Joker (2019): Can More Batman Rogues Get This Treatment?

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        “Joker” is a film that has received both a lot of hate and love. I can understand both perspectives but find myself on the liking side. I’m a huge fan of the Batman Rogues gallery and how different they all are psychologically is what makes them so compelling. Hell, they are more compelling than Batman. It is one reason Warner Brothers always casts big name celebrities in the roles. There is so much to do, even if we only get a glimpse into their psyche. This film is a deep dive into the Joker and it works.

The film was directed and written by Todd Phillips who co-wrote it with Scott Silver.

The story follows Arthur Fleck, a mentally ill clown for hire in Gotham City. As his life falls further apart he aspires to be a stand up comedian. Secrets tied to his past combined with social collapse in Gotham forever change him.

SPOILERS ahead

The Pros:

Gotham – Gotham is so wonderfully portrayed in this film. The city is dark and grimy and you see the build up of trash (from the garbage men strike going on at the beginning of the film) contrasted with the Wayne’s version of Gotham where you have fundraisers at beautiful hotels and Wayne Manor, which is so far away from the city that they feel barely connected. You also get taste of the everyday life from the comedy clubs to Robert De Niro’s talk show host Murray. This is a version of Gotham I hope we see more of as it makes that it is a city where unless you are wealthy you will get eaten up and spit out. Which does help explain the rise of Joker and all the Batman rogues to come.

Isolation – One thing the film portrays will is isolation. Arthur Fleck doesn’t have any friends and the film follows his point of view. We see how alone he is with his mother, when he’s working and any large social event he is invisible, except for at the end when he’s embraced his new identity as the Joker.

Joker / Arthur Fleck – This is a story told from the perspective of Arthur Fleck. We don’t really see any of Gotham besides what we see from his point of view. This is great as we come to see how isolated, alone and ill he is. He’s medicated, has a tick where he laughs uncontrollably, lives with his mom who is also mentally unstable and is in a job he hates where he has no job protection or security. I wish there’d been more of a push for him to become a killer. This version of Joker is already broken and unstable and when he does kill for the first time in self-defense has no regret, but loves the attention it is getting him in the revolution taking place in Gotham. Joaquin Phoenix portrays this sociopath really well. From his dancing when he feels freedom and his lost within himself and delusions that we see through the film. This is a character completely alone and that combined with everything else just makes this character’s already unstable mind, so much worse to the point that he adopts the Joker identity.

Dreams, Delusions and the Unreliable Narrator – One of the reasons I think this film works as a Joker film is because it still gives us the unreliable mind of the Joker. Throughout the film Arthur has visions of being with his neighbor and to him they are real until reality comes crashing down on him. This brings up the possibility of this being all a lie told by the Joker at the hospital, as the final scene is him being interviewed before he kills the person interviewing him. This film is his justification, his life where he abused and bullied, the inequalities in Gotham and self-defense, in the case of his first murders. The versions of the Joker from the comic would tell some version of this, as the Joker is never responsible for anything. It is how he gaslit Harley Quinn. For me this is what works even though the writing had a lot of tell when it needed more show.

The Cons:

Themes Needed to go Deeper – There are a few themes the film touches upon, but isn’t willing to go deeper. We see wealth inequality and the detachment of the wealthy like Thomas Wayne and how insulated the rich are from the poor even as they cut their resources. Again, it is touched upon but there was so much they could have done with this. How was Arthur and his mother affording their apartment? What were some of the policies that Thomas Wayne wanted to enact? What is the history of the Waynes to Gotham? Who are the people protesting? These are all questions that would have enriched this theme. Same with lack of mental health care, Arthur loses his social worker but we never see him interact with others in his state or hear about her other clients. These are all great ideas that exist and the film briefly touches, but it needed so much more to elevate the film and better flesh out the world.

Too Much Tell, Needed More Show – This film has some dialogue that isn’t great. Joker literally blames “society” on the talk show, which is a living meme at this point given how Disney and other studios have used the vagueness of society to try and make their films appear more progressive, without actually addressing any issues. The dialogue at times feels unnatural, which is one reason why the best scenes are simply Joaquin Phoenix quietly acting. The guy truly deserves an Oscar for this role as he elevated a film with his performance. The telling rather than showing was easily my biggest issue with this film and I wish we had gotten more show.

This was a controversial film and I have friends who loved it and hated it. I really liked it and it was a film I’d highly recommend to any Scorsese fan (Phillips clearly takes inspiration from a lot of his work in how he frames Gotham and presents characters). I hope more of Batman’s rogues get this treatment as Scarecrow, Riddler, Penguin, Bane and countless others have stories worthy of the big screen. They are much more compelling than Batman (as Batman’s rogues usually are) and I hope this film inspires more of their stories to be told. This film didn’t achieve its full potential, but I appreciate what it did accomplish.

9.3 / 10. I really enjoyed this flawed film and I hope more Batman rogues get this treatment.

Midsommar (2019): An Amazing Film About Grief and Isolation

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   “Hereditary” was one of my favorite films last year and this year “Midsommar” has the potential to be that too. This is a psychological disturbing horror film that delves into the depths of grief. The only thing that really holds it back is the only likable character is our main character.

The film was written and directed by Ari Aster.

The story follows Dani (Florence Pugh) after her sister kills herself and her parents she finds herself isolated and alone. When her boyfriend Christian (Jack Reynor) and his friends when they travel to an isolated Swedish village that is the hometown of one of the friends for the village’s midsummer festival.

SPOILERS ahead

The Pros:

Cinematography – The cinematography is some of the best I’ve seen all year. There are wide shots that suck in just how isolating open spaces can be. The film largely takes place in daylight and Pawel Pogorzelski uses this to give an ethereal alien feel to our characters as they are drugged by their hosts and the midsummer 9 day festival begins.

Soundtrack – The music uses lots of chants and quick strikes on the strings and drums. This plays beautifully into the isolation and the nature focus of the cult and it plays into the isolation. The music is striking and it makes the scenes and experiences of the characters stand out.

Dani’s Isolation – Dani’s isolation is our primary perspective in the film. It is done beautifully and nature is used to portray it. She is alone, even when she is with people and this is reflected in wide shots of wherever she is (her college or the village) and her visions. The drugs cause some of those visions as well which compounds how alone she is feeling. In the end she is the Cult’s mark and her isolation she feels from the beginning the film is what is taken advantage of.

The Terror of the Cult – The cult is creepy. They view themselves as part of nature and will kill themselves when they reach a certain age or to keep the balance of how many people are in the village. This extends out to people bringing sacrifices to keep alive longer and to sustain the village bloodline. The creepiness is there the moment you enter the village. The villagers never give much information and there are hints in the art on what will happen to the tourists. They are the scariest part of the film and seeing it from Dani’s fear and isolation only makes it more powerful especially as she chooses Christian as the final sacrifice for the festival showing just how in the cult she has become.

Facing Grief – The main arc of the story is Dani facing her isolation and grief over her sister killing herself and their parents. The cult has a life built around the seasons and villagers willingly give up their lives for the cause. This acclimates her to death to the point that by the end she smiles even as her friends and ex are now all dead. For her the breaking scene is when she finds Christian in a sex ritual with a girl from the village. It is here the village women cry with her and in the burning of the past she is reborn in the village and smiles for the only time the entire film.

Okay:

The Characters as Expendable Tropes – The characters are all jerks except for Dani. Her boyfriend doesn’t want to be in the relationship and never listens to her, his friends are a partier and the one who is studying the village for his Thesis and never shows kindness to anyone. The friend who brought them there is terrible as well as he knew he was bringing them there to be sacrificed. The one reason it isn’t a con is it does play well into Dani’s isolation and her eventually becoming the May Queen and a member of the Cult.

If you enjoy horror films or Ari Aster, this is a film I highly recommend. The film is long but it doesn’t feel that way at all. “Midsommar” has has a Kubrickesque feel as it has you sit with characters and scenes so they sink in and you feel uncomfortable by what is happening or what might be about to happen. This is the kind of horror enjoy and the fact that the film uses the theme of grief as an exploration adds another layer to an already great film.

Final Score: 9.7 / 10 If the other tourists with Dani had been likable it would be perfect.