Mortal Combat Legends: Scorpion’s Revenge (2020) – Fails to Elevate the Base Story

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    “Mortal Combat Legends: Scorpion’s Revenge” is a film that fails to elevate itself beyond the base premise of adapting itself form the game it is adapted from. “Mortal Combat” is a series that I’ve played a few of the games within and I always found the mythology and characters entertaining as well as how unique the game was at the time for the brutality of the combat. These aspects made it unique among the games of it’s era and even today it still holds that uniqueness of gameplay and presentation. This film does capture that aspect but it fails to elevate the story beyond the base revenge story premise, which is a shame as this film has a fantastic voice cast.

The film was directed by Ethan Spaulding and written by Jeremy Adams.

The story follows Scorpion (Patrick Seitz) as he seeks revenge against Sub-Zero (Steve Blum) for the death of his family in the tournament when the veil between worlds is thinnest. Celebrity Johnny Cage (Joe McHale), soldier Sonya Blade (Jennifer Carpenter) and apprentice Liu Kang (Jordan Rodrigues) are also seeking justice in the tournament as they are lead by the mysterious Raiden (Dave B. Mitchell).

SPOILERS ahead

The Pros:

The Animation – The animation flows and capture the brutality of the video game really well. I can see why this film was rated R for violence, which is fitting for “Mortal Combat” since that is probably what the series is most known for.

The Mortal Combat Action – As stated above in the animation this is a brutal film. You see chopped limbs and some pretty hardcore finishing moves. If it had gone tame I’d probably have rated the film lower given that what “Mortal Combat” has always been from the beginning is a brutal fighting game.

The Idea of the Characters – Like the videogame you have different character tropes. Johnny Cage is the arrogant celebrity who needs to grow up. Scorpion is the avenging wronged Ninja and Sonya Blade is the wronged soldier seeking revenge and to save her mentor. Liu Kang is the apprentice who becomes the master and you have the Obi-Wan mentor in Raiden and the literal devil in Quan Chi. All of these are great ideas.

Hanzo Hasashi / Scorpion – Scorpion is the only character with an arc who felt like more than an idea. I think what helps is we see him with his son before he loses his entire village and family as well as his ascendance in hell and deal with Quan Chi before Quan Chi admits he pretended to be Sub-Zero to use Scorpion. In the end Quan Chi is defeated and Scorpion stays on the island to die. Given that it looks like they are setting up a sequel, I bet he’ll be back. He was easily the only real compelling character.

The Cons:

The Rules of the Island – The villains don’t follow the rules of the island bring in a bunch of mercenaries that are absolutely pointless and wasted. The breaking of the rules establishes the main villain Shang Tsung is evil, but that was established when he put his champion on Sonya Blade’s commander Jackson “Jax” Briggs. We didn’t need to see him be more of a backstabber. This in turn plays into the villains who are the weakest part of the film.

The Villains – The villains in this film suck. They fail to be threatening or even have any interesting drive. Shang Tsung wants his master Shao Khan to conquer Earth which happens if he wins the tournament in the film. Goro is just his stupid muscle who has a cool design. Kano is also a stupid mercenary who is the primary antagonist of Sonya and Jackson. He is useless and why he has issue with them in the first place is never addressed in the film. If any of these villains had been given a bit more development I’d at least consider them okay but sadly that is not the case.

This film is okay. I wouldn’t say it is terrible as it captures the essence of the videogames really well and even the core aspects of the characters. Because of the animation and character ideas there was the potential for a genuinely good film to be made. I still enjoyed the film for what it is and am curious if it will get the sequel the ending is so clearly setting up. I want more 2D animation to be made and this film gives an enjoyable version of this.

Final Score: 7 / 10

Spider-Man: Into the Spider-Verse (2018) – The Best Spider-Man Film

       Sony has made so many crappy films recently. “The Emoji Movie,” the past “Amazing Spider-Man” films just got worse over time and felt like commercials for franchise management. The clips I’ve watched of “Venom” haven’t helped that as the writing I witnessed was just awful so I really don’t want to spend money to even rent that film, it makes “Suicide Squad” look like a work of amazing art. So Sony doesn’t have a good track record with Spider-Man outside of the first 2 Raimi films and their co-operation with Disney with “Homecoming,” until this film. This is my favorite Spider-Man film and easily one of my favorite films of the year, and is likely to end up in my Top 5 Films of 2018.

“Spider-Man: Into the Spider-Verse” was directed by Bob Persichetti, Peter Ramsey and Rodney Rothman who was one of the writers along with Phil Lord. Phil Lord is the writer behind “The Lego Movie” and he brings that same fun and surprising level of depth here.

The story follows Miles Morales (Shameik Moore) who is a young kid in Brooklyn is bit by a radioactive spider in an abandoned ally and witnesses Peter Parker facing off against foes. He soon realizes there are many other Spider-Men and must deal with the consequences of their plans as well as coming to terms with becoming Spider-Man himself.

SPOILERS ahead

The Pros:

The Soundtrack – The soundtrack is on it. It taps into the core emotions of Miles and the other characters and when they reach their highs it soars, and when there is a threat you can feel the tension eating at your skull. Daniel Pemberton did an amazing job. This music explores the full spectrum of what it means to live and is energizing at so many moments in the film. The impact of scenes would not have been the same without the power of this music.

The Animation -They started work on this film back in 2014, and I can see why. “Into the Spider-Verse” combines multiple animation styles (anime for Peni Parker, black and white for Spider-Noir, WB Cartoon for Spider-Ham and real life inspired for Gwen, Peter B. Parker, Peter Parker and Miles) and never stops being beautiful. From the Particle Accelerator being activated and the colliding of multiple dimensions, with the creation of a near black hole at the finale, to a forest with golden leaves contrasted with the red of Peter and Miles and the White of Gwen…this team knew how to use color and styles to make a seamless masterpiece. This film better win best animated when the Oscars role around.

The Villains – This is a film with some well designed and sometimes extremely compelling villains. I’ll cover 3 of them here. There is Liz Octavius who works for Kingpin and invented the Particle Accelerator that brought all the Spider-Men out of their universe in the first place. She is the passionate mad scientist and I love how she is never afraid of Kingpin even when we know he will kill anyone for failure.

Kingpin is the main baddie and his motivation is to bring back his wife Vanessa and their son as they died in a crash when he as about to kill Spider-Man years ago. You get his motivation as he is a man full of guilt who is ready to risk everything for another chance with the people he loves. This is no Netflix’s “Daredevil” Kingpin but he serves his purpose well. I wanted to see more of who he was and know more about his past, so he succeeded at keeping me interested.

Prowler is the best of the villains. Prowler we learn is Miles’s Uncle who has been supporting his art and is in deep with owing his life to the Kingpin. We see the threat of who he is as he helps Kingpin kill the original Peter Parker, but also his empathy as when he is given the choice to kill Miles, he saves him and admits he admires the person Miles is becoming. In the books Prowler is a black-mailing, gas-lighting bastard and inspires Miles to be better by how terrible he is. The complexity is still there, but I enjoyed this version so much more. Mahershala Ali is also one of my favorite actors and him voicing Prowler helped. I loved seeing his dynamic with Miles and that even though he was doing bad, he never stopped loving his nephew.

The Heroes – The heroes are easily the best part of this film and they do more in less time than Marvel’s MCU. Most of the characters of the MCU we love have had at least one film of development. These are character who don’t receive that but accomplish more, largely from the writing, acting and animation that is able to add a level of depth that is wholly unique to the film while still taking inspiration. If the Villains had been on this level chances are this film would be the best film of the year, they were great…but not as great as the heroes and I’m going to explore why.

Miles’s Parents are great in that his dad is a police officer who has so much suppressed masculinity he can’t talk to his own son and is showing him up early on until he is willing to open up after he is afraid he is going to what relationship he has.

Aunt May is the heart of the film as she is the one who is carrying on Peter Parker’s legacy after he is killed by Kingpin. She is the mentor figure for all the different Spider-People and can hold up her own. Lily Tomlin gives so much gravitas and empathy to the role. I loved every scene she was in as each time it revealed something more about whatever Spider-Person she was interacting with.

Peni, Spider-Ham and Spider-Noir are the support characters and play off the core leads of Gwen, Peter B. Parker and Miles really well. You have Peni who is the young sincere anime girl, Spider-Ham as the classic cartoon  pig who jokes but works with cartoon physics so is quite powerful and the grim and gritty Spider-Noir (voiced by Nicolas Cage) who is the edgy private eye who spends his time fighting Nazis in his universe. The way they play off the villains the heroes is a lot of fun and I’d watch films from all of their universes. Spider-Noir I especially found intriguing.

Gwen Stacey / Spider-Woman is one of the core leads of the film as she is one of Miles’s teachers and saves him and Peter B. Parker after they steal from Kingpin in order to stop his plan. I’ve read the first “Spider-Gwen” comic and I like the world. The righting for Volume 0 isn’t the best but I’m willing to read on because I love the character, the art and the world. This version is not quite that Gwen Stacey (this one dances) but takes inspiration from it, just as Miles takes inspiration from the “Ultimate” comics universe he was created in. She is a character alone until her friendships with the other Spider-People and seeing her open up is a really cool arc. Hailee Steinfeld is wonderful in the role. I hope they do some spin-offs in her universe as I think she is the best character in the movie outside of Miles Morales.

Peter B. Parker is from a world where Spider-Man’s personal life falls apart. In his world he buried Aunt May, he ends up getting divorced from Mary Jane and is wholly Spider-Man. He has no life outside the character so is a perpetual child. He takes up the mentor role when the machine pulls him into Miles’s world and it is from this he grows up, discovering that he even wants kids. His arc is really cool as he has a death wish for most of the film because of how miserable his life is and it is only through Miles showing him there is another way that he finds a reason to live again. Jake Johnson does a fantastic job in the role and gives the character a lot of depth.

Peter Parker is voiced by Chris Pine and exists in Miles Morales’s universe (like in the “Ultimate” comics). He rescues Miles but is killed by Kingpin before he can teach Miles how to be Spider-Man. It is a powerful death that you feel through the entire film. Mary Jane makes a speech on how Parker shows anyone can be Spider-Man and Stan Lee as a comic book owner says the same thing. This Spider-Man is very much the Parker from the comics but with inspiration from the Sam Raimi films and it is wonderful how they blend those elements together (Spider-Man has a flashback of him doing the dance from “Spider-Man 3”) and it is because this Peter is at the top of his game and still so young (having married Mary Jane pretty recently it seems) has his life together, only for Kingpin to take it all away. It is a tragedy that matters and he doesn’t come back. Death matters in this world and it means everyone we lose during the film is felt.

Miles Morales is the main character of the film and his arc is taking responsibility for the role that was thrust upon him. He is full of so much fear (new fancy school, new powers by accident) and that is a difficult path for him. What makes things complicated as well is his relationship with his dad, who is a cop who doesn’t let anyone close. It is only in the death of Prowler (when Prowler chooses not to kill Miles) that healing finally happens. Miles was always closest to his Uncle Aaron (Prowler) and his dad regrets the relationship he lost with his brother. This motivates both Miles and his dad to try and make a relationship happen. It is beautiful and organic and I can’t wait to see how things develop further. Miles is also the rookie out of all the Spider-People and none of them take him seriously except for Peter B. Parker so he has to not only prove that he can be a hero to himself, but to those already excelling in their roles as heroes. I loved how it was executed. Miles is one of my favorite characters and I highly recommend Bendis’s “Ultimate Spider-Man” run where Miles is introduced to anyone. This one has more heart than that run (Prowler is handled better) but both are amazing and if you loved Miles in this film, you will love him in the comics. Shameik Moore gives this character so much heart.

This was the perfect film and I hope it at least wins Best Animated Film at the Oscars. There is so much heart in all the characters who are each compelling, there is loss with the deaths our heroes experience and each action has consequences. This is a film that pays tribute to the creators (Ditko, Lee and Bendis) and truly shows that anyone can be a hero. If you enjoy great animation (seriously this is one of the most beautifully animated films I’ve ever watched) and amazing stories you owe it to yourself to see this film. Sony has put out a lot of crap and there hasn’t been a great Spider-Man film since “Spider-Man 2.” As a Spider-Man fan this was everything I could ever want in a film and I can’t wait to see it again.

Final Score: 10 / 10. Can’t wait to see what they do with the Spider-Verse in the future.

Spider-Man: Homecoming (2017) – A Solid Return to the Basics of “Spider-Man”

      Sony sharing custody of Spider-Man was the best thing that could have happened to the character. After they tied to go “Dark Knight” with Spidey and failed miserably as they ended up focusing more on franchise management rather than story…it is good that they let the studio who knows story shape their character’s future. This is film that isn’t great, but it is good and it is one I’d highly recommend. The villain and support characters are wonderful and there is a lot of good setup for future films. Before I get into spoilers, if you like the MCU or are a fan of Spider-Man, chances are you will enjoy this film as I did.

The film was directed by Jon Watts, who co-wrote it with 5 other people (hello Sony and Marvel Studios) and produced by Kevin Feige and Amy Pascal.

After the events of “Captain America: Civil War,” Peter Parker is given a new suit by Tony Stark but soon finds himself left behind. As he finds himself pulled into thefts of alien technology around the city he must take on the mysterious Vulture while dealing with Tony Stark wanting him to stay out of it as he tries to juggle being Spider-Man and his complex social life at school and taking on the threat of the Vulture.

SPOILERS ahead

The Pros: The World of the MCU – The MCU is a world full of consequences. SHIELD was disbanded, the Avengers fell apart, some characters have died for good (though none of the biggies yet sadly) and each of the films plays into one another while still standing strong on their own. Spider-Man is one of my favorite comic book heroes, along with Batman when I was growing up and I’m glad he is in this Universe that is so rich and full of lore that now his amazing lore can once again be apart of as well.

Vulture – Michael Keaton is one of the best MCU villains to date. This is a guy who wants to look after his family after he loses out on a government contract to clean up New York after the events of the “Avengers.” You can understand his chip on his shoulder and he has a twisted sense of honor as even after he learns Spidey’s identity, he keeps it secret. His character manages to be both empathetic and threatening making him so very human…I’m glad that Marvel didn’t kill him off and can’t wait to see him in future Spidey films.

With Great Power – One of the key traits of Spider-Man is that, “With great power comes great responsibility” and this film illustrates it really well. The main arc is Spidey wanting to join the Avengers but he continues to mess up even as he tries to do good. So many of the problems that he has to fix are ones he created and his arc is the constant struggle with this as his social and super hero life collapse around him and he has to own up for his mistakes. It is his character and what defines him and the main arc that drives the story. Tom Holland really is wonderful in this role. This is a return to the basics of the character, which we needed after all the conspiracy Oscorp crap in the “Amazing Spider-Man” films.

Changes and Avoiding Past Pitfalls – There are things in here that I really liked that exist because the writers avoided doing what had been done before. We don’t have an Uncle Ben origin story death, there is not a Goblin to be seen, Peter doesn’t mope and the finale isn’t Spider-Man saving the love interest from the baddy who wants to destroy the city. These changes were masterful and in doing so let them do knew things like his friends Ned and Michelle, Ned who finds out he is Spider-Man and Michelle who ends up being a wonderful re-imagining of M.J. Seriously, Zendaya is the best part of this film outside of Vulture.

The Cons: The Point of Aunt May – Everybody creeps on Aunt May and I hate it. If the character is a guy he will comment on how hot she is and that is all she exists as. It is objectifying and annoying as she is Peter’s guardian and mentor and they could have done so much more with that. She has one scene where she comforts him but she almost wasn’t needed in this film as Tony Stark functions as a surrogate guardian.

The Uncle Ben Shaped Hole – Aunt May has been through a lot but we never know what happened to Uncle Ben or if he is even still alive in this version of the lore. I’m glad we didn’t get his death again but he should have at least been mentioned or dealt with as he is such a huge essential part of what drives Peter Parker and his becoming Spider-Man.

This is a solidly good film and one that I will probably go back and watch as I am a fan of Spider-Man. I hope we see more done with the characters and villains that are setup throughout the film as Spider-Man has one of the best rogues galleries outside of Batman and I can’t wait to see how the reveals done in this film payoff later as Marvel and Sony further develop one of the best characters to come out of Marvel Comics in the amazing world of the Marvel Cinematic Universe.

Final Score:  8.2 / 10 Solidly good.