Tag Archives: Social Justice

Top 5 Films of 2017

This was a great year for film. Hell, the honorable mentions I’ll be talking about were in tight competition for 5th place and it was only due to multiple viewings it won as there was no other film I saw a second time in theatres this year. As always, I’m curious to hear about your lists and what films would be your Top 5, Top 3, Top 10 or Worst of as well. Lists are a lot of fun to do, and I stick to 5 because I want the 5 to mean something. Making a Top 10 would be far too easy given how great this year (and past years) have been for film so keeping it tight makes the order actually mean something. So lets kick things off with some Dishonorable mentions before I get into the films I actually liked.

Dishonorable Mentions:

This was a year where a few films had great premises but horrible execution. I walked out of “Justice League,” so I can’t recommend that, “The Circle” was technology paranoia garbage with an amazing cast who could not save it, “The Dark Tower” missed the entire point of the book and series and felt like a forgettable cheap action flick, and “Split” was an insult to those suffering through mental disorders while being a poorly done horror film and “Deathnote” is a film that misses the entire point of the source material and is a poorly cast and acted Netflix endeavor. These are my dishonorable mentions and films not worth your time I saw this year.

Honorable Mentions:

This was  great year for film and choosing my 4th and 5th place were difficult so I’m going to do something different and say a little bit more than my dishonorable mentions in regards to the honorable mentions.:

Wonder Woman – This was a film we needed this year, from the “Metoo” movement to a sexual predator being elected president..”Wonder Woman” was the answer to that as we got Gal Gadot rocking it as the only thing keeping the DC film afloat. I loved her film and how Robin Wright as her mentor is just fantastic. It only really falls apart in the 3rd Act, and the fact none of the villains work, but you should check it out. I own this film and I can’t wait to watch it again.

https://cameronmoviesandtv.wordpress.com/2017/06/05/wonder-woman-2017-dc-finally-finds-a-hero/

Guardians of the Galaxy Vol. 2 – This film was also in tight competition for making the list as I love how it explores toxic masculinity (Ego being one of the best Marvel villains thus far), father figures and abuse and explores my favorite characters in the MCU (Yondu and Rocket). For me it was on par with the first film, but there were sadly films that were better in both loss and character exploration.

https://cameronmoviesandtv.wordpress.com/2017/05/09/guardians-of-the-galaxy-vol-2-2017-the-greatness-of-these-characters/

Logan Lucky – This is a heist film told through the eyes of the southern working class stealing from Nascar. It is beautifully done with Daniel Craig’s Joe Bang and Adam Driver’s injured vet Clyde Logan as the stand out performance. Only thing against it is the 3rd act is overlong. I did drowse off a little during the heist which is the worst thing that can happen in a heist film. Loved the movie though.

https://cameronmoviesandtv.wordpress.com/2017/08/26/logan-lucky-2017/

Coco – “Coco” is easily one of the best films Pixar has put out. This is a film that explores family, mortality, death, loss and does it all through the lense of “The Day of the Dead.” The biggest thing going against it is I hated the protagonist until he finally stops acting selfish, but his family, especially those in the the Land of the Dead are awesome. I can’t recommend this film enough.

https://cameronmoviesandtv.wordpress.com/2017/12/05/coco-2017-an-amazing-pixar-epic-that-explores-family-and-love/

Colossal – “Colossal” is a powerful indie film that explores abuse and healing from it. Anne Hathaway does an amazing job as the unlikable drunk who has burned all her bridges but is trying to put her life back together while Jason Sudeikisis’s Oscar is a fantastic villain and threat. The fact that it is also a monster film on top of all of this is a reason why it was so hard for me to keep it from making 5th place, the characters aren’t really likable except for Hathaway’s character until the end though, so that was a dealbreaker for me.

https://cameronmoviesandtv.wordpress.com/2017/05/18/colossal-2017-an-amazing-exploration-of-monsters-as-metaphor/

Logan – The post-apocalyptic genre is popular and this is a film that is essentially “The Last of Us,” but with X-Men. There is no hope in this film as both Professor X and Logan are the last of the X-Men in a broken world. They both find purpose in X-23, Laura an experiment who escapes and has Logan’s power. This film is one I own and highly recommend seeing. It didn’t make 5th though because in the end it didn’t have a point. This is a film with no hope, though it gives our protagonists some amazing sendoffs.

https://cameronmoviesandtv.wordpress.com/2017/03/08/logan-2017-a-dystopic-western-masterpiece-that-explores-the-depths-of-pain/

That was the competition, and believe me it was close, so without further ado, here are my Top 5 Films of 2017:

5) Star Wars Episode VIII: The Last Jedi

Director Rian Johnson

“The Last Jedi” was a film that not only managed to subvert what expectations I had (was expecting an “Empire Strikes Back” rehash) but was also about the Resistance and First Order finding an identity beyond the Original Trilogy. This film explores this through the minor characters of Rose and Holdo as well as through Kylo Ren’s choice. The themes of resistance through class are given voice as well as showing the corrupt can be more than Jabba’s gangsters. Every action has consequences and no one wins. This is a film where you feel loss and it doesn’t stop hitting you with that loss, but it is still Star Wars and it remembers hope, even in despair. This was Carrie Fisher’s last film and in this we see why she is both one of the last Skywalkers and the General of the Resistance. R.I.P. Carrie, you got quite the sendoff as your film was the only film this year I saw in theatres twice and loved just as much each time.

https://cameronmoviesandtv.wordpress.com/2017/12/21/star-wars-episode-viii-the-last-jedi-2017-an-amazing-subversion-of-expectations/

4) War for the Planet of the Apes

Director Matt Reeves

Much like “The Last Jedi” this is a film full of loss and explores the themes of resistance and in the end what sentience means. This is the end of the Caesar’s story and the Prequel Trilogy and it is powerful all the way through. This film brought me to tears a few times as you see both Caesar’s humanity and pain. The Ape characters are once again the most human but Woody Harrelson’s Colonel is one of the best villains this year in how warped and nationalist he is, while still being vulnerable…as you see this is after the nuclear fallout and all that remains are military outposts in a world that is ready to leave humanity behind, while at the same time we have hope through the young Nova, who recognizes the apes humanity and in turn it shows her own. Andy Serkis deserves an Oscar for this role and I hope Matt Reeves gets to make his Batman film. He is a brilliant director and in this we see what happens when humans lose and gain their humanity as we lead into the world of “The Planet of the Apes.”

https://cameronmoviesandtv.wordpress.com/2017/07/23/war-for-the-planet-of-the-apes-2017-growing-beyond-caesar/

3) Get Out

Director Jordan Peele

I can’t wait to see what Jordan Peele’s next project is, as “Get Out” is his first full length film he both directed and wrote. This brilliant social satire is fantastic in how the mystery unfolds and why our hero returning to this nice small town full of rich white people is so horrifying as nothing is as it appears to be. As a thriller, an exploration of racism and classicism and as a horror movie it really works. The only place where it falls flat is we never get the motivation of the people who inhabit the town and I would have liked to learn more about the protagonist’s girlfriend’s motivation in the film.  Regardless, this is a film I highly recommend, and was number 1 for me for a long time until the other 2 upcoming films came out.

https://cameronmoviesandtv.wordpress.com/2017/03/17/get-out-2017-a-brilliant-horror-film-that-tackles-racism-and-privilege/

2) Baby Driver

Director Edgar Wright

“Baby Driver” is a work of musical, editing and cinematic genius. You are shown rather than told so much and every character is a flawed anti-hero with the exception of Debra, who is Baby’s (our protagonists) girlfriend. The music is genius and I love how it tackles the different ways certain characters are trying to escape or to free themselves, whether it is through internal redemption through an act of bravery, seeking revenge or owning up to mistakes and actions. This film is so much fun and the soundtrack by Steven Price, is easily the best soundtracks of the year. I can’t wait to see what Edgar Wright does next, but I’m glad he left “Ant-Man” and the MCU as this was the work of art we got in return as this was a film be both wrote and directed. Again, this film has an amazing story but the film is worth it for the music and visuals alone. Up until yesterday, this was my Number 1 film of the year.

https://cameronmoviesandtv.wordpress.com/2017/07/07/baby-driver-2017-the-unforgettable-soundtrack-of-a-life/

1) The Shape of Water

Director Guillermo de Toro

Sometimes you have to wait and the order of a list can be upset. The first Top 5 I created in 2014 had “Noah” as Number 1 until I saw “The Grand Budapest Hotel” and the genius of Wes Anderson upset Darren Aronofsky. This happened once more with the genius of del Toro upsetting Wright. Why is “The Shape of Water” Number 1? Because it does what all the other films do as either better or on par. Like “War for the Planet of the Apes,” “The Last Jedi,” and “Get Out,” it explores the themes of resistance and the voiceless as our mute protagonist Elisa fights to save the creature who is being tortured by the government agent in the lab, as her closeted roommate Giles and co-worker Zelda hep her succeed. The villain like in “War” and “The Last Jedi” is an insecure Colonel (in a creepy and powerful performance by Michael Shannon) who abuses others while assuming he has a right to others because of his position and privilege. The music is on par with “Baby Driver” while the cinematography and story are like a surrealist fairy tale. This is easily one of the best movies of all time and I can’t wait to buy it when it comes out. There was steep competition this year in films but after seeing this film, this film deserves its place at the top, and I can’t wait to see what else is born out of the fantastic imagination of Guillermo del Toro who not only directed but co-wrote and co-produced this unforgettable film.

https://cameronmoviesandtv.wordpress.com/2018/01/05/the-shape-of-water-2017-a-transcendent-romantic-fairy-tale/

This was an amazing year for cinema, though a crappy year for politics and many of the people these movies were fighting for. I’m curious to hear what your Top 5, Top 10 or worst films of the year are as well and I can’t wait to see what 2018 brings in regards to the fantastic stories that can be born out of the art of film.

Advertisements

Star Trek: Deep Space Nine – Season 6, Episode 13 – “Far Beyond the Stars” – The Ongoing Struggle For Justice and Equality

Ds9 Far Beyond the Stars

      “Far Beyond the Stars” is a masterpiece on so many levels and an episode where the trials and struggles of the 1960’s reveal themselves to sadly be just as true today. We are so far from the world of “Deep Space Nine” in not just our television but our science fiction books too, even if things have improved in some ways. This is an episode that has such a powerful point with some of the best writing and acting to come out of this series. The fact that Avery Brooks (Captain Sisko) was also the director also lends more power to it when you look how focused on justice so much of Avery Brooks’s passion has gone towards post “Star Trek: Deep Space Nine.” On a final note before I get into the details, it is also a very meta and philosophical episode of Trek.

      “Far Beyond the Stars” was as stated above, directed by Avery Brooks with the teleplay by Ira Steven Behr and Hans Beimler with story by Marc Scott Zicree.

     The story begins with Captain Sisko’s Father Joseph Sisko visiting the station as Ben is rethinking what difference he is actually making, as his friend died in a routine patrol of the Cardassian Border and the Dominion War looks as if it has no sign of ending. His father tells him he should think on it as he begins seeing people from the 1960’s before he is transported into the world of Benny, an African American Science Fiction Writer during the 1960’s where his story unfolds and realities keep colliding as they try to find out what’s going on “Deep Space Nine” as he faces the reality of the past in the life of Benny.

The Pros: Benny’s World – I love that they set in the 60’s and unlike the “Mad Men” version of the 60’s we get to see the lives of the middle class, the poor and people who aren’t of European descent. The world doesn’t pull any punches with every character being flawed and discrimination being widespread and enforced by the law. I’ll get into more of the details when I explore the characters though.

The Soundtrack – There is so much great jazz in this episode and so often the episode knows when to be silent, it isn’t standard recycled music and that really made the episode just that much stronger in the presentation and story.

The Characters – I’m only referring to the characters of Benny’s world in this instance since the only people really explored in Captain Sisko’s time are himself and his father. The characters of Benny’s world (played by the same actors who make salutes to their counterparts in personality and actions) are wonderful. They are distinct while still having the inspiration of “Deep Space Nine” (or vise versa as I’ll go into later).

Willie Hawkins – Michael Dorn plays the baseball player who shows us that it doesn’t matter if you are star athlete, housing ordinances are still just that and even though some whites want to see you play they don’t want you around (most housing ordinances weren’t ended until the 90’s and 80’s even). His way of dealing with it is flirting with everyone. His character is very confident and it’s fun to see. He knows he’s a star and Dorn does it very well.

Jimmy – Jimmy is a young African-american guy and friends with Benny and a bit of a hustler. The day he gets the opportunity for wealth the detectives Burt and Kevin murder him. They say it was for breaking into a car but based of their reaction of beating up Benny for even asking questions I sincerely doubt that. R.I.P. Jimmy. Sad thing is this still happens today. This scene is given more power given the actor plays Jake Sisko…Benjamin Sisko’s son in the series as a whole.

Cassie – Played by the actress who plays Captain Sisko’s wife Kasidy she is great in this as the woman who accepts discrimination (and Willie’s creeping) and wants to build a life that she feels is practical with Benny. To this end she’s working at owning the restaurant she works at and trying to get Benny to see it too. She’s super supportive of him and his writing though and takes care of him after the cops beat him up.

Kay Eaton – Kay is played by Nana Visitor who plays Major Kira and she is an author who writes under a name K.C. so people will think she is man. She is aware of the prejudice and inequality around her and can relate to Benny in that way. She’s more resigned than Benny though and doesn’t fight Pabst over the injustice of the Editors.

Herbert Rossoff – Rosoff played by Shimerman (who plays Quark) is the one person always clashing with Pabst (played by Rene who plays Odo) and is most vocal against the injustice of Benny’s story not being published and the editors shutting down the magazine for a month because of Benny’s black protagonist.

Douglas Pabst – Played by the actor who plays Odo, like Odo Pabst is all about the rules, even if they are unjust. He doesn’t care about injustice he cares about money and fires Benny when the Publishers choose not to run the stories. He isn’t even well intentioned he is all about the rules, just like Odo. He is the status quo and those who do nothing.

Benny Russell – Benny Russell is the one dreaming “Deep Space Nine” and the one being dreamed by Captain Sisko. He has victories like when Pabst accepts the story of “Deep Space Nine” being a dream. He is inspired by Delaney a gay African American writer whose story was rejected because his protagonist was mixed race. Benny the character is different in that he is working to be married with Cassie but his role becomes bigger after “The Preacher” reminds him of his role as a a symbol of the future and justice and making the story of “Captain Sisko” real by telling the story. This ends with him being put in a hospital though as he stands up to Pabst and cries out to be recognized as a human being.

Joseph Sisko – Joseph reminds his son Ben of how important it is to fight, which makes sense that he’d be the Preacher in Ben’s dream of Benny as he is calling Captain Sisko back to the struggle and making sure a just world remains or can come about…that life is bigger than those he has lost and himself.

Captain Sisko – Sisko is mourning the loss of his friend but after he dreams of Benny and realizes that Benny could have dreamed one another into reality realizes how important it is to fight and struggle against injustice, be it discrimination or the tyranny of the Dominion.

Honorary Mentions – Alamo (Dukat) and Combs (Weyoun) play corrupt detectives who are the ones responsible for killing Jimmy…and Meaney played a bumbling writer who liked robots. They weren’t bad characters but they weren’t explored some of the other characters were, which is why I’m giving them honorary mentions.

Easter Eggs – The Magazine they are writing for has “Star Trek: The Original Series” stories in it’s pages. Ranging from “The Cage” to “Where no One has Gone Before.” It’s a really cool salute to the past early science fiction as well as the ripple “Star Trek” created by it’s existence as a show during this time period.

The Meta Moments – The whole idea of “Deep Space Nine” all existing in the mind of Benny is very meta as “Deep Space Nine” existed in the writers who wrote the show. Benny is almost a stand in for them and the story they all sought to tell.

The Message – There are quite a few messages in this that stands out. The dreams of the present can become the dreams of the future and the dreams of the past remind us of what we still need and can accomplish. There is also the fact that injustice must be fought if anything is ever going to change and the power of story and how ideas can never die.

Representation and racism in the Past and Present – Delaney was an African-American Gay Black Science Fiction writer whose story was rejected by his racist publisher. Here is a great article that explores it and the lack of representation of people of color today: http://www.newrepublic.com/article/121554/2015-hugo-awards-and-history-science-fiction-culture-wars

This article shows that Delaney’s story is still true in many ways today and it is certainly true on television and other forms media. Now I don’t know how much talking about it changes it, but sometimes it is the stories that do. Look at the influence “Star Trek” has had on the culture and with that the same potential other science fiction shows can have. What is the future we want to create?

The Potential Future – There will always be problems I think, maybe and hopefully not the same ones even if echoes of those same problems remain…but it is in our power to change them, for each generation to make those changes in how they live, the laws they make and how they and we treat our fellow human beings. I don’t know if it will ever happen, but I hope for the future that “Deep Space Nine” represents.

Final Score: 10 / 10. One of the greatest stories to ever come out of “Star Trek” and still relevant to this day.