Tag Archives: Trauma

The Langoliers (1995): A Good Idea that Didn’t Need the Monsters

   “The Langoliers” is an infamous Stephen King film. The Nolstalgia Critic did an early takedown of some of the more hokey aspects of it. This is not a good film, the acting and writing are awkward and it could have been cut way down in length. The thing is though, I don’t hate this film. The core idea and the tone are actually handled really well and the Stephen King theme of people being our own worst enemies is done beautifully given the other limitations listed above. I’ll get into what I mean deeper into the review.

The mini-series was directed by Tom Holland who co-wrote it with Stephen King. The film is inspired by Stephen King’s short story Four Past Midnight.

The story involves a bunch of passengers who find themselves trapped on a plane in which all the passengers have disappeared. From here they must find out what is going on, where the other passengers are and where they’ve been transported to.

SPOILERS ahead

The Pros: The Tone – The tone of this tv show is actually pretty great. There is a sense of foreboding, isolation and paranoia. The characters are trapped and it pervades the piece in how the music and scenes are presented. We get scenes of silence where we are in the head of our characters and the mystery author being a major character leaves the trap as something to be un-weaved, increasing the sense of isolation and paranoia.

Isolation and the Consequences of It – Stephen King loves exploring what fear does to people, especially when people are cut off from society. “The Mist” film did this extremely well and the book “The Stand” and even aspects of the Gunslingers world encapsulate this too. This theme is handled decently in this film. We see how isolation drives our characters insane and causes conflict between them, eventually leading to one of the folks who is already unstable, going off the deep end and breaking down, becoming a threat to everyone else who is still alive.

Unseen Terror – We don’t see the Langoliers (the time monsters) until the end and it is the fact that we don’t see them that really helps increase the foreboding tone and sense of isolation. We see time collapsing on itself at one point and that is terrifying enough as our characters are in a race against time and don’t even know if they have a way out. It is in the fact that we don’t know what these creatures are that keep up the tension, we hear them approaching and see how it makes the characters afraid and that is enough.

Exploring the Nature of Time – At the end of the day this is a time travel story. Our crew passes through an event where they find themselves in the past and learn that time gets destroyed by the Langoliers as it catches up to the present and as they pass into the future they realize they can get ahead of the present as well.

The Cons: The Writing – The writing is not very good, it is actually kind of bad. The characters are all tell and no show and it is a major thing that brings the story down. The best parts of this film are when characters are silent or the moments of implication in a backstory. A character not sharing their backstory is when this film is strong. This was co-wrote by Stephen King, but that couldn’t save the problems in the script.

The Performances – The performances are a bit stilted (this is made for television) but some characters are great in just how hammy they are. Bronson Pinchot is enjoyable in how over the top he is and I did enjoy Stockwell’s mystery author. He was the only one who seemed to know what he was doing. A lot of the others felt like they didn’t really know what they were doing.

The Langoliers – The Langoliers are a joke. Special effects of this era in television weren’t good and these creatures are a shining example of it. They clearly look like bad CGI and they aren’t scary in the slightest. The thing is this could have been easily avoided, we should have never seen these things or not had them at all. Time become erased as it comes to the present is a scary enough concept as is without adding badly done teeth monsters. When they popped up on screen I burst out laughing….that’s how bad they look and how all the tension and build up was immediately canceled out.

This was a film that could have been good if it hadn’t shown the Langoliers (or gotten rid of them all together) and with some better casting and writing decisions could have even been a great mini-series. Sadly this is not the reality we are in and it was the length, performances and finally the Langoliers that made this film merely okay. I’m not ready to write it off as I did enjoy the idea and Bronson’s over the top performance coupled with Stockwell’s exploration of unraveling the premise was enjoyable. So I didn’t hate this film, though there is so much that doesn’t work. If you like Stephen King and his works, this is worth checking out for how he explores time but besides that…you have to really enjoy King to get enjoyment from this work. I understand the infamy of this film, even if I don’t share the hate.

Final Score: 6.5 / 10 Not good, but fun.

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“The Defenders” Season 1 – One of the Best Teams in the MCU and a Worthy Threat

    “The Defenders” is the best show I’ve watched in the Defenders Universe it is a part of since “Daredevil” Season 1. The ending isn’t as good as Season 1 but the characters are more dynamic, everyone grows and even Iron Fist is made into a more likable guy. The strongest part of the show is still the side characters though and we finally have a lot of questions answered that have been hinted on through both “Daredevil” and “Iron Fist.” As far as my non-spoiler thoughts, you don’t need to have watched any of the prior shows to enjoy this one. It stands strong on it’s own and is one of the best creations to come out of the Marvel Cinematic Universe (MCU).

The show was created by Douglas Petrie and Marco Ramirez.

The story involves the leaders of the Hand coming together under Alexandra (Sigourney Weaver) as the Defenders (Daredevil, Jessica Jones, Iron Fist, Luke Cage) must come together to stop them and their apocalyptic aspirations for New York City, as well as finding out what it they seek at the bottom of the city.

SPOILERS ahead

The Pros: The Action – This is a series that brings back the best of the action we saw in “Daredevil” Seasons 1 and 2. There are a lot of great action beats as Colleen Wing, the Defenders and others face off against the Hand and those they are manipulating in Hell’s Kitchen. The final fight at the bottom of the city in another world is also really cool too as well as when the leaders of the Hand face off against the Defenders.

The Hand and their History – There are Five Leaders of the Hand who were exiled from K’un-Lun for seeking the cure for death and finding immortality. They find it in the bones of Dragons we discover in this and that is the substance that keeps bringing them back when they die. By the time of this series they use the last of it resurrect Elektra as the Black Sky but it does not go as planned as she kills Alexandra to take control of the group. There are 5 members of the Hand each representing a finger and area of the world, Alexandra, Murakami (who was controlling the Yakuza in Season 1 and 2), Bakuto (from “Iron Fist” is brought back again) and Sowande or “White Hat,” who has been using Harlem to recruit and Madam Gao who has been recurring through a few of the series. Learning about their exile and the reasons they went to K’un-Lun are powerful and I loved seeing them face off against the Defenders. “White Hat” and Murakami are the least memorable but Gao once again shows why she is in my Top 5 MCU Villains given her ability to survive and the tragedy of Alexandra is a nice touch as her personal desire to have Elektra as her daughter, blinds her judgement. All of them are at least interesting even if Murakami and “White Hat” go mostly unexplored.

The Defenders and Coming Together – The Defenders are like a mixture between The Guardians and Avengers. You have the Captain America / Luke Cage / Star Lord leader type, you have the sarcastic damaged fighter in Rocket / Jessica Jones / Bruce Banner, you have the Child Soldier in Black Widow / Iron Fist and Drax who are shaped by personal loss and you have the Iron Man / Daredevil / Gamora in the conflicted hero trying to do good. There is a lot of overlap and I’m curious what lines you’d draw to the similarities between heroes but these were the ones that got me. Seeing the dynamic come together on a small gritty level was wonderful and I can’t wait to see where the show goes from here and how our characters are shaped in their own shows and how that plays into their next team up, which will probably be against Kingpin.

Awareness of the People of Hell’s Kitchen – There is much more awareness of the people of Hell’s Kitchen in this. From Knight and the cops calling them out on being vigilantes, in Luke Cage calling out Iron Fist for beating up scared kids who got pulled into the Hand just looking for a job to survive and how his billionaire privilege shows he doesn’t get it (as well as his race, class and name – Rand). I loved it and I hate how we don’t see this enough in Batman. Bruce Wayne is doing exactly what Iron First was put besides Alfred sometimes and Dawes in “Batman Begins” I can’t think of a time where he’s been called out. This was needed and a lot of this show is calling out Danny for his arrogance and in turn forcing him to grow and truly become a hero. This show is amazing.

The Women of “The Defenders” – The women of the Defenders Universe are the best written characters on this show. Alexandra is dying of cancer but can’t let go of the world she left behind leading it to her protecting Elektra even into her death, Madam Gao is surviving and understands just how powerful the Defenders are (only Hand member who really does) Jessica Jones is working through her trauma and trust and having to work on a team and Colleen Wing is working herself through her Hand conditioning as well as doing all she can to be there for people who push her away. These women made the show amazing and are the best parts of the MCU, especially in this show.

Facing Trauma – So many characters have to face their trauma in this (a running theme of the Defendersverse) with the strongest being Wing’s final defeat of Bakuto (and working through the mind control the Hand put her through) when she is trying to save Danny and blow up the building that holds the substance but we also have Daredevil confronting Stick and his abuse as well as Danny working on his own failure to save the monks. These three best illustrate this theme this season as Jessica Jones is very much doing her own thing and the trauma is so bad she has trouble being close to anyone, even friends.

Okay: The Ending – The ending is okay. This is one thing that the first season of “Daredevil” has over this one as the ending involves the team moving on and Daredevil is believed to be dead (the cave collapses on him and Elektra) and when he wakes up we get hints at the show taking a darker path as everyone he knows believes him to be dead. His sacrifice was okay but we knew a “Daredevil” Season 3 was coming and no one had been set up to take up his mantel if something like this happened to him. These take away from the loss of the moment even though I did enjoy the good-byes and how the character relationships have changed because they’ve all finally interacted and grown from one another, becoming “The Defenders.” The Hand is shut down as an organization at this point though Murakami and Gao survived and both of them have the substance that gives them immortality, so I’m curious how all of that will play out, as well as Elektra’s and Matt’s future.

This was the best to come out of the “Defenders” Universe and is my Second favorite Season if I put them all side by side. Season 1 of “Daredevil” is still perfection for me in this Universe but this gets most of the things right and only really falls short on the ending. It is great to see the Hand explored and truly appreciated as a threat and most importantly I loved the character dynamics between the Defenders and the members of the Hand. These character moments are why this MCU series that Netflix has created is so amazing and it is why I’ll keep coming back. If you haven’t gotten into this universe yet, this Season, like “Daredevil” Season 1 is a great way to do so.

Final Score: 9.6 / 10

 

 

Colossal (2017): An Amazing Exploration of Monsters as Metaphor

     “Colossal” is an amazing film. This is a film that has giant monsters, explores ideas of addiction and abuse through use of the monsters and has a great script and actors to go along with it. Hathaway is empathetic but also monstrous at times and Sudeikis’s Oscar is this constant threat through the film that lends power to the narrative.  All this is explored masterfully by Sedakis and Hathaway and Vigalondo’s script is so tight that it flows from scene to scene in exploring each scene and never feels bogged down with McCeary’s music to help better express these themes. I’m a fan of Monster and Kaiju films and this is my favorite type of these films since “Pacific Rim.”

     The film was directed and written by Nacho Vigalondo and produced by Nicolas Chartier, Zev Foreman, Dominac Rustam, Nahikari Ipiña and Shawn Williamson.

      The story involves Gloria (Anne Hathaway) getting kicked out of her boyfriend’s apartment in New York after her life of drinking and joblessness has come to a breaking point. Having nowhere to go she returns to her childhood home where her childhood friend Oscar (Jason Sudeikis) gets her a job at his bar. She soon realizes that the recent monster attacks in Seoul are from her as everytime she enters a playground the monster appears. From here she must deal with the consequences of becoming the monster while facing addiction and abuse.

SPOILERS ahead

The Pros: The Premise – The premise is powerful as the idea of someone controlling a monster when they enter a certain area is really neat as it allows for human psyche to be explored. The monster works as metaphor and lends power to the themes of addiction, abuse and going from selfish to selfless.

An Exploration of Abuse and Recovery – The main arc is Gloria getting over her alcohol addiction when she’s kicked out of her apartment in NY and returns to her childhood home where she reconnects with a childhood friend who starts gas-lighting her (as he does his other friends). It comes to a head when she realizes that in the park she becomes a monster and begins getting her life back on track when she realizes her drinking and walking through the park is killing people. As she realizes how toxic her boss is she tries to leave but he finds that he becomes a giant robot in South Korea so begins destroying Seoul or threatening too if she leaves the town. At this point she’s over her addiction and now it it getting rid of an abuser which she does by leaving to South Korea and in doing her Monster appears in the small town and throws him away, ending his threat and in turn she finally has freedom as she has cut out the addiction and stopped the abuse.

 Okay: The Location of the Monsters – Narratively it honestly would have made more sense for the Monsters to be fighting in NY since that is where Gloria leaves from when she is causing a lot of damage to those around her when she leaves. Because the location is South Korea we don’t get the perspectives of any of the South Koreans unlike traditional Kaiju movies where the people in the location are the ones who drive the plot and story. It was still okay as her going to South Korea was powerful and underspoken, no one knew she was the Monster so to the people of it was very much it’s own thing (she never gets credit for being the monster outside of her small friend group), a being in and of itself not being controlled but acting as a protector. If she’d been Korean it would have made more sense that the Monster was located there…instead her only connection is a school project to honor South Korea where her and Oscar get their powers. Again, it wasn’t bad but it still could have been better. She’s from NY so put the Monsters in NY or have her be Korean so we can get the perspective of the people there outside of news reports…and so it makes what is happening even more personal.

     As I said before, this is the best monster film I’ve watched since “Pacific Rim.” This is a film that is intelligent, explores big ideas and has really rich and flawed characters. The villain feels like a threat and someone you’d meet in real life and even my one issue with film is more of a nitpick, which really comes with being a critic. Go and check this film out if you have the chance. I saw it at Salem Cinema, the indie art house in my town, so that is probably your best bet for catching it…though if it becomes popular it will no doubt get the wider release it deserves. I highly recommend this film and hope we see more smart films like this in the future as this is easily one of my favorite films to come out this year.

Final Score: 9.7 / 10

iBoy (2017): An Animesque Film That Explores Trauma and Healing

   “iBoy” is a decent film. It’s a made for Netflix film, which I’ve noticed has come to mean they are working with a limited budget, but this film makes the most of it by having a smaller cast, which leads to some great character exploration for our leads, as both of them are given arcs that have good payoff.

    The film was directed by Adam Randall, written by Joe Barton, Mark Denton and Jonny stockwood and produced by Gail Mutrux, Nate Bolotin, Emily Leo, Oliver Roskill and Lucan Toh.

   The story takes place in London as lonely teenage boy Tom struggles to fit in and find purpose. With prompting from his friend he goes out with Lucy, a friend and long time crush. Sadly he arrives when her house is being attacked and she is being assaulted by faceless gang members. When he runs they shoot him leading to parts of his cell phone getting lodged into his brain. When he wakes he finds he has developed powers and begins to hunt down the men responsible as Lucy works through the trauma of all she went through.

SPOILERS ahead

The Pros: The World – The world feels a lot like Gotham as the gangs are pretty powerful in this and you get the idea that they own city, which is why Tom becoming iBoy makes sense. I could have spent more time in this world given there are only 3 characters who really get explored.

The Special Effects – The special effects are cheap but effective and I like how they show what is on the screens of phones when iBoy is hacking devices or noticing the world around him. It gives the world a cyberpunk feel.

The Main Characters – The three main characters who get explored are really what carry the film. Maisie Williams is the strongest actress in this, while the guys work but aren’t nearly on her level or have her range. They still do a decent job with what they have to work with though.

Danny – Danny is in with the gangs and is Tom’s friend…we soon see it is a false friendship by the end as he sell’s Tom out for money to the leader of the gangs and was the one filming the rape of Lucy at the beginning (it is implied anyway). I wish he’d faced some sort of justice, as everyone else in the film does.

Tom – Tom is the nerdy outcast who develops confidence when he gets superpowers. He is very much a Peter Parker analogue, and he works in that way as it is going full vigilante that leads to him forgetting Lucy, the reason he went vigilante in the first place. In the end he comes back though and works with Lucy as it is together they take down the gangs as he discovers his full power (he can turn himself into an EMP beyond just hacking tech. and manipulating electricity).

Lucy – Maisie Williams is an amazing actress, and thankfully she isn’t exploited in this as her rape by the gang members could have ended there and Tom’s story be the only arc since he goes vigilante. Instead we see her face her fear of going outside, trusting people again and she even confronts the monsters who did it and lets them live, showing she’s better than them and that she isn’t a killer. Her story is the strongest in the entire film and unlike a lot of animes where she’d just become an object to inspire iBoy she is a fully realized character.

Healing from Trauma – The film shows that healing from trauma and abuse isn’t easy and takes time. Both Tom and Lucy (who experience very different types of trauma) find one another and in the end Lucy is the one who really goes through healing as Tom just gets obsessed in his rage until the end. This is a process that is different for everyone, but I found how they expressed arc to be powerful and empowering as she takes control of her life again and empowers those around her and herself.

Murder versus Mercy – Murder versus Mercy is a huge theme in this as everyone who is bad (the gangsters) are all killers. iBoy gets close at times and it is his walking close to this that the film presents as a negative as Lucy doesn’t want him to lose his soul either.

Okay: Tom’s Grandma – She writers erotic fiction and her daughter was a druggie and she is worried about Tom…I wish all of these things could have been explored more as she doesn’t feel like a fully realized character.

The Cons: The Big Bad – The guy is a one-dimensional dude who just wants power. The only unique thing about him is he wants to use iBoy to get his money back and become even more powerful. It is implied he might be Tom’s dad but it doesn’t go anywhere. He was really a waste of a character…the lesser gang members were too outside of Danny.

  This is a film worth checking out if if you like cyberpunk or super hero films as it very much captures both those genres. In many ways ti feels like an anime, as the main character is a recluse who gets special powers whose drive is a love interest until his obsession becomes his drive (reminded me a lesser Lelouch from “Code Geass”). Maisie Williams was the best part of this film though as her arc of healing is actually explored and she isn’t just an object to inspire Tom and his motivation. They are partners and that is what made the film enjoyable as the villains are pretty weak and aren’t very fleshed out.

Final Score: 7.7 / 10

Split (2017): Dropped Arcs and an Unfocused Theme Bring This Film Down

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   “Split” is a film that could have been good, hell it even could have been great if it hadn’t missused and jumbled up it’s themes and characters it would have been as the acting in this is steller and the dialogue works. There is no reason either of these things should be he case given M. Night Shyamalan’s track record as of late.

    I haven’t watched a Shyamalan film in theaters since “Avatar: The Last Airbender,” if you’ve been reading the blog you’ve probably seen some of my reviews of that show. It is one of my favorites and what Shyamalan did to it was an insult to the show and art. I never knew someone could miss the point of the source material so bad that it would make Michael Bay’s “Transformers” look good by comparison…but Shyamalan succeeded and up until last night I would not watch his films in theaters.

     M. Night Shyamalan wrote and directed this film and was one of the producers along with Marc Bienstock and Jason Blum.

    The story involves Kevin (James McAvoy) kidnapping three girls as a sacrifice for his 24th personality called “The Beast.” It is up to Claire (Haley Lu Richardson), Marcia (Jessica Sula) and Casey (Anya Taylor-Joy) to find a way out as at the same time Dr. Fletcher (Betty Buckley), Kevin’s psychologist seeks to find what Kevin is hiding from her.

SPOILERS ahead

The Pros: The Idea – The idea of a character who holds multiple personalities that interact with another and worship a stronger mysterious one is compelling as is the teenagers escaping from a threat and having to face the monster.

The Writing – The writing is actually really good. When things are told to you they are in the context of Dr. Fletcher speaking before a classroom so show is on display. The same goes for the different personalities. We are shown rather than told who they are.

The Characters – The characters are the strongest part of the film and keep it from being bad. It is really the dropped arcs that ruin them not the characters themselves.

Dr. Fletcher – Dr. Fletcher is a great character! She is helping Kevin find balance among the personalities and interact with people normally, but she isn’t stupid either. When she is getting red flags from him she writes down how to fight him before he kills her.

Claire and Marcia – Claire and Marcia are initially presented as “mean girls” but over the course of the film you see their courage and empathy, both with one another and with Casey. That should have been rewarded as it is the relationship that develops between the three of them that shows beautiful solidarity and shows different facets of who they are.

Casey – Casey is the heroine of the story whose arc it seems at the beginning is facing her Uncle who raped her when she was a child and is to the point of the story taking place. Kevin capturing them is a claiming of her agency as we see her fight back when she wasn’t able to before. Sadly we don’t see her get justice against her uncle and she doesn’t kill Kevin (he escapes and lets her go). God, she deserved justice and that seems to be what the story is setting up but fails to deliver.

Kevin and the Identities – Kevin and his multiple personalities are intriguing. Some are more sympathetic than others like Hedwig who is a scared 9 year old but than you have ones like Dennis and Patricia who worship the beasts and still power from the other personalities. They are called “The Horde.” They eventually win out and become dominant as “The Beast” who arose out of time around the animals in the zoo where Kevin works chose to protect them. The ending has them on the loose. James McAvoy is an amazing actor and this film truly displays his range.

The Cons: The Cinematography – The cinematography looks cheap and awful. It looks like a syfy film in how the colors are off or over-saturated.

Exploitation of Rape and Trauma – Casey’s rape and trauma are exploited in this film as she doesn’t get justice for either and Kevin praises the fact that she’s broken from it. There is nothing good about that as it misses just how evil these things are.

Dropped Character Arcs – The sisterhood arc with the girls is dropped as two of them get eaten, Casey never gets justice against her Uncle or Kevin and Kevin just gets controlled by the bad personalities…what a waste. No ones arc is complete.

Exploiting Dissociate Identity Disorder – This is a real thing that people go through where what is presented in the film is more like science fiction. If you want to know more about it read and research, don’t take this film in any way as reality as it is just exploiting a disorder that is not known very well.

     This was a film that could have dealt with healing and Casey finally having justice done against her Uncle after she defeats Kevin who has kidnapped them and wants to eat them. Instead Kevin is turned into somewhat of a hero and the fact that he was traumatized is presented as a con? That is some serious messed up crap. He is not someone who should be sympathized with, he hate two girls. The best writing and acting can’t save this film because it misses the point. Casey is never allowed to heal and or have justice when it seems to be setting it up to be the case and the sisterhood that is forming between her friends is for not. This isn’t a bad film but I can’t really recommend it either. This is a film with missed potential that could have been so much more.

Final Score: 6.3 / 10

Sherlock – Series 4, Episode 2 – “The Lying Detective” – Character Development and Confession…This was Needed and Succeeded

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“The Lying Detective” is up there with one of my favorite episodes in “Sherlock.” This is an episode that captures the best parts of what made so much of Series 2 work. What drives this story is the core relationship between John and Sherlock, especially as it relates to family aka Mycroft and Mary. This gives it power as there is an underpinning of vulnerability that pervades the entire episode.

The episode was directed by Nick Hurran and written by Steven Moffat and produced by Sue Vertue.

The story involves Sherlock regressing back into addiction as he seeks to take down a man he suspects of being a serial killer (Culverton Smith). John hasn’t seen him for weeks but finds himself pulled back into Sherlock’s game as the plot to take down Culverton unfolds.

SPOILERS ahead

The Pros: The Set-up – The episode starts out with Culverton confessing to his friends he’s a killer and wiping their memories of the incident. Immediately he is established as a powerful antagonist and we get Sherlock’s obsession with him.

The Cinematography – The cinematography is once again beautiful, it continues to be one of the strongest aspects of this show.

The Action – This is an action heavy episode and the tension stays high through everything. I honestly didn’t know what would happen at times and that made the narrative stronger.

The Soundtrack – David Arnold and Michael Price’s score is really on display this episode as we get the haunting terror of Culverton the drug fueled isolation of Sherlock and John’s loneliness. The music feeds the narrative and strengthens it.

The Characters – The characters have always been the best part of the show and thankfully Moffat manages to develop many of them this episode, rather than keeping them static.

Molly – Molly appears briefly and does a good job at balancing out John as she is the second Doctor who John requests before he’ll help Sherlock take down Culverton.

Culverton Smith – Toby Jones is so good at playing creeps. In this we see his obsession and safety in being a billionaire and tied to politicians and businesses. It takes Sherlock entering Hell for him to confess what he’s done though when he is caught he shows that he’s been holding all this in and still feels happy as he’ll be even more famous once him being a killer comes out. He’s a sick individual and it makes for an interesting character.

Mrs. Hudson – Mrs. Hudson helps bring John and Sherlock together as we see she has a nice car (her drug lord husband) and that she doesn’t take crap from anyone. This is a great Mrs. Hudson episode as we see how she notices things and knows Sherlock and Mycroft better than anyone. It was a nice twist and it added a lot of depth to her character.

Mycroft – Mycroft is a lizard for most of this episode when he isn’t looking after Sherlock and trying to be a good brother. We also see that he’s trying to protect his sister, which John first figures out in the episode. There is more to this reveal than anyone knows though as shown by the final reveal.

Sherlock – Sherlock goes into Hell to take down a killer and to seek out John again as we see that he really does act from emotion and isn’t detached from it. This instability is explored deeply in the episode as we see him question reality even as he is getting more connected to other aspects of reality. It’s tragic in many ways and I felt for him when he finally starts dealing with his addiction and John forgives him. Sherlock finally shows affection which we see he’s always wanted to some degree (whether from Irene or John).

John Watson – John is dealing with loss this episode as he sees Mary in his mind’s eye and talks to her. He is dealing with anger, denial and sadness and also shame and regret for the affair he had. After he confesses this to Sherlock mind Mary leaves and we see him begin to heal as it is also only from him arriving that he saves Sherlock from Culverton (a callback to the first episode of the series when he stops another killer).

Eurus – Eurus is the other Holmes and has embraced the mind fully as we see her as John’s therapist at the episode’s start. We don’t know her motivations yet but she helped take down Culverton and at the end of the episode is about to shoot John. There are Moriarity aspects to her and I really want to know her more as she is a villain with a lot of potential.

The Reveal – Eurus is Mycroft and Sherlock’s sister! This was cool as she’s John’s therapist and we see that she was playing everyone. We don’t know her motivation yet but the hints that she might not be all together there and Mycroft’s fear of her leave a lot to hope for. Moffat writing her helps mellow out the hype though. He’s set up a lot of badass female antagonists and failed to have them payoff.

Confession and Healing – A core part of this episode is confession and healing. Culverton’s confession to his friends is what leads to his demise as it gives Sherlock what he needs to take him down, John and Sherlock confessing to one another leads to healing with them both feeling the loss of Mary and helps reestablish their friendship and gives us the heart and theme of the episode.

Okay/Con: Everybody is Getting Together – Lady Smallwood gets together with Mycroft and it implies it could be serious someday, John wants Sherlock to get together with Irene when he learns that she texts him. This is cute in some ways but having everyone hook up had romantic comedy aspects to it that took me out of the episode.

The Cons: Pacing – There are some pacing issues, it starts out strong has great rising action but sort of teeters off when John sees the confession tape from Mary and when Eurus reveals herself to John to shoot him. If this had been a bit smoother the episode could have been perfect.

This was Moffat once again at the head of his game. Every major character gets development and Sherlock’s psychology is explored and isn’t justified. This is a story that wants to explore the darker parts of human nature and what humans are capable of, and it succeeds. It isn’t a perfect episode as the romances that get set-up through the episode feel a little off sometimes and it does have pacing issues, but that doesn’t take away from the core power of the narrative and character development that takes place. This was such a great episode that really captured the core relationships and mystery, which made this show so great in the first place.

Final Score: 9.5 / 10

Mad Max: Fury Road (2015): Healing, Redemption and Actions That Matter in a World Gone Insane

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       “Fury Road” is beloved by the critics for so many reasons. This film is the second film I’ve reviewed for 2015 and it blew “Age of Ultron” out of the water, and most of the action films I have watched. Rarely do you see a film that manages to mix philosophy, character development and action so seamlessly and mastering the art of showing and not telling. There are moments where history is told in a glance and where you see the character relationships change from the circumstances around them. Suffice to say, it is amazing that after 30 years away from his Franchise that George Miller managed to create the best film from that world yet.

     The film was directed by George Miller who was also one of the writers and producers of the film. The other writers were Brendan McCarthy and Nico Loutharis while the other producers were Doug Mitchell and P.J. Voeten.

SPOILERS AHEAD

     The story involves the capture of Max (Tom Hardy) and him turning into a blood donor for one of Immortan Joe’s (Hugh Keays-Byrne) War Boys Nux (Nicholas Hoult). He is pulled into a larger purpose and freedom when Furiosa (Charlize Theron) escapes with the wives of Immortan Joe to bring them to freedom and the Green Place. From here and Nux must make a choice and rethink their beliefs as does Furiousa when she soon realizes that there might not be a safe place for them to return.

The Pros: The Cinematography – The cinematography is beautiful! The vehicles are shot like their are mobile homes and living creatures and they have life to them as people use them to protect and to attack and each vehicle has distinct personalities. From the spiky vehicles that belong to the Vultures, and the other factions that follow Immortan Joe. John Seale did a great job.

The Action – This is an action film and the action is seamless. We see this mostly through the eyes of Nux who soon realizes his God Immortan Joe who conditioned him since he was a child to worship him cares nothing for his well being and leaves him trapped on the War Rig. We see him fight off the vultures and he is the first to attack multiple times as well as rescued by Max (due to chaining max to himself for his blood and later by the wives). It is through his eyes we see the insane see more than death and destruction and each battle shows how he grows and changes into someone who is willing to risk all for the good. The action doesn’t stop until the end but gives moments of reflection too.

The Soundtrack – Junkie XL did a fantastic job on the soundtrack! It is classical meets heavy metal with the right moments for silence too, such as when Furiosa finds her childhood home gone and everyone she knew dead and the intensity of the action scenes as cars explode and War Boys leap between vehicles to get at the wives and destroy Furiosa, Nux and Max. The soundtrack like the action doesn’t let up until the end. Also the War Boy playing the electric guitar that spouted fire was worked seamlessly into the soundtrack as he was the one playing it and whatever affected the guitar and him affected the music.

The World – The world is rich in this and the most fleshed out compared to any prior film. There is Immortan Joe and the Citadel, the Canyon Bikers, the Vultures, Bullet Farmer’s faction, the Mothers and others. It is a rich world so much at stake where in a moment the rest of the world could be destroyed by the factions seeking to survive or to destroy one another. This post-apocalyptic world leaves no room for hope yet in it hope is created through the healing and redemption of Max, Furiosa, Nux and the Wives. Within this world we see the Mothers who worship life countered by Immortan Joe and his cult of death where his drugged out warriors are taught that if they die for him they will be celebrated in Valhalla and live again.

The Characters – The characters are all rich and distinct and wonderful to see on the screen. I can’t think of anyone who did a horrible job as each character fit their role well and what happened to them changed relationship dynamics between factions and people. Whether it was Max no longer being guarded or the wives giving them all hope as each sought healing in their own way, each of protagonists was distinct and our villains were memorable too from their design to their horrendous actions and power.

The Wives – Angharad (Rosie Huntington-Whitely) is the leader of the wives and the who risks her own life to save Furiosa and Max. This causes conflict among the others but we see she was the one to get Max first beyond himself as she was risking herself and her child to make a better future and stop Joe. This is later picked up by Toast (Zoe Kravitz) and Cheedo (Courtney Eaton) who take part in the battle and help Nux to heal and find peace beyond his cult conditioning. They also struggle against their own desperation and find mentors in Furiosa and the Mothers who with their help and them taking the fight to Joe become the leaders of the Citadel and free the slaves.

Immortan Joe – Joe is a monster. He has a harem of breeder wives who he rapes and who he sets his army on because he sees them as his property. He has a great design with skull like teeth and tubes covering his lower face and we see that he has bought what he has sold his people. He believes he is a God and sings praises for his lost son when Angharad is killed when defending the War Rig. He cares nothing for the wives or his people and everything is for his glory and pride. Hugh Keays-Byrne does a fantastic job and his character is much more threatening than Toecutter who he played in the first “Mad Max” film. He’s developed a lot as an actor and he’s working with a far superior script.

The Mothers – The Mothers are awesome and are the group that Furiosa is a part of, sadly the world is gone and is now a toxic swamp but the Mothers still keep the seeds and give the wives peace that they have never had. They also fight to take the Citadel, with Valkyrie (Megan Gale) and Keeper of the Seeds (Melissa Jaffer) dying in the process. They are powerful and badass figures, riding motorcycles and covered in bullets. They adapted to the world around them and didn’t fall when the Green Land fell.

Max – Tom Hardy owns this role. He is clearly Max and like Gibson before him is the outcast pulled into situations out of his control where he comes in and acts as a protector and finally gives into hope before disappearing. In this we see him deal with his trauma and PTSD as the wives comfort him and Furiosa shares and understands his loss as we see her despair at everything she lost when Joe kidnapped and destroyed her family. They are similar and help each other heal by protecting the wives and in turn empowering them to fight. Much like past films though Max does not stick around as when the Citadel is free and Furiosa and the Wives are the leaders he leaves to continue his fight as the Road Warrior.

Nux – Nux is a War Boy who is devoted to Joe until he fails in capturing the War Rig and Max escapes. From here has to rethink everything which the wives help him to do. From here he becomes a hero and helps free the truck and in the end risks his life so that Joe’s forces will not retake the citadel. Nicholas Hoult does an amazing job. I really liked him as Beast in “Days of Future Past” and “First Class” but he is even better in this. His character drives the story as his redemption shows that even the broken can become more than their conditioning and even the most hated can be loved.

Furiosa – Furiosa is the primary protagonist and Charlize Theron owns this role. She’s the badass with the robotic arm who can take on multiple people at once but is still human and vulnerable. We see her break down when she learns the crow infested swamp was where the Green Land once was and her resolve when Max reminds them of the water at the Citadel and that they can still fight for the Green Land that does exist without traversing the unknown Wasteland. She is the one who keeps Max accountable too and trusts him even when he is holding a gun to her head and acting paranoid. She helps him find his humanity and he in turn saves her life with his blood as she had saved him multiple times. In the ends she ascends as leader of the Citadel and through her killing of Joe frees all the slaves of the Citadel arriving as it’s conqueror with the Wives now also as leaders.

The Struggle for Equality – This movie is all about the struggle for equality. Women and children are things and tools for Joe and he only sees how he can use others. It is the rebellion against that with the wives fighting for a better place and Furiosa seeking revenge for the Green Land Joe destroyed that help bring about freedom for every man, woman and child. There is sacrifice along the way too as Valkyrie, The Keeper of the Seeds, Angharad and the men who first traveled with Furiosa fall to the barbarians ruled by Joe or by selfishness who make up the Wasteland.

Healing and Redemption – Healing and redemption and their possibility is a major message and theme of this movie too. Nux is a thug but he is also just a boy who changes when his “daddy” leaves him behind and he realizes he was nothing to the man he saw as God. The wives help him to heal and accept him by only killing in self defense and he in turn fights for them because of their acceptance of him. He even is able to form relationships and fight for others and see Max as a human, not just a blood donor. Max and Furiosa find it through their shared pain and in it find hope, the hope that the wives always remind them of and the future they fight for…the unborn who don’t have to live in the hopeless world created by the monsters like Joe.

     I’ll be very surprised if I see a better film than this one this year. The soundtrack, cinematography, action, characters, world and story were all perfect and had a point beyond just explosions and cars. There was philosophy intertwined in the action and the actions that happen change characters and made them grow. This is what I think of when I think of the perfect film. The message is timeless the characters are amazing with Immortan Joe, Furiosa and Max being truly timeless. I can’t wait to see what George Miller does with the rest of the series he has planned. He didn’t come back to this series for 30 years, but when he did he made something that was truly memorable, powerful and unforgettable. I highly recommend this film.

Final Score: 10 / 10

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