Sherlock – Series 4, Episode 3 – “The Final Problem” – Bad “Sherlock” Fan Fiction

sherlock-the-final-problem

    God, I hate what Moffat did to “Sherlock.” He pretty did to “Sherlock” what did with Amy and making her “The Impossible Girl” and a plot device that only existed for the Doctor and nothing more. This episode has more of that too and ruins what could have been a great character if she hadn’t been turned into really bad fan fiction. If they make another season of “Sherlock,” and Moffat and Gatiss are in charge, I probably won’t watch it…not after the finale like this. This was an episode that was so bad on so many levels and makes me worried for the next season of “Doctor Who,” as Moffat is still the showrunner on that show.

   “The Final Problem” was written by Stephen Moffat and Mark Gatiss (the creators of the show so you’d think they’d know better than to write crap like this) and directed by Benjamin Caron.

SPOILERS ahead

  Sherlock and Mycroft’s sister has escaped from an asylum and it is up to the brothers and Watson to stop her as she tries to kill them with a drone that is also a bomb and reveals to them that she now controls the asylum, putting them through tests so that she is entertained.

The Pros: Cinematography – The cinematography is always beautiful (though the slow motion jumping out of an explosion was stupid and took away from some of the nice cinematography). Still, it looked nice even though the writing was crap.

Soundtrack – Music has always been one of the solid parts of that show and there are some great violin pieces, but that is it. The music this entire season has been great but it doesn’t save this episode.

The Cons: Character Assassination – Did you think Mycroft, Sherlock and Watson were fleshed out characters…well prepare for them to become caricatures of themselves!

John Watson – Watson is there to be the soldier, he says this multiple times and reminds Sherlock to be the soldier…and that’s it. It’s like someone heard about who Watson was on this show and wrote the only thing we were told about in the first episode in the first series…

Mycroft Holmes – Mycroft is manipulative and cares…we see this Sherlock and Eurus…I guess? Nope the writers don’t know what to do with Mycroft. He is manipulative and has a good heart and isn’t as smart as he thinks he is. He is only descriptors and not a character.

Sherlock Holmes – Sherlock is the genius who cares who apparently now  will do anything to save anyone no matter how monstrous they are. Given there was no bases for this prior I’m not sure where it came from given he killed someone at the end of last season. He apparently really loves his sister even though she killed a bunch of people including his best friend. Sherlock ceases to be a character though too as all his past actions are erased so that he can have a relationship with his sister and grow even though both have become plot devices though more so Eurus since Holmes is still driving the story and gets the emotional payoff.

Eurus Holmes the Plot Device – Eurus is crazy in the same way Carrie from “Carrie” is and Jean Grey is in “X-Men 3.” She exists only as a plot device to explore Sherlock’s trauma. She is crazy for the sake of being crazy and no reason is given. She is crap writing and is like “The Impossible Girl” in relationship to the Doctor. She exists only for Sherlock’s and Mycroft’s emotional growth and nothing more.

Happily Ever After – The ending is corny and apparently Mary being dead is okay since it was all about Watson and Sherlock the entire time! God this script is a hack script.

     This was an episode that started out with so much promise…the ending of the lying detective at least set up Eurus as being a fully fledged human being, apparently that was too much to ask though and Gatiss and Moffat had to “Carrie” / “Jean Grey” her. Everything that happens in this episode is for Sherlock and it doesn’t even fit within his character. The episode is literally retconning memories so that everything is about Eurus and Sherlock’s relationship, a relationship that never existed before. I can’t recommend this episode and I honestly fear for Moffat’s last season of “Doctor Who.” If we get this level of writing than Capaldi’s Doctor is going to be ruined. Watch at your own risk but this is an episode of television that I wouldn’t recommend to anyone as you won’t get back that time and the writing is a whole list of what not to do.

Final Score: 3 / 10

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Sherlock – Series 4, Episode 1 – “The Six Thatchers” – Of Secrets, Betrayal and a Needless Death

the-six-thatchers

     “Sherlock” is a show I greatly enjoy but have a complicated relationship with at this point, and this episode does a great job capturing everything I like and hate about this show. Oh it is still a favorite, I still like “Doctor Who” for all the crappy stories that have come out of that show (the good still carries) and the same rules apply to “Sherlock,” and as it both so happens both are current Moffat projects and his writing problems become more apparent the longer I’m in both enjoying and critiquing his worlds he is showrunning or involved in.

      “The Six Thatchers” was directed by Rachel Talalay, written by Mark Gatiss and produced by Sue Vertue.

   The story involves Sherlock being pulled from exile to solve the Moriarity hack. Issues soon become more complicated though as Sherlock gets back into being a detective expecting Moriarty’s game to be revealed in time as a destroyed Margaret Thatcher bust ties him into conspiracies tied to Mary, Mycroft and British intelligence as a whole.

SPOILERS ahead

The Pros: The World – The world of “Sherlock” is a fascinating one. You have sociopaths, spies, geniuses, serial killers, governments and countless other players all with agendas and games that it is up for John and Sherlock to solve. It more often than not makes for a fascinating journey.

The Cinematography – The cinematography is beautiful as always and I enjoyed the use of blue to show drowning as that is a major theme of the episode. Our characters are isolated, each in their owns ways and it is in their isolation that the drama plays out.

The Characters – The characters are compelling and usually the best part of the show. All of them are flawed and it makes for good drama.

Greg Lestrade – Lestrade has become a bit of Sherlock fanboy at this point, though I like that he is still a member of the team, even if it just to bring cases and to remind Sherlock at least a little of his humanity. Rupert Graves is fantastic as always.

Vivian – Vivian is the one who is responsible for the death of Mary’s mercenary team and in the process of that one of them blaming Mary. She’s a secretary who is always listening and even outsmarts Mycroft. I have respect for her for that and even though I hate the writing choice, she does kill Mary which is more than any other villain has done up to this point. Marcia Warren does a good job.

Ajay – Ajay was a member of Mary’s mercenary team who blamed her for them all dying. He is a tragic figure as it was him keeping his mouth shut that lead to him being tortured into insanity. I felt bad for the guy as he wasn’t a bad person to begin with, just flawed like Mary.

Mycroft – Mark Gatiss is the best version of this character thus far and it is wonderful seeing him in over his head and his organization being compromised. This was an episode where we see brilliant Mycroft does not know anything and that he was played just as much as everyone else by Vivian’s manipulations.

Mary – Mary being a secret agent was made to finally work in this and it is dealt with in a respectful way, we also see that she is a great mom and a wonderful partner to Sherlock. I could have watched many more episodes of her team ups as even if her relationship with John is falling apart, she keeps Sherlock human in many ways. Her death by Vivian was a tragedy in more ways than one that I don’t know if the show could ever recover from fully. Amanda Abbington in the end made this show better.

John Watson – Martin Freeman is such a charming actor, even though this episode does a lot to show he can be just as awful as Sherlock. We see him cheating on Mary even as he’s doing a great job raising the kid and we see him feeling inadequate to her, which is stupid given he is good at what he does. In the end his arc returns to the stupid status quo it was at the end of last season. John hates Sherlock for not saving Mary. We’ve been here before and I hope Gatiss can write himself out of this hole. He never should have killed her character.

Sherlock – Sherlock is his usual sociopathic self with many more moments of humanity now though…from his conversations with Mary and Lestrade or his awareness when he’s being a jerk. Cumberbatch of course is wonderful in the role and that there isn’t much more I can say on that. The one thing that is different is how the episode was filmed makes Sherlock much more of an alien and isolated…and it works.

The Reveal – The real that Vivian had did everything to cover up her selling state secrets was beautiful. She was humanized even as a villain and in the end it is Sherlock’s stubbornness that helps lead to Mary’s death. The episode is a tragedy and the reveal works towards that.

Okay/Con: John and Sherlock Hating Again – We were here in Series 3 and we’ve been there before even before that. This is a tired trope and it loses power each time it happens. Unless we are doing their own individual stories, we know this isn’t going to last, so it cheapens the drama.

The Cons: The Death of Mary and an Overall Problem – “Sherlock” is not very good in how it handles it’s protagonists who are women. This article goes into a whole of a lot better.( https://www.theatlantic.com/entertainment/archive/2017/01/sherlocks-women/512141/ ) and in the end it serves no purpose but to bring us back to the needless drama of the two. Mary’s death was pointless and she didn’t even get to get her own justice against the one who had wronged her. Mary was a plot device for Sherlock and John’s drama just like Adler was and that is a problem with this show that could be easily fixed by simply writing these protagonists as players rather than pawns of the plot.

     I really like that “Sherlock” is back and I appreciate the fact that it was good rather than sucking like the beginning of Series 3. I don’t know if Moffat and Gatiss’s problem with writing women who can be part of the team or at least not objectified in some way will ever happen, but until it does I will critique it when I see it and enjoy it for the art that does come out of it. Moffat and Gatiss are extremely talented men and I know just how much they are capable of in this show and their other projects like “Doctor Who.”

Final Score: 8.5 / 10

Sherlock – Special – “The Abominable Bride” – Confusing at Times but a Powerful Message

Sherlock The Abominable Bride

      “The Abominable Bride” is an episode that is a bit unfocused but comes together at the end and never stops being fun. It more than makes up for the end of Season 3 and even the overall message of the internal mystery is powerful too and is timeless, which is something Moffat usually doesn’t cover in his episodes. I’ll get into more of the details later but this episode was a trip (in more than one way) and for non-spoiler thoughts, is well worth checking out.

      The episode was directed by Douglas Mackinnon and written by Steven Moffat and Mark Gatiss.

Spoilers ahead

       The episode takes place in Victorian England where Sherlock is seeking to solve the case of the Abominable Bride who killed herself but has come back from the dead and is hunted down her husband and other evil men. All is not as it appears to be though as even the story is meta.

The Pros: Cinematography – The cinematography is beautiful per usual, which one thing that has been true of even the weakest episodes of “Sherlock.” There is great use of freezing the frame and using the London fog to cast mystery and shadow and with it an element of horror which lended strength to the narrative both main and meta. Suzie Lavelle did a great job.

Soundtrack – The music continues to be one of the strongest parts of this series and plays into the mystery, horror and self reflection that really defines this episode and the series at it’s best when it is at it’s strongest. David Arnold and Michael Price did a wonderful job.

Dialogue – The dialogue is snappy, sharp and natural and fit the characters beautifully. This was an episode that didn’t drag because the writing kept things moving, especially in how the different characters interacted.

Characters – Characters have always been the strongest part of the show and the Special is a shining example of this. Though there are some glorified cameos I won’t really mention since I don’t really feel the cameos got exploration.

Mary – Mary is fighting for equality in England and she is the one who discovers the organization that created the Abominable Bride. It is wonderful seeing her front and center and I hope she becomes part of John and Sherlock and that they become a trio. Amanda Abbington once again does a fantastic job.

Moriarty – Andrew Scott is back, though it is only in Sherlock’s mind palace as we learn part of his plan was to trap Sherlock inside his head as he really did die and wanted to bring Sherlock down with him, like he did in the story of the Reichenbach Fall. In the end he fails to account for Watson though and it is his downfall as within his mind Sherlock is able to realize that Moriarty is not alive and that all of this was a ploy to trap him so that his final attack on the world could go forward.

Mycroft – Mark Gatiss is my favorite Mycroft and in this we see the tender side of his relationship to Sherlock as he was there to pull Sherlock out of his addiction and cared for him. We also see a fat Mycroft in the past (and how he looks in the stories and novels) which is a treat. He never stops being Mycroft though and we see him team up with Mary to help and protect John and Sherlock. Gatiss truly owns this role and he gets great character development this episode.

Watson – Martin Freeman’s Watson gets some wonderful character development in this as in the past we see that Sherlock uses how Watson sees him in order to solve cases and build himself up and that Watson truly is smart and has learned a lot from Sherlock. He saves Sherlock from his mind Moriarty and helps him wake up as well as solving the Abominable Bride case with him and his wife Mary. He is a great character as always.

Sherlock – Benedict Cumberbatch really owns this role and is a natural Sherlock Holmes. I really liked seeing his Victorian self solving the case and them actually dealing with the dangers of his addiction as it takes him going under to solve the case of the Abominable Bride and realize that Moriarty is dead but he put things in place in case that ever did happen. His arc is learning to accept help and letting go of his addiction to needing a case or drugs to feel alive. It’s very well done and Sherlock actually grows over the course of the episode.

Equality and Justice – The suffragette movement is addressed and the fact that some of them are using the Abominable Bride for justice against evil men. It’s really cool as it uses the sexism of Victorian society to show how far we’ve come and how far there is to go.

Letting Go and No Longer Alone – Sherlock’s arc is letting go of Moriarty in his mind and accepting his death and accepting the love from his friends….that his brother, John and Mary are there for him and that is how he can defeat and has defeated whatever has come his way. No longer the superhuman, he is now human.

Okay/Pro: The Ending – We know now that Moriarty truly is dead but he put something in place for when he does die and now it is up to Sherlock and John to solve it. I liked them talking in the past, it was some of the best John and Sherlock moments…and Sherlock did get some great monologues. I’m doing it as okay since it took Sherlock overdosing to get there.

Okay: The Bride – The organization the Bride is a part of is wonderful, but the bride is a plot device and never fully grows beyond it. She isn’t a bad plot device but a plot device is not a character. Lestrade had the same problem.

Lestrade – Graves does a good job with what he’s given but he’s just kind of there to give Sherlock the plot to solve. I would have liked to see more with him as he’s never given the chance to fully be his own character.

    This was a favorite episode and clearly showed that Gatiss and Moffat are back in their game when it comes to this show. I was disappointed with Series 3, especially in it’s treatment of Mary in the finale and how the kill was handled, as well as the villain being one note…but this got back on track. Sherlock has always been about the characters and this episode showed once more why we keep coming back to this show and what drew us to the stories of Sherlock Holmes in the first place.

Final Score: 9.4 / 10

Mr. Holmes (2015): A Reflection on Mortality, Regret, Class and Empathy

Mr. Holmes

    Part of the problem of Sherlock Holmes as a character is that in his stories he never grows. He is the super hero who is static while those around him change, this is a problem with the Sherlock of “Sherlock” too as he never grows beyond his sociopathic tendencies or how he relates to others. This film answers the question of what it would take for Sherlock Holmes to grow and develop and what would happen if he lost the ability to use his mind as he once did before…it is beautiful, tragic and so much more. I will not be surprised at all if this makes my Top 5 Films of 2015 list at the end of the year, it tackles so many issues and does it through showing rather than telling us. What a way to end the first “Sherlock Holmes” week.

      “Mr. Holmes” was directed by Bill Condon, written by Jeffrey Hatcher, produced by Anne Carey, Ian Canning, Emile Sherman and is based off the book A Slight Trick of the Mind (which I really want to read now) by Mitch Cullen.

        The story involves a retired Sherlock Holmes trying to solve the case that made him retire as he is losing his memory and strength as he builds a relationship with the Monro’s (the mother and her son Roger) who are taking care of him and his bees out in the countryside.

SPOILERS ahead

The Pros: The Cinematography – The cinematography is stunning and captures the beauty and wonder of the English countryside. We see Sherlock when he was old and still active and it captures how broken he is as an old man and how for the first time, he truly has to depend on others for help…all this in how a scene is filmed. Tobias Schliessler did a great job.

The Soundtrack – Carter Burwell also did a great job on the soundtrack, capturing the very classic mind of Sherlock (the violin Motif in most Sherlock stories) and the moments of sadness are punctuated by the score.

The Writing – The writing is amazing and actions have consequences. Every scene leads into the next and we are given a story that does not know the meaning of static. Every scene is action which provides a masterful tale.

The Characters – There are only a few characters of importance (some small parts appear to give us new information) the core characters all reveal more about themselves and change through the course of the film.

Roger – Usually child actors don’t do a great job, but an exception can be made here. Milo Parker does a good job as Roger who begins to take on Sherlock tendencies. In this Sherlock keeps him curious and his desire to learn while his mother reminds him to feel for others and that he has responsibilities beyond himself. He has a good arc and is set up to eventually become Sherlock’s replacement as Sherlock teaches him his methods.

Mrs. Munro –  Mrs. Munro distrusts Sherlock for much of it until he shows emotion that he does care about Roger (after wasps attack him) and shows her that her son was a hero trying to protect the bees from the wasps (reason he was hospitalized near the end). It is a powerful scene and we see her want to learn from him after that and also him make her inheritor of his will, showing respect that he had never shown her prior. Laura Linney does a great job.

Tamiki – Tamiki is the man seeking his father and helping Sherlock face death (their time in Hirishoma seeing the victims of the bomb and the bomb site) which help Sherlock face death in the long run as he finds a way to honor the dead. Tamiki treats Sherlock with nothing but respect and sees him as somewhat of a surrogate father figure. it’s a good relationship and it’s great seeing Hiroyuki Sanada outside of “Helix.” He’s a fantastic actor who I want to see more of.

Mr. Holmes – Ian McKellan is truly a master of his art! We see him as classic Sherlock (detached, intuiting and solving cases), broken Sherlock (cut off from the world and living in regret) and a Sherlock losing his mind and body who has learned to live for the first time. It’s powerful and he truly this role. Ian McKellan is one of my favorite actors and this film would probably not be a favorite were it not for his performance as he shows a character who has never really gone through a character arc, go through a powerful one where he learns to empathize, face death, live and grow.

The Case that Broke Sherlock Holmes -In a side plot in Japan where Sherlock is getting the drug he needs to sharpen his mind. It is here he learns Tamiki said he knew Sherlock where Sherlock has no memory and that Sherlock became an adopted father in his stories that Watson wrote. It’s a powerful relationship and in the end we see Sherlock give the Tamiki the comfort he’s wanted since he was a child when his father went missing in his last letter to him.

Critique of Classicism – There is a subtle critique of classicism where Roger criticizes his mother for not being able to read and Sherlock calls Roger out on it (a nice call out on himself as in the books he was pretty classicist).

Growing to Empathy  – The main arc is one of growing to empathy as we see Sherlock learn emotional intelligence (what Watson always had in each case) and from here him to learn to comfort others and offer solace (even if it’s a lie). This is something that none of the other Sherlock’s has ever fully dealt with. Moffat’s kind of does but Series 3 forgets about it and “Elementary” seems to have the same problem of him returning to angry detachment and in the books he never progresses beyond detachment.

Remembering the Dead and Facing Death – The final scene involves Sherlock placing a stone as he saw a man doing at Hiroshima after World War 2 to honor the dead as he remembers all those he’s lost (Ms. Hudson, Watson, etc.) it is powerful and we see him facing death from the beginning as his home, body and mind are falling apart and it is a reality he must face every day and come to feel for himself and for those who have passed.

Okay: Pacing – In the first third of the film there were some slow moments but I won’t be too critical on this because it helps establish how the Munro’s and Sherlock live in the cottage, which sets up when things change.

 This is a film that pulls the heart strings in all the right ways. We see a man who never valued empathy coming to realize how much it means as he realizes just how alone he truly is. It is tragic and powerful as he takes actions to show the Munro’s how much he values them and in the last scene honors all the dead who were all apart of his life and realizes how very much he misses them all. Sherlock solves the greatest mysteries; how to die and how to live.

Final Score: 9.7 / 10

The Hounds of Baskerville (1959): Hammer’s Good Adaptation of a Classic

The Hound of the Baskervilles

     Hammer pulled off a pretty good “Sherlock Holmes” adaptation! What certainly helped was having Sir Christopher Lee as Henry Baskerville and Peter Cushing as Sherlock Holmes, but it wasn’t simply this either. This was one of the early color films and their use of cinematography creates very powerful images that drive the story.

     The film was directed by Terrance Fisher, written by Peter Bryan and produced by Anthony Hinds, Anthony Nelson Keys and Kenneth Hyman.

  The story involves Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell) being asked to come to the Baskerville Manor to protect Henry Baskerville (Sir Christopher Lee) and solve the mystery of the Hound of Baskerville and the Curse of the Baskervilles as they have been slowly killed off under mysterious circumstances.

The Pros: Cinematography – The cinematography is beautiful and I think this is reason this version of the story received critical acclaim. It is one of the earliest color films and this is used to create beautiful color contrasts, especially with the use of red in regards to blood or murders.

The Prologue – The prologue is haunting and realizes that the Baskervilles were people high on their privilege who used it to rape and beat those on their land…which bread resentment leading to the final end of what we see in the modern day. The scenes are haunting and beautiful as this is where we see the Baskerville’s on in red symbolizing their lust and hedonism.

Henry Baskerville – Christopher Lee is fantastic as this character who just wants to do the right thing! He is the guy trying to set things right and get away from what his ancestors have done. To this end he helps those on his land and we see him very aware of other people. This also makes him susceptible when the Stapletons exploit this to try and kill him so they can get the fortune as their as Baskerville bastards.

The Stapletons – Cecile the daughter is the one who almost kills Henry to get revenge on what was done to her ancestors by the Baskervilles of the past and her father is in on it too. They have a dog they have made feral that they set on Henry but are killed when Watson and Sherlock stop them and Cecile falls into one of the sink holes in the moor.

Sherlock Holmes – Peter Cushing is amazing at Sherlock Holmes! His is a very sharp and cold Holmes and one who is very much the manipulator…this is perfect as he plays up Sherlock’s detachment and skepticism making a very enjoyable performance. Cushing truly owns this role and is a big reason besides Lee why I enjoyed this film so much.

Okay: Dr. Watson – Watson is alright and he does have a great voice but he also is just kind of there. Andre Morell isn’t memorable and so far the only memorable Watsons have been Lucy Liu as Joan and Martin Freeman in “Sherlock.”

The Minor Characters – Henry’s friend is unmemorable as are a lot of the other characters who aren’t Stapletons…which is a shame as the world could have got fleshed out a lot more.

The Cons: The Soundtrack – It is very Hammer (horrorish in the classic sense) and just doesn’t work. I would have preferred they do something more original given what made this film work was how it was unlike a Hammer film and got away from a lot of their tropes and going for cheapness.

   This film is not a favorite but it is really good and it is one I’d recommend. Cushing as Sherlock and Lee as Henry Baskerville drive the story and the early color cinematography makes for creating amazing cinematography that captures the mystery and haunting nature of the moors on the Baskerville estate.

Final Score: 8.5 / 10

“Elementary” Pilot – Season 1, Episode 1 – “Pilot” – Addiction, Loss and Joan Watson’s Agency

Pilot Elementary

    CBS did a good job when they created “Elementary.” The only way it is in any way like BBC’s “Sherlock” is the fact that it takes place in the present…everything else is different. From Watson having agency and actually facing her past and helping Sherlock deal with his addiction, to us being given a show that tries to have individual mysteries that stand on their own. There is no arc as of the pilot, no villain is established…(unlike Moriarty established at the end of “Sherlock’s” Pilot and we see that the main people our characters are facing are one another and themselves. This is what truly makes it great.

    The “Pilot” was directed by Michael Cuesta and written by Robert Doherty.

      The story involves Joan Watson being assigned as the sober companion to Sherlock Holmes, per his father. Together they must deal with another and reach an understanding while solving a home invasion and disappearance.

The Pros: The Writing – The writing is awesome! Actions have consequences and we see Watson and Sherlock change over the course of the episode as they face issues within themselves and how they relate to one another.

The Soundtrack – Sean Callery created a beautiful soundtrack that captures the mystery of the show and also the stress of Holmes’s addiction. It’s a wonderful score and one I plan to use for writing later.

The Cinematography – The cinematography is amazing, just like in “Sherlock.” We get slow shots of action that show objects breaking as well as glimpses of scenes giving us a picture that is slowly put together over the course of the episode.

The Characters – Whether they are minor characters or major, all the characters in the pilot feel fleshed out.

Dr. Richard Mantlo – This guy is a great antagonist! He manipulates one his patients who has a sociopathic desire to kill red headed women and makes his wife change to fit the type…all of this so he can keep the money from the fortune. The man is just as disconnected as Sherlock which leads to a great contrast in how they relate to and treat others where Mantlo doesn’t care and Sherlock makes an effort.

Captain Thomas Gregson – Gregson is the American detective who helps them with the case and brings Holmes in as a consulting detective. He is a source of stability for both Joan and Sherlock as he is always laid back and is a calming present for both their anxieties. Aidan Quinn does a great job.

Joan Watson – Lucy Liu owns this role! In her we see that she is working through trauma too as she failed as a surgeon and that is what lead her to become a sober companion. Unlike other Watson’s she does’t put up with Holmes’s abuse and calls him out or leaves him which forces him to grow and change how he interacts with people so he doesn’t take them for granted. Holmes also helps her find confidence as she helps him solve cases through their conversing and she gives empathy to others that he only really gives to her.

Sherlock Holmes – Jonny Lee Miller plays a very intense Holmes. His Holmes took addiction to the fullest and is recovering from that. This makes him intense and rebellious (a very different but fun take) and leads to him having to relate to people as he doesn’t want to be alone after how he was burned in the past. To this end we see him learn to talk to others, specifically Joan Watson who he grows to respect over the course of the episode.

    This is a show that really did everything right. It took the essence of the source material and grew beyond it…it also remembered the core art of writing and the fact that actions have consequences and characters must change. There is no real problem with this episode but there is a greater problem I had with the series…after the Finale I tried watching Season 2 but I couldn’t get into the disconnected format, the lack of arc and with it the eventual filler that came is what turned me off from the show. In the future I will give the show a full watch and assessment, but for now I stopped watching it for a reason and I have no idea if Season 3 was able to become more solid and do less side quests.

Final Score: 9.5 / 10. Only reason it isn’t higher is because it’s not really attached to the rest of the show, showing this series would have worked better as a mini-series not a 24 episode format.

First “Sherlock Holmes” Week

24-sherlock-holmes.w529.h529.2x

   Sherlock Holmes is a fascinating character and one of the few characters in literature to have so numerous adaptations that initially I didn’t really know here to start in going about tackling the different versions of him.

      This is a character who connects to the way we are the “Other” and also is more than human in how he is able to put things together and solve difficult puzzles that are placed before him. It is little wonder why Sir Arthur Conan Doyle’s books have inspired so many versions and adaptations.

      The versions of Sherlock Holmes I will be covering will be Benedict Cumberbatch’s Sherlock from “Sherlock”  and his pilot episode “A Study in Pink.”

        Jeremy Brett’s version (who to me has always captured the character best) in his pilot episode of “A Scandal in Bohemia.”

        Jonny Lee Miller’s Sherlock from “Elementary” and his pilot episode simply labeled “Pilot.”

     Peter Cushing and his introduction as the character in the Hammer Films in “The Hound of the Baskervilles” for one of the said films and his first appearance as Sherlock.

      Finally, Sir Ian McKellan in “Mr. Holmes” the new film that is out to end it.

    Sherlock Holmes is one of my favorite characters in fiction and what he has brought to the cinematic world can never be fully comprehended as so many greats (only a few named here) got their chance to play the great detective.