Star Trek: The Original Series – Season 3, Episode 10 – “For the World is Hollow and I Have Touched the Sky” – McCoy and the Quest for Truth

     “For the World is Hollow and I Have Touched the Sky” is a a great classic “TOS” episode and also works well as just a great science fiction conflict. I was looking for an episode that explores Dr. McCoy and this one does so really well. This is an episode with multiple stakes that are juggled really well as we see both mortality on the individual and large scale level.

The episode was directed by Tony Leader and written by Rik Vollaerts.

The episode involves the crew of the Enterprise when they discover a generational ship on a crash course with an inhabited planet and must stop it. Dr. McCoy also learns he’s carrying a terminal illness and only has a year to live.

SPOILERS ahead

The Pros:

The Premise – The generational ship full of people who have never known anything but the ship who may unknowingly destroy another civilization and McCoy facing his own mortality leads to great drama being created. We have the interpersonal relationship with the crew and how the crew interacts with the Fabrini people leading to an amazing story.

The Oracle – The Oracle is a great antagonist. It is driven by it’s programming and is able to defend itself extremely well. It is so driven by it’s programming that it is unable to accept any mistakes or the fact that it had made a mistake. The final fight against it is intense too as it tries to burn Spock, Kirk and McCoy in the room before they can use the book to shut it down. The Oracle has the upper hand through most of the episode which made it’s defeat all the more rewarding.

Captain Kirk and Spock – Kirk and Spock are the ones who help Natira realize the Oracle is wrong and they are the first to investigate the Oracle. We also get some good emotional moments where we see empathy in both of their eyes when Kirk mentions McCoy’s illness. It was a subtle moment but it made me appreciate Spock more who clearly showed carrying for Bones in the way he looked at him after hearing about the illness. This is an episode where the trio does a great job saving the day and in the end they discover on the computer’s harddrive a way to save McCoy as as well.

Natira – Natira is the leader of the Fabrini in that she is the one who speaks listens to the Oracle and enforces it’s will. Even with this indoctrination she received growing up she is willing to accept she is in a ship eventually and that there outside that the Oracle is hiding from her. She takes this responsibility deeply to the point that though she loves Dr. McCoy she does not return with him to the Enterprise.

Dr. McCoy – Dr. McCoy carries the episode as we seem him wrestle with the fact that he is dying and that when he chooses to stay on the ship to live out his last days he acts to help the Enterprise, even as he nearly loses his life in the process. We have moments of him facing his mortality with the other members of the crew and he clearly loved Natira. It is for these reasons it is really his episode as they would not have succeeded in stopping the ship without his sacrifice when he stayed behind and risked the Oracles wrath. In the end by saving the people on the planet and the truth saving the Fabrini people also leads to them finding the cure for McCoy and saving him as well.

This episode gives us an interesting people, uses our main three (Kirk, Spock and McCoy) in dramatic ways and provides a great antagonist in the Oracle and fantastic supporting character in Natira. The fact that this is a ship that can sustain itself and the Fabrini culture that has arisen from it fascinating too. Suffice to say, this is an episode I highly recommend.

Final Score: 10 / 10

Star Trek: The Original Series – Season 1, Episode 23 – “A Taste of Armageddon” – The Possibility of Peace

     “A Taste of Armageddon” is one of my favorite episodes of “The Original Series.” This is an episode that explores what it means to tackle the costs of war as well as how a society could buy into constant war for a state of false “peace.” This episode also uses most of the main crew and works fantastically as an ensemble piece. Suffice to say, this is one I highly recommend.

The episode was directed by Joseph Pevney with teleplay by Robert Hamner (who also wrote the story) and Gene L. Coon.

The story involves the Enterprise delivering Ambassador Robert Fox to open up negotiations with the Eminian Union who have been war with another planet in their system Vendikar for generations. All is not as it appears to be though when Kirk and the away team beam down during an attack from Vendikar.

SPOILERS ahead

The Pros:

The War – The war with Vendikar is the core part of the episode as it has gone on so long that the way of fighting has been completely taken over by computers and citizens on both sides now sacrifice themselves in areas where the computer says attacks occurred. This is taken as normal because it is all the 2 planets have known and it is the arrival of the Enterprise where the cycle of war is finally broken by bringing back an actual war not the virtual war where people willingly go to their deaths for the “Good of the state.” The war has warped all sense of valueing people as Anan 7 tries multiple times to trick Enterprise in lowering the shields so it can be destroyed as in the virtual war, it was.  Though even in this, when the war stops the desire for peace is still strong among those who have been a part of this war for so long.

Mea 3 and Anan 7 – Mea 3 and Anan 7 give us a great glimpse of the mentality that has been built up by war. Anan 7 is doing all he can to kill the Enterprise because he fears the war escalating when the virtual deaths aren’t registered while Mea 3 is a true believer but does nothing to stop Kirk and Spock from breaking all the death machines. In the end they are both flawed and human as in the end Anan 7 does accept Ambassador Fox’s help at negotiating a peace with Vendikar as he doesn’t want a war where he’ll see the bombs dropping and bloodshed. He could fight a sterilized war because that had been the way of things for so long and was willing to talk to make the change needed for the possibility of peace.

Scotty -Scotty is Captain while Kirk and Spock lead the away team on the planet. He does a fantastic job and keeps the ship safe as he figures out that Anan 7 is lying when he calls for them all to come down for shore leave and keeps the shields up even against orders of the Ambassador. This is an amazing Scotty episode and made me wish we saw him in the Captain’s chair more. He is more than qualified for it and will fight for his crew. He also plays of McCoy really well who is extremely anxious through the entire episode.

Spock – Spock calls out the Eminian Union in a great way where he see’s the logic in how they do war but does not see it as moral. We also see how powerful he is psychically when he controls the guards to free them and helps lead the revolution on the planet to stop the machines of death. He plays off Kirk really well too as it is them planning together when they are trapped to get out of each situation.

Captain Kirk – This is a great Captain Kirk episode. We get a Kirk speech that war has to be experienced to truly know how awful it is as he advocates for life and humanity. It is a fantastic Kirk speech and seeing him playoff Spock throughout the episode is handled really well.

The Cons:

Vendikar – We never see the people of Vendikar and that is really the only con I can think of. They are only mentioned when seeing them, even at the end would have shown their humanity as well. I’m honestly surprised the episode never showed us even one.

This is an amazing episode and easily one of the best of “The Original Series.” “The Original Series” was strongest when it worked the ensemble cast and explored deeper ideals tied to one’s humanity or the nature of war and peace. There is so much about this episode that works and it captures so much of what I loved about “The Original Series.”

Final Score: 9.6 / 10

Star Trek: The Original Series – Season 2, Episode 7 – “Wolf in the Fold” – Scotty on Trial

Star Trek S02E07 Wolf in the Fold - video dailymotion

   “Wolf in the Fold” provides an interesting premise and even has some good moments of tension before it fails as a story. This is an episode that focuses on Scotty, but we learn almost nothing about him, and even the main threat ends up not feeling like a threat. This is all besides the misogyny that runs through the episode. The premise had a lot of promise but absolutely fails and I’ll get into why below.

The episode was directed by Joseph Pevney and written by Robert Bloch.

The story involves Scotty being blamed for a murder when the crew visits Argelius II.

SPOILERS ahead

The Pros:

The Politics – In this story we see the politics between Argelius and Starfleet. Argelius is a free love society that hasn’t experienced a murder until the one that kicks off the episode. This gives an interesting dynamic as Kirk wants to do it by their laws but ends up offering up the computer as an answer when the Prefect is willing to try it after his wife is murdered during a seance to find the truth. From this, I wish he’d pushed back against more. He is the final judge on Scotty’s fate but he is very agreeable with Starfleet, even after his wife is murdered.

The Computer – The idea of using the computer to find the truth is really neat. It has all the information and can track if a person is lying or not. It is from the computer they found out the spirit of Jack the Ripper is the one responsible. This part of the episode is slow but I liked the computer being used the solve the mystery. It fit the theme of tech. solutions over supernatural which has always been a theme of “Star Trek.”

The Premise – The idea of a member of the crew being framed for murder on an alien world is fascinating. This base premise alone would have been enough if the politics between Argelius II and the Federation had been played up. Sadly the idea of the premise is not paid off.

The Cons:

Misogyny – Everyone woman we meet in this story is either being ogled by the crew (the belly dancer who gets killed) or is responsible for a problem. Scotty is on shoreleave because a female crewman caused a problem that lead to him hitting his head. This is so weak and isn’t helped by the text of the episode as all the other woman who we meet end up needing rescuing from Jack the Ripper or are killed by him.

The Enemy – Jack the Ripper is the enemy and his main host ends up being Mr. Hengist, an Argelian who is played by John Fiedler who voices Piglet in “Winnie the Pooh.” This does not work. Piglet’s voice is not ever threatening and the spirit taking control of the ship is for such a short time we don’t even see what the enemy is capable of. The moment the killings end on Argelius II all tension is gone and that is largely through how Jack the Ripper is presented. He just isn’t scary.

The Ending – The crew ends up fighting Jack the Ripper and him existing through fear by being pumped full of drugs that induce happiness by McCoy. This causes such whiplash that I don’t know why it was even included in the episode and focused on. Everyone is laughing, which takes away what tension there was by Jack the Ripper taking control of the ship.

This was an episode full of interesting ideas that it can’t execute. No ideas are delved into deeper and the supernatural threat just isn’t threatening. I appreciate that the episode is about someone outside of Kirk, McCoy or Spock but Scotty just doesn’t get enough exploration. This episode is reactive when it could have been so much more. There are the seeds of good ideas here, but failure to explore any of those ideas deeply leads to a bad episode.

Final Score: 5 / 10

Star Trek: The Original Series – Season 1, Episode 4 – “The Enemy Within” – The Jekyll and Hyde of Kirk

Watch Star Trek: The Original Series (Remastered) Season 1 Episode ...

    “The Enemy Within” is a good thriller episode of “The Original Series.” This series explores identity in a fascinating way and gives us a good ticking clock for the tension. The episode also has some major problematic elements that I’ll be getting into below. I’m going to give a trigger warning as well for what happens in the episode.

The episode was directed by Leo Penn and written by Richard Matheson.

The story follows the problem of a transporter malfunction that separates Kirk into a good and evil version, neither who can live without the other. The crew must stop his doppelganger and save Sulu and the archaeologists trapped on the planet below.

SPOILERS ahead

The Pros:

The Premise – The premise of a Captain forced to deal with both sides of himself and have the ticking clock of saving his crew is such a great premise for creating tension. The stakes are immediately apparent and gives a chance to explore human nature and identity.

Scotty – Scotty is engineer and transporter chief and spends most of the episode trying to solve the problem of the separated Kirk. In the end he does find a technical solution and they are able to make Kirk whole again and rescue the crew.

Sulu and the Trapped Crew – Sulu is on the planet and we see him holding onto hope as the situation on the planet continues to get worse as the temperature drops. I loved how he was still able to joke and was looking out for those around him. We got to see him problem solve as well as at one point he warms a rock with his phaser which helps give himself and the archaeologists more time.

Exploration of Identity – The exploration of identity is key to the episode. Kirk has to take his selfish side as it helps him make decisions and be decisive. Without it he is passive and in flight mode versus his evil which is permanent fight mode. It takes time for him to accept that side of himself though and it is only through Spock expressing how his intelligence is what helps him make peace between the Vulcan and Human sides of himself. The dynamic between Kirk and Spock works really well in the episode.

The Cons:

Shatner Ham – Shatner’s evil side doesn’t have any subtly until moments at the end where he is much more cool headed. I get Shatner was going for pure Hyde animal but it was over the top on more than one occasion. This is definitely a Shatner ham episode and it overall doesn’t work. Because he is so over the top his doppelganger never fully comes off as a fully realized threat as Kirk is not superhuman, his other half is just animal crazy and not a smart animal.

Rape Apologism and Yeoman Rand – We have Spock at the end saying how the Doppelganger had “interesting” aspects to Yeoman Rand, who the doppelganger tried to rape and we have Rand makes excuses for the Captain after she was violated. I hated this so much. Within the progressive future of Gene Roddenberry you still had this crap from the era of the woman being blamed for what was done to her. The whole scene has more worry for Kirk than Rand when she comes forward. God I hated it so much.

If this episode wasn’t trying to apologize for the doppleganger’s attempt to rape Yeoman Rand than I would be rating this episode higher. We get some amazing exploration of Kirk’s identity and a good ticking clock problem to be solved. I would recommend this episode but with a warning about how Rand is handled in the episode. She should have never had to apologize for what was done to her and I hated how even Spock seemed to make light of it in the final scenes when Kirk is whole again. She deserved so much better than her treatment in this story.

Final Score: 8 / 10 Elevated for how it explores identity. Could have been great if Rand had been respected as a person and character.

Star Trek: Deep Space Nine – Season 6, Episode 13 – “Far Beyond the Stars” – The Ongoing Struggle For Justice and Equality

Ds9 Far Beyond the Stars

      “Far Beyond the Stars” is a masterpiece on so many levels and an episode where the trials and struggles of the 1960’s reveal themselves to sadly be just as true today. We are so far from the world of “Deep Space Nine” in not just our television but our science fiction books too, even if things have improved in some ways. This is an episode that has such a powerful point with some of the best writing and acting to come out of this series. The fact that Avery Brooks (Captain Sisko) was also the director also lends more power to it when you look how focused on justice so much of Avery Brooks’s passion has gone towards post “Star Trek: Deep Space Nine.” On a final note before I get into the details, it is also a very meta and philosophical episode of Trek.

      “Far Beyond the Stars” was as stated above, directed by Avery Brooks with the teleplay by Ira Steven Behr and Hans Beimler with story by Marc Scott Zicree.

     The story begins with Captain Sisko’s Father Joseph Sisko visiting the station as Ben is rethinking what difference he is actually making, as his friend died in a routine patrol of the Cardassian Border and the Dominion War looks as if it has no sign of ending. His father tells him he should think on it as he begins seeing people from the 1960’s before he is transported into the world of Benny, an African American Science Fiction Writer during the 1960’s where his story unfolds and realities keep colliding as they try to find out what’s going on “Deep Space Nine” as he faces the reality of the past in the life of Benny.

The Pros: Benny’s World – I love that they set in the 60’s and unlike the “Mad Men” version of the 60’s we get to see the lives of the middle class, the poor and people who aren’t of European descent. The world doesn’t pull any punches with every character being flawed and discrimination being widespread and enforced by the law. I’ll get into more of the details when I explore the characters though.

The Soundtrack – There is so much great jazz in this episode and so often the episode knows when to be silent, it isn’t standard recycled music and that really made the episode just that much stronger in the presentation and story.

The Characters – I’m only referring to the characters of Benny’s world in this instance since the only people really explored in Captain Sisko’s time are himself and his father. The characters of Benny’s world (played by the same actors who make salutes to their counterparts in personality and actions) are wonderful. They are distinct while still having the inspiration of “Deep Space Nine” (or vise versa as I’ll go into later).

Willie Hawkins – Michael Dorn plays the baseball player who shows us that it doesn’t matter if you are star athlete, housing ordinances are still just that and even though some whites want to see you play they don’t want you around (most housing ordinances weren’t ended until the 90’s and 80’s even). His way of dealing with it is flirting with everyone. His character is very confident and it’s fun to see. He knows he’s a star and Dorn does it very well.

Jimmy – Jimmy is a young African-american guy and friends with Benny and a bit of a hustler. The day he gets the opportunity for wealth the detectives Burt and Kevin murder him. They say it was for breaking into a car but based of their reaction of beating up Benny for even asking questions I sincerely doubt that. R.I.P. Jimmy. Sad thing is this still happens today. This scene is given more power given the actor plays Jake Sisko…Benjamin Sisko’s son in the series as a whole.

Cassie – Played by the actress who plays Captain Sisko’s wife Kasidy she is great in this as the woman who accepts discrimination (and Willie’s creeping) and wants to build a life that she feels is practical with Benny. To this end she’s working at owning the restaurant she works at and trying to get Benny to see it too. She’s super supportive of him and his writing though and takes care of him after the cops beat him up.

Kay Eaton – Kay is played by Nana Visitor who plays Major Kira and she is an author who writes under a name K.C. so people will think she is man. She is aware of the prejudice and inequality around her and can relate to Benny in that way. She’s more resigned than Benny though and doesn’t fight Pabst over the injustice of the Editors.

Herbert Rossoff – Rosoff played by Shimerman (who plays Quark) is the one person always clashing with Pabst (played by Rene who plays Odo) and is most vocal against the injustice of Benny’s story not being published and the editors shutting down the magazine for a month because of Benny’s black protagonist.

Douglas Pabst – Played by the actor who plays Odo, like Odo Pabst is all about the rules, even if they are unjust. He doesn’t care about injustice he cares about money and fires Benny when the Publishers choose not to run the stories. He isn’t even well intentioned he is all about the rules, just like Odo. He is the status quo and those who do nothing.

Benny Russell – Benny Russell is the one dreaming “Deep Space Nine” and the one being dreamed by Captain Sisko. He has victories like when Pabst accepts the story of “Deep Space Nine” being a dream. He is inspired by Delaney a gay African American writer whose story was rejected because his protagonist was mixed race. Benny the character is different in that he is working to be married with Cassie but his role becomes bigger after “The Preacher” reminds him of his role as a a symbol of the future and justice and making the story of “Captain Sisko” real by telling the story. This ends with him being put in a hospital though as he stands up to Pabst and cries out to be recognized as a human being.

Joseph Sisko – Joseph reminds his son Ben of how important it is to fight, which makes sense that he’d be the Preacher in Ben’s dream of Benny as he is calling Captain Sisko back to the struggle and making sure a just world remains or can come about…that life is bigger than those he has lost and himself.

Captain Sisko – Sisko is mourning the loss of his friend but after he dreams of Benny and realizes that Benny could have dreamed one another into reality realizes how important it is to fight and struggle against injustice, be it discrimination or the tyranny of the Dominion.

Honorary Mentions – Alamo (Dukat) and Combs (Weyoun) play corrupt detectives who are the ones responsible for killing Jimmy…and Meaney played a bumbling writer who liked robots. They weren’t bad characters but they weren’t explored some of the other characters were, which is why I’m giving them honorary mentions.

Easter Eggs – The Magazine they are writing for has “Star Trek: The Original Series” stories in it’s pages. Ranging from “The Cage” to “Where no One has Gone Before.” It’s a really cool salute to the past early science fiction as well as the ripple “Star Trek” created by it’s existence as a show during this time period.

The Meta Moments – The whole idea of “Deep Space Nine” all existing in the mind of Benny is very meta as “Deep Space Nine” existed in the writers who wrote the show. Benny is almost a stand in for them and the story they all sought to tell.

The Message – There are quite a few messages in this that stands out. The dreams of the present can become the dreams of the future and the dreams of the past remind us of what we still need and can accomplish. There is also the fact that injustice must be fought if anything is ever going to change and the power of story and how ideas can never die.

Representation and racism in the Past and Present – Delaney was an African-American Gay Black Science Fiction writer whose story was rejected by his racist publisher. Here is a great article that explores it and the lack of representation of people of color today: http://www.newrepublic.com/article/121554/2015-hugo-awards-and-history-science-fiction-culture-wars

This article shows that Delaney’s story is still true in many ways today and it is certainly true on television and other forms media. Now I don’t know how much talking about it changes it, but sometimes it is the stories that do. Look at the influence “Star Trek” has had on the culture and with that the same potential other science fiction shows can have. What is the future we want to create?

The Potential Future – There will always be problems I think, maybe and hopefully not the same ones even if echoes of those same problems remain…but it is in our power to change them, for each generation to make those changes in how they live, the laws they make and how they and we treat our fellow human beings. I don’t know if it will ever happen, but I hope for the future that “Deep Space Nine” represents.

Final Score: 10 / 10. One of the greatest stories to ever come out of “Star Trek” and still relevant to this day.

Star Trek: The Original Series – Season 1, Episode 19 – “Arena” – The Dilemmas of War and Power of Mercy

Star Trek Arena

   “Arena” is the first of a few “Star Trek” episodes I’ll be reviewing this week. On Facebook I did some “Trek Requests” and this was the episode requested for “The Original Series.” The other two episodes will from “The Next Generation” and “Deep Space Nine.” I’ll save which ones they are until I review them. Suffice to say “Arena” was very enjoyable though it still has the same problems I noticed when I first watched the episode as a young child.

    The episode was directed by Joseph Pevney with the teleplay by Gene L. Coon and story by Fredric Brown.

    The story involves the crew of the Enterprise arriving on the outpost Cestus III which is under attack from the Gorn. A dying survivor tells them how they were attacked leading Kirk to pursue the Gorn ship until they are stopped by the Metrons who transport Kirk and the Gorn Captain to the Arena where they can face each other using the resources on the planet so the conflict between the two ships will no longer be happening in Metron space. From here the story unfolds as Kirk must MacGyver his way out the situation and learn what bigger purpose he it being put up to by the Metrons.

The Pros: Cestus III – Cestus III is a warzone. We see that chemical weapons were used on Federation troops and the Outpost is a wasteland we also hear about the slaughter of women and children but due to the nature of the episode we aren’t able to confirm it. It is war and like war there is a fog. Luckily through quick thinking by Kirk, he and Spock are able to fight back though the red shirt is killed. It’s a very strong start to the episode and shows just what is at stake and what motivates Kirk in his desire to stop and destroy the Gorn vessel.

Sulu – Sulu is in charge of the Enterprise at one point when Kirk and Spock go down to Cestus III and he does a great job protecting their ship and keeping the Gorn at bay until Kirk and Spock are able to be beamed back aboard again. Sulu was eventually made Captain for a reason, the guy is great in a crisis.

Spock – Spock not being emotional is good as he points out that Kirk doesn’t know what happened or why they became under attack, what he misses is that the enemy has never communicated with them at all. Spock is implied to be right though on not destroying the vessel when it is found that the Outpost might have been placed in Gorn Territory and that it will be a situation for diplomats to handle.

McCoy – McCoy sees the consequences of fighting the Gorn too and makes an appeal to civilization to the Metrons to stop the fighting of Kirk and the Gorn Captain. They are ignored but when they are shown the fight the Gorn Captain says the Outpost was in their territory which changes McCoy over to Spock’s perspective of not attacking first.

Captain Kirk – Captain Kirk shows what he is famous for in this episode (no he doesn’t sleep with the Gorn) he MacGyvers a makeshift gun that defeats the enemy Gorn Captain after he’s exhausted all other traps against the Gorn…and after he shows Mercy which impresses the Metrons who appear to him and which later leads to a Kirk Speech where he tells Spock that in 1000 years maybe they will be an enlightened species, so they’ve got a little time. Kirk’s humor, passion, anger (the destruction of the outpost) and compassion (sparing the Gorn Captain) are on display here and show why he is one of the most popular Captains in “Star Trek.”

The Gorn Captain – The Gorn Captain has a great design and he is clearly alien. For him mercy is giving Kirk a quick death and any intrusion into their territory warrants a threat. The Captain is strong and powerful and is only stopped by a diamond fired from a gun. It’s a shame the Gorn weren’t used more as they have a great design and are one of the more intriguing lesser used species in “Star Trek” along with the Tholians.

The Message – The message is that mercy is important when you’ve defeated your enemy and to not leap to conclusions in war. The message is kind of wrong in regards to the outpost though as we never see the Gorn communicate with the Enterprise and to reason with another to understand a person you have to talk to them. The Gorn do not talk to the Federation as far as we can see until the Metrons force their captain onto the planet. Also, if there were women and children slaughtered on Cestus III than the Gorn involved were evil. There is nothing that can justify the killing of innocents and that is where mercy can be missed, as we have no guarantees the Gorn wouldn’t do it again elsewhere. The core message of not rushing to judgement is important though as the Outpost wouldn’t have been built if the Federation had known it was Gorn space (assuming the Gorn are telling the truth, just like have to assume the Federation soldier was telling the truth about women and children being slaughtered…we don’t know fully yet in either case).

Okay: The Metrons – Another God Species trying to teach the “lesser” species a lesson about compassion towards one another and mercy. I really don’t like the transcended species trope as it simplifies the issues and in most cases the folks like the Metrons stand by while real life atrocities are going on so all their talk of Enlightenment usually doesn’t mean much in regards to their actions outside those who enter their sphere. Still, one of the earliest uses of this trope so I’m putting them down as okay and not a con.

The Cons: Pacing – The episode is really slow. It starts out strong when Kirk and Spock are on Cestus III under fire but most of the action on the Enterprise is passive watching of either the Gorn ship or of the Gorn Captain and Kirk fighting on the planet. This episode should have been 35 minutes ideally or given us more character moments like when Kirk and Spock were discussing the attack and what might have lead to it and what must be done. Those were the strongest moments in the episode outside of Kirk’s ingenuity.

  This is classic “Star Trek” and well worth watching, even though it isn’t my favorite episode and I do take issue with the Metrons approach to life, the pacing and that the Gorn are just presented as bad guys if we only take how they react to Kirk and what happened on the outpost. There was the potential for much more complexity this episode than we got, though I really like the idea and watching Kirk MacGyver his way out of a situation is always fun to watch…and the horror of Cestus III really raises the stakes in the episode and kept me interested even with how slow the episode felt at times.

8 / 10. Solidly good.

In Memory of Leonard Nimoy – Leonard Nimoy Week

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     Leonard Nimoy was an amazing man, that much has been obvious for a very long time. From his military service, music, directing, writing and acting and what he did outside of his work he touched the lives of so many people.

       I know him largely from his work with “Star Trek” as I grew up watching “The Original Series” and “The Original Series Films.” It was his death in “Wrath of Khan” that first made me tear up during a “Star Trek” film and it was his character Spock who I could relate to, as an autistic kid who I was felt outside of things and could relate to his analytic approach to all things.

    This week I’m honoring him by reviewing some of his earliest work, some of his last work and of course an “Original Series” episode. Anytime I’d been given the ‘Choose your own Crew?’ Question in regards to Star Trek, I always chose Spock as the First Officer. He was the best and grounded everyone around him, much like Nimoy himself did. Nimoy was and wasn’t Spock, he wrote two books on the matter and both were right. He was bigger than this role that really put him on the radar for me and so many other people. He was talented beyond the screen and within the screen itself as he produced, wrote and directed films and television. If you hear about what was going on during the films, it was Nimoy who reminded the writers that it wasn’t about Kirk and Spock, it was about the crew and that dialogue should be given to all. You see this especially in “The Undiscovered Country,” where the crew is victorious because everyone is involved, versus “The Final Frontier” where it is the Kirk and Spock (though mostly Kirk) show. This was a huge reason he was respected by those who knew him…because he lived respect towards others.

   For what I’ll be reviewing of Nimoy’s filmography…going to start at the beginning with “A Quality of Mercy,” from “The Twilight Zone,” next doing “Balance of Terror” from “Star Trek: The Original Series,” “The Transformers: The Movie” and “There’s More Than one of Everything” from the tv series “Fringe” which was his last television show he was a part of.

     Nimoy influenced those who knew directly and those who didn’t like me, through the life he lived. He was truly an amazing Renaissance man who will be missed greatly. Though, even in death he gave us something to remember.

   “A life is like a garden. Perfect moments can be had, but not preserved, except in memory. LLAP”

   As we will remember you. This week is to honor you and all that you’ve done.

A Look Back on the Star Trek Pilots and the Future of Trek

StarTrek_Capns

I want to end the “Star Trek Pilot Episodes Series/Star Trek Pilot Series,” with a reflection on the episodes and what I see in the future of Star Trek.  Star Trek at it’s best deals with issues of justice and dilemmas in modern day while giving us the hope for the future…the hope that we can be more and better. Each of the series barring much of “Voyager,” and nearly all of “Enterprise,” understood this and that was why they are so popular.

I still remember my first Star Trek convention, I was in Middle School living in Michigan at the time and I got to meet Vaughn Armstrong, who has played multiple characters on Star Trek as well as Roxann Dawson who played B’Elanna Torres on “Voyager,” in Middle School and High School was what motivated me to write sci. fi. My first sci. fi. idea ever was a Star Trek crew run by the outsiders or enemies of the Federation (Cardassian, Borg, Romulan and Ferengi were who I had in mind), and that motivated me to write my own stories post Middle School.

Before I get into the future of Trek I’m going to do one last recap of the Pilots…from best to worst with a summary.

Emissary

1st) Star Trek: Deep Space Nine Pilot – “Emissary Parts 1 and 2”

This pilot knew what it wanted to be and lived that fully, keeping the tone and dilemmas true throughout the entire series. It dealt with war, post-war and post-occupation and all the consequences on the species involved. Captain Sisko is my favorite of the Captains and the fact that it was an ensemble cast served the story…we got to see the Cardassian perspectives through Damar, Dukat and Garak, to Bajor with Kira and Kai Winn, to the Ferengi and even an extra named Morn got his own episode. The series showed the consequences of war and abuse of power and provided actual dilemmas. I was never bored watching the series and enjoy following certain arcs (especially the “Dominion War Arc”) to this day. I look forward to reviewing more episodes and that arc.

https://cameronmoviesandtv.wordpress.com/2014/06/05/star-trek-deep-space-nine-pilot-emissary-part-1-and-2/

9 / 10

star-trek-the-man-trap

2nd) Star Trek: The Original Series Pilot – “The Man Trap”

This pilot captured the wonders and dangers of space travel the best out of all the pilots. Where “Deep Space Nine,” looked big TOS started small. We get introduced to a new species that is the last of it’s kind and are forced to face the dilemma to kill it in “Kill or be Killed,” and we get to see most of the crew being active. TOS at it’s best used all of it’s crew members and captured the wonder and dangers of exploring strange new worlds and seeking out new life and new civilizations.

https://cameronmoviesandtv.wordpress.com/2014/05/23/star-trek-the-original-series-the-man-trap-red-shirts-and-the-thing/

8 / 10

The Cage

3rd) Star Trek Original Pilot: The Cage

The original pilot was really the Pike and Spock story. Most of the other characters don’t even have names and are so replaceable they are basically Proto-Red Shirts. What drives this story and elevates it over it’s problems of sexism (the aliens capture two crew members who are women so Pike can choose a mate in the cage they’ve created). What elevates it is that it deals with an actual alien species (Talosians) who are nearly extinct. We see the dilemma that is faced and Pike and the aliens come to an understanding. This episode captures the essence of “New Life and New Civilizations,” really well.

https://cameronmoviesandtv.wordpress.com/2014/05/23/star-trek-original-pilot-the-cage-before-there-was-captain-kirk/

6.5 / 10

star-trek-farpoint

4th) Star Trek: The Next Generation – “Encounter At Farpoint Part 1 and 2”

“The Next Generation,” began with a very rocky start. It was trying to be “The Original Series,” when it clearly was not. This brought down the episode as well as the fact that besides Patrick Stewart and John De Lancie, no one else was any good as an actor. It captures the essence of Trek with exploration, it just doesn’t fully achieve it since it wastes the potential of Q and Farpoint Station (and the aliens are ideas, not actual interesting species).

https://cameronmoviesandtv.wordpress.com/2014/05/30/star-trek-the-next-generation-pilot-encounter-at-farpoint-part-1-and-2/

6 / 10

Caretaker part 1 and 2

5th) Star Trek: Voyager – “Caretaker Part 1 and 2”

This is the point where there are a lot of interesting ideas but very poor execution. Maquis and Federation are pulled across the galaxy to the Delta Quadrant…but after they just get along. There is no conflict and Janeway is just assumed to be Captain even though the Maquis had a captain too. The species are poorly explored as well with Kazon as weaker versions (both physically and in writing) of Klingons and the Ocampa are poorly realized Space Elves. The whole getting stranded in the Delta Quadrant because of Janeway’s choice is never addressed either. In the end, it was average Star Trek.

https://cameronmoviesandtv.wordpress.com/2014/06/12/star-trek-voyager-pilot-caretaker-part-1-and-2-lost-in-space/

5 / 10

Broken Bow

6th) Star Trek: Enterprise – “Broken Bow Part 1 and 2”

How do you miss the point of Star Trek? You do what Enterprise did. You write people as needlessly antagonistic, not very smart, objectify them sexually and create enemies who are mysterious for the sake of being mysterious and than do nothing with it…oh, and also forget all about all pre-established Canon in the Star Treks that came before. This was the series that killed Star Trek, and this pilot fully captures the reasons why. If your characters are useless and unlikable, your story goes nowhere and the only things you seem to care about are sex and violence…you’ve missed the entire point of Star Trek and your series deserves to die.

https://cameronmoviesandtv.wordpress.com/2014/06/19/star-trek-enterprise-pilot-broken-bow-part-1-and-2-missing-the-point-of-star-trek/

1 / 10

With Abrams new “Star Trek” movies I have seen new fans being created of this series. This gives me hope that we’ll be seeing another Star Trek series sometime in my lifetime. There has already been talk of “Star Trek: Captain Worf,” which would be awesome (http://www.blastr.com/2013-8-20/michael-dorn-reveals-his-capt-worf-star-trek-tv-series-not-dead-yet) since he was part of what made “The Next Generation,” and “Deep Space Nine,” so interesting and Netflix has been talking about doing a series too (http://uproxx.com/gammasquad/2014/06/netflix-wants-to-make-a-new-star-trek-series-happen/). I am down for either of these or a different one, since I think the mistakes of “Nemesis,” and “Enterprise,” have been learned from. This universe is rich with stories that can be applied to our own and help us to grow, understand and appreciate one another…for it is in those great stories of Trek that we have the chance to think deeper about ideas and in that Universe being offered as a good possibility, it gives us a future worth striving for and to boldly go where we haven’t gone before.