Tag Archives: Trauma

Colossal (2017): An Amazing Exploration of Monsters as Metaphor

     “Colossal” is an amazing film. This is a film that has giant monsters, explores ideas of addiction and abuse through use of the monsters and has a great script and actors to go along with it. Hathaway is empathetic but also monstrous at times and Sudeikis’s Oscar is this constant threat through the film that lends power to the narrative.  All this is explored masterfully by Sedakis and Hathaway and Vigalondo’s script is so tight that it flows from scene to scene in exploring each scene and never feels bogged down with McCeary’s music to help better express these themes. I’m a fan of Monster and Kaiju films and this is my favorite type of these films since “Pacific Rim.”

     The film was directed and written by Nacho Vigalondo and produced by Nicolas Chartier, Zev Foreman, Dominac Rustam, Nahikari Ipiña and Shawn Williamson.

      The story involves Gloria (Anne Hathaway) getting kicked out of her boyfriend’s apartment in New York after her life of drinking and joblessness has come to a breaking point. Having nowhere to go she returns to her childhood home where her childhood friend Oscar (Jason Sudeikis) gets her a job at his bar. She soon realizes that the recent monster attacks in Seoul are from her as everytime she enters a playground the monster appears. From here she must deal with the consequences of becoming the monster while facing addiction and abuse.

SPOILERS ahead

The Pros: The Premise – The premise is powerful as the idea of someone controlling a monster when they enter a certain area is really neat as it allows for human psyche to be explored. The monster works as metaphor and lends power to the themes of addiction, abuse and going from selfish to selfless.

An Exploration of Abuse and Recovery – The main arc is Gloria getting over her alcohol addiction when she’s kicked out of her apartment in NY and returns to her childhood home where she reconnects with a childhood friend who starts gas-lighting her (as he does his other friends). It comes to a head when she realizes that in the park she becomes a monster and begins getting her life back on track when she realizes her drinking and walking through the park is killing people. As she realizes how toxic her boss is she tries to leave but he finds that he becomes a giant robot in South Korea so begins destroying Seoul or threatening too if she leaves the town. At this point she’s over her addiction and now it it getting rid of an abuser which she does by leaving to South Korea and in doing her Monster appears in the small town and throws him away, ending his threat and in turn she finally has freedom as she has cut out the addiction and stopped the abuse.

 Okay: The Location of the Monsters – Narratively it honestly would have made more sense for the Monsters to be fighting in NY since that is where Gloria leaves from when she is causing a lot of damage to those around her when she leaves. Because the location is South Korea we don’t get the perspectives of any of the South Koreans unlike traditional Kaiju movies where the people in the location are the ones who drive the plot and story. It was still okay as her going to South Korea was powerful and underspoken, no one knew she was the Monster so to the people of it was very much it’s own thing (she never gets credit for being the monster outside of her small friend group), a being in and of itself not being controlled but acting as a protector. If she’d been Korean it would have made more sense that the Monster was located there…instead her only connection is a school project to honor South Korea where her and Oscar get their powers. Again, it wasn’t bad but it still could have been better. She’s from NY so put the Monsters in NY or have her be Korean so we can get the perspective of the people there outside of news reports…and so it makes what is happening even more personal.

     As I said before, this is the best monster film I’ve watched since “Pacific Rim.” This is a film that is intelligent, explores big ideas and has really rich and flawed characters. The villain feels like a threat and someone you’d meet in real life and even my one issue with film is more of a nitpick, which really comes with being a critic. Go and check this film out if you have the chance. I saw it at Salem Cinema, the indie art house in my town, so that is probably your best bet for catching it…though if it becomes popular it will no doubt get the wider release it deserves. I highly recommend this film and hope we see more smart films like this in the future as this is easily one of my favorite films to come out this year.

Final Score: 9.7 / 10

iBoy (2017): An Animesque Film That Explores Trauma and Healing

   “iBoy” is a decent film. It’s a made for Netflix film, which I’ve noticed has come to mean they are working with a limited budget, but this film makes the most of it by having a smaller cast, which leads to some great character exploration for our leads, as both of them are given arcs that have good payoff.

    The film was directed by Adam Randall, written by Joe Barton, Mark Denton and Jonny stockwood and produced by Gail Mutrux, Nate Bolotin, Emily Leo, Oliver Roskill and Lucan Toh.

   The story takes place in London as lonely teenage boy Tom struggles to fit in and find purpose. With prompting from his friend he goes out with Lucy, a friend and long time crush. Sadly he arrives when her house is being attacked and she is being assaulted by faceless gang members. When he runs they shoot him leading to parts of his cell phone getting lodged into his brain. When he wakes he finds he has developed powers and begins to hunt down the men responsible as Lucy works through the trauma of all she went through.

SPOILERS ahead

The Pros: The World – The world feels a lot like Gotham as the gangs are pretty powerful in this and you get the idea that they own city, which is why Tom becoming iBoy makes sense. I could have spent more time in this world given there are only 3 characters who really get explored.

The Special Effects – The special effects are cheap but effective and I like how they show what is on the screens of phones when iBoy is hacking devices or noticing the world around him. It gives the world a cyberpunk feel.

The Main Characters – The three main characters who get explored are really what carry the film. Maisie Williams is the strongest actress in this, while the guys work but aren’t nearly on her level or have her range. They still do a decent job with what they have to work with though.

Danny – Danny is in with the gangs and is Tom’s friend…we soon see it is a false friendship by the end as he sell’s Tom out for money to the leader of the gangs and was the one filming the rape of Lucy at the beginning (it is implied anyway). I wish he’d faced some sort of justice, as everyone else in the film does.

Tom – Tom is the nerdy outcast who develops confidence when he gets superpowers. He is very much a Peter Parker analogue, and he works in that way as it is going full vigilante that leads to him forgetting Lucy, the reason he went vigilante in the first place. In the end he comes back though and works with Lucy as it is together they take down the gangs as he discovers his full power (he can turn himself into an EMP beyond just hacking tech. and manipulating electricity).

Lucy – Maisie Williams is an amazing actress, and thankfully she isn’t exploited in this as her rape by the gang members could have ended there and Tom’s story be the only arc since he goes vigilante. Instead we see her face her fear of going outside, trusting people again and she even confronts the monsters who did it and lets them live, showing she’s better than them and that she isn’t a killer. Her story is the strongest in the entire film and unlike a lot of animes where she’d just become an object to inspire iBoy she is a fully realized character.

Healing from Trauma – The film shows that healing from trauma and abuse isn’t easy and takes time. Both Tom and Lucy (who experience very different types of trauma) find one another and in the end Lucy is the one who really goes through healing as Tom just gets obsessed in his rage until the end. This is a process that is different for everyone, but I found how they expressed arc to be powerful and empowering as she takes control of her life again and empowers those around her and herself.

Murder versus Mercy – Murder versus Mercy is a huge theme in this as everyone who is bad (the gangsters) are all killers. iBoy gets close at times and it is his walking close to this that the film presents as a negative as Lucy doesn’t want him to lose his soul either.

Okay: Tom’s Grandma – She writers erotic fiction and her daughter was a druggie and she is worried about Tom…I wish all of these things could have been explored more as she doesn’t feel like a fully realized character.

The Cons: The Big Bad – The guy is a one-dimensional dude who just wants power. The only unique thing about him is he wants to use iBoy to get his money back and become even more powerful. It is implied he might be Tom’s dad but it doesn’t go anywhere. He was really a waste of a character…the lesser gang members were too outside of Danny.

  This is a film worth checking out if if you like cyberpunk or super hero films as it very much captures both those genres. In many ways ti feels like an anime, as the main character is a recluse who gets special powers whose drive is a love interest until his obsession becomes his drive (reminded me a lesser Lelouch from “Code Geass”). Maisie Williams was the best part of this film though as her arc of healing is actually explored and she isn’t just an object to inspire Tom and his motivation. They are partners and that is what made the film enjoyable as the villains are pretty weak and aren’t very fleshed out.

Final Score: 7.7 / 10

Split (2017): Dropped Arcs and an Unfocused Theme Bring This Film Down

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   “Split” is a film that could have been good, hell it even could have been great if it hadn’t missused and jumbled up it’s themes and characters it would have been as the acting in this is steller and the dialogue works. There is no reason either of these things should be he case given M. Night Shyamalan’s track record as of late.

    I haven’t watched a Shyamalan film in theaters since “Avatar: The Last Airbender,” if you’ve been reading the blog you’ve probably seen some of my reviews of that show. It is one of my favorites and what Shyamalan did to it was an insult to the show and art. I never knew someone could miss the point of the source material so bad that it would make Michael Bay’s “Transformers” look good by comparison…but Shyamalan succeeded and up until last night I would not watch his films in theaters.

     M. Night Shyamalan wrote and directed this film and was one of the producers along with Marc Bienstock and Jason Blum.

    The story involves Kevin (James McAvoy) kidnapping three girls as a sacrifice for his 24th personality called “The Beast.” It is up to Claire (Haley Lu Richardson), Marcia (Jessica Sula) and Casey (Anya Taylor-Joy) to find a way out as at the same time Dr. Fletcher (Betty Buckley), Kevin’s psychologist seeks to find what Kevin is hiding from her.

SPOILERS ahead

The Pros: The Idea – The idea of a character who holds multiple personalities that interact with another and worship a stronger mysterious one is compelling as is the teenagers escaping from a threat and having to face the monster.

The Writing – The writing is actually really good. When things are told to you they are in the context of Dr. Fletcher speaking before a classroom so show is on display. The same goes for the different personalities. We are shown rather than told who they are.

The Characters – The characters are the strongest part of the film and keep it from being bad. It is really the dropped arcs that ruin them not the characters themselves.

Dr. Fletcher – Dr. Fletcher is a great character! She is helping Kevin find balance among the personalities and interact with people normally, but she isn’t stupid either. When she is getting red flags from him she writes down how to fight him before he kills her.

Claire and Marcia – Claire and Marcia are initially presented as “mean girls” but over the course of the film you see their courage and empathy, both with one another and with Casey. That should have been rewarded as it is the relationship that develops between the three of them that shows beautiful solidarity and shows different facets of who they are.

Casey – Casey is the heroine of the story whose arc it seems at the beginning is facing her Uncle who raped her when she was a child and is to the point of the story taking place. Kevin capturing them is a claiming of her agency as we see her fight back when she wasn’t able to before. Sadly we don’t see her get justice against her uncle and she doesn’t kill Kevin (he escapes and lets her go). God, she deserved justice and that seems to be what the story is setting up but fails to deliver.

Kevin and the Identities – Kevin and his multiple personalities are intriguing. Some are more sympathetic than others like Hedwig who is a scared 9 year old but than you have ones like Dennis and Patricia who worship the beasts and still power from the other personalities. They are called “The Horde.” They eventually win out and become dominant as “The Beast” who arose out of time around the animals in the zoo where Kevin works chose to protect them. The ending has them on the loose. James McAvoy is an amazing actor and this film truly displays his range.

The Cons: The Cinematography – The cinematography looks cheap and awful. It looks like a syfy film in how the colors are off or over-saturated.

Exploitation of Rape and Trauma – Casey’s rape and trauma are exploited in this film as she doesn’t get justice for either and Kevin praises the fact that she’s broken from it. There is nothing good about that as it misses just how evil these things are.

Dropped Character Arcs – The sisterhood arc with the girls is dropped as two of them get eaten, Casey never gets justice against her Uncle or Kevin and Kevin just gets controlled by the bad personalities…what a waste. No ones arc is complete.

Exploiting Dissociate Identity Disorder – This is a real thing that people go through where what is presented in the film is more like science fiction. If you want to know more about it read and research, don’t take this film in any way as reality as it is just exploiting a disorder that is not known very well.

     This was a film that could have dealt with healing and Casey finally having justice done against her Uncle after she defeats Kevin who has kidnapped them and wants to eat them. Instead Kevin is turned into somewhat of a hero and the fact that he was traumatized is presented as a con? That is some serious messed up crap. He is not someone who should be sympathized with, he hate two girls. The best writing and acting can’t save this film because it misses the point. Casey is never allowed to heal and or have justice when it seems to be setting it up to be the case and the sisterhood that is forming between her friends is for not. This isn’t a bad film but I can’t really recommend it either. This is a film with missed potential that could have been so much more.

Final Score: 6.3 / 10

Sherlock – Series 4, Episode 2 – “The Lying Detective” – Character Development and Confession…This was Needed and Succeeded

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“The Lying Detective” is up there with one of my favorite episodes in “Sherlock.” This is an episode that captures the best parts of what made so much of Series 2 work. What drives this story is the core relationship between John and Sherlock, especially as it relates to family aka Mycroft and Mary. This gives it power as there is an underpinning of vulnerability that pervades the entire episode.

The episode was directed by Nick Hurran and written by Steven Moffat and produced by Sue Vertue.

The story involves Sherlock regressing back into addiction as he seeks to take down a man he suspects of being a serial killer (Culverton Smith). John hasn’t seen him for weeks but finds himself pulled back into Sherlock’s game as the plot to take down Culverton unfolds.

SPOILERS ahead

The Pros: The Set-up – The episode starts out with Culverton confessing to his friends he’s a killer and wiping their memories of the incident. Immediately he is established as a powerful antagonist and we get Sherlock’s obsession with him.

The Cinematography – The cinematography is once again beautiful, it continues to be one of the strongest aspects of this show.

The Action – This is an action heavy episode and the tension stays high through everything. I honestly didn’t know what would happen at times and that made the narrative stronger.

The Soundtrack – David Arnold and Michael Price’s score is really on display this episode as we get the haunting terror of Culverton the drug fueled isolation of Sherlock and John’s loneliness. The music feeds the narrative and strengthens it.

The Characters – The characters have always been the best part of the show and thankfully Moffat manages to develop many of them this episode, rather than keeping them static.

Molly – Molly appears briefly and does a good job at balancing out John as she is the second Doctor who John requests before he’ll help Sherlock take down Culverton.

Culverton Smith – Toby Jones is so good at playing creeps. In this we see his obsession and safety in being a billionaire and tied to politicians and businesses. It takes Sherlock entering Hell for him to confess what he’s done though when he is caught he shows that he’s been holding all this in and still feels happy as he’ll be even more famous once him being a killer comes out. He’s a sick individual and it makes for an interesting character.

Mrs. Hudson – Mrs. Hudson helps bring John and Sherlock together as we see she has a nice car (her drug lord husband) and that she doesn’t take crap from anyone. This is a great Mrs. Hudson episode as we see how she notices things and knows Sherlock and Mycroft better than anyone. It was a nice twist and it added a lot of depth to her character.

Mycroft – Mycroft is a lizard for most of this episode when he isn’t looking after Sherlock and trying to be a good brother. We also see that he’s trying to protect his sister, which John first figures out in the episode. There is more to this reveal than anyone knows though as shown by the final reveal.

Sherlock – Sherlock goes into Hell to take down a killer and to seek out John again as we see that he really does act from emotion and isn’t detached from it. This instability is explored deeply in the episode as we see him question reality even as he is getting more connected to other aspects of reality. It’s tragic in many ways and I felt for him when he finally starts dealing with his addiction and John forgives him. Sherlock finally shows affection which we see he’s always wanted to some degree (whether from Irene or John).

John Watson – John is dealing with loss this episode as he sees Mary in his mind’s eye and talks to her. He is dealing with anger, denial and sadness and also shame and regret for the affair he had. After he confesses this to Sherlock mind Mary leaves and we see him begin to heal as it is also only from him arriving that he saves Sherlock from Culverton (a callback to the first episode of the series when he stops another killer).

Eurus – Eurus is the other Holmes and has embraced the mind fully as we see her as John’s therapist at the episode’s start. We don’t know her motivations yet but she helped take down Culverton and at the end of the episode is about to shoot John. There are Moriarity aspects to her and I really want to know her more as she is a villain with a lot of potential.

The Reveal – Eurus is Mycroft and Sherlock’s sister! This was cool as she’s John’s therapist and we see that she was playing everyone. We don’t know her motivation yet but the hints that she might not be all together there and Mycroft’s fear of her leave a lot to hope for. Moffat writing her helps mellow out the hype though. He’s set up a lot of badass female antagonists and failed to have them payoff.

Confession and Healing – A core part of this episode is confession and healing. Culverton’s confession to his friends is what leads to his demise as it gives Sherlock what he needs to take him down, John and Sherlock confessing to one another leads to healing with them both feeling the loss of Mary and helps reestablish their friendship and gives us the heart and theme of the episode.

Okay/Con: Everybody is Getting Together – Lady Smallwood gets together with Mycroft and it implies it could be serious someday, John wants Sherlock to get together with Irene when he learns that she texts him. This is cute in some ways but having everyone hook up had romantic comedy aspects to it that took me out of the episode.

The Cons: Pacing – There are some pacing issues, it starts out strong has great rising action but sort of teeters off when John sees the confession tape from Mary and when Eurus reveals herself to John to shoot him. If this had been a bit smoother the episode could have been perfect.

This was Moffat once again at the head of his game. Every major character gets development and Sherlock’s psychology is explored and isn’t justified. This is a story that wants to explore the darker parts of human nature and what humans are capable of, and it succeeds. It isn’t a perfect episode as the romances that get set-up through the episode feel a little off sometimes and it does have pacing issues, but that doesn’t take away from the core power of the narrative and character development that takes place. This was such a great episode that really captured the core relationships and mystery, which made this show so great in the first place.

Final Score: 9.5 / 10

Mad Max: Fury Road (2015): Healing, Redemption and Actions That Matter in a World Gone Insane

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       “Fury Road” is beloved by the critics for so many reasons. This film is the second film I’ve reviewed for 2015 and it blew “Age of Ultron” out of the water, and most of the action films I have watched. Rarely do you see a film that manages to mix philosophy, character development and action so seamlessly and mastering the art of showing and not telling. There are moments where history is told in a glance and where you see the character relationships change from the circumstances around them. Suffice to say, it is amazing that after 30 years away from his Franchise that George Miller managed to create the best film from that world yet.

     The film was directed by George Miller who was also one of the writers and producers of the film. The other writers were Brendan McCarthy and Nico Loutharis while the other producers were Doug Mitchell and P.J. Voeten.

SPOILERS AHEAD

     The story involves the capture of Max (Tom Hardy) and him turning into a blood donor for one of Immortan Joe’s (Hugh Keays-Byrne) War Boys Nux (Nicholas Hoult). He is pulled into a larger purpose and freedom when Furiosa (Charlize Theron) escapes with the wives of Immortan Joe to bring them to freedom and the Green Place. From here and Nux must make a choice and rethink their beliefs as does Furiousa when she soon realizes that there might not be a safe place for them to return.

The Pros: The Cinematography – The cinematography is beautiful! The vehicles are shot like their are mobile homes and living creatures and they have life to them as people use them to protect and to attack and each vehicle has distinct personalities. From the spiky vehicles that belong to the Vultures, and the other factions that follow Immortan Joe. John Seale did a great job.

The Action – This is an action film and the action is seamless. We see this mostly through the eyes of Nux who soon realizes his God Immortan Joe who conditioned him since he was a child to worship him cares nothing for his well being and leaves him trapped on the War Rig. We see him fight off the vultures and he is the first to attack multiple times as well as rescued by Max (due to chaining max to himself for his blood and later by the wives). It is through his eyes we see the insane see more than death and destruction and each battle shows how he grows and changes into someone who is willing to risk all for the good. The action doesn’t stop until the end but gives moments of reflection too.

The Soundtrack – Junkie XL did a fantastic job on the soundtrack! It is classical meets heavy metal with the right moments for silence too, such as when Furiosa finds her childhood home gone and everyone she knew dead and the intensity of the action scenes as cars explode and War Boys leap between vehicles to get at the wives and destroy Furiosa, Nux and Max. The soundtrack like the action doesn’t let up until the end. Also the War Boy playing the electric guitar that spouted fire was worked seamlessly into the soundtrack as he was the one playing it and whatever affected the guitar and him affected the music.

The World – The world is rich in this and the most fleshed out compared to any prior film. There is Immortan Joe and the Citadel, the Canyon Bikers, the Vultures, Bullet Farmer’s faction, the Mothers and others. It is a rich world so much at stake where in a moment the rest of the world could be destroyed by the factions seeking to survive or to destroy one another. This post-apocalyptic world leaves no room for hope yet in it hope is created through the healing and redemption of Max, Furiosa, Nux and the Wives. Within this world we see the Mothers who worship life countered by Immortan Joe and his cult of death where his drugged out warriors are taught that if they die for him they will be celebrated in Valhalla and live again.

The Characters – The characters are all rich and distinct and wonderful to see on the screen. I can’t think of anyone who did a horrible job as each character fit their role well and what happened to them changed relationship dynamics between factions and people. Whether it was Max no longer being guarded or the wives giving them all hope as each sought healing in their own way, each of protagonists was distinct and our villains were memorable too from their design to their horrendous actions and power.

The Wives – Angharad (Rosie Huntington-Whitely) is the leader of the wives and the who risks her own life to save Furiosa and Max. This causes conflict among the others but we see she was the one to get Max first beyond himself as she was risking herself and her child to make a better future and stop Joe. This is later picked up by Toast (Zoe Kravitz) and Cheedo (Courtney Eaton) who take part in the battle and help Nux to heal and find peace beyond his cult conditioning. They also struggle against their own desperation and find mentors in Furiosa and the Mothers who with their help and them taking the fight to Joe become the leaders of the Citadel and free the slaves.

Immortan Joe – Joe is a monster. He has a harem of breeder wives who he rapes and who he sets his army on because he sees them as his property. He has a great design with skull like teeth and tubes covering his lower face and we see that he has bought what he has sold his people. He believes he is a God and sings praises for his lost son when Angharad is killed when defending the War Rig. He cares nothing for the wives or his people and everything is for his glory and pride. Hugh Keays-Byrne does a fantastic job and his character is much more threatening than Toecutter who he played in the first “Mad Max” film. He’s developed a lot as an actor and he’s working with a far superior script.

The Mothers – The Mothers are awesome and are the group that Furiosa is a part of, sadly the world is gone and is now a toxic swamp but the Mothers still keep the seeds and give the wives peace that they have never had. They also fight to take the Citadel, with Valkyrie (Megan Gale) and Keeper of the Seeds (Melissa Jaffer) dying in the process. They are powerful and badass figures, riding motorcycles and covered in bullets. They adapted to the world around them and didn’t fall when the Green Land fell.

Max – Tom Hardy owns this role. He is clearly Max and like Gibson before him is the outcast pulled into situations out of his control where he comes in and acts as a protector and finally gives into hope before disappearing. In this we see him deal with his trauma and PTSD as the wives comfort him and Furiosa shares and understands his loss as we see her despair at everything she lost when Joe kidnapped and destroyed her family. They are similar and help each other heal by protecting the wives and in turn empowering them to fight. Much like past films though Max does not stick around as when the Citadel is free and Furiosa and the Wives are the leaders he leaves to continue his fight as the Road Warrior.

Nux – Nux is a War Boy who is devoted to Joe until he fails in capturing the War Rig and Max escapes. From here has to rethink everything which the wives help him to do. From here he becomes a hero and helps free the truck and in the end risks his life so that Joe’s forces will not retake the citadel. Nicholas Hoult does an amazing job. I really liked him as Beast in “Days of Future Past” and “First Class” but he is even better in this. His character drives the story as his redemption shows that even the broken can become more than their conditioning and even the most hated can be loved.

Furiosa – Furiosa is the primary protagonist and Charlize Theron owns this role. She’s the badass with the robotic arm who can take on multiple people at once but is still human and vulnerable. We see her break down when she learns the crow infested swamp was where the Green Land once was and her resolve when Max reminds them of the water at the Citadel and that they can still fight for the Green Land that does exist without traversing the unknown Wasteland. She is the one who keeps Max accountable too and trusts him even when he is holding a gun to her head and acting paranoid. She helps him find his humanity and he in turn saves her life with his blood as she had saved him multiple times. In the ends she ascends as leader of the Citadel and through her killing of Joe frees all the slaves of the Citadel arriving as it’s conqueror with the Wives now also as leaders.

The Struggle for Equality – This movie is all about the struggle for equality. Women and children are things and tools for Joe and he only sees how he can use others. It is the rebellion against that with the wives fighting for a better place and Furiosa seeking revenge for the Green Land Joe destroyed that help bring about freedom for every man, woman and child. There is sacrifice along the way too as Valkyrie, The Keeper of the Seeds, Angharad and the men who first traveled with Furiosa fall to the barbarians ruled by Joe or by selfishness who make up the Wasteland.

Healing and Redemption – Healing and redemption and their possibility is a major message and theme of this movie too. Nux is a thug but he is also just a boy who changes when his “daddy” leaves him behind and he realizes he was nothing to the man he saw as God. The wives help him to heal and accept him by only killing in self defense and he in turn fights for them because of their acceptance of him. He even is able to form relationships and fight for others and see Max as a human, not just a blood donor. Max and Furiosa find it through their shared pain and in it find hope, the hope that the wives always remind them of and the future they fight for…the unborn who don’t have to live in the hopeless world created by the monsters like Joe.

     I’ll be very surprised if I see a better film than this one this year. The soundtrack, cinematography, action, characters, world and story were all perfect and had a point beyond just explosions and cars. There was philosophy intertwined in the action and the actions that happen change characters and made them grow. This is what I think of when I think of the perfect film. The message is timeless the characters are amazing with Immortan Joe, Furiosa and Max being truly timeless. I can’t wait to see what George Miller does with the rest of the series he has planned. He didn’t come back to this series for 30 years, but when he did he made something that was truly memorable, powerful and unforgettable. I highly recommend this film.

Final Score: 10 / 10

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Dexter: A Retrospect On a Missed Opportunity for Greatness

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Showtime’s “Dexter,” was one of the first dark shows I ever saw that wasn’t animated, and suffice to say initially and for a while it impressed me. As the seasons progressed though major problems that the writers had began to float to the surface…for one most of the folks of color were comedic relief and unable to do anything of value in relation to the leads (Dexter and his sister Debra), the fact that most character relationships were not fully realized and that Dexter was a Mary Sue/Gary Stu, a perfect character according the writers who never had to face accountability for his actions.

Before I get into the details and examples, I have no plan to re-watch “Dexter,” so this will be a reflection from memory. The premise always struck me as intriguing. The show is about a serial killer killing bad people and following a code while dealing with the themes of can he never not be a monster. Sadly, this was never fully explored or realized.

Unlike “Breaking Bad,” and other quality shows where I have an interest and plan to watch again regardless of requests…”Dexter” is only a show where I would review individual episodes and seasons with fresh eyes if enough requested it. I have no desire to watch a show that ended up only being “Okay,” when it could have been great. Hell, it isn’t even terrible enough to review as “HERE ARE ALL THINGS NOT TO DO.” It was missed potential on a much larger scale than “Godzilla 2014.”

WARNING – SPOILERS AHEAD

How people of color were handled: The first time we see people of color on Dexter and their roles in relationship to him are either in comedic or antagonistic roles, and if their arcs don’t go anywhere they are killed off. The comedic roles are seen in the perverted Asian American character Vince Masuka who flirts and hits on everyone and in Angel Batista, who sometimes has more depth but more often than not is a sweet, funny, well intentioned idiot. Dexter nearly reveals his hand a few times to him, but he is by far the easiest character for Dexter to use.

The antagonist people of color are seen in LaGuerta who is presented as blindly ambitious and whose love for the other antagonist Doakes (who is killed by one of Dexter’s lovers) motivates her to try to bring down Dexter…which never goes anywhere, she is eventually placated by Thomas Matthews, a friend of Dexter’s father and Dexter who also happens to be like every other protagonist on the show. There are also a few serial killers as well such as Miguel, Santos and George King. None of them are fully explored except Miguel who has a connection to LaGuerta. In the end they all die or are neutralized by Dexter…he also doesn’t build any real friendships with them since none of them truly knows he is the “Bay Harbor Butcher.” Some like Doakes are literally just anger directed at Dexter but we never get to know what is behind his anger, so he just becomes the “Angry Black Man,” trope. These writers did not know how to write people of color.

Dropped plot and character arcs: So many character arcs were dropped and didn’t go anywhere. LaGuerta trying to bring down Dexter went nowhere…and her love for Doakes was never fully realized, Vogel the Criminal profiler becoming a mother to Dexter and others like him went nowhere and was simply dropped with them killing her off, Zach being his protege was useless and he got killed off and most of the love stories were that way too. The only one that went somewhere was Dexter and Debra’s relationship and Dexter and Debra and Dexter and Hannah…these relationships actually got mostly fleshed out…sadly the writers didn’t account for the world the characters were in or the fact that they created a Mary Sue/Gary Stu.

Mary Sue/Gary Stu – A Mary Sue or Gary Stu is a perfect male or female character who faces no consequences…everything they do is correct, regardless of what it does to other people. You usually find this trope in the emotionless protagonist in most Shonin animes or most American Action movies (think Emmerich or Michael Bay). It is weak storytelling and it shows that the writers don’t know how to write a real and interesting protagonist. The reason Dexter is a Gary Stu is because he faces no consequences. He is never held accountable, I kept waiting for the police force to find out and for there to be a trial or him having to face the fact that he’d gone against the system that provided him work and who he represented…but they never did. Oh yeah, his sister Debra dies, big woop. He just kills another person and fakes his own death. Yep, that is what happens. He leaves his son, partner and Miami Metro behind and it is seen as a good thing because he is, “A monster who only does harm.” He is still implied to be good though. The last shot we have of him is him up in the mountains, no doubt he is killing bad people there too. He never stops being the good guy. They could have had the trial in season 5 and still do the relationship arc they do with Debra with her coming to accept him. He admits he “Killed his wife,” at the end of Season 4 (the best season that had everything good about Dexter, interesting killer (Trinity) and deals with the consequences of Dexter’s life since Trinity kills his wife while Dexter realized what he did was what put her at risk and that the nature of who he was, was dangerous). He was the savior multiple times, mostly for his sister but that was also a consistent trope within his untouchability.

I really enjoyed the first four seasons of Dexter, even though season 2 had some problems and 3 was a weak season…4 was like the relationship between Dexter and his brother in Season 1 and dealt with what morality and dilemmas were in the show. After that the writers opted for safety and having a “Serial Killer of the Season” which was pretty much a “Monster of the Week,” on a larger scale. Easy outs were taken for making characters not see the shadow serving with them in Dexter and whenever they did, plot armor protected Dexter, the beloved Gary Stu. A trial ending in the death of Dexter could have made this show a masterpiece. It could have been a classic show like “Breaking Bad,” with Dexter a lesser Walter White…but that was not how it goes. The show chose to be safe with poor storytelling rather than a risk taking show with arcs and consequences. In a way, I guess that is the tragedy of Dexter Morgan…the tragedy of “Dexter,” the show that could have been great.

Because of these reasons I would give the show a 6 / 10.