Hellboy (2004): A Solid Overall Arc That Drags in Parts With Missed Opportunities

Hellboy Poster

   Guillermo del Toro is one of my favorite directors and I’m glad he tacked the “Hellboy” comics as they are a lot of fun and I like the subversion of what it means to be a demon in popular culture that these comics do. Hellboy is a flawed human whose issues of anger are made worse by what he was born as, but it doesn’t wholly define him, so he gets actual character arcs in the films he’s had thus far. These are solid films, I wouldn’t call the first one great, as it does have a few things that bring it down from being that, but it is good.

      The film was directed and written by Guillermo del Toro with the producers being Lawrence Gordon, Mike Richardson and Llyod Levin. Peter Briggs was the creator of “Hellboy” and also worked on the initial story with del Toro.

     The story involves Hellboy’s (Ron Perlman) arrival on Earth when the Nazi’s led by Rasputin (Karel Roden) are using a Portal and magic to bring about the end. It is here his adopted father Trevor (John Hurt) takes him in as they must deal with the fallout of the failed Nazi Plot and the fact that their enemies aren’t through with Hellboy yet.

The Pros: The World – The world is amazing and captures the look of the comics really well. The fact that Guillermo del Toro was the one creating in this world is to his credit as he clearly loves it. The visuals are stark and everything feels like it is from another world at the right time.

The Soundtrack – Marco Beltrami is fantastic and manages to capture both the magical and historical mixture of aspects that make up the film. Whether it is the opening or even capturing humorous moments, his score captures them brilliantly.

The Cinematography – Guillermo Navarro does a wonderful job of bringing the visuals of del Toro’s imagination to life as each scene feels like it is out of a comic book and tension is created in how the shots are set.

The Characters – The characters are the strongest part of the film outside of the world and design.

Agent John  Myers – Myers is one of the blander characters but he is our outsider perspective of the Bureau of Paranormal Research and Defense in which Abe Sapien and Hellboy are agents for. He is good at showing the wonder at each new revelation and at his core is a good guy.

Liz Sherman – Liz has an arc outside of Hellboy but her relationship to Hellboy really drives the plot. Her main arc is learning to control her powers and to face the anxiety she has attached to it from all the people she has hurt.

Abe Sapien – Abe doesn’t really have an arc in this but gives us the alien Spock perspective as he doesn’t have the unstableness of Liz and Hellboy. I liked his character a lot and wish more could have been done with him as he showed himself to be the brains of the operation multiple times.

Trevor Bruttenholm – John Hurt plays Trevor, who is the leader of the Bureau of Paranormal Research and Defense and has a great arc as it is through him we meet all the villains and the one who truly cares for and loves Hellboy. It is Trevor’s love that helps Hellboy find himself when he is being used as a weapon by Rasputin and even though he is killed, his legacy lives on through his team.

Grigori Rasputin – This villain was good but not great. He fits the standard evil wizard trope but with demons…but shows he can be more too as he clearly loves Isla and is devoted to the cause as he was granted immortality by a demon inhabiting his body. I felt more could have been done to explore his motivations and backstory, but he works as someone who does have some level of honor.

Karl Rupert Kroenen

Karl Ruprecht Kroenen – This Nazi assassin is one of my favorite characters. He looks like Voldo from the Soul Series and no matter how many times he gets killed he keeps coming back. He’s a masochist who lives for inflicting the pain he feels on others and is a zealot. This is the guy who kills Trevor and has the highest kill count of our heroes. I was hoping he’d survive this film if they decided to bring him back since not only does he have a great design but as a villain he is very much his own perfect terror.

Hellboy – Ron Perlman really does a great job as Hellboy, a teenage demon just trying to do right by others and himself while still dealing with anger issues and a big ego. The character has a big heart that shines through multiple times as we see him become more fully aware of his issues and face them over the course of the film.

Okay: Isla Haupstein – I liked her character as she brings back Rasputin, sadly that is all she does though. I wanted to know her motivations beyond her love of Rasputin as she deserved more and Bridget Hodson does a great job with what little she is aloud to do.

The Demons – These guys are tentacles, except Hellboy, which is boring. The Hellhounds did look cool though and they did feel like a threat even if they didn’t have all that much variety.

Cons: Women Only Exist to be in Relationships – Liz and Isla largely exist in the plot in relationship to the ones who love them. Everything they do is a reaction to this which doesn’t give them a chance to be full characters in their own right.

Pacing – There are times this film really drags. Many scenes could have been cut and would have brought the film’s score higher.

Faceless Agents – So many agents get killed and none of them really stand out besides Myers. The rest are Red Shirts and exist to die to establish a threat.

   This is a solid and flawed film that is well worth checking out, especially if you are a fan of del Toro you will probably enjoy this. The designs are fantastic and Kroenen is a great villain. I loved his design. Hellboy is also a great flawed protagonist dealing with the role everyone wants him to play (both good and bad) and growing up since he is pretty much a teenager in a whole new world. I wish the women had been written better as Isla fascinated me and Liz seemed to exist to be with Hellboy, though I’m glad they had her face her anxiety and grow from it. Del Toro is one of my favorite directors and this film illustrates some of the things he excels at in his films.

Final Score: 7.8 / 10

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