Beauty and the Beast (2017): An Unnecessary Remake That Played it Safe and Needed Better Singers or to not be a Musical

   “Beauty and the Beast” is a great example of an unnecessary remake and illustrates some great examples of the musical adapted to film. I’ll get into more of what I mean on both counts, and this isn’t a bad film per-say, it’s enjoyable…but it isn’t exactly good either. This is nostalgia that dares to be anything more and because of that nostalgia it drowns any chance for greatness. I’ll say non-spoiler thoughts, since there are a few differences…but if you’ve seen the animated film you’ve seen a much better telling of this tale with much better acting, song and animation.

    This film was directed by Ben Condon, written by Stephen Chbosky and produced by Todd Lieberman and David Hoberman.

     The story is a tale as old as time and goes back to the animated introduction of the original 1997 animated film…With the Prince being turned into a Beast for turning down a beggar woman who is asking for shelter, who is in fact a sorceress who curses him and his servants. After we pick up with Belle (Emma Watson) and her inventor father Maurice (Kevin Cline) are outcasts in a small town visit that find their life changed when Maurice stumbles upon the Beast’s (Dan Stevens) castle and is thrown into the dungeon for trespassing. Belle leaves to rescue him as she fends off her own Beast in the arrogant town hero of Gaston (Luke Evans) who wants her to be his wife. She trades her life for her father’s as the prisoner of the Beast and the story unfolds from there.

The Pros: The World – The world is one that I like…there is magic, curses and a relationship between the people of the village and castle before the Beast and the castle is cursed. There is the potential for politics too, both in the castle and town that is never fully explored beyond Gaston who is one of the more compelling characters in the film besides LaFou and the Beast.

The Ensemble – The only time the music works in this film is when the entire ensemble is singing. It is only at that time that it capture the large musical feel of the stage musical and original animated film.

Added Backstory – The added backstory is fantastic! Gaston is a war hero with PTSD, LaFou is Gaston’s friend rather than simply a patsy who helps him stay balanced, Maurice is an artist who lost his wife to the plague and the Beat had an abusive father. These are all great things that made it so I enjoyed the film, even though I don’t consider the film good.

Okay: Actors With No Voice Training Singing – This film is done as a musical, and it cast Hollywood actors who by and large aren’t musically trained. It is obvious and it hurts the show since emotion is conveyed through song and when Emma Watson or Gaston is singing flat or goes off on a tangent it feels artificial and took me out of the film .

The Castle – The castle is large but feels small. It is connected by bridges but only feels large outside…inside it is all stairways and small rooms. Even the library is a disappointment and just looks like a study. This worked in scenes of intimacy but failed to show the magic of the original or to create a new unique magic.

The Cast – The cast is okay, they aren’t great…most of them can’t sing all that well when they are given solos and they feel cartoony, which feels weird in a live action film. The townspeople are all characters without any redeeming qualities, except those above who are given some depth at least…and others are written with modern day speech (Maurice and Belle) and feel like they were written for the actors and not the characters.

The Cons: Writing for Actors  not Characters – Belle is written as Emma Watson in this and it doesn’t fit the era. Some of the dialogue like “fearless” (how Maurice describes Belle’s mother) or Belle being persecuted for teaching a girl to read felt like they were writing for Emma Watson and not for Belle. Belle is a much more passive character and that doesn’t mean she can’t still be a feminist character, she is…but when the dialogue is all tell…it took me out of the story. Belle deserved a script written for Belle, not for an actress and icon.

The Failure to Take Chances – This was a film that failed to take risks. It didn’t go full musical since it failed to cast any good musical talent, it failed to be a stage play since it was playing nearly all the same beats from the animated film. There is no reason to see this film, just watch the animated one since it is so much better.

The Theme of Tragedy…That Went Nowhere – When Belle and the Beast are getting to know one another it is through love of books. Belle’s favorite is “Romeo and Juliet” a play on tragedy and failed love and later the Beast is reading “King Arthur” another failed romance. This doesn’t go anywhere though and they take the same ending as the animated film with happily ever after when there could still be bittersweet with them both having learned to love, but too late.

   This was a film that failed to be small and personal (the castle gave us the small feel versus the large feel of the original film) and failed to be large and magical…Because of this it felt like a made for television musical at times…and the fact that the only time the music was really great was when the ensemble was singing was troubling. The reason it’s troubling is this could have easily been avoided. They could have followed up on the theme of tragedy and given us a wonderfully tragic tale, they could have made it more like a play rather than a musical, or they could have recast it as a musical and in turn made it on par with the much better stage musical of the film. Instead they tried to do a bit of all of it and failed on all counts. Added backstory and some great performances by Gadd, Evans and Stevens were not enouhg to to save it. This was a fun fan nostalgia trip, for a fan of the original film, but it isn’t a trip I’d take again.

Final Score: 7 / 10

“BoJack Horseman” Season 2 – A Masterpiece on the Paths of Self-Destruction and Change

BoJack Horseman Season 2 Poster

    “BoJack Horseman’ Season 2 is a masterpiece. The lack of focus during the first 1/3 of Season 1 isn’t there and all our characters have arcs and we get to know what motivates them more. The darkness in our characters never leaves either, but we get moments of hope that show the other side of being alive. It’s easily one of my favorite Seasons of a show and I am really excited to see what they do in Season 3. Raphael Bob-Waksberg really created an amazing show.

 The story picks up with BoJack starring in “Secretariat” but in turn finding the ugly underbelly of making a film as well as his own demons rising to the surface as he plays a character so much like himself. Elsewhere an old flame comes back into Princess Carolyn’s life and Diane has the chance to take her writing around the world to help people. Throughout it all old phantoms return as characters discover they can’t go back to the way things were.

The Pros: The Animation – The animation continues to be top notch, especially in the scene that they show as a continuous shot before Mr. Peanutbutter begins his new show.

The Soundtrack – Jesse Novak continues to make a great soundtrack that so greatly expresses the sadness and intensity our characters are going through. It manages to be apathetic but let us feel at the same time.

The Writing – The writing is fantastic! The depths of our characters are explored and we get to know more of why they are the way they are. BoJack and the main cast get the best development but there are even some amazing minor characters whose motivations and desires we come to know and understand.

The Characters – Outside of the themes and writing, the characters have always been the strongest part of this show and this season does away with a lot of the references to actually explore our characters and really show what it is they want out of their situations.

Beatrice Horseman – Beatrice’s mom says she’s sorry. It doesn’t change how abusive she is but her having some level of responsibility is powerful (she calls BoJack after his book comes out). It’s powerful and she expresses the brokenness of BoJack and the cast so well as we see  how broken she’s been her entire life as well. Wendie Malick did a fantastic job!

Rutabaga Rabbitowitz – Rutabaga is the highly ambitious character who doesn’t want to face consequences. He’s a smart and nice guy but he uses Princess Carolyn as a mistress and never divorces his wife even when he promised to do it when he and Carolyn would make their own Agency. He faces the consequences though as Carolyn sets down boundaries and leaves him leaving him to pick up the pieces of his own life.

J.D. Salinger – Salinger fakes his death in this universe and ends up being pulled into network television and it is awesome! He comes up with a reality show where celebrities are mocked and the depths of humanity can be explored which leads to BoJack and Mr. Peanutbutter fighting verbally and in turn revealing BoJack’s envy of him and his pride. Alan Arkin was perfectly cast for the voice actor.

Herb Kazzaz – Stanley Tucci gives a lot of life to this fascinating character who we see as the idealist man making a show, to screwed by the studio and BoJack and dying of cancer…but we see moments of joy with him, BoJack and Charlotte and when they were all young and hadn’t been eaten up by Hollywoo and changed or moved on from Hollywoo (Charlotte). His funeral is a major episode as it turns out his book he was writing sucked so his friends decide to keep it unpublished to save his legacy.

Wanda – Wanda is BoJack’s girlfriend for a while as she was in a coma for 30 years so she has no idea who he was so she treats him like she would anyone else. Things don’t go well though as she is committed and loves what she does while BoJack is listless and she is caring while he is always lashing out which eventually leads to her dumping him. She was a great character. She works in television and producing shows for the network and is an owl.

Kelsey Jannings – Kelsey is the director to “Secretariat” and she is awesome! She has no patience for BoJack but they actually do connect at times and we see she is a pretty great hardcore feminist and makes great art but when she tries to tell a great story with the film, the studio comes down on her and fires her. I hope we see her character again though, she helped BoJack face himself and to use his craft to grow.

Todd – Todd is Todd. He has more adventures in this, from making his own Disneyland and eventually leaving to join a Improv Group that is also a cult that he ends up being rescued from by BoJack as Todd is the one good part of BoJack’s life and the one time he did something good for someone else and it wasn’t for any ulterior reason.

Princess Carolyn – Princess Carolyn really gets her direction in this as we see her leave “Vincent Adultman” when his charade of being an adult stops working as he tries to be Vincent’s son and Vincent and after Rutabaga comes back into her life looks beyond her job where she’s under appreciated. Her arc is complete when she prevents Rutabaga from doing the same things and kicks him out of the new agency when his emotional blackmail tendencies become apparent to her and the fact that he isn’t going to leave his wife for her and never planned on doing so. Amy Sedaris is great.

Charlotte – Olivia Wilde plays BoJack’s old friend who he was interested in but moved on and now has a family and life in New Mexico. When he tries to get with her she lays down the boundaries clearly and after kicks him out when BoJack tries to get with her daughter. She is tough in this and gives us some great wisdom too as she makes BoJack aware of the tar within himself and that we always carry that with us. You don’t mess with Charlotte and if BoJack contacts her or her family again, he’s dead.

Mr. Peanutbutter – Mr. Peanutbutter’s arc is really finding his self-respect as we see in flashbacks that his past wife was abusive. We also see how supportive he is too and even though he and Diane clash at times (he does things for her and for himself in regards to parties and big events and always goes big) but that at the end of the day he just wants to be with her and that the shows and things he does are just ways to keep busy, since for him life is pointless and we all die but if we keep things interesting it isn’t so bad. He also confronts BoJack over his kissing of Diane last season and forgives BoJack for his envy and the kiss. Mr. Peanutbutter really grows as a character and is shown to be one of the most stand up guys in the series along with Princess Carolyn and Kelsey Jennings.

Diane – Diane goes abroad to help in a war torn nation and tell an eccentric billionaire’s story after she isn’t used at all in the film “Secretariat” and finds that she it isn’t for her as the billionaire’s ego is too large and the events are way too traumatic. This leads to her living with BoJack and lying to Mr. Peanutbutter about what she’s doing. It’s sad and we see what happens when your dream isn’t what you expect. BoJack helps her get her life together though as when he returns to New Mexico he begins cleaning up his life and tells her she should too. We see her in her darkest here as she is drunk and high all the time watching “Horsin’ Around.” It’s sad but she gets out of it and finds a job working on the media side for Princess Carolyn.

BoJack – BoJack like Diane discovers “Secretariat” is not what he expected, especially when the Studio drastically changes the story and fires Diane, leading to him leaving the set, being dumped by Wanda for being a dick and going to New Mexico to try and get together with Charlotte as being with her was the last time he was happy. It doesn’t work and he messes up big when he takes advantage of her daughter by not setting boundaries and we see just how broken BoJack is. In the end he returns to Hollywoo and rescues Todd as he discovers Todd was the one person he did something nice for for no other reason than to be nice. He also starts working on himself and begins running and we’re left with the possibility that things can get easier. He is also being asked to be in a New York play from someone he knows from his past.

Dreams are not Always What They Seem – For both Diane and BoJack the dreams they had where not what they expected. For Diane she found she wasn’t cut out to be abroad in war torn areas of the world and for BoJack he wanted to be in a story that was actually good, which wasn’t “Secretariat” after the studio changed it. He also discovers this again when his dream of being with Charlotte is shown to be a delusion that is only hurting himself and those around him. You can’t go back to what’s already happened.

You Can Never Go Back – This is a huge theme and really defines BoJack’s life in a big way as he tries to be friends with Herb after 20 years of no contact, he tries to get together with Charlotte and run away and finds that doesn’t work either. He is always trying to run backwards but it only leads to more pain because time didn’t stop, only he did.

Everyone Is Broken – Everyone on this show is broken, even Mr. Peanutbutter who has huge insecurities and has been in past abusive relationships (and can be super passive aggressive). The characters who are wise have made peace with this like Kesley or integrated it like Charlotte and Carolyn by the end. The rest are just trying to get by ignoring it or running from it.

Things Get Easier – The season ends with a runner telling a collapsed BoJack that it get’s easier. This is the bright moment in the series and shows that in all the brokenness and despair it can get easier to face and to deal.

    This is one of the best seasons of television and I’m really excited to see what Netflix does for Season 3. If you like dark and powerful shows, this is the show for you. The characters are complex and interesting and feel real. There weren’t really any cons this season since enough minor characters were major in regards to the plot and explored that they balanced out the joke characters. The themes are also powerful and timeless too and show even in things being difficult and hard and dreams not being all they are cracked up to be, that things get easier. Living gets easier, and sometimes that’s enough.

Final Score: 10 / 10

Spotlight (2015): The Process of an Investigative Story and Giving Voice to the Survivors

Spotlight

     “Spotlight” is a powerful story that shows the process of creating a great investigative story and the in the process showing how structures that prop up people in power, especially those in regards to religion are prone to abuse and cover-up as saving face and ideology can end up becoming more important than people. As an agnostic who left religion it was wonderful seeing the media do what it is supposed to do, and reveal systematic corruption and in revealing it make possible finally putting a stop to it.

    The film was directed by Tom McCarthy who also wrote it with Josh Singer and produced by Blye Faust, Steve Golin, Nicole Rocklin and Michael Sugar.

     The story involves the Spotilght team of the Boston Globe, being lead by Walter “Robby” Robinson (Michael Keaton), investigating the Catholic Sex Abuse cover-up when the new Editor in Chief Marty Baron (Liev Schreiber) believes there is a story there which comes to shake up the community of Boston.

The Pros: Boston – Boston feels alive as you see the many different levels of the city. From the poor areas where many of the events of sexual abuse and rape took place as the folks there had no advocates and the Church was the only power, from the rich fundraisers, to individual homes in Boston and the Boston Globe itself. This is a city that is shown to be alive.

The Boston Globe – The Boston Globe is shown to be a pretty great organization as we see a diversity of characters, motivation and conflict as the paper is trying to define itself in relation to Boston with the sex abuse scandal it’s uncovering and having an outsider Editor-in-Chief at the helm. I really liked how the film handled this.

The Characters – The characters and how they are portrayed is what makes this story great. It is fully fleshed out characters that lend truth to the real life events that took place and allow us to see into the choices our characters make and made.

Ben Bradlee Jr. – John Slattery is awesome as Ben Bradlee Jr. In this we see a very old style journalist who is leading the paper and because of it is comfortable with those in power, but even he wakes up when he realizes the extent of the abuse and corruption and from there gives his full backing to the Spotlight team. He is the questioner and makes the team better in the process.

Mitchell Garabedian – Stanley Tucci plays one of my favorite characters in this. In this he is the advocate for the victims who the Church keeps trying to silence and disbar. For this reason Rezendes has to slowly win him over as he shows the Globe won’t bow to Church pressure. I really liked the character and Tucci’s performance is amazing. He is the one who never stops fighting and who lives for work and advocacy.

Walter “Robby” Robinson – Michael Keaton plays Robinson and does a fantastic job! He was the one who reported on the sex abuse scandal ages ago and didn’t follow up. This is guilt he lives with until Baron calls him back to the present. Robby is also the one most in with the community as we see him get together with a former classmate to hear his story about the Priest who molested him, and from the guy who defended all the priests and played it like everything was okay. Robby sees all of it and it lends depth to Boston and the characters around him.

Sacha Pfeiffer – Rachel McAdams is a fantastic actress and in this we see her conflict being with her mother who is a hardcore Catholic and her hiding the story from her as she stops attending Church when Sacha stops going to Church after the extent of the cover-up is revealed and her and Rezendes discuss the problem of evil and faith. She could have got more development but her lending a voice to the victims while being professional and doing her job was extremely well done.

Michael Rezendes –  Mark Ruffalo played by favorite character. Rezendes is a passionate guy who is a little off in some ways and is always working a bit detached from things like Baron but also extremely passionate. When he finds the letters that Law was trying to keep from the public he wants Spotlight to run the story then, and waiting is hard for him as we learn he was an ex-Catholic who part of him wanted to go back but after the Scandal he could never see it happen given the institution covered up the rapes and protected the rapists. His genuineness and stubbornness were things I could relate to.

Marty Baron – Liev Schreiber is wonderful as the detached Editor from Miami. At first you think he’s going to start doing cuts but instead he refocuses the paper and has them follow up on the rumor of sex abuse. It’s powerful and we see he is there to fight for them even as he makes tough choices. Suffice to say I really appreciated the character and found his outsider perspective in Boston refreshing as I think it something that can lend strength to seeing things in a different light and helping reveal truths about a perspective, religion, community or organization.

Making the Story and the role of Journalism – A huge part of the plot is how Spotlight works as we see the Team following up on leads, interviewing people, analyzing sources, following paper trails, going to the courthouse,

Voice for the Victims – In this film we see the role of journalism as giving voice the the victims as the truth is revealed. It is powerful receiving their stories as kids who were vulnerable, poor and outcasts were raped by priests and had held it in for years. It is only when Spotlight shines a light on what happened that they are able to find their voice and in doing so help bring about justice in regards to what was done to them.

Power and Corruption – One of the big things is that of power and corruption. All of those connected to the Church covering up events are shown to be very well off and clearly profited from the atrocities they helped cover up. Cardinal Law himself is shown to be detached and uncaring about knowing the point that he’d attack those who were fighting for the victims. This is the price of power that believes it finds itself derived from God and is accountable to only itself. The church hides documents that are public record just because it would show how corrupt they were and the fact that Law ignored the warnings and punished those who spoke from within the church about the abuse.

Okay: Matt Carroll – This character was alright as he shows us the concerned father in everything, but he didn’t feel as fleshed out as Rezendes, Robinson, Pfeiffer and Garabedian. I still liked the character but thought that he wasn’t really needed in regards to the script.

Cardinal Law – This guy is detached from everything (which may have been purposeful on the films part) but after hearing how he called the wrath of God on one of the investigations that had been done earlier…I wanted to see that side of the character…a man who looked past atrocities and saw the Church as above them and was invited back to a cushy position of power, even after all the atrocities he covered up and monsters he protected.

Church Pressure – We don’t see as much pressure from the Church to silence the story, which is a shame. Mostly it is Law trying to get Baron in with the Church at the beginning and Robby’s lawyer friend who works for the Church who keeps telling him to drop the story. It is mostly from the community that the silence comes from, not the Church lawyers.

  This was a powerful film and easily in the Top 10 of the Year. I don’t think it will make the Top 5 due to some of the characters not getting as much development as I would have liked but it doesn’t change how great it is in themes and execution. This is a story that had to be told ande here is where you can read about it for yourselves too.:

http://www.bostonglobe.com/metro/specials/clergy

   Events like this must not be forgotten as chances are it is still going on today and many of the people who committed the crimes were never brought to justice or have never been brought to justice as the Vatican moved them out of the United States. The only way an institution can change is when light is shined upon it and even then there is going to be fighting from those who profit from the status quo. This is why stories like this matter, it lends voice to the voiceless and gives the chance for them to get justice for the wrongs done against them. This beautiful film, is one way the light has been shown on this scandal.

Final Score: 9.2 / 10

Transformers: Age of Extinction (2014) – The Beginnings of Getting Transformers Right

Transformers: Age of Extinction

“Transformers: Age of Extinction,” was almost a good Transformers movie. It’s a shame that humans once again had to ruin the drama between the Transformers…though this time they weren’t completely bad and did have some good moments. Which is more than can be said for the the other two movies I’ve seen that predate this (The first “Transformers” and “Dark Side of the Moon”).

I have not watched all the “Transformers” films and it was something that I never grew up with as a kid. So for me what really brings me to these films is my love of robots and mythology. If a movie like this can pull that off than there has to be some good. I have never been a fan of Michael Bay though, he tends to capture a lot of what is wrong with Hollywood in his work…this time though he managed to limit that somewhat…so going to give him credit for that.

Now for the premise. The premise is that Autobots and Decepticons are being hunted down by a rogue government outfit called Cemetery Wind whose leader Harold Attinger is selling them to a company he hopes to get rich off of. He is being helped in his quest by Lockdown, a Transformer Mercenary who is serving the creators of the Transformers who nuke the Dinosaurs with “Seeds” at the beginning of the film. The main character Cade Yeager is brought into the drama when he discovers injured Optimus Prime in hiding and the story unfolds from there.

Now for the assessment of the film:

Pros: The Music – The music is good actions music and captures the robotic theme of the Transformers quite well. Only times it is out of place is when rock or pop songs with singers chime in.

Cade Yeager – He has some machismo issues, but those at least get addressed in the film as well as the conflict he feels over being a single dad raising a teenage daughter. He isn’t a douche like Sam from the past movies was and Mark Wahlberg’s playing him completely and overly sincere while also being a bit of a nerd makes him endearing in his own way.

Joshua Joyce – The creator of the New Decepticons (having used their corpses to create new bodies that he hoped to control) of this film and the idealistic tech. guy and CEO of KSI. He goes from antagonist, to anti-hero, to hero as he sees what he has wrought and sees the Transformers as sentient beings. Stanley Tucci does great (he is Caesar of the “Hunger Games” series).

Sue Yueming – Joshua’s assistant and leader of KSI operations in China. She protects Joyce through most of the film and is an impressive character. She has lots of agency and kicks a lot of ass. Definitely want to see Li Bingbing in more films after this.

Going International – It is nice getting past American Jingoism and seeing good people from all over the world in a Michael Bay film. I know part of it is probably to appeal to the new Chinese Market, but I’d say that is a good thing. We’ll finally get to see more talent from around the world in American films and get to see cinema used for good to break down stereotypes.

Lockdown – I would love it if this guy got his own movie about all the targets he has taken down. He like Boba Fett if Fett where the primary antagonist of a Star Wars film. He has honor though is Xenophobic in serving one of the first aliens and creator races of the galaxy. He knows so much that we never hear about but get hints at. I hope the creators find a way to resurrect him. He is better than all the human characters and most of the autobots.

Optimus Prime – The big hero really needs a movie about him alone, which we might get next time given that at the ending he is taking the “seed” back to the Creators of the Transformers in order to try and stop them. We see him at the weakest at the beginning of the film and him slowly become full strength again. We even see him talk about leaving Earth for real with his Autobots, which makes sense given how many have been killed by Cemetery Wind.

The Autobots – It is nice having memorable Autobots for once who aren’t racist or completely one dimensional. We have the working class heavy Hound (voiced by John Goodman) the calm warrior Drift (voiced by Ken Watanabe) the rebel Crosshairs (John DiMaggio) and Brains…and Bumblebee who I wish would either get his voice or die…such an annoying childish character. The Autobots almost go on a revenge spree against the humans…showing they aren’t perfect. This is a nice change of pace and adds character to them as a whole.

Dinobots – Transformers that change into giant Dinosaurs. Really amazing and an awesome threat on the side of Optimus. Wish they’d gotten more screen time and I hope they show up again.

Galvatron – Created by KSI and the reincarnated Megatron…Galvatron is great in his awakening his army that he used KSI the tech. company to create. He survives the film and will probably be the big bad at the end of this trilogy or series.

Lockdown Final Fight – Takes all the characters to beat him…super worth it. No character is useless in this fight. Hong Kong is pretty much destroyed in this fight too because of how deadly Lockdown’s ship is.

Okay: Attinger – He isn’t bad, but he’s not fully fleshed out either. Kelsey Grammar does alright with what he is given though. He manages to nearly kill Yeager…Wahlberg’s character, before Optimus Prime takes him out.

Tessa Yeager – She isn’t a fully 3 dimensional character but she at least gets some agency in this film…from choosing to be with an older guy and helping fight the Decepticons and Lockdown. Which is more than can be said for all female protagonists in the last 3 films.

Cons: Sexualization of Tessa – Tessa is the daughter of Cade Yeager and much of the film is emphasizing her being underage and wearing short shorts that are revealing. Her boyfriend is also 20 to her 17 and defends the relationship with Texas’s Romeo and Juliet law that makes it legal. It is really really creepy and I don’t know who thought this was a good idea.

Message – What message? There really isn’t a coherent theme to the film. Creators can mess up and that is okay…seems to be the only one, since Wahlberg says finding Optimus and fixing him was a mistake but was worth it…as well as having his daughter in High School. The problem with this is it isn’t coherent. It wants to be anti-government, pro-immigration and tons of other things but it seems like Michael Bay is just testing these ideas and doesn’t know how to coherently weave them in. He’s trying at least, which is more than can be said for the mindlessness of his past films I’ve watched.

Unlikable Humans – Most of the human characters suck…and making them pros is in comparison to past Michael Bay films. They are usually one note characters who are mean for no reason and have to get into constant contests of machismo. It is so childish and just brings down the film. I wish the Autobots and Decepticons could be in a film without humans. Cade and Tessa’s boyfriend are the best examples of this. The worst of humankind can usually be found in Michael Bay films.

The Writing – It is a “Transformers” film…this is to be expected. It is an improvement over the other ones I have seen, but still a con.

Cinematography – Way too many slow motion shots and lens flairs…thankfully you can actually see the robots fighting this time, but the the slow motion shots and the lens flair shots were really distracting.

Length – The film is super long, though I can see why. I think it would have been better to introduce Galvatron at the end though and set him up for later. Lockdown is threat enough without Galvatron added in.

I have not seen a lot of Michael Bay, but this is the best Michael Bay film I have seen so far. The creepyness goes away after the first 20 minutes thankfully and focuses on the characters and action and attempts to tell a coherent story (and luckily we have Cemetery Wind and Lockdown to get us through that horridness). I wouldn’t call it great and calling it straight up good would be dishonest. It is a fun film though and above average as an action flick. It brings the mythology with the Creators and we get to see Autobots finally be interesting (though Bumblebee is still alive and annoying with his radio voice). The reboot was needed and hopefully the next film will completely avoid the creepy sexualization and have agency for all characters.

Final Score for this film is 6.5 / 10.