Wes Anderson is one of my favorite directors and this is my favorite film he has done…it’s either this or the “Royal Tenenbaums.” both capture drama, are full or rich and real humor and have an element of tragedy pervading through them. Both are also stories being read too, which I think is Wes Anderson in his element. I’llAb get into more of what i mean in the assessment. This is also my second time watching the film, as I saw it when it came out in theatres before I started the blog.
“The Grand Budapest Hotel” was written, directed and produced by Wes Anderson with the other producers being Jeremy Dawson, Steven M. Rales and Scott Rudin.
The premise of the story begins with a girl at the monument of one of her nations heroes somewhere in Eastern Europe in the fictional Republic of Zubrowka. The hero was the man who wrote the novel only known as the Author (Tom Wilkinson as old author, Jude Law as the young author) the Novel is “The Royal Budapest Hotel.” The story begins with how the author met Zero Mustafa (F. Murray Abraham old Zero, Tony Revolori as young Zero), the owner of the The Grand Budapest who tells the story of how he began there as a Bell Boy the drama he and the Monsieur Gustave H. (Ralph Fiennes) are pulled into when one of his clients is murdered and Gustave is blamed for it after getting “Boy with Apple” from her inheritance. Gustave H and Zero steal the picture, the story unfolds from there.
The Pros: The Premise – The idea of a story within a story and how it relates to the present is powerful…the fact that the story begins with a child reading the story and showing us that the author looking back on the past shows that things have changed over time, but the traditional music playing the cemetery shows an awareness of time too and how even as things change they stay the same.
The Cinematography – Wes Anderson uses a lot of physical sets and paintings and some actual beautiful locations. This gives the world a very lived in feel and Anderson’s masterful use of shooting a scene symmetrically gives so much charm as well as bringing about some great tension when it needs too.
The Script – The dialogue is witty, comedic and tragic, which is saying a lot since at time the Author is literally reading us what is happening. Though telling is going on it is shown in such a way that it doesn’t matter that we were told, it all fits into the overall narrative and lends weight to when the story stops and Mustafa shares where he is with the author and the losses he has experienced in his life.
The Characters – Wes Anderson has so many of his old crew in this film…from Bill Murray and Owen Wilson, as well as countless others who make small to large appearances as intriguing characters. I’ll get more into the details but this and the story are the strongest parts of the film.
The Grand Budapest Hotel – The Hotel is living history. We see when it has become more run down and modern with the usual clients who keep their solitude like “The Author” and the Hotel of the past where it was full of rich clients and tons of workers where legacy is huge and the Hotel is an institution. The Hotel itself is a living character in a film in a matter of speaking and a lot of the minor characters who don’t have names or have very small parts (Owen Wilson here during the military occupation when he is the Monsieur Chuck since Gustave is in hiding with Zero).
Madame D – Tilda Swinton plays the rich heiress who fears for her life for good reason and has a deep love for Gustave H. We learn she always loved him and The Grand Budapest Hotel and what scenes she is in she is amazing as she is the stress to Gustave’s calm. They also have great chemistry together. Her death sets everything in motion.
Dmitiri and Jopling – Dmitri (Adrien Brody) plays the son of Madame D (the one killed) who killed his mother in order to get her fortune. He is a fascist and has Gustave arrested and blamed for the murder of his mother. He is evil and goes to any means to get what he wants, largely using his enforcer Jopling (Willem Dafoe). Jopling is brutal, at one point killing the lawyer in charge of the will and killing the man who learned about the murder in order to keep it covered up. The two of them are also a sign of the encroaching war and fascism upon their nation that is going on too. They are priveldge with no awareness of people, the opposite of Gustave, Zero and Agatha.
The Prisoners – Gustave makes friends with the prisoners since through Zero he gets them cupcakes which later become their way to get tools from Agatha and Zero to break out. It’s a lot of fun and one of the prisoners dies in the escape before a taxi driver is killed the rest of the convicts showing how Gustave is not of that world…especially after he hurts Zero for being an immigrant and not doing everything perfect but apologizing when he’s so repulsed by his words and privilege. The scenes are so rich and the prison feels deadly and the escape means something and has a cost.
The Society of the Crossed Keys – The Society of the Crossed Keys is a group of Monsieurs who help Gustave escape and find out where the butler of Madame D is hiding and help Zero and Mustafa get there. There is Jason Schwartzman, Bill Murray, and others who play Monsiuers who have been in Anderson’s other work. It is a great scene and is callback to all the people who have made so many of Wes Anderson’s great movies possible.
The Chase – Zero and Gustave go undercover as monks to meet up with the Butler who confesses that Madame D was murdered and has the evidence but Jopling kills him. They chase Jopling which leads to Jopling falling to his death after Zero knocks him off the cliff. They than steal his motorcycle to get back to the Grand Budapest Hotel as Inspector Henckles pursues them.
Deputy Vilmos – Jeff Goldbloom does an awesome job as the Deputy who is in charge of the will and the finances from the Grand Budapest Hotel. He is taken out by Jopling when he refuses to submit to Dmitri. He has integrity and his resistance leads to Dmitri and Jopling eventually being defeated. He’s one of the good few.
Inspector Henckles – Edward Norton plays one of the good people. When some of his men are roughing up Gustave for defending Zero because he doesn’t have his paper he lets them go free and even later writes a card for Zero to travel freely through the country. He is one of the good ones just doing his job and he greatly admires Gustave which adds sadness that he has to hunt after the prison breakout. Luckily the document the butler hid leads to Gustave’s freedom and their relationship being good again.
Gustave H. – Ralph Fiennes plays one of my favorite characters that Wes Anderson has done. He sleeps with old ladies, wears tons of perfume and has high standards for the Hotel. The Hotel is his life until he builds an actual brotherhood with Zero who all his money goes too since Gustave has no family and all we know was that he was at one point a Bell Boy like Zero and worked his way up. He is a major people person though and makes friends with prisoners, monks and is highly respected by the Society of the Crossed Keys. He is a great man who stands by Zero too against fascist thugs who oppress immigrants and in the end this costs him his life when he stands up for Zero after Zero and Agatha’s wedding. R.I.P. Gustave H. He even admits that when he was angry how horrible it was that he bashed Zero being an outsider and never does so again. Everything he has becomes Zero’s.
Agatha – Saoirse Ronan is the glue of the story and the person who keeps Zero going. They marry and both start out with having nothing but one another. This all changes when they support Gustave in his escape and help find out that Dmitri murdered his mother. After they marry and we see she is the clear headed one to Zero’s idealism. From this we get part of why Zero misses her so much. She died of an illness that was easily treated in the modern time of him telling his story and we learn Zero kept the Grand Budapest Hotel because he and Agatha had great memories there. She is also really smart as she hides tools in the cupcakes for Gustave’s prison break.
Zero Mustafa – Both Tony and Abraham do a great job as Zero in the different points in his life. Young Zero is idealistic and committed fully to the Hotel, while old Zero is lost in memories of his lost Agatha and that humanity is cruel and so many of the good people like Gustave H. are dead. His life is contrast. As Zero he had community, Agatha and Gustave but had lost his family in the war in his home country making him a refugee and outsider…and in the present he doesn’t have any of them but is one of the richest people in the country. His story is one of sadness but also human connection as he saw something in the Author. He is one of my favorite characters and I love his relationship with Gustave and Agatha.
The Message – The messages I found were that the past is always with us, and that as much as things change, elements stay the same. That you don’t need money to be happy and that there will be people who will stick with you through the toughest of times. Money as a corrupting influence was huge as so many people were wealthy while the nation was in extreme poverty both in the past and in the modern era.
The Ending – The Author relates how after the story was done that if the Hotel was kept for Gustave, and Zero says Gustave was a man outside of time but that he kept the hotel for Agatha, “We were happy here.” That’s why he sleeps in the servants quarter when he visits. It ends on a sad note where the story touches the heart of the little girl reading the book showing how even though this is all the past, it is still touching the present and is still relevant.
I think this is my favorite Wes Anderson film. It has politics and war as well as family and human relationships and the sheer depths they can reach, as well as having a diverse, rich cast of characters and a point about how timeless stories are. As a writer this speaks directly to me. There are stories that are timeless whose themes stick with us for as long as we live and fully define what it means to be human. This movie is about our humanity and both the good and bad about what it means to be alive. Definitely my favorite movie of 2014.
Final Score: 10 / 10. The perfect Wes Anderson film.