The Ballad of Buster Scruggs (2018): The Dark Humor and Despair of the “Old West”

      I am a huge Coen Brothers fan. “Fargo,” “Blood Simple” and “The Big Lewbowski” are some of my favorite films of all time and I love the desolation and farcical nature that is brought to so many of their dramas. “The Ballad of Buster Scruggs” is certainly up there with those films, but doesn’t quite reach their level of perfection. Lately they’ve been doing more collaborations but this is wholly a Coen Brothers film as they wrote, produced and directed this film.

    “The Ballad of Buster Scruggs” is a Western anthology that follows the tales of the gunslinger, the thief, the conman, the prospector, the cowboy and the bounty hunter. Each story is haunted with tales of death and destruction as all are faced with choices told in a storybook fashion. The name of the anthology also is the name of the first story within the anthology itself.

I’m judging each story individually before an overall take on the whole, since though they are each connected in theme, it is still an anthology film.

SPOILERS ahead

The Ballad of Buster Scruggs

“The Ballad of Buster Scruggs” is one of the happiest of the tales, as even though death and destruction happen, Buster Scruggs always has a song on his lips and his sheer joy rubs off on the events throughout the story. The story follows Buster Scruggs (Tim Blake Nelson) the Gunslinger as he goes about from town to town, taking out people who challenge him. It finally all comes to a head when the Man in Black finds him and it is the duel he finally loses, that brings his story to an end. This one was great as a musical and I love Tim Blake Nelson’s energy as Buster Scruggs. He is fun and funny and even though is willing to kill always treats people as a good person first and always has a song on his lips. This is what makes his death tragic, but he does get to go to Heaven and gets angel wings, so his story isn’t entirely tragic…especially compared to the stories that come up later.

Score: 9.4 / 10. The cinematography is beautiful, the music is great and if we’d had more time with characters it could have been a perfect Musical Western.

Near Algodones

This story is comparable to “The Ballad of Buster Scruggs” in how absurd it is, though it differs in that it doesn’t have the joy of that story. This is a story of desperation and lack of luck where every situation leads to a worse one. The story follows a young cowboy (James Franco) who is attempting to rob an isolated bank. He fails and is about to be hung by local law enforcement, when some Native Americans attack and leave him to die. Another band of thieves takes him and and they are caught and brought to town to be hung. This is the young cowboy’s second hanging and the one where he finally dies. This was the story that made me wish we’d gotten the Native story in these tales. They are all from the perspective of the privileged old west, which does have intriguing stories, but the Natives are only ever antagonists or in the case of this story, indifferent. Some of that tribe’s story could have been explored in this but instead Franco’s character just takes the long way around to finally getting hung.

Score: 7.5 / 10

Meal Ticket

This story was by far the most haunting and probably my most favorite. There are two characters, the Impresario (Liam Neeson) and his actor Harrison (Harry Melling). Harrison doesn’t have arms or legs and performs speeches and Shakespeare as the Impresario travels through towns to make money. We don’t know how they came about together but we soon see how little the Impresario doesn’t care about Harrison at all leading into a tragic ending, where the Impresario buys a chicken who can do basic math and it is implied he drops Harrison into the river. This is after Harrison has stopped bringing in the money he once did. Liam Neeson plays the Impresario and is wonderfully creepy. He reminds me of a much worse version of Fagin from Dickens’ “Oliver” and seeing just how much he disregards Harrison is powerful as well as Harrison’s fear as Harrison only acts through his eyes and the acting he puts into the shows. This story is all about exploration and despair and how powerless the only good person (Harrison) is in a world that sees him as a burden or something to be exploited. It is a tragedy and easily the best story of the bunch.

Score: 10 / 10.

All Gold Canyon

“All Gold Canyon” is a film focused on the beauty of nature and the ravings of an old prospector (Tom Waits) searching for gold in the wilderness. I really enjoyed this story as so much of it is Man v Nature as the prospector goes through the process of finding gold flakes and eventually hitting the gold but finding himself attacked by a young man who was watching him as he is no longer facing the wilderness but facing the selfishness of humanity. He ends up killing the man after he outsmarts him and buries him in the small hole he created in his search for the gold. It is a really great story with the only problem being how distracting the CGI deer is. There was no reason not to use a real deer given how beautiful the landscape is and the owl looked real at least. If there hadn’t been the deer and bad CGI this story would have been perfect for what it was. I was rooting for the muttering prospector who talks to himself, I wanted him to find the gold and I was happy when he did and survived.

Final Score: 9.6 / 10

The Gal Who Got Rattled

“The Gal Who Got Rattled” is the weakest of the stories and brings everything else down. There are far too many characters, none of them are really likable or interesting and it has nothing profound to say and lacks a coherent point. The story follows Alice (Zoe Kazan) who is traveling west with her brother to marry. Her brother dies along the way and we learn she’s been conned and now doesn’t have any money. One of the cowboys falls in love with her and that goes nowhere, and later she is with her brother’s dog when they are attacked by Natives and she ends up killing herself when the leader of the caravan says she should do it cause it is a better fate than getting captured. This one has the same problems as “Near Algodones” in how the Native Americans only exist as a threat and also in that we never get to really know any of the characters. They are doing things but I couldn’t really tell you who they are. This story is cinematically beautiful, but when that is the only thing I’m saying as a pro, you kind of failed.

Final Score: 6 / 10

The Mortal Remains

“The Mortal Remains,” is also one of the best stories of the bunch. This is a story that has an element of magical surrealism to it as for a good portion of the film I thought all the characters might be dead. The story follows 5 characters in a carriage on their way to Fort Morgan in a stagecoach. The conversation unfolds as we learn about our characters and their relationships. From an old religious lady who is coming to see her husband, the Frenchman who says that her professor husband was probably cheating on her, a trapper who has no internal editor and is looked down on by the lady for how unclean he physically is and the Irishman and Englishman who we learn at the end are Bounty Hunters. There is an heir of foreboding through the entire conversation and outside it is dark and covered and mist, this made me think of the afterlife and if they were all being transported their. The fact that the carriage doesn’t stop until they reach Fort Morgan played into this. We see this theme in the hotel they stop at has a stairway of light leading up that the bounty hunters carry the dead body up and in the carriage driver whose face we never see and is always moving. My favorite characters were the bounty hunters as the others with them were a bit bland. We learn their backstory but they are more interesting in how they reacted to their situation and the bounty hunters. Their fear and not knowing what to do made them more compelling than the backstories they shared, which made the story work.

Final Score: 9 / 10. Solidly great. Would have been better with more interesting characters outside of the bounty hunters.

“The Ballad of Buster Scruggs” is well worth your time if you are a Coen Brothers or western fan. This film captures so much of what works and doesn’t work about westerns and I loved the absurdity, detachment and sorrow that the Coens bring to their films. This is a beautiful anthology and I would have watched more stories if it had been longer. When it is great it is perfect and when it is flawed it is still enjoyable. Not many anthology films can claim that, as average is easy. This was an amazing film and definitely one of my favorites, though it might not make my Top 5 at the end of the year. This year is a year of steep competition and the things that bring the anthology down are enough to keep it from landing higher up on the list of greats this year. Still, this is a film I highly recommend. Check it out.

Final Score: 9.6 / 10 The bad stories bring it down, though the great stories make this score still very high.

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Anon (2018): A Concept That Nearly Pays off

        “Anon” is very much a Philip K. Dick book. This was a man who had great sci. fi. ideas but you never cared about his characters in the end. The adaptations I’ve read have always been better in their adaptation (“Minority Report” and “Blade Runner” as prime examples). He just didn’t get people or empathy, and this film has that exact problem. I’ll get more into that later but I think most of the problem lies in execution. This was a Netflix original with a great main cast, but that wasn’t enough to make it anything more than enjoyable.

The film was directed by Andrew Niccol who also wrote the film and was one of the producers. This is really his vision at the end of the day, and it’s a start. I really wish there’d been more though.

The story follows Sal (Clive Owen) a divorcee dealing with feeling for his ex-wife and a mystery of false suicides. This is a future where all memories are recorded and all the past appear as hacked with the only connection being “The Girl” (Amanda Seyfried). From here he must find out who she is as she murders people connected to her past.

SPOILERS ahead

The Pros:

The World – A world where your memories are recorded. It is very much “Minority Report” in idea and feels like a Philip K. Dick novel. I like it, he created interesting worlds that would drive anyone to paranoia as it did him, and that is something worth exploring. Who wouldn’t want to revisit their past memories clearly? If you have the good memories of the past, why would you leave that up to a dying mind? This core idea is what makes the film work, and is really the only thing that does. Like a Philip K. Dick novel, the world is far more interesting than how the protagonists are expressed.

The Main Characters – I like Sal and like “The Girl.” Both of them are driven to be better but consumed by past mistakes. They work, it is sad they weren’t in a better story as each of them could have changed this world or themselves in major ways that never happens. Each has charisma that the writer did not fully use. You have divorced Sal and his past trauma and you “The Girl” in deep with a corrupt world that she ends up having little control over. I still found the characters worth at least passively following. I guess, if you need an escape, it is worth it for Clive Owen and Amanda Seyfried.

Okay:

The Plot – The core mystery is alright. “The Girl” hacks peoples minds and makes them kill themselves and wipes all memory of her even being present. Who she is and Sal’s hunting her down with his agency is the premise. Within this Sal is divorced and has a drinking problem. I thought the plot was okay but it needed more. Sal’s trauma should have been explored more and in the end we never get to know “The Girl.” She doesn’t even have a name and even though the things she does are interesting, we never get deeper motivation.

Don’t go into this film expecting great, it isn’t. If you need a quick escape “Anon” might be your jam. The execution isn’t as nearly as good as the premise, but the cinematography and acting is enjoyable and it is a fun world, even though it needed a lot more fleshing out.

Final Score: 7 / 10

Mute (2018): This is no “Blade Runner”

Netflix is the new Blockbuster in more ways than one. Any place where you have a concentration of films you have copycats and crap ripping off much better films. “Mute” is a film that rips from the world of “Blade Runner,” but doesn’t have anything to say on its own. This film was awful, and one of the most disappointing films I’ve seen in a while.

The film was directed and co-written by Duncan Jones (the director behind the “Warcraft” film) and Michael Robert Johnson.

The story follows Leo, an Amish immigrant to Germany, who has lost his vocal cords after an accident. When his girlfriend, Naadirah, goes missing he investigates her hidden life as the dark underbelly of dystopian Berlin is revealed.

SPOILERS ahead

The Pros:

The Cinematography – This is a beautiful looking film. The neon colors and the future tech are great. The neon lights bring out the dark mystery of the environment and how shady most of the people in this world are. Gary Shaw, cinematographer, is the only person who truly did well with this film as the film’s cinematography is one of the few things about the film that works.

The Idea of the Story – I am a fan of noirs and mysteries and this is both of those things, as well as Sci-Fi. Like “Blade Runner,” we are learning about this broken world and how each person relates to one another as the mystery of Naadirah’s disappearance is slowly revealed. That is the idea anyway, nothing else works.

The Cons:

The Characters – The characters are all terrible people. Even Leo is shown to be as dark as those around him as he is willing to do anything to others ,and only cares about his girlfriend and that is it. Naadirah is manipulative and using those around her. And the antagonist, Cactus, and his friend, Duck, are creeps who don’t have arcs. They just exist as a threat to Leo, as they are doctors for the mob and Cactus killed Naadirah.

The Story – The story is crap. How Leo discovers each bit of the puzzle and how deep Naadirah was in with the gangs is a muddled mess. What story is here involves Cactus trying to escape with his daughter as he keeps having to do more jobs for the mob, and Leo gets closer to finding out that he is the killer. It sucks and the fact that Leo adopts Cactus’s daughter as his own after killing him has no real lead-up or payoff. However, Cactus and his friend give Leo vocal cords so he can speak, so that is a thing… I guess. It just happens. God I hated this story.

This is the worst film I’ve seen this year, thus far. It is a film that failed to develop characters, and unlike “Blade Runner,” had no deeper point. It took a cool idea of a mute protagonist and wasted it. What made hate this movie more than I usually would was the world is presented beautifully and I am a fan of Sci-Fi Noirs. I was ready to explore this world and find interesting characters. In the end I learned nothing about the world and the characters were some of the worst written in film.

Final Score: 3 / 10 Nothing worked except the cinematography.

 

Extinction (2018): A Fascinating Exploration of Memory and Personhood

 

Netflix is the place where original sci. fi. films are accessible. Theatres are ruled by franchises, and maybe every so often you will get a “Ex Machina” or “Annihilation,” but those are the exception rather than the rule. Netflix you will get it all. From the awful like “Mute,” to the enjoyable like “Anon,” and the good like this film. I’m still holding out for a great, but this one was greatly enjoyable for the sci. fi. it was.

“Extinction,” is a film that was written by committee. The film was directed by Ben Young, with 3 people behind the screenplay being Spenser Cohen, Eric Heisserer and Brad Kane.

The story follows Peter (Michael Pena) haunted by visions of the Earth being decimated by an invasion. Torn between whether this is simply visions or reality an invasion arrives and Peter must protect his family and discern reality.

SPOILERS ahead

The Pros:

The World – The world is really fascinating. At the beginning it plays with your head, as there is futuristic technology, and the main character has a problem with his head so you don’t know if what he is seeing is real. This world makes the viewer question the hint of annihilation they get until the action finally goes down. I love it, because in a world of the human mind and advanced tech where memories can be wiped, anything is possible, and the premise is explored through this.

Peter – Michael Pena is a great actor. He is the one who carries this film, and in doing so, makes it good, beyond the premise. The rest of the cast do okay to not even being noticeable, which brought it down some. Peter never stops being compelling though. You are with him as he questions what is real, and when he takes the next step of questioning his entire reality and what he is. There is so much depth to his character and weight to his decisions that I couldn’t help but be pulled into the drama.

The Truth and Conclusion – The people inhabiting Earth are robots, and the aliens invading are human colonists trying to take back Earth. It is very much like the “The Twilight Zone” in the premise, and I really enjoyed this core truth that drives the film. Especially as one of the invaders save’s Peter’s wife after he realizes that the robots have kids, families, and lives. After that, the robots are on the run as the invasion continues and things are left up in the air as to the future of Earth.

The Cons:

The Supporting Cast – None of the other characters stood out to me except for his cop friend, played by Mike Colter (Luke Cage), who kept his memories from the last human / robot war. He was the only one with any layers to him and the rest were just plot devices to drive Peter’s actions. If the cast had been better, this movie would have been great but because I only cared about Peter, it never got beyond good.

Netflix is the place where any B sci. fi. movie will get made now, and that works for me. Movie theaters are so lost in franchise management that I almost prefer seeing a flawed decent original gem than another “guaranteed-to-be-good” franchise film. It is out of these original stories and taking chances that more “Ex Machina” and “District 9” original movies will get made. If there is no taking of chances, the visual medium of science fiction could easily get lost. I support this movie for being on the better end of that spectrum of original sci. fi. films and I definitely recommend to anyone who is a sci. fi. film fan.

Final Score: 8.2 / 10

Bright (2017): Good Ideas Trapped in a B Movie

“Bright” is a film that is built on a wonderful idea. Take Tolkien fantasy and make it the modern day world…from here the story tells itself and it is that core idea that keeps the film from ever being bad, even though some of the writing doesn’t work at all. David Ayer also worked on “Suicide Squad,” and I honestly enjoyed this film more as the action and editing are much more solidly done and even though there are many holes in the universe in regards to magic and lore…it never stops being fun or forget what drives the core characters. This is a film that has been panned by critics and honestly doesn’t deserve the hate. I’ll explain more on why, deeper into the review.

“Bright” was directed by David Ayer (who was also one of the producers), written by Max Landis and produced by Eric Newman and Bryan Unkeless.

The story takes place in a world where an ancient Dark Lord was defeated and 2000 years later on modern day Earth, humans, orcs, elves and the other 9 races live together in a separate class structure, with the Elves as upper class, humans in the middle and Orcs as the disenfranchised outsiders. The story follows human LAPD cop Daryl Ward and the first orc cop Nick Jakboy as they investigate a mysterious cult tied to the ancient Dark Lord defeated long ago.

SPOILERS ahead

The Pros: The World – The world is amazing, take a Tolkien level backstory with the whole 9 races and the defeat of a Dark Lord (who it implies as an elf) and now it is modern day and how the war went defined the class structure of the realm with orcs being lower class for having served the Dark Lord years ago. There cultures are really unique too, humanity is basically us but the orcs have blood honor and getting blooded as earning respect, elves are tied to magic and own the government but also have a cult tied to the Dark Lord…and there are 6 other races we learn nothing about.

The Action – This is a good action movie. Even in dark scenes you can see which people are fighting and there is constant tension that drives each scene as we have the build up post Daryl surviving getting shot by an orc. I was never bored during this scene, essentially it didn’t have the Sorceress fight from “Suicide Squad.”

Fantasy Races as an Analogy for Race and Class – Orcs live in the poor areas and the only rich orcs we see tend to be gangsters, humans walk between the different areas and there are elf only areas of town. The analogy for racism is obvious and it works, from “Orc Lives Matter,” and the graffiti in the opening…this is a movie that has a deep under current that it doesn’t need to do much to explore as the story tells itself in regards to the clash between orcs, humans and elves.

The Main Three Characters – The main reason this film isn’t awful are the three main characters have arcs that work. Each of them has changed by the end of the story and that is what I’ll go into in their individual character profiles.

Daryl Ward – Daryl is played by Will Smith and is a family man who was once admired by the LAPD but messed up later on, which is why the force put him with the first orc police officer. His arc is overcoming his prejudice and by the end he discovers he is a Bright (someone who can wield magic wands and magic) and considers Nick his partner as he discovers just how bad orcs have it and grows as a cop and person.

Nick Jakoby – Nick’s arc is embracing his role as a cop and finding a wider role in his people as when Tikka (the elf who escaped the Dark Lord cult with a wand) resurrects him after a orc gang leader kills him he is seen as their savior. His arc is learning to trust Daryl and finding his place in the force and his partner. It is really well done and I loved how earnest his character is. Edgerton did a good job in the role.

Tikka – Tikka is the Bright elf who escapes the cult she is a part of and steals the cult leader (Leilah’s) wand in the process. She is a damsel through a lot of it, which I hated, but once it is revealed to have been a ruse it is fantastic as she both resurrects Nick and saves Daryl quite a few times. She is presumed did until Daryl spots her at the end, though whether this is her or the return of the Dark Lord or something else, is left up to the sequel.

Okay: Leilah and her Cult – The cult is threatening and it is cool seeing elves fight with magic and daggers and Noomi Rapace is fun as Leilah, but her and the cult get almost no exploration. This was a shame as she and the other actors are in it are talented people…but we never got their motivation or learned anything new about the Dark Lord.

Magic Task Force – This is the FBI who arrive at the very end and cover up the events with the cult. They are lead by an elf who has a huge issue with the cultists and sees them as embarrassing to elves. He is compelling but we never get his motivation either, and the Magic Task Force is mostly useless though they work as a plot device.

The Writing – There are gaping holes in the lore and some of the dialogue is cringe-worthy. I’m not putting this as a con because sometimes it works and the world does feel lived in. But it isn’t a pro and does bring down the overall quality of the film.

The Cons: Predictability – The biggest con is predictability, I knew Nick would be brought back to life, I knew that Daryl would end up being a bright and I knew they’d have to learn to work together. I could have used a lot more twists than just corrupt cops and Tikka just pretending to need to be rescued.

Holes in the World – Who are the 9 races? We see some random ones but know nothing about them and their roles, how does magic work? Who created the wands? How did this world become as it was in the present? These are just some of the questions that keep the film from being great as the fact it isn’t fully fleshed out is the biggest detriment to the story.

This is a movie that aspired for greatness and because it did, managed to be overall enjoyable, even with the flaws. “Bright 2” has already been slated and I can’t wait to see what they do with this universe as we know nothing about the other 6 races, nothing about the Dark Lord and even how magic works. If these questions had been answered than this would have been a really good film. I still recommend this one though, it isn’t perfect, but it is a lot of fun and it is a universe I can’t wait to return back to. This is a total B movie, largely because of some of the hokey dialogue and the plot holes but it is worth seeing once.

Final Score: 7.8 / 10

1922 (2017): The Price of Toxic Entitlement

Netflix is the streaming service that is master of the great original shows and the okay to good movies. I have never seen a great movie on Netflix and this good film is a shining of example of a problem I see running through their films, and why they don’t reach that final point that I’ve seen come out of studio films. I’ll get into what I mean later on, as we continue Horror Week with “1922” a film adapted from a Stephen King book of the same name.

The film was written and directed by Zak Hilditch and produced by Ross M. Dinerstein and adapted from the Stephen King book of the same name.

The story involves a farmer named Wilfred (Thomas Jane) who plans to murder his wife in order to own the land and to do it with the help of his teenage son.

SPOILERS ahead

The Pros: The Cinematography – This is a beautiful film. Visually it feels like you are inside a dark storybook and the visuals of the ghosts, especially his wife and later his son is haunting. There is great use of the shadows and light to imply danger and I couldn’t look away while watching. It is easily the best looking Netflix film I’ve watched. 

The Cost of Toxic Privilege – This is a film that tackles toxic privilege, specifically in regards to males and masculinity. We see this in how he cares nothing for his wife and her interests and how he immediately plans to kill her when she is moving on and planning to sell the land and move to the city. He gets his son in on it too as his son fears moving away from the girl he’s dating. In both cases both his son and Wilfred get what they want through violence and control. Wilfred kills his wife and his son is robbing stores around the state to take in order to keep being the the neighbor girl. They never see past themselves and no one questions his wife’s disappearance because a wife in the 1920s, “Is a man’s business.” You don’t question the husband. This is toxic privilege and male entitlement and it is the demon that leads to his Wilfred’s end.

The Tragedy of the James Family – The main arc of the story is how Wilfred’s act ruins the family. In killing his wife his son loses his guide and impregnates the neighbor girl who is 14 like him. Together they run away and he becomes a crook before finally dying as all this time his wife’s ghost haunts him and forces him to confess after he losing everything he loves. The act of selfishness and murder based on something as stupid as land are Wilfred’s undoing.

Okay: Wilfred James’s Motivation – Wilfred was a small time farmer and Thomas Jane portrays his “man of the land” mentality beautifully. The problem is I felt like the jump to killing his wife felt so contrived. I get that entitlement, greed and privilege were major motivators of the act but the steps it took him to get there didn’t feel concrete. We needed to see more of their relationship falling apart before he begins justifying what he plans to do.

The Cons: The Character Arc of the Son Henry – His son loves the neighbor girl, he is worried about losing her so he helps his father kill his mother…I know 14 is a stupid age but I never believed his motivation. The fact that the actor isn’t very good doesn’t help. He was easily the weakest part of the story and film.

Most Netflix films are very clear in their themes, have small casts and look great visually. These are all reasons that I appreciate this streaming service as I haven’t ran into too many outright terrible films to come out of Netflix. They also never reach that higher place, often because they fail to develop the motivations of their characters to the fullest degree. “1922” has an amazing cast but I could not tell you fully what the motivation of the son and father was behind the murder. I know what I was told, but it wasn’t explored enough to fully make the impact it should have had. If you like Stephen King, you will probably enjoy this film as I did, just know it could have been more.

Final Score: 8.2 / 10

Top 5 Ways I’d Fix the Film “Death Note” (2017)

       It has been a while since I’ve watched such a terrible film that rather than review it the only things I can think about are the ways it could have been saved, and at least been made passable. The last time I did this was for “Twilight” and this is that level of garbage quality. I’m working on a larger review for the anime of “Death Note” currently as I recently rewatched it and the level of quality holds up. It was one of the first animes I ever saw and it is what made me appreciate how anime can be used to discover deeper philosophical ideas and gives us complex characters. This film has none of that and is a failure on nearly every level with the exception of Willem Dafoe as Ryuk. So that is the 1 / 10 I would have given this film, it is all thanks to a single actor’s performance.

In setting the parameters for how I’d fix this film, I can’t change the casting. L is still black and Light, his father and Misa/Mia are white. I accept this could possibly still work and with this Top 5 I will show 5 ways that could have helped it work. Though with a mess like this, I know that not all of it will be salvageable. I’m here to save what I can and give you a passable film.

5 – Give It a Soundtrack Similar to the Show 

First lets start with the opening theme song, which is metal in theme and gives us the stakes right off the back. We have intensity and drama and the lyrics are meant to capture the revolution that Light wants to bring about with himself as God. It is full of rage and sadness which encapsulates the humans caught up in the drama of the “Death Note.” We also get some dark instrumentals, which capture the dark tone of the characters such as L’s theme, which is methodical and like a heartbeat. This is a show that is so compelling because the music pulls you into the characters’ heads and doesn’t let you out. The fact that it is a crime drama and thriller isn’t lost in the soundtrack that Yoshihisa Horano and Hideki Taniuchi created for the series. This is a soundtrack I will keep coming back to and getting rid of the cheesy 80’s score in the movie and creating a soundtrack pulling from these 2 themes could have helped carry the terrible writing that covered the script of this awful film.

4 – Give Us a Single Protagonist 

This is a film that did not know what it wanted. L and Light have no clear agenda or clear cut philosophy as we see Light ready to abandon his the moment Mia wants to kill his father and we see L abandon his when he is worried about Watari. Because there wasn’t a clear arc there was no clear story. We had 3 main characters – Mia, Light and L…but none of them had a clear agenda or were fleshed out all that well. Mia was a psychopath who just wanted to kill but we see that she loves L, L wanted to bring Light to justice but was ready to go all Kira to save Watari and Light spoke about wanting to bring criminals to justice but never did. If we had been given a clear protagonist this would have been solved. In the show it is easy to flesh out the themes and arcs because Light drives the action and L, the Police, Near or Mello are a reaction to his actions, this keeps the narrative going and in the end, “Death Note” is about Light and exploring the premise of his utopia. This film had no real protagonist and in doing so none of the characters were fleshed out or clearly defined. I couldn’t tell you what any of these characters want and that is due to lack of a clear focus or single driving force for the narrative.

3 – Show Don’t Tell

One of the major problems the show had is it revealed everyone’s role in the plot right off the back. Light reveals he has a Death Note to Mia and brings her in on his game of becoming Kira and L reveals his face to Light and says he knows he is Kira and will bring him to justice. This is all tell and no show. One thing that could have saved this script is if it had taken a note from the show. We should be getting reveals during the climax and when it will make the greatest impact upon our characters. In the show L tells Light he is a suspect but it isn’t until much later that he speaks about certainty he is Kira and Light plays the role of dutiful son. In this Light is a brat and crybaby who pretty much admits to L that he is Kira when they first meet. It is shoddy, crappy storytelling and if the reveals had been held off later so they actually meant something we’d have more time to explore and see who these characters are. That way the reveals give us another dimension. The only reveal that is in this film is that Light was manipulating Mia the entire time…though given she’s presented as the primary antagonist it doesn’t reveal Light to be evil, it just shows he has some level of self-preservation.

2 – Adapt An Arc From the Show

Okay, I can’t change the fact that the leads have been cast and it takes place in Seattle. This will make it difficult given their acting isn’t all that great, but they can still be in an interesting story. Give us an arc from the show. Give us the Yotsuba Arc where the Death Note has passed onto the member or a corporation who is killing off his competition and it is up to Mia, L and Light to work together. They can still debate the ideas of the Death Note and be under suspicion but now we get a thriller and a mystery as we don’t know who holds the Death Note. All we know is one of the leaders in a Corporation has the Death Note…and given this takes place in Seattle they could Amazon, Microsoft, Starbucks or countless others to explore it which would give us more nuance and depth and pull us away from the awful teen romance that was the focus of the film this time around. This is only one of the arcs from the show, they could also have Kira’s Cult be explored and Have L in the place of Near and Mello and show the means he has to go to in order to reveal Light as Kira or they could give Mia and Death Note and have her actually act like Misa’s character and have them both under suspicion of L doing the main arc L goes through in the show. That is 3 arcs they could have used right there and they don’t have to change casting or anything, they just have to know the subject matter they are adapting and pull from the great stories that already exist within the show. Any of these could have given us a clear theme versus the listless mess we get with the film.

1 – An Unambiguous Ending 

This is a film that sucks all the way through, from start to finish…it messed up so bad it couldn’t even give us a clear ending. At the end Light is talking to his Dad and he mentions that he realizes he was choosing between 2 evils and his father asks him which one he is. Did they expect a sequel to come out of this? Light or L should be dead and Light should be free showing us that his ends were justified or that he can no walk away and give up the Death Note or with him dead and L finally bringing him and Mia to justice with Ryuk ending it with writing Light’s name in the Death Note. Hell I’d settle for the death of either L or Light because it would give clarity to a film that had none. A good ending can make a bad film okay. This film had a terrible ending and all it had to do to fix it was give us the death of Light or L and with it a clear point on what side was correct.

These are the Top 5 Ways I’d fix this god awful travesty of a film. Again if I was scoring it it would be 1 / 10, so a lot could be done to fix it, and most of these things are basic storytelling ideas. How would you fix this film if you were given the chance? If you had to adapt “Death Note” how would you go about doing so? Curious to hear your thoughts and it is a shame this film wasn’t deleted before Netflix brought it to the small screen.