Top 5 Films of 2019

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2019 was an interesting year for film. There were quite a few types of film I didn’t see. I didn’t see any of the live-action Disney remakes as I had no desire too. I skipped quite a few remakes such as the “Men in Black,” “Hellboy” and “Charlie’s Angels” remakes. I didn’t see any of the Stephen King books adapted to film. I will probably review them at some point but I had no desire to watch them in the theatre. I was much more picky about films I saw this year and it certainly lead to a better viewing experience. I list some of the films I saw this year below and for a few there are reviews upcoming, but they didn’t make my Top 5.

Now for what I did see. For the films I saw this year that were bad were “The Dead Don’t Die,” “Velvet Buzzsaw” and “Glass.” These trashfires all looked great but had stories that were crap. Either there was no bigger point, the characters were unlikable or the story was simply crap.

Most of the films that I thought were good or enjoyable but didn’t make my Top 5 were the MCU films that came out this year, “How to Train Your Dragon 3,” “Rise of Skywalker,” “The Irishman,” and “Joker.” These were films I may or may not see again in the future and were good for the outings they were but left me with no lasting investment. Some were fine ends or complete stories, while others were good experiences that didn’t stay with me after or whose deeper point just wasn’t there or didn’t stick.

For great films that were in competition for making the list so will get honorary mentions here are “Once Upon a Time in Hollywood,” “El Camino,” “John Wick 3,” “Shazam!” “The Man Who Killed Don Quixote” and “Toy Story 4.” Each of these captured an element of what I love in films and if they didn’t have a deeper point at least were beautifully crafted films that brought more than the sum of their parts.

Now without further ado, here are my Top 5 Films of 2019:

 

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5) Midsommar

Directed by Ari Aster

Last year Ari Aster’s “Hereditary” made my Top 5 films of the year, and he once again pulls it off this year. “Midsommar” is a haunting horror film that explores the themes of trauma and isolation while managing to make daylight and summer creepy. The one thing that keeps this film being higher on the list is the fact that besides the main character, none of her friends are likable. For the purpose of the narrative, them being unlikable works as it plays into Dani’s isolation that she is going through after the death of her parents and sister and the events that take place in the small Swedish cult village celebrating midsummer. If you are a fan of horror films or enjoyed “Hereditary” I highly recommend this film. There are layers of storytelling in this beautifully told horror story and I can’t wait to see what Ari Aster does in the future.

https://cameronmoviesandtv.wordpress.com/2019/10/19/midsommar-2019-an-amazing-film-about-grief-and-isolation/

 

4) What We Left Behind – Looking Back on Star Trek: Deep Space Nine

Directed by Ira Steven Behr and David Zappone

I’m a Trekkie and this has been a rough year in regards to that, especially as it relates to “Star Trek: Deep Space Nine.” Aron Eisenberg (Nog) and René Auberjonois (Odo) both died during 2019. In this documentary they feature prominently and we even get to see a hypothetical Season 8 with Captain Nog at the helm. This is a documentary made for the fans and it explores so many amazing aspects of the show and what makes it one of my favorite shows of all time. Whether it is social justice that is explored through sci. fi. lens, the cost of war or countless other ideas these are presented to us by the showrunner Ira Steven Behr as he explores the show he created. Documentaries have never made my Top 5 Films at the end of the year, until 2019. If you are a fan of “Star Trek” and especially of “Deep Space Nine,” you really should see this film. This last year it became even more personal, because of all those left behind, but remembered.

https://cameronmoviesandtv.wordpress.com/2019/06/06/what-we-left-behind-looking-back-on-star-trek-deep-space-nine-2019-the-perfect-star-trek-deep-space-nine-documentary/

 

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3) Jojo Rabbit

Directed by Taika Waititi

“Jojo Rabbit” is a genius satire and drama that feels like the best of Wes Anderson meets the best of Mel Brooks. The story follows Johannes (Jojo) as he discovers his mom (played by Scarlett Johansson) is sheltering a Jewish girl from the Nazis. From here is his unlearning of how toxic and evil fascism and Nazism is, while dealing with his imaginary friend Adolf Hitler (played by Taika Waititi). The film is brilliant, powerful, intelligent and full of so much heart. In the era we live now, with the rise of facism around the world and the targeting of the most vulnerable in refugees, immigrants and so many others. This film is extremely relevant to modern day problems facing so many communities around the world and here in the United States. This film is definitely worth your time.

https://cameronmoviesandtv.wordpress.com/2019/12/14/jojo-rabbit-2019-a-masterpiece-of-satire-and-heart/

 

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2) Parasite

Directed by Bong Joon-ho

“Parasite” is above “Jojo Rabbit” just barely and that is largely due to character nuance. This is a film that explores class and privilege in South Korea while giving us some great character studies in the process. The story follows two families. One family is a bunch of cons called the Kims who con their way into fulfilling roles of help that the Park family needs. During the con we see the nuance and complexity to both families as well as how class, whether it is upper or lower class carries on through generations. This is a film where the nuance of the characters grew on me, you see their flaws but they are also not all they appear to be either. Both members of the families have moments of compassion or cruelty which leads to the ending being so powerful and tragic. I won’t give away anymore than that, but I highly recommend you check this one out.

https://cameronmoviesandtv.wordpress.com/2019/12/19/parasite-2019-a-thrilling-deconstruction-of-class/

 

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1) The Lighthouse

Directed by Robert Eggers

“The Lighthouse” is a beautiful, amazing and disturbing film. This is a film that explores isolation and madness as well as the human desire for connection even in the worst places in the mind. The story follows Ephraim (Robert Pattinson) as he fulfills a contract as a wickie at a Lighhouse of the coast of New England. It is here his only company is the boss of the Lighthouse, the half-mad Thomas Wake (Willem Dafoe). Over the course of the film we see what isolation does to both of them as we are given symbolic visions of what may have brought Ephraim here to the contract in the first place and Wake’s obsession with “The Light” that has an almost religious power for him. I won’t give anywhere than that as you should see it yourself. This is a brilliant phsychological horror film and easily the best performance I’ve seen from Pattinson and Dafoe. I saw a lot of great films this year, but none of them reached the perfection that was this film.

https://cameronmoviesandtv.wordpress.com/2019/11/08/the-lighthouse-2019-the-haunting-light/

The Lighthouse (2019): The Haunting Light

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     “The Lighthouse” is worth the hype. This is a film that feels that taps into the human psyche and the terror of both isolation and the monsters people are capable of being. It does all this while still having nuance within the script and giving us complicated characters. It helps that it is beautifully filmed. I really hope we see more films like this. It certainly feels like a film that Hitchcock would make or any of his contemporaries. From the almost stage nature and the symbolism and depth that carries the film, beyond the amazing performances by Pattinson and Dafoe. Before I get into spoilers, I highly recommend this film.

The film was directed and co-written by Robert Eggers, with Max Eggers being the other writer.

The story follows Ephraim Winslow (Robert Pattinson) who is contracted out to be wickie for 4 weeks on an Island of the coast of New England. He meets impatient man in charge Thomas Wake (Willem Dafoe), and begins to experience strange visions after finding a statue of a mermaid buried within his bed.

SPOILERS ahead

The Pros:

The Cinematography – This film is beautiful. The use light in black and white is used to create a haunting and isolating environment. Jarin Blaschke truly did a beautiful job.

The Writing – The script feels like a stage play at times while still being natural. Characters will give monologues and the two of them read from a book, and that book becomes part of the theme and narrative. Myths and legends are weaved into the lives and lies of our characters. This is all used in the theme of the dreams tied to what the characters preach about. There is a sense of the supernatural through the entire narrative.

The Characters – Dafoe and Pattinson fully inhabit their characters. You have the superstitious Wake whose story about his bad leg is all lie but clearly is connected and worthy of the light from the Lighthouse. Both of them are so incredibly flawed and seeing them build trust with one another that falls apart is tragic and powerful. Each of them carries lies from their past and origins and over the course of the story those truths are revealed and come at costs to the different characters. Each of them are people who wouldn’t have a relationship as colleagues unless they had to. Wake likes his solitude and has committed crimes to keep it and has regret from it just as Winslow regrets what has driven him here. He clearly doesn’t want to be a drifter but feels as if he has no choice and because of it he can’t trust. Neither of them are good people but them being complicated makes their going mad all the more fantastic to witness.

Isolation, Loneliness and Lies and delusions – Some of the major themes of the story involve the isolation of our characters, the lies they tell one another and the loneliness they each face. The characters are consumed by visions and delusions. Winslow dreams of a mermaid and killing or having sex with it and sees visions of tentacles rising from Wake and him looking like a sea deity. The only time the characters aren’t alone is over meal time or when Winslow finally drinks with Wake. It is here we see the connection they come to share that is destroyed by the truth of their actions and past and the all consuming madness of the light.

The Consuming Truth – What ends up being a major theme of the story is consuming truth. As the characters go mad they learn more about one another see in the end the revelation of the lies and truth destroys their sanity and lives. It is powerful as both characters are murders and in turn meet their ends as they attack one another and give mortal injuries that signal that there is no escape for either from the truth.

The Haunting Light – The light from the Lighthouse is used hauntingly throughout the film. Winslow goes from not caring about it it becoming his obsession. He kills to see the light and in turn it leads to his eyes burning and him being punished by the gulls. The light is never peaceful and even when there is ecstasy it always has a dark implication. Wake masturbates to it and it is when Winslow watches him do it he sees tentacles above for the first time, an early sign of his madness. It is unknown if the light brings about the madness or simply reveals it but it is center to the story and I loved it.

I loved this movie. It is truly worth the hype. I really want to see Pattinson’s Batman now and this easily one of the best performances Willem Dafoe has done. If you like movies full of rich themes, psychological horror and are beautifully filmed, this is the film for you. This film doesn’t feel long at all. This might be my favorite film of the year and I can’t wait to see what Robert Eggers creates next.

10 / 10 The film is perfect and well worth your time.