“Four Rooms,” is the story of a bellhop named Ted (played by Tim Roth) as he deals with awkward situations as he is the only one left on duty at the hotel. There are four directors and each does a short story within the events of the day…each story takes place in a different room as per the title and each director covers a room. The stories are based off some of Roald Dahl adult short stories…which make sense given how strange it is and the quirckyness of Ted.
I’ll be doing the assessment of the stories individually (judging the directors by the individual work they did) and after judging it as a whole.
The Honeymoon Suite – “The Missing Ingredient” -Director Allison Anders
The premise of “The Missing Ingredient,” is a coven of witches need semen to ressurect their Goddess Diane since she was cursed 40 years ago and turned to stone and the witch who was supposed to bring it swallowed it. She has seduces Ted to get the semen and they have sex in the cauldron after she puts a spell on him.
This is the weakest of the stories. The only compelling character is Ted who doesn’t know what to do and Tim Roth plays being the the crazy situations really well over the course of the story. None of the witches are really memorable…the only one who really stands out is Jezebel who pays Ted to have sex with the witch. She is is as passionate in the role and gives her all for her small role as Roth does for Ted.
Forgettable in the end though and the special effects are really bad. Also way too much telling rather than showing.
Final score for this one is 4 / 10.
Room 404 – “The Wrong Man,” -Director Alexandre Rockwell
“The Wrong Man,” kicks off when a party is calls Ted for some ice but he mishears and goes to the wrong room where a couple is doing theatre where they pull strangers into their drama. Their story is that Ted has slept with the wife and the husband is holding her hostage…from there the husband kisses Ted and has a heart attack. After trying to escape and after one of the partiers in the room nearly throws up on him he manages to get off as one of the partiers is pulled into the act again.
David Broal and Jennifer Beals own this. They make the drama so real that you can’t tell if it is an act or not till the end. They switch between actors and roles deftly…which understandably contributes into Ted’s growing madness. This is one of the best of the 4 stories and Rockwell does fantastic.
Final score for this one is 8.5 / 10
Room 309 – “The Misbehavers,” -Director Robert Rodriguez
“The Misbehavers,” involves Ted being paid by a husband (Antonia Banderas) to take care of his two kids after he goes out with his wife to party. From here things devolve as he wants to avoid taking care of the kids and they discover horrible things from the last guest (a dead prostitute, a needle and open the champagne that the husband had ordered, as well as watching porn).
This one is fun, the biggest problem is that the kids are kind of blank slates so that kind of brings it down. I wish we could have got more scenes between Banderas and Roth since they have good chemistry and the husband is fine even as his room is burning as he holds his drunk wife. Not Rodriguez’s best work…though it does have the fire, blood and Antonio Banderas who and what he likes to use in his movies…as well as the fantasy elements to how crazy the situation gets.
Final score for this one is 7 / 10. It was alright.
Penthouse – “The Man From Hollywood,” -Director Quentin Tarantino
Ted wants to leave but is told to stay on duty because Chester Rush (Tarantino) is in town with his friends and that it is important that they have a good time. Ted goes to check on them and gets pulled into a bet that Rush’s friend Norman (Paul Calderon) can’t light his lighter ten times but if he loses he has to cut off Norman’s finger. Leo (Bruce Willis) is the other friend present as the events unfold. Ted is presented with a dilemma, cut off the finger for 1000 dollars if Norman fails or to walk away and for it remain a possible regret. Norman isn’t able to light the lighter so Ted cuts off his pinky, grabs the money and leaves. It has both the Tarantino abruptness, the moral dilemmas and the violence that define his style.
This is a good but not great Tarantino short. The dilemma is good, but most of the characters aren’t all that interesting. Leo is having issues with his wife so there is that at least going for the script and Rush is a twisted guy who is all about new experiences. It also leaves us wondering if Ted will continue to be a bellboy after the events or if he has had enough.
Final Score is 8 / 10. Solidly good.
What helps elevate a story that doesn’t quite flow together all that well is the music and most of the acting. With the exception of the first room, all the stories are at least alright and the directors do a good job making each scene unique minus the first director Anders. Tim Roth is good as the guy slowly going mad and we’re left wondering after if he finally snapped or if he found peace given he has his cocky spring in his step he had at the beginning of the film.
In the end I would recommend this film, and I would not call it great…and it has moments of good…but that isn’t the reason to watch it. It is worth watching to see how each director approaches their stories and how they express themselves in the work.
Final score is 7.5 / 10