay going there post “Maleficent”) and his arc is restoring the heart and apologizing for his wrong which was for his ego and for humanity, the people who abandoned him leaving the ocean and Gods to give him his power and turn him into a Demi-God. He is funny but can do drama too…seriously, “The Rock” is underrated as an actor.

Moana – Is the princess who drives the story as she and her animal sidekick try to save the world and find Maui in order to restore peace. She is awesome and I wish she’d found her power sooner as we see her being a fantastic Chief before her voyage beyond the reef. I felt for her, she lost and she gained and she discovered her own power.

A Story Not Told in the West – Polynesian culture has usually always been exoctized in the west and this was finally breaking free of that. Rather than being treated as a vacation spot where the people are a reward rather than a people. This film changes that which is a needed reaction to Disney’s past exocization of Hawaii and Polynesia. This can’t be stated enough and I hope those involved are aware of Disney’s own dark history.

Okay: The Disney Princess Model – Princess teams up with magical being (The Genie, Stich, Mushu, etc.) and an animal companion (s) (The Mice, The Horse in “Mulan” and “Tangled,” etc.) to defeat her family’s prejudice’s (“Frozen,” “Mulan,” etc.) and restore balance and peace. Disney has done this so many times and that is why I say it is okay. “Moana” doesn’t subvert anything like “Zootopia” or “Frozen” did.

The Cons: Tamatoa and Codedness – A villian coded as gay who is vain wants to eat the heroes! This isn’t new! (Prince John, Radcliff, Jafar, etc.) DIsney you are better than this. Though to be fair, even “Wreck-It Ralph” Sadly had this problem too. Feminine men need to stop being coded as bad.

The Mother as Plot Device – The mother helps Moana and tells the story of why her husband fears the sea…she is basically a plot device to motivate Moana to stay or leave, which is a shame as her helping Moana leave hinted at so much more.

Why Afraid to Take a Chance? – This movie took the safe route, Moana with her magic friend and animal side kick saves the world. Nothing is subverted when so much more could of. I like that he demon was the goddess  who needed balance again, which was Miyazi-esque but so much more could have been done. Why did she assume Maui could only save the day? She was the Chief to be, she was empowered, there was no reason to hand him the direction for the first half of the film.

   This is a film that I really liked and I consider a favorite. Now it probably won’t make my Top 5 of 2016 but that doesn’t change the fact that Polynesian culture and mythology have not been explored in the west beyond being exotcized. This changed that and gained so much power because of it. Yes it followed the “Princess Model” which is Disney’s take on the “Hero’s Journey” but it did it in such a powerful. This was Miyazaki levels of storytelling and “Hamilton” inspired music (Thanks Lin-Manuel Miranda). I can only recommend this film.

Final Score: 9.4 / 10